The exciting news this week is, Delilah is now available in digital format! It’s something I’ve been waiting for for quite a while, so of course, I am ecstatic. But, something many aspiring authors may not realize is that publication isn’t the end of the road. No, it’s actually just the beginning of a new chapter in the book of writing, this one titled Sell that Book.
For those of you who aren’t familiar with my road to publication, I started Delilah back in 2012, when I entered the M.F.A. in Creative Writing program at Western State Colorado University. The assignment given by my instructor, Russell Davis, was to write an excerpt in a genre outside our comfort zone. I was assigned to write in western genre, and low and behold, I found not only am I good at it, but I like writing western. Four years later, that small excerpt, grew into a 60,000 word western novel which I’ve been trying to find a publisher for over the past year.
You see, writing the book, while a great accomplishment unto itself, is only half the battle. It doesn’t do any good to write a story, if no one ever reads it. In order for that to happen, the book must be published, and while I could self-publish, (I had considered it), I held out hope of finding a publisher, and in the end my persistence paid off.
So, now that I got Delilah published, with the help of Dusty Saddles Publishing, I must get the word out through marketing and promotion. I must get people to read, and maybe more important, write reviews.
Reviews are where it’s at these days. According to Amazon, reviews are how you get your book promoted, and I just read somewhere that Amazon has recently increased the number of reviews needed for them to promote your book, from thirty-five to fifty or one hundred.
The question is, where do I get reviews from? Although I do honest reviews here, on Writing to be Read, I don’t know many other bloggers who do. So, it comes down to appealing to you, my readers, to buy Delilah, read it and then go onto Amazon and Goodreads, (Delilah will be listed there soon -another thing I still need to do), and leave a review.
If you are willing to go to the trouble of doing all that, I thank you, but I also ask that you leave a review that is honest. While I would love you to leave a review which sings Delilah’s praises, I want it only if it is heartfelt. If you see problems with my story, I need to know what they are, in order to improve my writing of future books, so I am asking for honest criticism, if you are kind enough to leave a review at all.
In the end, it’s up to you, the reader, how successful Delilah, or any book, will be. So, buy the books you want to read, (which I hope includes my debut novel), and be kind. Leave an honest review.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
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There are many measures of success, especially in writing. Readers may look at whether or not an author has made any of the best seller lists. Authors may look at the number of books published, or number of sales, or even positive reviews. For rising authors, who are trying to get a foot in the door, like me, finding a publisher willing to publish even one of your books may be all that is required to consider yourself a successful. That’s where I’m at right now, as I just signed a contract for my western novel Delilah. But the point is, that success is subjective and there are many different levels involved.
You can see what I mean. My little contract for Delilah wouldn’t be a big deal for someone like Stephen King or Anne Rice, who sell books faster than they can write them, but for little old me, it’s a very big deal, even though it isn’t with one of the big five major publishers and there is no advance that comes with it. Although those things would be nice, signing with my small independent publisher, Dusty Saddles, makes me feel plenty successful.
What’s great too, is that it doesn’t end there, because of those different levels I was talking about. Sure, I feel successful now, with book contract in hand. But, I also have a feeling of success when I check my blog stats and discover that my readers are increasing. I feel it every time one of my poems, or short stories is published. I felt it when I earned my M.F.A. in Creative Writing. I’ve no doubt I’ll feel it again if Delilah starts selling copies and I find people are reading it, or when the next book contract comes along, or if I sell a screenplay.
Success is what we, as writers, all strive for, although your definition of success may be just finishing the book. That was my definition while I was earning my M.F.A. in Creative Writing, but after completing two novels, working on both simultaneously, I know I can finish a book, so I’ve moved on to the next challenge. Selling the book, and now it looks like I have achieved that success, as well.
But we have to be careful not to want that success so bad that we allow ourselves to be taken. There are a lot of scammers out there, who will try to steal your book right out from under you. Although I was excited about being offered a contract, I didn’t just jump into heart first, but used my head and went over it with a magnifying glass, being on the look out for all the fine print. I questioned different clauses and negotiated on any that didn’t serve my best interests, until the publisher and I came to an agreement that was fair and served both our interests. Although having a knowledgeable attorney or agent look over all contracts is always recommended, as a striving artist, I had no access to that type of professionals, but I did have someone knowledgeable in the business look it over. He confirmed that I was reading it correctly and helped my identify a couple of problems with it. Fortunately, none of them were deal breakers and the publisher was willing to be flexible.
Now, I’m ready to embark on a new publishing adventure and looking forward to in anticipation. Signing the contract holds a certain level of success for me, but the next level of success may be just over the hill, so I must press forward. My readers can help by buying the book, because the ultimate goal for me is for people to read what I write, (and the money from the book sales will be nice, too). Of course, I’ll keep you updated as to when it will be out. After all, I strive to create Writing to be Read.
How do you measure your success?
Want to know more about Delilah? Visit my Delilah Facebook Page
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Writer’s Block vs. The God Complex
by Jeff Bowles
Traditionally, I’ve never been a fan of taking breaks from my writing. I’ve advocated others not break from theirs either, telling myself and the entire writing world to keep pushing no matter what the circumstances. I’m having to alter that perception somewhat. You see, life can and does get in the way at times, and I don’t think there’s any use denying it. Staying driven and defiant in the face of adversity is all well and good. But what about personal tragedy, financial setbacks, lingering doubts, bouts of depression?
In my life as a writer I’ve received well over 600 rejection slips. Trust me, I’ve counted them recently. That’s never been enough to put the nail in the coffin of my work ethic, but somehow when it comes to my life in disarray, a hard fight is just about the only kind I know. Sometimes existence is smooth and sometimes it’s bumpy, and after all, that which you leave behind is paramount. So working your butt off no matter what, creating stories, filling your hard drive with new material, it’s got to be a saving grace of some sort, hasn’t it?
Only I’m not a machine, and neither are you. If you prick us, do we not bleed? Here on Writing to be Read, we hand out a lot of pro tips and offer words of wisdom for writers just starting out. I’d like to give you your concept of the morning: forgiveness. As in self-forgiveness, the only kind no one ever wants to grant. It’s so very easy to pretend your problems don’t exist. Sometimes we don’t have a choice in the matter, and when life catches up to us, there can be a letdown in creativity.
Writing is a hard business to pursue day in and day out. Rather than being purely creative, it’s startlingly cerebral, which means those lovely brains of ours need to be in tip top shape if we’re going to create brilliant prose (which is always the goal, right?). The mind gets tired sometimes. What’s more, it’s far easier to produce another story when a deadline or paycheck is in play. But how do we put up with the work load when all guarantees of future success are null and void?
The answer is passion, I suppose, and a healthy dose of resolve. Discipline will get you to the finish line with startling regularity, but everyone gets burned-out sometimes, right? I would submit that what most people refer to as burnout is more attributable to depression. You’ve got to take care of yourself. Don’t ignore what your mind and body are screaming at you to acknowledge.
How do we refresh ourselves when we’re not in the mood to write? Creatively speaking—and this is just an example from my own experience—it’s always a good idea to have some kind of hobby or art project on the side. For instance, let’s say that 120,000 novel is really starting to drag you down ‘round about the 90,000 word mark. Why not go outside with a camera and begin a fun photography project? Or maybe pick up some paints and toss them at a canvas? Reading is also good, the kinds of stories you’ve always enjoyed most. Take a breather if you have to, though if I were you I’d narrow your daily word limits rather than abandoning your manuscript completely.
To be perfectly fair, I have never been great at refreshing myself in the middle of a long-haul project. The one thing that usually seems to work is finding escape in my words. Instead of viewing my writing as a crucible, I try to envision it as a form of therapy that allows me to escape my troubles and heal that which is damaged or broken. I don’t think this is easy for everyone to do, because the longer you’re at this thing, and the more life is stressing you out, the harder it is to view your writing in a positive light.
I know there will be plenty of writers out there who do not share my experience. After all, talent and depression don’t always go hand in hand, nor do they need to. But sometimes people go through bad months, bad years, and unless I miss my guess, during those times even the most productive writers find the work difficult. On social media the other day, a fellow author asserted writer’s block is just an excuse. I actually agree with the sentiment, though not by his same reasoning.
You see, calling a slump writer’s block allows us to focus on the results of our output rather than the cause. It’s like 17th century Salem assaulted by tragic events, blaming the whole thing on witchcraft. Writer’s block is a nothing phrase, a catch-all that doesn’t describe anything pertinent. Does it exist? Certainly, but not as an end itself. To me, writer’s block is and always will be a symptom of some form of depressed thinking.
When writers slow down, it’s important to consider life circumstances. Maybe the bills aren’t getting paid. Or perhaps there’s too much to do at the office. We humans are extraordinarily skilled at ignoring our troubles. Remember, everyone has bad days, months, years. It does no good to pretend we don’t. In fact, it only serves to make our writing woes that much harder to overcome.
Are you a writer who’s having trouble maintaining a steady workflow? Don’t get angry and do not criticize yourself. Call it writer’s block if you have to, but realize there’s a genuine cause that you can in fact address. Do a little soul searching, reacquaint yourself with your situation and get honest about what’s causing you difficulty. You understand best how talented you are. You are irreplaceable as a voice and as an individual, so get introspective and really try to parse out this downturn.
Consider a little self-nurturing. It’s not a sin to pause your work. It’s just not. Besides which, many of us consider writing a calling and a passion, no matter how successful or productive we are. You’ve come this far. If we can purge the negativity and bad emotion, the self-destructive tendencies and malaise, writer’s block is no longer such an issue. I’d rather work in a mind space free from all that crap. Wouldn’t you?
Most of the time writing is a damn thankless job. Let’s all be honest about that. It isolates us even at the best of times, so why’s it so hard to believe we sometimes need a little mental and emotional care? Be kind to yourself and respect your ability to produce. If you’re not feeling this right now, no worries, take a breather and work on yourself a bit. Until next time, everybody!
Interested in my writing? Check out my latest collection, Fear and Loathing in Las Cruces: Short Stories — https://www.amazon.com/Fear-Loathing-Las-Cruces-Stories-ebook/dp/B06XH2774F
Every month in this space, author Jeff Bowles offers advice for young and struggling writers. No one ever said becoming a world-famous storyteller is easy. This is the Pep Talk.
First an admission. It’s much easier for me to be upbeat about the writing careers of others than my own. It is a damn hard slog going from obscurity to success story. Most upstarts never make it, and even when they do, they often find it a double-edged sword. This game of ours, this writing thing, it’s full of ups and downs, zigs and zags, bad decisions and tribulations that’d make most normal people run and hide. Except we aren’t normal people, are we? We’re the ones who risk everything and spend long sleepless nights worried about fictional people and places that will never exist. What drives us to do it? What drives you?
Here’s a little bit of math a mentor once imparted to me: a billion people in the world want to become writers. Of that billion, a million make it past their first story and a thousand actually get something published. A hundred in that thousand make a career of it, and only ten become best-sellers. Are these odds in any way accurate? Probably not, but they are illustrative, don’t you think? When it comes down to it, becoming a successful writer is a marathon, not a sprint. You’ve got to outlast the next guy (or gal), work your tail off until your competitors are little black specks in the rear-view. May take ten years, may take you fifty, and hell, you may not make it at all. But you’ve got to have goals, direction, purpose. You must see yourself as that bestseller, because if you can’t travel there in the mind, you’ll never travel there in the body.
Practice makes perfect, but perfection, talent, natural ability, they only account for a fraction of what it takes to get what you really want. Aim high. Start small but think big. Dreams are absolutely free, and the only people who’ll try to take them away from you will be those who doubt your ability. Prove them wrong. Don’t delay. It’s a long road, so you’d better start now. It’s been said by much better writers than I that in effect, one needs two of three of the following to succeed: luck, talent, and hard work. Luck and hard work will get you there, but so too will talent and persistence. Never discount the old Edison standby: one part inspiration to nine parts perspiration. It never fails. Those who start from nothing—and honestly, we all do—but never stop pushing often become the strongest and most adept.
You don’t need an expensive education or writing workshops and seminars to get started, though certainly those things can help. Pick a book, any book. Read it cover to cover and then sit down and write something better. You know you’re capable, and so do I. What the hell have they got that you haven’t? Most common answers? Luck, patience, and/or years of experience. It’s easy to feel jealousy when stacked against the ones who’ve already achieved. Believe me, I know. But you’ve got to hand it to those folks. They went after what they really wanted and fate smiled upon them. No mess, no fuss, they achieved, which is exactly what you want to do.
So here’s the thing. I don’t care who you are or where you come from, if you’re looking for the quick cash-in you WILL be disappointed. Like you, I began writing my own stories with the notion it wouldn’t be long until I was earning enough I could quit my job and in earnest, begin my ascent up the bestsellers’ list. I’ve been doing this for a decade now, and I can honestly say the most frustrating part has been in accepting the world hasn’t been waiting to throw critical and commercial laurels at my feet. I’m just a poor schlub like you. And like you, I’ve got places to go, people to see, but no damn money for a cab or in the very least, a cheap cross-town Uber.
But I don’t quit. I can’t. If I ever did, it’d be the biggest mistake of my life. It’s common knowledge, or maybe it’s some kind of hominid genetic heritage, that the longer we chase after something, the harder it is for us to give it up. When we think about a goal all day long, choose to pursue it, become it, to sometimes ignore all other obligations, we are in fact daring fate to send it our way. Sooner or later, it dawns on us the end goal is not nearly so engrossing as the work required to reach it. In other words, may I humbly suggest it makes no difference whatsoever if you become a millionaire bestseller or not. The reason you’ll keep going is passion, love, desire. Even on the days you hate this gig—especially on the days you hate it. There’s no shame in breaking down sometimes and allowing yourself a bit of remorse. Disappointment and rejection sting 100% of the time. Trust me on this.
Only don’t despair too long. If there is one universal truth to our existence it is this: thoughts become things. Consider yourself a failure with a bit too much intent and deliberation, and you may just find yourself failing every time. But if you can see past the downturns, those times you’d like nothing better than to torch your manuscripts and run screaming back to reality, know this: you cannot chart a path to joy in one hour, one night, or one year. Never underestimate the value of a positive mental attitude. If there’s only a single difference between you and every other upstart, let it be your mindset. In my experience, you’ll burn most of your frustrating years right at the outset. As you struggle to learn your craft, yours will seem like the stupidest, least worthy goal in existence. But it’s not. And as the years go by, you’ll start to realize that desire and predestination look the same in hindsight.
Here’s what I want from you until we hook up for another Pep Talk, reader. I want you to write your butt off and take no prisoners. Yes, it’s a long haul, and yes, it will not come easily. But there’s one truth to all of this most people won’t count on. Happiness today engenders happiness tomorrow. Engage with your writing like it’s an old friend, a family member you’ve not seen in years or a new love you’re eager to spend every waking moment with. The passion comes through, and so does the bright spark of your soul. Don’t give an inch and never look back. You keep focused on the road ahead, and when the time comes to pull over and take a pit stop, open your eyes, view the scenery, and then get back in the car and apply pedal to metal. It isn’t the worst thing in the world. You are a writer. Say it again for me. You ARE a writer. Now get back to work, my friends, and show us all what you’ve got.
Interested in Jeff’s writing? Check out his latest short story collection, Godling and Other Paint Stories: https://www.amazon.com/Godling-Other-Paint-Stories-Bowles-ebook/dp/B01LDUJYHU
YouTube’s Jeff Bowles Central: https://www.youtube.com/channel/UC6uMxedp3VxxUCS4zn3ulgQ
Last week, I received a rejection letter for Delilah from a publishing house I submitted to back in October. Although I know it sounds odd, I was elated. “Why?” you may be asking, and with good reason. Rejections are not something writers are usually pleased about. In fact, just the opposite. But I was pleased with this rejection letter for one reason. It was not a form letter. In fact, the editor took the time not only to read the sample I submitted, but to give me constructive criticism and suggestions as to how the manuscript might be improved.
As a graduate student, my professors drilled the idea into our heads that a personal rejection letter, means your manuscript made it past the slush pile and actually received some attention from the editor. It was good enough that they actually read what you sent. And a rejection letter with personal feedback is even better, because then you don’t have to wonder why they rejected your work, and you can strive to fix anything that needs fixing before sending it out again.
My rejection letter was personal, rather than form, and it offered feedback. How sweet is that? I mean, I’m not happy the book was rejected, but I am happy that somebody read at least part of it, in this case, the first fifty pages. My reaction to this rejection is to study the personal feedback and then really look at the manuscript to determine the validity of the comments. Then revise and resubmit to the next publisher on my list for Delilah.
For those not familiar with me or my writing, Delilah is my 60,000 word western novel about a strong willed young woman, who served two years in the Colorado Territorial Prison, in the late 1880s. Delilah thought that time had hardened her against the cruelties of the world, but she wasn’t prepared for the trip back home and the hardships of the Colorado frontier. She heads to her home in San Luis, with sixteen year old, Sarah. An encounter with two outlaws, who take the girl captive, sets Delilah on a journey into the high country of Colorado mining towns. Along the way she faces wild animals, outlaws and Indians, makes colorful friends, and learns to love again. Delilah is a novel with the true flavor of the Colorado frontier.
A while back, I also had a hybrid publisher, who expressed interest, but wanted me to provide other western authors that would be interested in publishing with them. (To get a better idea of what I’m talking about when I say hybrid publishing, see my article, Hybrid Publishers – What are they all about?). I posted in a few places on Facebook, but did not come up with any other interested authors.
So, this is actually the second personal, (non-form) letter that I’ve received on Delilah. Of course, it would have been better if I had received an acceptance letter, but I believe in myself, I believe in my writing, and I know that one day, that acceptance letter will come. And, if not, I am not beyond the idea of publishing her myself, because I know she is that good.
To learn more about and read updates on Delilah, go to my Delilah Facebook page.
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I started Writing to be Read to promote my own writing and to help other authors, through writing reflections and reviews. We’re all in the same situation. Marketing and promotion are a big part of writing these days, and authors are expected to self-promote to some extent, even if they are traditionally published. The way that books are being rated now, in many places, including Amazon, by the reviews they receive. I post partial reviews on both Amazon and Goodreads for this reason, and have even taken the time to post on Smashwords and Barnes and Nobles upon request from the author.
But, what is a reviewer to do when a book she’s reviewing falls short of all expect a film, like my review of Angel Falls Texas on Friday? Every review I publish has an end note at the bottom which reads like this:
“Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.”
I don’t believe in charging for a review because I don’t believe in paying for a review. And I don’t believe in that because I don’t think you can get an honest review when it is paid for. And I do believe a review should be honest. While I amin favor of promoting other authors with my reviews, I don’t believe in hyping up a work when it is not deserved.
Too many authors get their books on the best sellers list simply by having great reviews posted by those who love the author, but don’t honestly reflect the quality of their book. It’s sad but true. (To learn more about what that best seller label really means, check out this article by Brent Underwood.)
As I shared my post for my review of Angel Falls Texas last Friday, I reacted with a sad on each one, because I hated having to publish such a negative review. It’s certainly not going to help the author sell books, which is usually my goal. In this case, to post a review to encourage sales would have made me feel dishonest to my own readers.
I do both solicited and unsolicited reviews. Those that are unsolicited are from books I purchased on my own and I use them as fill in posts when I don’t have any solicited reviews to publish. With reviews that have been solicited by the author or I have requested an ARC from the author, which don’t rate at least three quills, I usually contact the author, tell them my assessment, and offer them the chance to not have the review published. Most authors, like my author friend Chris Tucker, opt to publish the review and take their licks, but there have been a few who have requested that I hold off publication. These authors, hopefully, then go and make revisions to improve their book and then have me give it another chance. I’d rather do that than post a review that may hurt sales.
I try to be fair in my reviews. If a book is one of a genre that is not one of my favorites, I will state that in the review, being upfront about anything that may have influenced the my opinion. But honestly, as authors who are putting their work out there, we all take the chance that someone out there will not like our work, for whatever reason, and will post an unfavorable review. After all, we are only human, and we are never going to please everyone.
As a reviewer, I know I’m not going to love every book that I review. There will be times when my reviews will be less than shining, but I have to be true to myself and to you, my readers, and publish how I honestly feel. All I can do is try and be specific about what I didn’t like in the hope that the author will take it like a critique and find something useful from my feedback to help to improve their writing or the value of the product they put out.
I think the number one thing we, as writers, can do is remember what one of my Creative Writing professors, Russell Davis, said when talking about receiving critiques from our cohorts,
“Remember, it’s not about you. It’s not personal. It’s all about the writing.”