“Want your boat, Georgie?”
by Jeff Bowles
When the first big screen adaptation of Steven King’s It hit theaters two years ago, it took the world by storm. Audiences found it incredibly unnerving, disturbing, and twisted. In other words, it was everything fans of the most important horror writer of the 20th century (and maybe even the 21st century) could want. Part one of the It saga is a coming of age story, a love letter to the kinds of urban legends that have haunted the young and the young-at-heart for generations. I mean for cripes sake, a killer clown? Nightmare fuel, right? And one considered top-notch by critics and movie-goers alike. Too bad that 2017 modern classic was only half the story.
It Chapter Two wastes no time catching up with the heroes of the first movie, the Losers Club, the same rowdy bunch of kids who stopped that pesky, evil-as-all-hell clown (or whatever he is) before his spree of terror and death could claim one more fragile life in the fictional town of Derry, Maine. The Losers are all adults now, and though they’ve forgotten a surprising amount of their battle with the eponymous monster, most of them, after a fashion, choose to remember and honor the oath they took together to return to Derry if and when the nightmare began again.
That’s the problem with evil immortal-monster-alien-clown-shapeshifter thingies. They just don’t take no for an answer. The cast of Chapter Two is suitably star-studded. Jessica Chastain plays the adult Beverly, who possibly had the most to deal with in the first film, mostly due to an abusive father. She’s still suffering at the hands of an abysmally abusive man, her husband, which is sad, though annoyingly ham-fisted in the ludicrous fashion with which the guy goes from zero-to-full-on-rage without any believable provocation. Stephen King has never been known for subtlety, and It Chapter Two suffers from it. Not that the movie’s problems begin and end with the author.
Bill (James McAvoy), Richie (Bill Hader), Mike (Isaiah Mustafa), Ben (Jay Ryan), and Eddie (James Ransone) join Beverly back in Derry twenty-seven years after the events of movie one, each of them having lived surprisingly full lives. Well, all except for Mike, who’s spent the last three decades charting, following, and studying the supernatural killer. One of the Losers, Stan (Andy Bean), chooses to end his own life rather than set foot in that town again, which makes for a chilling prologue to the events that follow.
The first real set-piece of the movie takes place at the fan-favorite Chinese restaurant, a scene even the 1990 made-for-TV It nailed. It’s more adult and much creepier this time, and the dialog flows about as well as the original banter Steven King committed to the page. Then of course there’s the main event, the monster himself, played once again by Bill Skarsgard. Holly cannoli, this guy is freaky. Unfortunately, director Andy Muschietti makes the mistake of giving us less of him. In fact, less is the watchword for the entire exercise.
It Chapter Two is bloated and water-logged, just like that one guy It killed in … never mind. The only significant moments of cogency and relatability occur in flashbacks to the Losers as kids. These brief indulgences serve to remind us just how comparatively focused part one was, and we can’t help but feel a slight twinge of nostalgia for a movie that’s only two years old.
The cast does a great job exploring their characters’ unique personalities and allowing us to feel true terror when the big moments arise. But the film seems far too interested in pondering and extolling the concept rather than pushing it forward. Stephen King may be one of the most beloved pop-fiction writers of all time, but a second-parter built on what amounts to little more than a scavenger hunt? Yee-ikes. Don’t get me wrong, I love The Stand, Carrie, The Shining, and many others, as much as the next guy. Some of those books used long-windedness to their advantage. I hear they’re adapting The Stand next. Fingers crossed, all you kooky King nuts.
The climax of the film is impressive if confounding. By the time we get there, it’s become apparent the It saga has suffered from the same disjointed sequel-manufacturing other literary adaptations indulged in (Harry Potter, Hunger Games, and Twilight, I’m looking at you). Funnily enough, Marvel Studios’ big Avengers two-parter—released in 2018 and 2019, respectively—managed the trick in a much neater fashion, but then, those movies are actually two separate stories blended into one, whereas the It saga feels like, well, a nicely-structured opener and an obligatory half-waisted capstone.
Which isn’t to say It Chapter Two doesn’t have its moments. With high production values, an excellent cast, and a willingness to scare no matter what it takes, the movie can’t help but hit the mark more often than it misses. It’s just that the scenario doesn’t get as much breathing room this time. Scratch that. The problem is the scenario gets far too much breathing room.
Writing to Be Read gives It Chapter Two a six out of ten.
Not a truly poor nor truly serviceable adaptation, but who knows? Maybe when you binge both movies together, Chapter Two feels more satisfying. Is it possible a freakish clown lured us all down into his favorite storm sewer and made a nice, toothy snack of our expectations? I guess it could be worse. We could’ve buried a beloved dog in a pet cemetery, rented out a room at a haunted Colorado hotel, or engaged in interstate mayhem with a possessed car. Ooph. What a way to make a living.
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I’m a huge history lover, so anything old has always sparked my interest. I imagine that an old building can tell me the secrets of the past. If I walk through its ancient doors, I’ll be transported back in time. I’ll be able to experience everything that came before.
It hasn’t yet, but I’m still hoping.
One day I was bored, probably tired from work, and decided to look at abandoned buildings online. I was scrolling through Pinterest and voila, there was a beautiful, crumbling resort. The image showed an old pool. Vines crept up broken windows and ferns fought their way through cracked cement. It was beautiful and haunting. I clicked to learn more, and discovered it was a resort from the Catskills.
In their heyday (1920s through the 1960s), the Catskill Mountains were home to numerous fancy resorts. People came from all over to experience the thrill of the mountains. Many New Yorkers left the city to experience the calm of the country. The popular movie, Dirty Dancing, takes place at a resort in the Catskills.
Overtime, interest waned. From articles I read online, it seems that the readily people could travel on airplanes to distant wonderlands, the less they wanted to travel upstate. There are still some resorts left and I hope to vacation there someday. I must admit, though, the abandoned resorts fascinate me more than the ones still standing.
While looking at more pictures of those abandoned resorts, a story idea came to me. The world ends and the remains of civilization are holed up inside a crumbling hotel. Thus was born my post-apocalyptic novella, BUNKER BOY. If you decide to read it, let me know what you think! I’d love to know if it has inspired you, too, to check out the old memories of the Catskills.
Jordan Elizabeth is a young adult fantasy author. She is most likely gazing at something in awe, something she will soon include in one of her novels. You can connect with Jordan via her website, JordanElizabethBooks.com.
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Caryl McAdoo is the founder and creator Thanksgiving Books & Blessings collection two, which was just released this past week. Her Christian western romance, Texas Tears, is book three in that collection and its my pleasure to review it here today on Writing to be Read for this month’s Christian fiction theme. (You can also catch my review of book four from this collection, Mail-Order Misfire, by Davalynn Spencer here.)
Some of the transitions in Texas Tears were abrupt and unclear, and I found myself having to reread to determine who was speaking at times, or what setting we were in, but nothing some well placed dialog tags wouldn’t fix. The historical details are accurate to time and setting, and the story itself is heartwarming, with a delightful Southern twang.
Texas Tears is the story of two young girls, childhood friends and cousins, Miss Arlene Van Zandt and Miss Charity O’Neal, both hoping for their perfect dream man, with their sites set on one in particular. The same one, Hart de Vecchi. Hart seems content to be the wedge driven between the two friends while he tries to make up his mind, but by playing with the hearts of both women, he risks ending up alone.
A story of love, faith, and endurance. Texas Tears is everything a Christian western romance should be. I give it four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
The idea that children’s picture books should contain a strong moral or message seems to be very popular among authors of books for young people. This notion probably emanates from parents and caregivers who are of the view that books are a tool for instructing their young, especially in our modern world of so many more risks to the welfare our children than ever before.
This idea does, however, always bring to my mind the lyrics of the song, A British Nanny sung by David Tomlinson, from the original movie of Mary Poppins:
“A British nanny must be a general!
The future empire lies within her hands
And so the person that we need to mold the breed
Is a nanny who can give commands!
Mr Banks: Are you getting this Winifred?
Mrs Banks: Oh yes dear, every word
A British bank is run with precision
A British home requires nothing less!
Tradition, discipline, and rules must be the tools
Without them – disorder!
Anarchy – In short you have a ghastly mess!”
This is an amusing song and you can listen to it here:
The idea of a story or picture book containing a message is not a bad one. It is very much about how the message is presented in the story that will decide whether the book appeals to children or not. After all, children’s writers want to write books that children want to read again and again, not books that their parents think they should read.
My own children have taught me that children run a mile when they think that a book contains an overt moral or message. With this in mind, how then can a parent or caregiver select a book that both teaches and entertains?
Firstly, what the reader will takeaway from the story should be considered. It is not necessary to write out a moral at the end of a tale in the manner of Aesop’s Fables, the message can be subtle, for example, a polluted river that poisons a river or lake and results in all the fish and water creatures dying and the resolution of that predicament by cleaning up the river and preventing future contamination of the water. Children will understand the message without it being spelled out for them.
Some other tips for choosing books that will entertain as well as teach children are as follows:
- Make sure that the book is character driven with memorable characters that make the reader care about them. For example in Heidi by Johanna Spyri, the author makes the reader really care about Heidi, Clara and even Grandfather as he changes from a grumpy old man into a tender caregiver. I can remember crying when Heidi goes away from Grandfather to live with Clara in the city;
- The language and voice of the story should be suitable for a child and should be interesting and fun. The idea of family members all helping each other and their parents is strongly conveyed in Enid Blyton’s Faraway Tree series of books through the expectations of the parents and the behavior of, and awareness of their family dynamics by, the children;
- Showing and not telling is another essential ingredient to a good children’s story. I think Roald Dahl is a master and demonstrating exactly where unkind and selfish behavior gets you in life, think of the fate of the two aunts in James and the Giant Peach or the Twits from the book of the same name.
What do you think about children’s books that contain messages? Should they be subtle or overt? Let me know in the comments.
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. I also have three short stories in Death Among Us, a collection of short murder mystery stories by 10 different authors and edited by Stephen Bentley. These short stories are all published under Robbie Cheadle.
I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Goodreads: Robbie Cheadle – Goodreads
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
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