God’s Body, by Jeff Bowles has one of the most masterfully crafted openings that I have read in a long time. By the beginning of the second paragraph, he had placed me in the setting, I knew this was like no other story I had ever read, and I was hooked, which is what a great opening should do. It impressed me so, that I asked the author’s permission to reprint it here.
“The toe was an ungodly mountain of flesh. As massive as it was inexplicable. It clung to the Earth like a bulbous pink tumor. Enormous, all-encompassing, the height of a skyscraper, the breadth of Niagara Falls. Rain water washed through its thick patchwork of crevasses and cracks. Long vertical rivers lapped at skin-cell canyon walls. There were flesh creeks and tidal waves. The toenail itself was the hanging shelf of the world.
Then Harold looked higher and saw the rest. Lord God Almighty…”
You just can’t read this and not want to know more. It’s obvious this isn’t going to be your average, everyday story, and you must read on in anticipation of what will come next. It’s clear this will be a story of epic proportions, and Bowels does not disappoint. God’s Body is an Armageddon story like no other; a post apocalyptic tale of good vs. evil in the best of pulp fantasy traditions, if such traditions existed. Bowles pulls out all the stops, using humor, irony and contemplation of the human condition to tell his tale with skill and craftsmanship. Everything about this story is of epic scale.
I’m not going to give you a rundown of this story line because the whole thing was such an entertaining read that I wouldn’t want to give out any spoilers, but what I will tell you is that in addition to the wonderful writing talent of Bowles, the artistic craftsmanship of Writer’s of the Future illustrator Pat R. Steiner accompanies this story with some truly awesome illustrations like the one seen here.
A truly original story that puts a new twist to an age-old theme. Written with skill and talent in a literary work of true craftsmanship, God’s Body is like nothing else you’ve ever read. I give it five epic quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
I’ve done a few photo shoots for my author pictures, and they are always so much fun. I get to feel like a model. For FANYA IN THE UNDERWORLD, we decided to do things a little differently. Aaron Siddall illustrated the book and I wrote it; we both brainstormed the concepts. Because this was a joint collaboration, we decided to have a joint photo.
A good friend of ours, Monica Reid Keba, met with us at the Utica Train Station, known as Union Station. The building is beautiful, with marble pillars and chandeliers. Stepping inside is a little like going back in time. Many of the fixtures are original from the construction in 1914. I have a special fondness for the waiting room benches. Not only do they incorporate the heating system, but they are gorgeous to look at. The station was designed by Allen Stem and Alfred Fellheimer. In case you aren’t familiar with those names, they are the architects who designed New York City’s Grand Central Station.
Aaron Siddall and I posed on the benches, beneath the chandeliers, and outside. The autumn day was crisp, with a light drizzle in the air. I hiked up my skirt and scaled the side of an old trolley car. We also explored the park next door. The train station is located in the historic Bagg’s Square neighborhood. The quaint park, surrounded by a stone fence, is home to the site of a log cabin known as Bagg’s Tavern. This log cabin saw esteemed guests such as George Washington and Ulysses S. Grant.
If you are ever in the area and love visiting historic sites, check out the train station and Bagg’s Tavern. Your eyes won’t be disappointed by the sites.
Jordan Elizabeth is a young adult fantasy author. She is most likely gazing at something in awe, something she will soon include in one of her novels. You can connect with Jordan – and point her in the direction of some paranormal activity – via her website, JordanElizabethBooks.com.
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Romance is one of the most popular genres around, not because everyone is reading them, but because romance readers read a lot. Romance comes in a wide variety of sub-genres: contemporary romance, historical romance, paranormal romance, fantasy romance, western romance, Christian romance, adventure romance, dark romance, and of course, erotic romance, just to name a few. Each type of romance can be very different, because they are after all different types of stories, and there are romantic elements in many types of storiest a romantic subplot has strong emphasis, such as romantic thrillers, romantic mysteries, romantic fantasies, or romantic time travel novels.
So, why is romance so popular? I think it is due in part to the fact that romance is such a vital part of life. Most people have experienced romantic relationships, and if they haven’t, they are searching for such a relationship, because we all need to give love and feel loved. But, romance readers aren’t just love starved singles whose dreams lay just beyond their reach, they also include plenty of happily married people, (mostly women, both married or single), who just like to relive those positive feeling they get from a good love story. Romance is something we all can relate to in one way or another. Romance novels offer a way for us to satisfy our inner longings viscareally or relate and relive our own experiences.
Every romance story or subplot has three things in common: two flawed main characters and a happily ever after, or at least a happily for now. In between, the characters must overcome many obstacles and conflicts. Sometimes these are external, such as others trying to keep them apart, but often they are internal, trying to convince themselves that they should be together, because they won’t admit that this is what they want, even to themselves. In the past the two characters were a boy and a girl, or a man and a woman, but in these changing times it is acceptable, perhaps even desirable, to write or read LBGT romances, where the characters may be of the same sex, or even questionable gender. Today romances may also be rated by the how much and how graphic the sex scenes are, from sweet to steamy to downright hot, and everything in between.
Romance is the genre theme for April, with interviews with “Chatting with the Pros” guest author historical romance author, Maya Rodale, and paranormal romance author Chris Barili (A.K.A. B.T. Clearwater). This month also featured reviews of an historical erotic romance, Ripper, by Amy Cecil, and a science fiction time travel romance, The Christmas Cruise, by Tammy Tate. As a special bonus, Jordan Elizabeth talked about writing her paranormal western romance, Treasure Darkly on her segment of “Writing for a Y.A. Audience“. Two reviews is hardly enough to be examples of all of the wide variety of forms and sub-genres which romance takes, so below you will find links to other past reviews of the romance genre, both good and not so good, to allow you to explore a wider variety of romance. As you can see from the varied selection, even though each contains the basic romance elements, all romances are not alike.
For my reviews of an historical romance novel: Blind Fortune, by Joanna Waugh
For my reviews of a science fiction romance novel: Ethereal Lives, by Gem Stone
For my reviews of YA romances: Rotham Race, by Jordan Elizabeth (dystopian, apocalyptic); Runners & Riders, by Jordan Elizabeth (steampunk); Bottled, by Carol Riggs (romance fantasy); Treasure Darkly, by Jordan Elizabeth (dark western steampunk fantasy romance)
For my review of a science fantasy romance: Gyre, by Jessica Gunn
For my interview of a comedy crime romance: Bailin’, by Linton Robinson
For my review of a contemporary sports romance: A Slapshot Prequel Box Set (Slapshot Prequel Trilogy Book 4), by Heather C. Myers
For my review of a romantic thriller: Freedom’s Song, by A.K. Lawrence
I hope you enjoyed our exploration of romance this month, and I hope you will join me in May for a closer look at Westerns. My “Chatting with the Pros” guest will be western author Juliette Douglas, with a supporting interview with Patricia PacJac Carroll, who writes Christian western romances. My book reviews will be on Chance Damnation, by DeAnna Knippling and Not Just Any Man, by Loretta Miles Tollefson. I’m looking forward to it, and I hope you are, too.
In April, we also had a special Saturday bonus interview with Shiju Pallithazheth to celebrate the release of his new book of magical realism stories, Katashi Tales. We also talk about the work he is doing to aknowledge contributors to world literature. We need more stories which spread love and acceptance of one another. I hope you’ll drop by to catch that one, too.
Remember, tomorrow is the deadline for the WordCrafter paranormal story entries. So, submit your paranormal short now, before it’s too late. I’ve already received some good ones, but there’s room for more. Winner gets a spot in the WordCrafter paranormal anthology and a $25 Amazon gift card. Other qualifying entries may get invitations to the anthology, as well. It’s only $5 to enter, so you really can’t go wrong. Full submission details here.) Send me your story while there’s still time. Hurry!
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Spies and assassins, deception, adventure, magic – Shadow Blade, by Chris Barili has it all. With an intriguing story line that keeps readers guessing, with twists and turns around every corner, this story is everything a fantasy adventure should be. In the tradition of high fantasy, Barili has created a rich medieval style world of kings and castles, princesses and assassins, where magic is addictive and nothing is as it seems.
When a Denari Lai assassin falls in love with his target, it’s pretty certain that things are going to get complicated. Throw a second assassin into the mix and it’s near certain that there will be trouble and things may not end well. As you get to know Ashai, the Denari Lai assassin whose heart may be bigger than his training, and Princess Makari, whose kindness has earned the adoration and respect of an entire kingdom, you’ll find that you can’t help but root for them both to triumph against all odds.
Ashai didn’t intend to fall in love with Makari, but when he does it proves to be quite a dilemma. His love for her goes against everything he’s been taught, causing him to question his training. When a Denari Lai is set on a target, he stops at nothing to accomplish the sanction, but in a sudden turn of the tables, Ashai will now stop at nothing to prevent it. In his quest to save the woman who now haunts his dreams, he becomes a target. He doesn’t know who to trust, but he finds allies in some unsuspected places, enemies lurking in the shadows, and a surprise around every corner. He’ll do anything to keep Makari safe, even forfeiting the very magic that he draws his strength from and risking his very existence.
Chris Barili has crafted a delightful fantasy adventure in Shadow Blade. It has a well- developed fantasy world, with unique and memorable characters that will stay with you. You won’t want to put it down. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
If you know me, or have been following me for a while, you might know that my Playground for the Gods series originated as my thesis project. When I presented my proposal, the feedback I got repeatedly was that I was trying to cram too much into the book and it wasn’t going to work. I had instructors tell me that what I proposed would be a tomb, if I ever finished it, which was doubtful, and my advisor said he there wasn’t even a genre for my tale, which combines the technology and space travel of science fiction with the mythology and folklore, and seemingly magical events therein. There were echos of my instructors’ doubts from the members of the cohort I found myself in that semester, some even saying there was no way I could pull it off.
In Playground for the Gods, the palnet of Atlan is destoyed and the Atlan people make pre-historic Earth their new home, posing as gods and goddesses, and using their advanced technology to perform miraculous feats that awe humans. In Book 1: The Great Primordial Battle, the Atlans fight amongst themselves in a struggle to prevent their new home from being destroyed as Atlan was. A strong female protagonist, Inanna, heads up the battle against serpents, dragons, and other forms of mythological creatures, mined from the annals of all parts of the globe, in an effort to save Earth. In this story, readers learn all the background information needed to build a basis for the subsequent texts, and there is enough of it to form a stand alone book. (Book 2: In the Begnning is outlined and partially drafted, and Book 3: Inanna’s Song is outlined and has portions already written, although not pieced together in any organized fashion yet.)
In one of the first classes, we had been cautioned to remember that any criticism of our work was not personal, it was about the work, not about me as a person, but when faced with so many telling me I couldn’t do what I wanted to do, what I believed I could do, it wasn’t as easy as it sounds, and I was hurt by their doubt. But, once I licked my wounds and dried my tears, and distanced myself from the work, I realized that much of what they had said was true. They were right, at least on some points and the story will be better for it.
My solution was to turn my thesis novel into a science fantasy series, and write the only the first book as my actual thesis project. The size of the first book, The Great Primordial Battle, let me know that this was a smart decision. (My professors and cohorts were correct in that trying to put it all into one book would have created a massive tomb.) The draft should be back from the beta reader today to begin the final revisions, and after hitting a snag that must be worked out before work can proceed on my memoir, I excited to get started in the final stretch with this one. Upon publication, this book will truly be the beginning of a science fantasy series that almost never existed.
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My guest today on “Chatting with the Pros” is an award winning and best selling author who has written countless novels and over 56 national and international best sellers. A majority of his works fall into the science fiction or fantasy genres, but he writes across many genres. In a recent introduction for “The Big Idea: Kevin J. Anderson“, an article about the latest release in his short fiction collection, Selected Stories, John Scalzi calls him, “one of the most prolific authors working today”, and one look at his immense book list on Amazon would leave no doubt that this is an accurate assessment. (You can find my review of selected stories here). He’s written a lot of books, 56 of which have hit the national and international best seller lists, and he’s been writing for many years, and I’m sure we will find his knowledge and experiences enlightening. Please help me welcome Kevin J. Anderson.
Kaye: You have written at least 56 national or international best sellers. What makes a good story in your mind?
Kevin: People want to read a good story with an exciting/interesting plot, a well-developed setting, and engaging characters. Make it a story you WANT to read, with clear prose and action. I don’t like muddled, glacial-paced stories where the prose is just too precious.
Kaye: Why science fiction and fantasy? Why not western or romance or mystery? What’s the attraction?
Kevin: Well, I’ve also written plenty of mysteries, and some of my work has been set in the old west, and most good stories have a strong romance component (though I don’t write category Romance or Westerns). I like to tell an interesting story, and I move around a lot among genres, even though I am primarily known for science fiction or fantasy. I grew up in a very mundane small town in rural Wisconsin, and I was captivated by SF/F from an early age, because it showed my imagination what was possible. I wanted to go to exotic places, whether they were filled with aliens or dragons. Science fiction took me to a much wider universe. (And as a skinny, nerdy kid with glasses and a bad haircut, “romance” wasn’t much of a possibility, so I stuck with spaceships and swords.)
Kaye: You wrote several Star Wars and X-Files novels. Is it difficult to immerse yourself in someone else’s settings and characters enough to pick up a thread and run with it in the same tone and writing style? How do you go about getting yourself into that mindset?
Kevin: It’s no more difficult than trying to immerse yourself in the old west or ancient Japan for a historical. A writer’s job is to absorb the story, characters, voice, and setting. I was already a big fan of Star Wars, Star Trek, X-Files, and Dune, and I enjoyed going to work in those universes. In each instance, I would completely surround myself with the property — whether that meant watching the Star Wars films over and over again, or the episodes of the X-Files, or repeatedly rereading DUNE and its sequels. You pick up the manner of speaking, the “look and feel” of the world, and you make it into your own story.
Kaye: You’ve done several collaborations, including books of the Dune series, with Brian Herbert and the Clockwork books which you collaborated with Neil Peart, drummer for the band Rush. What is the biggest challenge when collaborating on a book?
Kevin: You both need to have the same vision for the book—which means a LOT of talking and brainstorming ahead of time—and you both need the same work ethic (so each partner puts in the same amount of time and effort…a tortoise and hare collaboration will just cause a lot of friction), and you need to be flexible. There’s never only ONE way to write a sentence or describe a scene. I would never want to collaborate with a diva!
Kaye: Do you belong to any writing organizations? If so, which ones? Do you feel your membership in these writing organizations have been helpful in your writing successes? How so?
Kevin: I belong to the Horror Writers Association (and edited three anthologies for them, the BLOOD LITE series), IAMTW (International Association of Media Tie-In Writers), and SFWA, the Science Fiction and Fantasy Writers of America, although some of their recent decisions have made me so upset that I would not renew my membership if I wasn’t already a lifetime member. The problem with such organizations is that you can become to engrossed in the politics and bickering that you forget your real purpose, which is to WRITE.
Kaye: You’ve written several series, including Saga of the Seven Suns, Dan Shamble P.I. and the Clockwork books? Are any of your books stand alone? Why do you lean toward series?
Kevin: I’ve written many standalone books. The one I just finished last week, a vampire/serial-killer thriller STAKE, that’s not part of a series. But I like to tell big stories, and once you’ve done all the effort of world building and character building an entire universe, you want to spend some time. To me, a trilogy is perfect — a beginning, middle, and end, with enough room to tell the story and describe the world in all its glory. Pragmatically speaking, it’s a much better decision commercially to build a series, because readers will want more and more, and each new book will help sell copies of previous volumes. Can you imagine if A.C. Doyle had stopped after writing only one Sherlock Holmes story?
Kaye: Science fiction authors create whole worlds from their imaginations, often with new languages created in their own minds, and you have created many. How do you go about creating a new language?
Kaye: Your work has won many prestigious awards. Which award are you most proud of? Why?
Kevin: Awards are awards, and it’s nice to have them, but I really prefer READERS. That’s what makes your writing worthwhile. It’s not terribly prestigious, but the award I value most is one I received very early in my career, when I received a trophy with an engraved brass plate and everything, naming me “The Writer with No Future” because I could produce more rejection slips than any other writer at an entire conference. To me, that didn’t mean I was a failure as a writer or that my work was awful—it proved that I was more persistent, that I kept trying, kept getting better, and never gave up. I still have that trophy.
Kaye: In addition to being an author, you and your wife, Rebecca Moesta, are publishers at Wordfire Press, but originally you were traditionally published. Why the switch to being your own publisher after being traditionally published for so many years?
Kevin: Survival. No choice. The publishing industry has undergone a tremendous upheaval equivalent to the Industrial Revolution, and I could either be a mammal and evolve or stay a dinosaur and go extinct. I am still traditionally published (four books released in 2018, in fact, and a new 3-book contract from Tor Books for an epic fantasy series), but I also have a lot of backlist titles that were out of print and my fans wanted to read them. So I started releasing them myself with all the innovations of new technology. It’s just another alternative.
Kaye: What does Wordfire press offer as a publisher for other authors?
Kevin: We are nimble and flexible, and we can produce books and get them to market far quicker than a traditional publisher can manage. But when you work with an indie publisher, or if you do it yourself, then you have to do all the work, all aspects of it. It’s another income stream and another way to get your book in front of your audience.
Kaye: Is Wordfire taking submissions? What type of fiction is Wordfire looking for?
Kevin: Not really, I’m afraid. When we are open, we’re looking for established writers who don’t need their hands held, writers who already have their own platforms, fanbases, and marketing efforts because we have to rely on them to do the work that a whole department at a traditional publisher would do.
Kaye: You recently signed on as an adjunct professor at Western State Colorado University and you are a finalist candidate for the director of their Certificate in Publishing program. What prompted you to venture into the world of academia?
Kevin: Actually, I’m now a full professor and I run their Masters program in Publishing. I will start the first group of MA students this coming summer. There’s a LOT of paperwork and bureaucracy in academia! I have taught writing and publishing quite often at countless writers’ conferences and conventions, most notably our own Superstars Writing Seminars, which is just hitting its tenth year. Becoming a professor and teaching at a beautiful university in the Colorado mountains is great, offers a little more stability than freelance writing, and (the bane of all freelancers) it gives me health insurance and benefits I wouldn’t otherwise get.
Kaye: Any writing pet peeves?
Kevin: I don’t like artsy-fartsy stuff, dense prose and opaque plots. Tell me a great story with a cool setting and interesting characters!
Kaye: Creating characters, developing plot, world building – what is the most challenging part of writing for you?
Kevin: Those are all fun, but if I had to choose I would say I have most difficulty with building rich, fleshed-out characters. Plotting and worldbuilding—that’s what I excel in.
Thanks to Kevin for sharing with us today. He’s given us food for thought with some really great answers. You can find more about Wordfire Press here: https://wordfirepress.com/. Kevin and his wife, Rebecca Moesta, head up the Superstars Writing Seminars each year in February, in Colorado Springs, Colorado, for those interested in learning the business of writing. If you’d like to become a member of the Superstars Tribe, or would just like more information about Superstars, visit the folowing link: superstarswriting.com. Visit the links below to learn more about Kevin J. Anderson and his works.
Wordfire Press: http://www.wordfire.com/
Join us next month on “Chatting with the Pros”, when I’ll be chatting with romance author Maya Rodale. You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.
The Marvelous Mrs. Marvel
by Jeff Bowles
(For more on Captain Marvel, be sure to check out my full video review)
As far as Marvel movies go, Captain Marvel feels refreshing, if a bit familiar. It carries with it little of the eccentric energy found in other recent Marvel flicks like Thor: Ragnarok and Guardians of the Galaxy Vol. 2, but it also requires less of audiences who have yet to drink the Marvel Kool-Aid. Much like 2018’s box office behemoth Black Panther, the hero in question is not a white male, and as the star of a major Hollywood production released in the #MeToo era, that makes all the difference.
Which isn’t to suggest Marvel Studios’ latest doesn’t give plenty of nods to what has come before, and perhaps in a more lucrative vein, to what’s still headed our way. We finally learn how Nick Fury lost his eye, for instance, but filmmakers Anna Boden and Ryan Fleck are also thrilled to butter us up for that big late-April showdown called Avengers: Endgame (check your calendars, kids. Don’t forget to pre-order all the toys, and oh yeah, maybe a movie ticket or five).
If superhero tropes and comic-isms are as indecipherable to you as Kree battle language, odds are good the scope and scale of the Marvel Cinematic Universe rings hollow. Some of us have been on board since we were kids, leafing through our favorite monthly Marvel comics like little back-issue hording zealots. But if your speed is less Captain America and more … well, any other movie ever made, really—it’s safe to take heart. Captain Marvel is a pretty good jumping on point.
Carol Danvers (Brie Larson) is an Air Force fighter pilot with super-powered amnesia. A strange event in her past wiped her memories clean and granted her incredible abilities, the sum total of which she’s dutifully employed freedom-fighting for a race of intergalactic warriors known as the Kree (best personified by her squad leader, Yon-Rogg—played by master geek-movie thespian, Jude Law). When the Kree’s deadliest enemies, a race of green shapeshifters known as the Skrulls, capture Carol and bring her back to Earth, the nascent Captain Marvel must team up with S.H.I.E.L.D. agent Nick Fury (an impressively de-aged Samuel L. Jackson) to discover the secret behind the pivotal accident. Plus, you know, she’ll get to rock out to an unquestionably righteous and eclectic 90s soundtrack.
The fact that this movie takes place in 1995 only adds to its charm. There are era-specific nods and in-jokes aplenty, including a fun Stan Lee cameo that’ll tug at your sense of nostalgia. The film’s setting also means that most of the super-heroic hi-jinks found in the other 20 MCU movies have yet to occur. It’s a prequel more than anything else. Rounding out the cast are an unexpectedly funny Ben Mendelsohn as Skrull commander Keller, Lashana Lynch as Carol’s best friend, Maria Rambeau, and a de-aged Clark Gregg, happy to take a break from playing Agent Coulson on ABC’s Agents of S.H.I.E.L.D. to play … a younger-looking version of the exact same character.
Additional highlights include a cute but vicious orange cat named Goose, though I won’t spoil the big reveal here, and the marvelously named Air Force marvel, Mar-Vell (a somewhat spaced out and liminal Annette Bening). For the most part, Captain Marvel gets by on its charm. It’s best described as an above average superhero origin story, but unfortunately, there remains a certain amount of roughness in its narrative. Big chunks of exposition get belted out from behind scads of green creature makeup, and the grand finale carries enough logic gaps you may find yourself wondering, “She was just fighting that guy. So now who are these people?”
A lot of early buzz surrounding this movie included controversial comments made by Larson herself, but really, if a storytelling medium largely created by boys for boys can’t come to grips with a few girls getting in on the action whenever they damn well please, there’s less hope for this world than any of us could have ever imagined. Captain Marvel as a character has been blasting across the universe since the late sixties, but it was only in recent years that a woman donned the suit. And Larson does a fantastic job portraying Danvers on film. She is cocky, self-assured, funny, compassionate, caring, and once her full powers get unleashed, wonderfully formidable. A certain kinship evolves between her and Samuel Jackson’s Agent Fury, and moments spent in the Louisiana home of her best friend Maria prove that an intergalactic badass can be all about family, too.
Audiences are likely to get more out of the experience if they possess a running mental lexicon of all things Marvel, but unlike last year’s Avengers: Infinity War and the forthcoming Avengers: Endgame, Captain Marvel is likely to be a fun time no matter what prior knowledge you have going in. If you’re burned out on films featuring god-like people beating the holy Skrull out of each other, you may be better entertained elsewhere. But as Thor Odinson once famously declared to the world-eating demon Surtur, “That’s what heroes do.”
It’s a very geeky multiverse we live in, people.
Jeff’s Movie Reviews gives Captain Marvel an 8 out of 10.
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