The first Wednesday of every month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.
Love in the Time of COVID
It goes without saying, few people living on the planet today have experienced any year quite like 2020. It’s almost a numerical thing, isn’t it? Or maybe just a numerological thing. Like we could see it coming a mile away, 2020, the year of perfect vision. Or of perfect integration of all the things we used to blindly ignore.
There’s a hell of a lot of old neurotic dead weight coming to the surface, both for individuals and for us as a collective. It brings to mind the basic processes involved in psychotherapy. Very often, the goal is to dredge up, edify, and to therefore let go of past hurts. Then we can move forward, better than before, ready to face the world again as new people. At least that’s the idea.
Is it possible that’s all this is? A chance by the cosmic forces that be to enlighten us through just a pinch, just a little skosh of what feels like outright torture? Have you been trapped in your house for three months straight? Were you used to being so homebound? Used to spending excessive amounts of time with the people you love? It strains the credulity of the value of being social creatures, doesn’t it? This is love in overdrive, folks. The rubber hits the road right about now.
Some people think love is a chosen thing, but I learned better long ago. Love is something given to you. You can’t help who you love. I’m not a father and I have no other dependents. I’ve been holed up with my wife, just the two of us, and it’s pushed us around here and there. I don’t mind admitting there’s been a few harmless spats, because I’m sure you can relate. It doesn’t mean there hasn’t been plenty of moments of fun and warmth between the pair of us. We’ve been watching old movies and chatting all day like we used to when we first started dating. That’s been wonderful. I’ve learned more about who my wife is now than I ever bothered to find out in the entirety of last year. People are constantly changing, and one of the secrets of a successful long-term relationship is to allow each other to grow up. Just a little bit. No one wants actual adults floating about. Heaven forbid.
We’re all such busy little bees, buzzing around, accomplish this task, fulfill this obligation, run this or that errand, put out this fire and then drag our attention to the next. When was the last time any of us had to sit down and face-to-face acknowledge all the people in our lives? In today’s modern society, not very often, not like this. Maybe you have no idea what I’m talking about. Or perhaps you know too well.
My wife and I have chosen productivity over boredom. I mean, for crying out loud, how many times can you watch all the Star Wars movies on Disney Plus? For starters, I’ve been working on final edits for my latest novel, so that’s kept me busy. She had this idea for a radio-style animated YouTube show featuring angels, demons, and a fictionalized fantasy world, and for my contribution to her concept, I wanted to play with my old monkey.
Sorry, I should qualify that. Years ago, I wrote a short story I liked very much about a detective robot and his hyper-intelligent gorilla companion. The robot was fun, but Gorilla Todd, as he’s known, is one of my all-time favorite personal creations. So he’s going to be a main character on this show, and I’ll also be writing some companion novels about him, ‘cause Hey, Mack, a gorilla’s gotta eat.
That’s the plan. My wife is the artist and craftsperson, so she’s been drawing up maps and concept images, while I’ve been plotting scripts and outlining in my head where I’d like to take some of these stories. It’s been fun being collaborative with her. Though we’ve been married ten years, and we’ve done and seen everything together, we’ve never actually been creative as a team before. It’s an opportunity we might have otherwise missed. So that’s a blessing right there. Love in the time of COVID, you know what I mean?
But doesn’t that just make me a busy little bee again? Am I avoiding the chaos that seems to be raging in all parts of the globe by choosing a large creative project that will likely take the two of us months to gain any ground on? Quite possibly. Love, you see, needs breathing room. It’s just like fire. Suck all the oxygen out of the room, and the damn thing goes out.
And I’m aware, of course, that there are many people right now who don’t have anyone. I’m aware, for instance, that lots of relationships are currently taking a nosedive. Situations you should’ve ended long ago are ending very abruptly, and then you’ve got no one to synchronize surgical masks with when you’re out buying dog food and driving past your favorite movie theater, staring with jealous resignation at its pristine, empty parking lot.
Be careful with your love right now, folks. That’s the message I hope to impart with this post. Protect it fiercely. And if you are the creative type, head in the direction of new horizons for you and your art. Trust me, a nice afternoon of writing after being glued to the news all morning can be a wonderful salve. And, ehem, let’s not forget to use our bodies. Love can help out there, too. I don’t need to go into detail. Suffice it to say, if you are locked away with your partner, neither of you needs to starve for affection.
Yes, you might be saying, but what about unrequited love or love that’s gone cold? What if you’re in a situation right now that’s broken your heart and made you feel small? I’ve been there, man. We all have. Certainly, you can find a trusted friend to whom you can divulge all your longing and pain. See what I mean about love not being something we should take for granted? It’s everything, permeates all walks of life, yet it can up and vanish on you like a flash storm.
The truth is creativity and love go hand in hand. Just like you couldn’t help falling for your one true immortal beloved, you can’t help falling for a creative project that excites and motivates you. That’s the ticket, quantifiably so. We’ve got to love something if it has any chance of growing up big and strong. Works for people, books, paintings, songs. Works for everything we do and make and choose to be in this life.
Like I said, I have no children, but if I did, I imagine I’d be having an extra challenging time right now. It’s no wonder so many people are ill-tempered, lashing out. Society has been thrashing around on issues of race and inequality, civil rights, gun rights, freedom of speech, freedom of the press, freedom of this, freedom of that, and we’ve been doing it for hundreds of years, so don’t get it twisted. What you’re seeing on the news is by no means some spring chicken phenomenon. It’s led many to pontificate, where’s the love? We’ve come to 2020, that year of perfect vision, and we are being asked to finally open our eyes and see.
To actually see. What a priceless and burdensome gift.
All you need is love, as John Lennon once sang. Don’t forget to kiss the ones who matter most, let them know how you really feel, because none of us is guaranteed one more tomorrow. We tend to neglect this very basic fact. We neglect a lot of things. But the truth is, we’re all in this together, and if you think you know what the future will be, better buckle up, brothers and sister, because the ride gets even bumpier from here.
I’ll have more words to live by next month, folks. Until then, how about a song?
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeff’s “Words to Live By” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.
Nothing infuses energy into a story like a good villain. If you ardently hate a villain in a book you’re reading, then you’re hooked! You’ve invested emotion in the battle between good and evil, you’re waiting for justice to be served.
These wicked characters must get under your skin. They have to arouse a visceral sense of repulsion and fear, the way spiders and snakes evoke primitive terror, the way decaying fecal ooze repels the senses. Villains are difficult to write because we instinctively recoil from the dark sides of life and the more grotesque aspects of our selves. That dark side, that shadow, is the only place from which a truly compelling villain can emerge. We can’t tear off evil like a number at the grocery meat counter.
“Number Twenty Two!”
“Here I am. Let’s see. What have you got that’s horrible and scary?”
Let us pause and consider the concept of Evil. What is it?
I’ve parsed my own definition of evil to a simple formula: Evil is the inflicting of pain to avoid pain. Evil lays its destructive spell on those in its path because someone (or some Thing) has found reliable ways to scatter pain onto others. I exclude those beings who enjoy causing pain because it’s their nature. Such creatures exist, but not for the purpose of this essay.
Evil characters have malice and they have power. Many of them are concealed behind a facade of charm or apparently benign goodwill.
Evil people are trying to wriggle out from under a burden of pain by forcing others to feel that pain.
It’s not always so simple. Each of us is a composite personality. Our inner child is really a little car filled with squabbling midgets. The steering wheel passes from hand to hand, the brakes are fought over, the car veers crazily.
A villain takes advantage of the muddle of human nature by having a clear point of focus. A fixation, an obsession, a purpose. This purpose empowers the villain at the expense of ordinary people. Bad guys know who they are and why they act. In many narratives the hero struggles with doubt and obscurity of motivation. His struggle isn’t just with the villain; it’s with his own confusion. When he sees clearly, when he knows what he wants, he obtains the weapons he needs.
All through this post I’ve been thinking of two characters: Adolph Hitler and South Park cartoon nasty Eric Cartman. Hitler annihilated millions; Cartman is a fictional character in a television show. Yet they have attributes in common.
My emotions regarding Hitler are an historical abstraction. He’s become a universal symbol of evil. Cartman, on the other hand, keeps my guts in an uproar. I HATE the fucker, I loathe him! It’s a very personal engagement.
The lessons of Cartman are numerous. All of his actions are manipulations. He is completely without sincerity. He’s a bigot. There is no minority group who escapes his ire. When he’s told that white people have become a minority group, he simply doesn’t hear the message. This may be Cartman’s greatest signifier: his inability to hear anything with which he disagrees. Intellectual and moral deafness is a widespread symptom of evil.
Cartman, and villains in general, like to blame other people for their own emotional discomfort. This profound moral choice, to blame others, is a basic step into the world of evil. When writing a villainous character, it’s useful to give him someone to blame. Give him a scapegoat.
A villain can’t be frightful without power. It may be supernatural power, political power, military power, physical power, but a villain cannot elicit fear, revulsion and anger without significant power. It’s the abuse of power that sparks the reader’s anger. Most of us see power as a privilege that entails responsibility.
We get angry when power is used for gratification of the ego and the appetites.
Cartman’s power comes from several sources. He’s clever, inventive, without moral scruple and completely selfish. His mother gives him everything he wants because it’s easier that way. Cartman is a fatherless boy. His mother always takes the lazy way out; she gives in to her son’s demands. If I take South Park as a microcosm, a model for the larger society in which we live, Cartman’s mother represents economic power. She makes him rich in comparison to the other kids.
He has all the latest toys, the best video games and a total lack of supervision.
To further amplify Cartman’s power he has a follower: Butters. This sweet but witless innocent will go along with any outrageous scheme Cartman dreams up. Cartman generates momentum. While Stan, Kyle or Kenny may have qualms about Cartman’s ideas, Butters is always there to support him. The plan, the idea, the scheme always seems to run away with itself before it can be thought through.
Its consequences are never anticipated. The only brakes on Cartman’s destructive power are the other boys’ common sense and lack of malice. In the end, Cartman always brings himself to destruction, but he will never admit defeat. In some people this is an admirable trait. In Cartman, it’s merely irritating.
In Hitler it cost millions of lives. If Cartman were a real adult person he would be a frightful monster. Think what Hitler and Cartman have in common. Scapegoats. Blame. Moral and intellectual deafness. Unwillingness to take responsibility for errors in judgment. A will that generates great momentum, and attracts followers who are willing to obey without question.
In the episode called “Breast Cancer Show Ever” Cartman takes a schoolyard beating by a mere girl, by Wendy Testaburger. She played the righteous avenger when Cartman mocked breast cancer and persisted in telling hurtful jokes on the subject of breasts. When she established the time for the duel, when Cartman realized that Wendy was serious, he tried to buy her off. She would have none of it. In spite of the fact that Cartman was pounded to a bloody mess, he twisted events in his mind so that he won the fight, that he was still “Cool”, or “Kewl” in the eyes of his compatriots. Kyle and Stan told Cartman “You suck, you’ve always sucked. We hate you.” Cartman can’t hear these declarations. He is still Kewl.
This amazing deafness made me want to jump through the screen and pound the fat twerp to a pulp. My emotions were completely engaged. When a writer can raise the emotional stakes to such a pitch, that writer has succeeded in creating a compelling villain.
I have used a silly villain in a silly cartoon show to highlight the power of a good villain to propel a good story. Ignore Cartman at your own risk. He’s a first class little asshole.
People ignored and dismissed Hitler as a buffoon. We know what happened to those people. Monstrous villains have arisen throughout history. We are writers; we deal in fiction. The most frightening villains in fiction draw resonance from history’s tyrants. Lazy writers may imitate these tyrants in their narratives. Good writers draw villains out through themselves, knowing that each of us is capable of monstrosity.
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
Want to be sure not to miss any of Art’s “Mind Fields” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting or just entertaining, please share.
Rivalry and Inspiration
by Jeff Bowles
Marvel and DC Comics have been crosspollinating, competing, and succeeding together for decades. What began as an off-brand creation for DC, the birth of superheroes as we know them, eventually spawned a mega-industry convolving print media, film and television, video games, toys, corporate sponsorship, underoos, you name it. Together, the two powerhouse entertainment companies, along with their parent ownership (let’s not forget Warner Bros. and Disney), are responsible for billions of dollars of revenue and international commerce every single year. You see their most popular characters everywhere you go, Superman, Batman, Wonder Woman, Spider-Man, Iron Man, Captain America.
So is it a wonder, then, that when asked to tell the difference between the two comic book universes, most people honestly can’t decipher what makes DC and Marvel unique. The truth is, that crosspollination factor is very much at play. Read a batch of comics from each company week-to-week and you’re likely to find tonal and stylistic identicality. It’s a bit of a brand spanking new urban entertainment legend that DC is always dark and Marvel is always light. Not that case at all. In fact, the two competing companies more or less share the same pool of creative talent, so it’s only natural they do the flip-flop thing often.
But there are differences, right? I mean, there must be. Why, for instance, do so many DC characters wear capes? And why does Marvel tend to have a long tradition of Cold-War-era nuclear-radiation-themed heroes and villains? All of it, really, boils down to the eras in which the two pantheons germinated and hit their stride.
You see, DC Comics more or less invented the superhero with the publication of Action Comics #1. This was the first appearance of Superman, who was just different enough from other square-jawed comic protagonists of the time to birth an industry unto itself. Most of DC’s core character lineup can be traced to the year 1938, and to the decade or two that followed. Batman, Wonder Woman, The Flash, Green Lantern, Doctor Fate, The Spectre, Captain Marvel (now known as Shazam), all created by or incorporated into the DC Universe in what fans refer to as the Golden Age of comic books. And before you ask, yes, there is a silver age, which is when a company first known as Timely rebranded itself with a new outlook and a new creative modus operandi.
In 1961, the freshly minted Marvel Comics introduced The Fantastic Four, the success of which spawned more creations, like Thor, The Hulk, Black Panther, Doctor Strange, Ant-Man and the Wasp, and The Avengers. The impetus of the changes Marvel instituted came as a direct result of actions taken by—surprise, surprise—DC Comics. When DC revamped their aging golden-age superhero line in the late 1950s, Timely and then Marvel felt the need to pump up the bandwidth, as it were.
Here lies the crux of the matter: whereas most of DC’s heroes and villains had roots in mythology, noir, world war, and light science fiction, areas of entertainment particularly appealing to Americans in the 1940s and 1950s, Marvel took a much more grounded approach, one rooted in the realities of the Cold War circa 1961.
DC was a bit gun-shy about placing their heroes in the real world. They’d been punished for doing so before, by the federal government, no less, with the introduction of the Comic Code Authority. In their universe, the Cold War barely existed, or in the very least, it was handled with kid gloves. But for Marvel, it was essential as an ingredient for a new type of superhero pantheon that exploited a changed American mindset. The difference became even more crucial as the 60s progressed and social issues and politics came to the forefront.
The Fantastic Four, The Incredible Hulk, The Amazing Spider-Man, The Uncanny X-Men, Daredevil, All of these Marvel characters have roots in the post-nuclear age. Most of them were straight-up irradiated in order to receive their powers. The funny thing is, DC was so overwhelmed by Marvel’s real-world approach on both creative and financial fronts that they were forced to fight dirty and head straight into the storm. This is when Green Arrow’s sidekick became a heroin addict, Batman at last became the grim avenger we all know him as today, and even Superman had questions about authority.
As I said, crosspollination. It’s doubtful the two companies would exist in the forms we recognize today if not for the contributions and competition of the other, and I think the creators and staff at both Marvel and DC would be amongst the first to admit it.
As the years went on, of course, rampant similarity became the norm. Each company has its own distinct history, has made differing business decisions, big-tent pole story events like the Infinity Saga at Marvel or Crises on Infinite Earths at DC, but in the end, the real differences come down to when and where each set of core characters were birthed.
Being much older, DC has felt the need to “reboot” their characters and settings multiple times, which often leads to confusion amongst non-fans, particularly when it comes to origin stories, which can vary widely from one character iteration to another. Even big players like Superman and Wonder Woman have been imagined in so many different ways it’d make your head spin. Marvel has toyed around with this as well, though to a much lighter extent. The truth is, when you’re playing with DC, you never really know which version of any given hero or villain you’re going to get. The distinction is even more evident in light of contributions from Hollywood, which I’ll touch on next.
As most people on the planet are aware, Marvel is by far the most popular of the two companies in the year 2020. It has nothing, or almost nothing, to do with the comics anymore. Superheroes and supervillains have gone mainstream in a huge way, and Marvel reigns supreme at the box office. However, DC tends to have them beat on television. The CW, for instance, has an entire mini DC Universe with shows like The Flash, Supergirl, Legends of Tomorrow, Arrow, and new entries Batwoman and Stargirl. The Arrowverse, as it’s known, is not as good as some halfway decent mega-budget Hollywood movies, but hey, it works for most fans.
DC also has Marvel beat on the animation front. Marvel doesn’t really bother with this in a serious way, but DC has a long tradition of cartoon versions of their classic stories. They’re also less of a slouch in things like video games, or last they have been historically. Marvel launched a pretty massive Spider-Man game in 2018, and they’re following it up this year with an impressive looking stab at their flagship series, The Avengers. Coming to a home console near you this Fall, kids. Conglomerate synergy at its finest.
Well, that just about wraps it up for Superhero/Supervillain month here on Writing to Be Read. We hope you’ve enjoyed our comic themed articles all month long. Check back in the archives if you’d like to read more. Maybe we’ll do it again next year. 😊
I’d also like to say that no matter which team you prefer, Marvel and DC always have and always will do their level best to entertain the hell out of you. Both companies come from humble roots, and there have been times throughout the years money seemed more important to them than fans, but they usually come around to the right way of thinking. The gift of entertainment, it’s a high calling in my book. So much of what gives my life meaning as a writer is my ability to wow, shock, and please, and I owe a good portion of that ability to the likes of Marvel and DC. Thanks for reading, guys. See you on the flip.
Check out Jeff Bowles Central on YouTube – Music – Video Games – Music – So Much More!
You can keep up with all of Jeff’s posts right here on Writing to be Read. Subscribe to email or follow on WordPress today.
Today, I am delighted to welcome Annette Rochelle Aben to the Writing to be Read “Treasuring Poetry” series.
Annette has shared her favourite poem and the some of her thoughts about poetry.
Razors pain you,
Rivers are damp,
Acids stain you,
And drugs cause cramp.
Guns aren’t lawful,
Gas smells awful.
You might as well live.”
― Dorothy Parker, Enough Rope
No matter how rough you think your life is right now… getting out of it could be more distasteful. So, get over it and carry on!
I love the dark humor and sarcasm that actually help bolster emotional stability.
I would LOVE to be as talented (clever) as the late, great Shel Silverstein. [Shel Silverstein was a poet and musician known for children’s books such as The Giving Tree and Where the Sidewalk Ends.]
This man’s poetry entertains as well as educates. His poetry begs to be re-read for each time, you pick up on a different aspect of his messages.
Here is an entertaining example of Shel Silverstein’s poetry:
About Annette Rochelle Aben
I was born writing! At least this is how it seems. I had the good fortune to be published while a sophomore in high school, so continuing the journey by publishing books has been a natural course of events.
It is my pleasure to announce that the book I have just released is # 1 Best Seller! And that is: A Haiku Perspective 2018 which is available in both Kindle and paperback formats! Enjoy celebrating a year of my life as told using the framework of Haiku style poetry.
Angel Messages Two – songs of the heart, is a book filled with beautiful photos and remarkable tanka poetry. People LOVE this book because of the comfort it provides. Many have gifted it to others and been thanked over and over again.
A Tanka Picture Book is exactly as the name suggests. I took photos of a variety of everyday objects, works of art and nature, then wrote a tanka poem for each. I suggest this book for all the right reasons. It will entertain, provoke thought, stimulate conversation and be a great addition to your library!
I have chosen to release my annual haiku collection in time to celebrate National Poetry Month, in April. A Haiku Perspective 2017 is filled with smiles, laughter, wisdom and creativity, all cleverly disguised as haiku poetry. Enjoy!
My book, GO YOU – some encouragement when you need it, is a pep-talk in a book! Each page gives you a quick way to start your day, help you through a moment or even provide someone else words that can inspire them to a better life. We can all use a cheerleader, when one isn’t available, this book fits the bill!!
Most of the books I have published here are centered in poetry, Haiku poetry to be exact. Much of the feedback I receive about the haiku poetry is that people can really understand the messages and they appreciate that the poems are short and sweet!
Angel Messages – a wing and a prayer is my first book about Angels. Filled with photos, prayers, poems and prose of and about Angels, this book will delight any Angel lover in your life. Check out the reviews, people are drawn to the inherent inspirational nature of this book and as result is fast becoming their favorite. You can have it right away using the Kindle option or order a paperback copy (or two) and carry it with you wherever you go.
I mentioned that many of my books are filled with my poetry and several of them combine that with my love of taking pictures. Books that feature poetry and photos include Perspective, it’s all about replacing one thought with another; PhoKu, visual perspective haiku; and BooKu, Halloween haiku. Perspective has a wide variety of pages that can feature prose, poetry and nature photographs, while PhoKu is filled with the photographs I have taken in nature with Haiku poetry added to them, hence the title: PhoKu. BooKu is a “behind the scenes look at how Halloween decorations feel about their jobs. All three of these books are available in print and Kindle formats.
A Haiku Perspective 2015, and A Haiku Perspective 2016 are haiku poetry books. When I first experimented with the haiku writing format, I have no idea I would enjoy it as much as I do. These days, I am writing haiku daily and finding myself thinking in 17 syllables. You can find these books in both print and Kindle formats
There are several other books planned for release this year alone, So please, check back frequently to see what I have published and share what YOU are doing! Cheers!!
My review of A Tanka Picture Book
Annette Rochelle Aben writes the most beautiful and heartfelt poetry, most frequently in the form of tanka and haiku verse. Annette bares her thoughts, feelings and soul to the world with her writing and enables you to experience her joy and delight at living with her.
One identifying feature of Annette’s poetry is that she appeals to all five of the senses. I frequently find that poems focus on the visual, what the writer sees, but not that many poets manage to capture the smell, sound and touch of life in quite the way Annette does.
One of the poems in this book that filled me with delight is this one:
We found paradise
Filled with rolling hills of green
Houses so cozy
Paths strewn with flowers fragrant
Watercolor painted skies
You can purchase Annette Rochelle Aben’s books here: https://www.amazon.com/Annette-Rochelle-Aben/e/B00MSQTGUY
You can read some of Annette’s uplifting poetry on her blog here: https://annetterochelleaben.wordpress.com/
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have participated in a number of anthologies:
- Two short stories in #1 Amazon bestselling anthology, Dark Visions, a collection of horror stories edited by Dan Alatorre;
- Three short stories in Death Among Us, an anthology of murder mystery stories, edited by Stephen Bentley;
- Three short stories in #1 Amazon bestselling anthology, Nightmareland, a collection of horror stories edited by Dan Alatorre; and
- Two short stories in Whispers of the Past, an anthology of paranormal stories, edited by Kaye Lynne Booth.
I also have a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Goodreads: Robbie Cheadle – Goodreads
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
Want to be sure not to miss any of Robbie’s “Treasuring Poetry” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found it interesting or entertaining, please share.
In my theme post for this month, I admitted that comic books and superheroes are not my usually reading fare, but in the spirit of our May celebration, I felt the need to review outside of my norm. Echo One, by Mercedes Lackey, Cody Martin, Dennis K. Lee and Veronica Giguere is an anthology of short stories which are set in the Secret World Chronicles universe, which I am unfamiliar with, so in reading this book, I’m at a slight disadvantage. However, as I read through these delightfully entertaining stories, a few things about the Secret World Chronicles universe quickly became clear, and although I had no backstory on these characters, I was easily able to immerse myself in each individual story, and invest myself in some of the characters, particularly Vicky Nagy and her rather unusual family.
This secret world takes place during WWII, and humans with super powers, called metahumans, exist on both sides of the conflict, which makes them excellent superheroes and supervillains. As you can imagine, the possibilities of metahumans on the German side triumphing, open up a plethora of world altering consequences that must be prevented. Great superhero stuff!
In addition, there are others whose powers lay in the world of magic, opening up realms of possibilities for the good guys to save the world. They are of a secret society, with only a few select humans who are aware they anything but the metahumans they pass themselves off to be. I found these stories to be really fun reads, and I didn’t have to know all the details of previous tales in order to enjoy them thoroughly. The characters are colorful and unpredictable, with the potential for surprise lurking behind every turn of the page.
Alternate universe superhero stories are always fun and entertaining reads, and Echo One is no exception. Great for those times when you’re not in the heavy literary mood and are just reading for the pure enjoyment of it. I give it four quills.
Amazon Buy Link: https://www.amazon.com/Echo-One-Tales-Secret-Chronicles-ebook/dp/B087QV6D5Q/ref=sr_1_1?crid=VKWWZF1LONQ5&dchild=1&keywords=echo+one+lackey&qid=1589244140&s=books&sprefix=Echo+One%2Cstripbooks%2C797&sr=1-1
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
The third Wednesday of each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.
The Revision Process
So I’m in the middle of a fairly lengthy revision process for my latest novel, and it brings to mind a piece of advice a mentor once gave me. When I began writing short stories, I joined an online critique forum that in retrospect helped shape me in some crucial ways. It was a pretty tough, competitive space when it came down to it, and the other writers there didn’t mind (lovingly) tearing stories to shreds if it meant giving enough feedback to fix what wasn’t working.
There was a guy there called Gary, older than most everyone else who frequented the group, and I tended to see him as an authority, a friend, and a bit of a task master. Gary was fond of quick little rules and guidelines, notepad-like pieces of wisdom that could really set a young writer up for growth.
“Expect the revision process for any given story to last two to three times longer than it took to write in the first place.”
In other words, by Gary’s estimation, if you were to write a quick story in an afternoon, you’d expect to spend an additional two to three afternoons revising and sharpening it to an appropriate level. I’m sure I don’t have to explain to you how in-depth the revision process can be. Sometimes it’s pretty easy-going, but for the most part, if you’re not doing some cutting here, expansion there, general tightening of language on all levels, and if you’re not willing to kill your darlings, as the saying goes, odds are you may be doing it wrong.
So what if we’ve written a whole book? Does Gary’s piece of advice still hold up? In my experience, it does. Due to sudden and unforeseen circumstances in my life, my novel took about a year to write. So does that mean it’ll take me two to three years to finish it? Not precisely. I worked on it for a year, but in fact, I only wrote about 300 words a day for a grand total of maybe fifteen hours of actual writing per month. Fifteen hours times twelve months equals 180 hours, and 180 times two is 360. Bare minimum, that is the equivalent of fifteen full twenty-four hour days of revision. Maybe more like a month and a half if I plan on sleeping, eating, or ever seeing my wife ever again.
Now remember, that’s only the initial revision cycle. More work will likely need to be done in order to bring that book up to production quality. Realistically, once you add in the services of an actual editor, you’re looking at several additional weeks or months of back and forth nitpickery. It’s the nitpicks that save us, by the way. Make sure you get plenty of them at breakfast time. They’re like daily bowls of Wheaties. Nitpicks make writer big and strong!
It’s part of the overall level of dedication it takes to turn out a good piece of writing, right? And we all expect to have to work a little more after we’ve initially told a story, or at least we should. I’m not big on hard and fast rules. Really, I’m not. I think “rules” in writing can and should be broken now and then. Generally speaking, these kinds of prescriptions are for writers, not for readers. Inside baseball, not meant for actual spectators, you know what I mean?
Even so, there are some commonalities to this process I believe every writer can and should keep an eye on. First of all, get comfortable removing chunks of flesh from your manuscript. Just straight-up cutting large sections that may have had stuff in it you liked. Also, get comfortable rewriting everything you just took out. Only better. Hopefully. If parts of your story slow the narrative down, add unusual or unnecessary complications, or otherwise just don’t fit in with what you’re trying to achieve, that stuff’s dead weight, detritus. It’s got to go. Gird your loins, fellow word-wielder. Things are about to get messy at the slaughterhouse.
A good piece of meat isn’t born precooked, and neither is a good book. You can always resurrect some of that cut material and insert it elsewhere, but the same idea applies: if the words don’t fit, you must acquit.
Man, I’m on a roll today.
Another important thing to consider is if you want to make focused passes or not, keying in on just one element at a time, starting with larger issues like pacing and character development. This is a good idea if you’re new to the process or just like to stay organized, and it’ll probably save you some time in the long run. By making several focused and element-specific passes, you’ve got the opportunity to hone in without distracting yourself with other stuff that may change in the long run. My only suggestion for this type of revision process is to keep notes along the way. Ideas may spring to mind, better concepts for how to handle any given character or scene or larger story element, and you’re going to want to keep track of everything you intend to change for your next pass.
Admittedly so, I’m much too erratic and scatterbrained for this method, which means I tend to just charge in like a bull in a china shop and really tear the place up until its “redecorated” just how I like it. Mine is a messy process in this way, but it’s also just how my mind tends to work. Not everyone has the equivalent of sixteen trained chimpanzees careening around their heads, doing their level best to run the ship. If I don’t feed them at a regular time every day, Bingo—he’s the captain, see—he orders the rest of the chimps on strike, and then I’m in a real chimp ship pickle. Nobody wants that.
Where was I? Ah yes, serious discussion of the revision process.
A lot of what you’re going to be doing is in fact that more minute stuff, especially when you’re really getting down to it and most of your broader strokes have been made. Changing the language of the piece, the flow, tightening your syntax, all of that is important as finishing maneuvers. Just make sure you’re not revising so much you’re only shifting elements around and not necessarily improving anything. That can happen easily, which is why it’s also important during the revision process to take breaks when you need them. And I don’t just mean a break of a few minutes or hours. Sometimes you’ve got to let your manuscript go for days or even weeks just so you can come back at it with fresh eyes. The ability to forget what we’ve written is a great asset, so use it.
The annoyance and pain of all this is temporary. You have to keep that in mind. However, once they’re released to the general public, your words are forever. So now is your opportunity to line them up exactly as you want them. In the end, all you can do as a writer, as a creative individual of any kind, is your honest best. Will all your extra hard work pay off? That’s an eternal question, always in motion, and anyway, what’s your definition of success? I mean really?
I’ll have another Craft and Practice topic for you guys next month. Until then, cut a little, cut a lot, but don’t cut to the quick. The chimps in your brain may not like losing any of the good stuff. See you in June!
Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!
Want to be sure not to miss any of Jeff’s “Craft and Practice” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.