Posted: March 18, 2019 Filed under: Books, Chatting with the Pros, Collaboration, Dark Fantasy, Fantasy, Fiction, Interview, Science Fiction, Speculative Fiction, Teaching Writing, World Building, Writing, Writing to be Read | Tags: Chatting with the Pros, Fantasy, Kevin J. Anderson, Writing to be Read
My guest today on “Chatting with the Pros” is an award winning and best selling author who has written countless novels and over 56 national and international best sellers. A majority of his works fall into the science fiction or fantasy genres, but he writes across many genres. In a recent introduction for “The Big Idea: Kevin J. Anderson“, an article about the latest release in his short fiction collection, Selected Stories, John Scalzi calls him, “one of the most prolific authors working today”, and one look at his immense book list on Amazon would leave no doubt that this is an accurate assessment. (You can find my review of selected stories here). He’s written a lot of books, 56 of which have hit the national and international best seller lists, and he’s been writing for many years, and I’m sure we will find his knowledge and experiences enlightening. Please help me welcome Kevin J. Anderson.
Kaye: You have written at least 56 national or international best sellers. What makes a good story in your mind?
Kevin: People want to read a good story with an exciting/interesting plot, a well-developed setting, and engaging characters. Make it a story you WANT to read, with clear prose and action. I don’t like muddled, glacial-paced stories where the prose is just too precious.
Kaye: Why science fiction and fantasy? Why not western or romance or mystery? What’s the attraction?
Kevin: Well, I’ve also written plenty of mysteries, and some of my work has been set in the old west, and most good stories have a strong romance component (though I don’t write category Romance or Westerns). I like to tell an interesting story, and I move around a lot among genres, even though I am primarily known for science fiction or fantasy. I grew up in a very mundane small town in rural Wisconsin, and I was captivated by SF/F from an early age, because it showed my imagination what was possible. I wanted to go to exotic places, whether they were filled with aliens or dragons. Science fiction took me to a much wider universe. (And as a skinny, nerdy kid with glasses and a bad haircut, “romance” wasn’t much of a possibility, so I stuck with spaceships and swords.)
Kaye: You wrote several Star Wars and X-Files novels. Is it difficult to immerse yourself in someone else’s settings and characters enough to pick up a thread and run with it in the same tone and writing style? How do you go about getting yourself into that mindset?
Kevin: It’s no more difficult than trying to immerse yourself in the old west or ancient Japan for a historical. A writer’s job is to absorb the story, characters, voice, and setting. I was already a big fan of Star Wars, Star Trek, X-Files, and Dune, and I enjoyed going to work in those universes. In each instance, I would completely surround myself with the property — whether that meant watching the Star Wars films over and over again, or the episodes of the X-Files, or repeatedly rereading DUNE and its sequels. You pick up the manner of speaking, the “look and feel” of the world, and you make it into your own story.
Kaye: You’ve done several collaborations, including books of the Dune series, with Brian Herbert and the Clockwork books which you collaborated with Neil Peart, drummer for the band Rush. What is the biggest challenge when collaborating on a book?
Kevin: You both need to have the same vision for the book—which means a LOT of talking and brainstorming ahead of time—and you both need the same work ethic (so each partner puts in the same amount of time and effort…a tortoise and hare collaboration will just cause a lot of friction), and you need to be flexible. There’s never only ONE way to write a sentence or describe a scene. I would never want to collaborate with a diva!
Kaye: Do you belong to any writing organizations? If so, which ones? Do you feel your membership in these writing organizations have been helpful in your writing successes? How so?
Kevin: I belong to the Horror Writers Association (and edited three anthologies for them, the BLOOD LITE series), IAMTW (International Association of Media Tie-In Writers), and SFWA, the Science Fiction and Fantasy Writers of America, although some of their recent decisions have made me so upset that I would not renew my membership if I wasn’t already a lifetime member. The problem with such organizations is that you can become to engrossed in the politics and bickering that you forget your real purpose, which is to WRITE.
Kaye: You’ve written several series, including Saga of the Seven Suns, Dan Shamble P.I. and the Clockwork books? Are any of your books stand alone? Why do you lean toward series?
Kevin: I’ve written many standalone books. The one I just finished last week, a vampire/serial-killer thriller STAKE, that’s not part of a series. But I like to tell big stories, and once you’ve done all the effort of world building and character building an entire universe, you want to spend some time. To me, a trilogy is perfect — a beginning, middle, and end, with enough room to tell the story and describe the world in all its glory. Pragmatically speaking, it’s a much better decision commercially to build a series, because readers will want more and more, and each new book will help sell copies of previous volumes. Can you imagine if A.C. Doyle had stopped after writing only one Sherlock Holmes story?
Kaye: Science fiction authors create whole worlds from their imaginations, often with new languages created in their own minds, and you have created many. How do you go about creating a new language?
Kevin: Hmm, creating languages? I’m not really a linguist and I don’t know that I’ve developed full languages (though I do use weird words). I just make up the words by making what seem to be the appropriate sounds, linguistic flavors, scary sounds for monsters or villains, softer or ethereal sounds for pleasant things. I can’t really explain it more rigorously than that.
Kaye: Your work has won many prestigious awards. Which award are you most proud of? Why?
Kevin: Awards are awards, and it’s nice to have them, but I really prefer READERS. That’s what makes your writing worthwhile. It’s not terribly prestigious, but the award I value most is one I received very early in my career, when I received a trophy with an engraved brass plate and everything, naming me “The Writer with No Future” because I could produce more rejection slips than any other writer at an entire conference. To me, that didn’t mean I was a failure as a writer or that my work was awful—it proved that I was more persistent, that I kept trying, kept getting better, and never gave up. I still have that trophy.
Kaye: In addition to being an author, you and your wife, Rebecca Moesta, are publishers at Wordfire Press, but originally you were traditionally published. Why the switch to being your own publisher after being traditionally published for so many years?
Kevin: Survival. No choice. The publishing industry has undergone a tremendous upheaval equivalent to the Industrial Revolution, and I could either be a mammal and evolve or stay a dinosaur and go extinct. I am still traditionally published (four books released in 2018, in fact, and a new 3-book contract from Tor Books for an epic fantasy series), but I also have a lot of backlist titles that were out of print and my fans wanted to read them. So I started releasing them myself with all the innovations of new technology. It’s just another alternative.
Kaye: What does Wordfire press offer as a publisher for other authors?
Kevin: We are nimble and flexible, and we can produce books and get them to market far quicker than a traditional publisher can manage. But when you work with an indie publisher, or if you do it yourself, then you have to do all the work, all aspects of it. It’s another income stream and another way to get your book in front of your audience.
Kaye: Is Wordfire taking submissions? What type of fiction is Wordfire looking for?
Kevin: Not really, I’m afraid. When we are open, we’re looking for established writers who don’t need their hands held, writers who already have their own platforms, fanbases, and marketing efforts because we have to rely on them to do the work that a whole department at a traditional publisher would do.
Kaye: You recently signed on as an adjunct professor at Western State Colorado University and you are a finalist candidate for the director of their Certificate in Publishing program. What prompted you to venture into the world of academia?
Kevin: Actually, I’m now a full professor and I run their Masters program in Publishing. I will start the first group of MA students this coming summer. There’s a LOT of paperwork and bureaucracy in academia! I have taught writing and publishing quite often at countless writers’ conferences and conventions, most notably our own Superstars Writing Seminars, which is just hitting its tenth year. Becoming a professor and teaching at a beautiful university in the Colorado mountains is great, offers a little more stability than freelance writing, and (the bane of all freelancers) it gives me health insurance and benefits I wouldn’t otherwise get.
Kaye: Any writing pet peeves?
Kevin: I don’t like artsy-fartsy stuff, dense prose and opaque plots. Tell me a great story with a cool setting and interesting characters!
Kaye: Creating characters, developing plot, world building – what is the most challenging part of writing for you?
Kevin: Those are all fun, but if I had to choose I would say I have most difficulty with building rich, fleshed-out characters. Plotting and worldbuilding—that’s what I excel in.
Thanks to Kevin for sharing with us today. He’s given us food for thought with some really great answers. You can find more about Wordfire Press here: https://wordfirepress.com/. Kevin and his wife, Rebecca Moesta, head up the Superstars Writing Seminars each year in February, in Colorado Springs, Colorado, for those interested in learning the business of writing. If you’d like to become a member of the Superstars Tribe, or would just like more information about Superstars, visit the folowing link: superstarswriting.com. Visit the links below to learn more about Kevin J. Anderson and his works.
Amazon Author page: https://www.amazon.com/Kevin-J-Anderson/e/B000AQ0072/ref=sr_ntt_srch_lnk_1?qid=1545798018&sr=1-1-fkmr1
Wordfire Press: http://www.wordfire.com/
Join us next month on “Chatting with the Pros”, when I’ll be chatting with romance author Maya Rodale. You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.
Posted: February 22, 2019 Filed under: Blog Content, Book Review, Chatting with the Pros, Fiction, Film Review, Interview, Nonfiction, Paranormal, WordCrafter Press, Writing, Writing Contest | Tags: Book Reviews, Chatting with the Pros, Film Review, Jeff Bowles, WordCrafter, WordCrafter Press, Writing to be Read
The entries are rolling in for the paranormal fiction contest and each one must be read. Stories good enough to recieve invitations to the anthology will also need to be edited. In order to accomodate a time budget for all this contest judging and anthology compilation activities in addition to my other life responsibilities, you can expect to see a few changes in the Friday Reviews.
One good change is we’ll be seeing more of Jeff Bowles. Last week he stepped in with a movie review of Glass that was brutally honest, but captivating. That review was so well recieved that he’s agreed to share a movie review with us on the third Monday of every month. His review of Glass was knowledgeable of the genre and written well enough to be mistakeing for one of the top critiques. If book reviews are hugs for authors, then Writing to be Read wants to hug the film industry, too. If you want to keep up on many of the latest movies, be sure to catch Jeff’s Movie Review (working title) each month.
I also plan to make two reviews each month instead of four, for books in the genre to go along with the monthly theme set by the genre the “Chatting with the Pros” guest author for the month. In February my guest author was nonfiction author Mark Shaw, so the February theme was nonfiction. My supporting author interview was with nature writer Susan J. Tweit and my supporting post was about my own nonfiction endeavor with the first post in my new bi-monthly series, “The Making of a Memoir“. My reviews were both of nonfiction books of different sub-genres: Mark Shaw’s How to Become a Published Author and a compilation of poetry artwork and writings about mental illness, the Letters of May anthology.
March’s theme will be science fiction and fantasy, and the “Chatting with the Pros” guest author will be national and international best selling author Kevin J. Anderson. He’s written more best sellers than there is room to list here and I’m thrilled to have him on Writing to be Read. My supporting post will be about my science fantasy series, Playground for the Gods. I’m still searching for a author for my supporting interview, but my reviews will be for Kevin J. Anderson’s Selected Stories and Jordan Elizabeth’s Rogue Crystal. If you want to be sure not to miss any of these great science fiction and fantasy segments, be sure to sign up to email or follow on WordPress to get notification of new content.
Before I wrap this up, let me just remind you all that there is still time to submit your short story to the WordCrafter paranormal fiction contest. The deadline is April 1, so don’t drag your feet on this one. The entry fee is $5 and the winner will recive a $25 Amazon gift card and a guaranteed place in the WordCrafter Press paranormal short fiction. Email your submissions to kayebooth (at) yahoo (dot) com and I’ll send you confirmation instructions for submitting your entry fee.
Your submission can be any genre, but your story does have to include a paranormal element, so get those stories in. Other entries may be included in the anthology by special invitation, and all anthology authors will recieve a small royalty share if the book makes any money. You can get the full submission guidelines here: https://kayelynnebooth.wordpress.com/2019/01/28/short-fiction-contest-paranormal-stories-sought/
I do hope you’ll all join me in the exciting changes ahead. I’m always interested in reader feedback, so leave a comment and let me know what you’d like to see on Writing to be Read.
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