Craft and Practice with Jeff Bowles – To Self-Publish or not to Self-Publish

Jeff

The third Wednesday of each month, writer Jeff Bowles offers practical tips for improving, sharpening, and selling your writing. Welcome to your monthly discussion on Craft and Practice.

To Self-Publish or not to Self-Publish

I guess I’m a bit of a dreamer when it comes down to it. Head in the clouds much of the time, projecting myself right out of reality because, well, I take more comfort in worlds inside my mind than the world as it really is. I’ve always been that way, and it’s helped me enormously as a creative individual. Has it helped me much in life? That’s a conversation for another time. Or, you know, maybe never.

For me, the dream was always the most important thing, because I understood dreams become reality with startling frequency. I mean, that’s essentially what storytelling is, right? Making something whole, tangible, expressive, from nothing at all. It’s something I have to believe in order to do what I do. If I didn’t think anything and everything was possible, how could I convince you?

I like self-publishing. It’s a good speed for me. I made great efforts to publish short fiction in the traditional form for more than ten years, and I wouldn’t change anything about that time. But then I went off to earn an MFA in Creative Writing, and it slowly dawned on me that recognition, fans, and even money will only get you so far. If you’re dedicated to your craft, you can do it penniless. In no way does it make or break your enjoyment of the act of writing. In fact, achieving something like the ever-ubiquitous yet disappointing “best-seller” status often throws unsuspecting authors into a rut, one that can be difficult to climb out of. With success so comes stress and an urgent need to produce. I’m not good with stress, suffer from some anxiety and other mental health issues, and I somehow knew about myself that if I wanted to put my books out, I’d have to do it in a manner congruent with my everyday tolerance levels.

So when it came time to publish my first novel, I did it myself. I got the most amazing help from a friend of mine to render a cover and some gorgeous chapter-to-chapter artwork, I set the date, released it through Amazon, and then plugged it as best I could, also knowing I’m not a natural salesman. The truth is I would’ve made far more money if I’d snagged a traditional publisher. The truth also happens to be that I don’t care all that much either way, because I’m still the writer guy doing his writer thing, albeit at a somewhat reduced level.

I like controlling the whole process from beginning to end. The product I end up with, for better or worse, is all on me. The people who’ve read my first novel have enjoyed it immensely. Living the kind of life that’s cool and confident and down for lower-case “success”, simply because I’m not sure the upper-case kind is actually all that much fun, well it works for me right now. Maybe a few years down the line I’ll really push for the traditional publishing route. I’m not sure. What price success?

Given the choice, most writers would opt for more sales over fewer. I don’t think I’ve used the word “duh” since I was thirteen years old, but duh. The point is, you can write as much or as little as you want, and you can shoot for the stars or just keep your work on the down-low, but the real question is what fuels you? What keeps you satisfied? Is it money in the bank or pure creative expression? A happy mix of both? What do you want? What do you want? WHAT DO YOU WANT?!

If you’re working on a book or have recently completed one, first of all, congratulate yourself. You’ve done something most people on the planet want to do but never seem to get around to doing. Secondly, ask yourself the question in capital letters up in that last paragraph there. It’s harder to find sponsorship than to put it out yourself. That’s true no matter what you do, so consider it numero uno. Are you willing to risk rejection aplenty and month after month of waiting for an agent to reach out and tell you your work is magnificent (or abhorrent)? Or do you want to produce your book on the fly and handle all the publicity yourself later on? Know that for the vast majority of self-publishers, a hundred lifetime sales is considered superb. That’s a slow lunchtime minute in February for one of the major houses.

Work the traditional route, you’re likely to feel under-the-gun and underappreciated by your publisher. DIY it, and you’ll probably feel like you’re grinding your gears, working your butt off just to make a few lousy sales. Release your work through an established house, and perhaps struggle to earn out your advance and start bringing in those royalties. Put it out yourself, and claim your dividends immediately, meager though they may be.

See? Plusses and minuses for both. Nice work if you can get it, but look, your best bet is to keep producing and put your work out however you can, whenever you can. That’s the shotgun method, and it works. I know what’s been right for me in the past several years, but I also claim the right to change my mind someday. In the grand scheme of things, it’s all benefit and no loss. Just keep doing your thing, and if you get the opportunity to publish your work in a major way, absolutely go for it. If you can’t, however, or you simply would rather not, don’t sweat it, because magnificent career legacies have been built on less. Just don’t sell yourself short, and whatever you do, remain true to your vision and your goals.

Now for a little practical advice. You knew it had to be buried in here somewhere, right? If you’re in the market for an agent, find yourself a good searchable database like AgentQuery.com, or if you’re so inclined, think about picking up the 2020 edition of the Guide to Literary Agents, which many writers throughout the years have found great success with. Your manuscript must be in tip-top shape before you send it to anyone. I know that seems like common sense, but you’d be surprised how often people mess this up. Tip-top means thoroughly revised, edited, and proofread. If you can make it any better, you’re not done with it. Remember to remain professional and courteous, even when you get shot down. Especially when you get shot down.

On the flip-side of the publishing coin, the final state of your book is just as important in self-release, perhaps more so, because you won’t get an assigned editor to walk you through the process. If you can afford one, hire the services of an independent editor, and if you’re not super artistic, hire someone to do the cover and book layout, too. A lot of people, like yours truly, release their stuff through Amazon and call it good, but this is by no means your only option. Vanity publishing, independent print-on-demand, and independent ebook distributors all exist, though do your homework, because some are more attractive than others. Vanity publishing, by the way, try to eschew it if you can. I like Amazon because it’s one-stop shopping, and their KDP publishing system is easy to use, but your mileage may vary, and you may have bigger plans for your work than I’ve had for mine.

Regardless of how you publish, just remember it’s incredibly important to put out the best work you can. You want words you can feel proud of. In the end, your writing legacy is completely in your hands. That’s it for this post, everybody. I’ve got an overdue book to edit, and you’ve got more awesome Writing to Be Read articles to peruse. See ya next time.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

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Announcing the WordCrafter 2020 Stay in Place Virtual Writing Conference

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We’re all tired of staying at home during this recent crisis. It seems like everyone has been affected in different ways, but no one has gone unscathed. Our world has changed in recent times. We, as authors and lovers of the written word had many of our in-person writing events – conferences, conventions, and book fairs – cancelled due to the appearance of COVID 19. To to emulate all those events we look forward to each year and are missing out on now, and to chase away some of the boredom of social distancing and isolation, WordCrafter presents the 2020 Stay in Place Virtual Writing Conference on Tuesday, April 28 from 8 am to 8 pm.

This is a unique event, the first of its kind, and one you won’t want to miss. Free presentations and author takeovers will be occurring on the Facebook event page, and interactive workshops and panel discussions will be offered for a minimal fee on the Zoom platform. Interactive panel discussions and workshop session can be accessed individually for $5, or an all access pass to all interactive sessions can be purchased for $50. Tickets can be purchased on the Facebook event page. Watch for your Facebook event invite from me or one of the many wonderful authors involved with this conference. Send me a message through my WordCrafter page or through the event page if you have further questions, or if you would like a half an hour author takeover spot to promote your own work.

This has been a huge undertaking to organize and set up an event such as this one, but I haven’t done it alone. Without my 22 talented presenters, this event couldn’t happen. We have a great line-up, with international bestselling science fiction and fantasy author Kevin J. Anderson presenting the keynote on the interactive platform.

Kevin J. Anderson

And that’s just the beginning. Take a look at the talent that has lined up for presentations, workshops and panel discussions.

Mario Acevedo

Award winning and national bestselling speculative fiction author Mario Acevedo will be offering a presentation – “The Power of Motivation: What Your Characters Do and Why”

Alatorre Bio

USA Today bestselling multi-genre author Dan Alatorre will be a member of the interactive book marketing panel discussion.

Chris Barili - B.T. Clearwater

Multi-genre author Chris Barili will be presenting “Writing in the Face of Adversity” and giving an interactive workshop on “Writing Across Genres”.

 

L.D. Colter - L. Deni Colter

Award winning fantasy author L.D. Colter will be offering a presentation on “Short Fiction”.

Candido Bio

World builder and speculative fiction author Kieth R.A. DeCandido will be offering an interactive workshop on “The Business of Writing” and he is the moderator for the media tie-in interactive panel discussion.

DeMarco Bio

Award winning novelist Guy Anthony De Marco will be a member on both the short fiction and world building interactive panel discussions.

Anthony Dobranski

Fantasy and science fiction author Anthony Dobranski will offer two presentaions, “How to Swim Upstream: Not being in the mainstream of your market/genre” and “Working with Others: How to direct others in a project”. In addition, he will offer two interactive workshops. “Business Class Tarot” and “The Savage Horror of Writing Back Cover Copy”.

Jason Henderson

Author for young readers, Jason Henderson will be presenting “Story Ideas and the Choices You Make” and moderating the interactive book marketing panel discussion.

Kevin Killiany

Media tie-in author Kevin Killiany will be a member on the interactive world building, media tie-in, and short fiction panel discussions.

L. Jagi Lamplighter

Award winning young adult fantasy author L. Jagi Lamplighter will be on the interactive panel on world building, and moderate the interactive short fiction interactive panel discussion.

Lawless Bio

Award-winning science fiction author J.R.H. Lawless will be a member of the book marketing interactive panel discussion.

Jonathan Maberry

Award winning and New York Times bestselling multi-genre author Jonathan Maberry will be a member on three interactive panel discussions: short fiction, world building and media tie-ins.

Bobby Nash

Award winning multi-genre author Bobby Nash will deliver a presentation on “The Importance of Promotion”, as well as being a member of both the media tie-in and book promotion panel discussions.

Nye Bio

Science fiction and fantasy author Jody Lynn Nye will offer a presentation on using humor in science fiction and fantasy writing, “Bringing the Funny: how to apply humor to your writing” and she will be a member of the world building interactive panel discussion.

Ellie Raine

Award winning fantasy author Ellie Raine will sit on both the short fiction and world building interactive panel discussions.

Art Rosch

Award winning multi-genre author Art Rosch will offer a presentation on “Creating Villains We Love to Hate”.

Sean Taylor

Award winning multi-genre author Sean Taylor will offer a presentation on “Visceral Story Beginnings”.

Vandenberg Bio

Science fiction author and marketing expert Alexi Vandenberg will be joining the book marketing panel.

Rosemerry Wahtola Trommer

Award winning poet and author Rosemerry Wahtola Trommer offers a livestream presentation “The Gateway to the Unknown: A Poetry Thought Shop”.

Rick Wilber

Author and educator Rick Wilber will be a member of the short fiction interactive panel discussion.

Dave Wolverton - David Farland

Award winning and New York Times bestselling science fiction and fantasy author Dave Wolverton/David Farland offers a”Promoting Your Book BIG” and he is a member of the interactive book marketing panel discussion.

You can find a full schedule here. I do hope all of you will join us for this unique writing event. It’s the first of its kind and we could be making history. You can be a part of it, too. Join us.


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Author Update: The Making of a Memoir On Hold Indefinitely

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I’m sorry to say that the obstacles and road blocks I mentioned in my April post have brought my memoir writing process to a screeching halt before it had truly begun, and thus, this bi-monthly blog series must come to a halt, as well, until I can find answers to the problems related to writing about real people and organizations which is necessary to telling my son Michael’s story, as well as my own. Losing Michael: Teen Suicide and a Mother’s Grief  has been shelved, at least for a while due to legalities. This book project is based from my personal experience and is dear to my heart, and it great saddness that I make this decision, but I’m not ready to face the trials that forging ahead with it would require.

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On the other hand, there are exciting things on the horizon. My efforts for the near future will turn to working on the issue of re-issuing Delilah, which Dusty Saddle Publishing has so graciously offered to do. Once this is completed, I plan to pick up where I left off on the drafting of the second book, Delilah: The Homecoming. I just got Delilah back on track in this story with considerable revisions and I’m a little sad to have to delay the completion of this book, but also confident that the story will be better for it.  

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I will be getting the WordCrafter website up and running and ready for launch.  Get ready folks, because WordCrafter Writer & Author Services is coming soon. Services will include Editing and Copywriting services, online courses, and WordCrafter Press.

I’ll also be compiling and publishing the two great anthologies to be released by WordCrafter Press. The Ask the Authors anthology will feature the collaborative interviews from the 2018 “Ask the Authors” blog series right here on Writing to be Read. This book will be filled with writing tips and advice from authors who are out there doing it, a valuable writing reference for authors in all stages of the publishing journey.

WordCrafter Paranormal Anthology - smallThe other anthology, Whispers in the Dark, will be a short story collection harvested from the WordCrafter Paranormal Short Story Contest held at the beginning of 2019. It will feature several of the submissions from the contest, including the winning entry, “A Peaceful Life I’ve Never Had”, by Jeff Bowles. These anthologies are still in the preliminary stages, but I plan to have them both out by the end of the year. I have cover ideas for each one, but only Whispers has a final version at this time. I plan to release it in October.

 

 

To keep up on the latest with my writing endeavors and with Wordcrafter, sign up for my monthly newsletter in the pop-up. When you do, you’ll recieve a free e-copy of my paranormal mystery novella, Hidden Secrets.


Interview with western author Loretta Miles Tollefson

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After writing an excerpt of Delilah for an assignment in grad school, I remember thinking, ‘this could be a book’. But I also remember thinking that a western by a female author probably wouldn’t sell. Women weren’t supposed to write westerns. After all, the western frontier was for rugged men. I knew there were women in the west, but I guessed that they weren’t protagonist material. Then, I wrote and published Delilah anyway. It was a story that wanted to be told. My character, Delilah spoke to me and the writing of the tale was too important for me to let the idea that it might not be a best seller stand in the way.

In the meantime, I was happy to learn that there are other female western authors out there. I’m pleased to have one as my guest today. Her books are set in the historical New Mexico landscape based on factual historical people and places. Western fiction author Loretta Miles Tollefson will share her thoughts on the matter of gender in the western genre and other aspects of writing and her books. 

Please welcome Loretta Miles Tollefson.


Kaye: Would you share the story of your own publishing journey?

Loretta: When I was fifteen I won a writing contest in a Sunday School paper and that triggered a deep desire to continue to see my words in print. I published a couple more pieces in that same paper, then branched into short stories and poetry in my 20s and 30s. I had a few things published and received a co-publication offer for a novel. Unfortunately, I didn’t have the financial resources to follow up on that. I continued to write and had some poetry published in my 40s and early 50s. I self-published a couple novels in my mid-50s and then The Pain and the Sorrow was published by Sunstone Press in 2017. I was frustrated by the lack of opportunities to advertise a novel that had been traditionally published and went back to the self-pub route with Not Just Any Man.

Kaye: When did you know you wanted to be an author?

Loretta: I was 15 but, because I come from a very practical family, I chose to take the pragmatic approach of going into newspaper and magazine work instead of stepping into the uncertain waters of fiction. Eventually, I became a Special Projects Manager for a regional planning organization here in New Mexico, a job which utilized both my writing and research skills. I didn’t realize my dream of writing full time until I retired about five years ago.

Kaye: What is the most enjoyable part of writing westerns for you?

Loretta: For me, the most enjoyable part of writing is finding ways to bring the historical details, my characters’ personalities, and the storyline itself together. It’s like weaving a tapestry. And then there’s always the sudden inspiration that seems to come out of nowhere, when my characters seem to be telling me what they want to say. Although I, as the author, always have control, I’m sometimes surprised at where the story takes me.

Kaye: What is the biggest challenge of writing western fiction for you?

Loretta: I think my biggest challenge in writing historical fiction set in the West is feeling like I need to double check all the details. Even though I grew up on a small farm and we had horses and cows and chickens and hung the clothes on a line and pretty much all the rest of it, there’s a great deal I don’t remember or took for granted at the time. And, of course, I didn’t actually live in the early 1800s. I have to be careful not to assume certain ways of doing things or specific pieces of equipment were common back then. I’m always concerned that I’ll slip into an anachronism.

Kaye: You follow the old adage “write what you know”, setting your books in areas where you have lived and are familiar with, yet you must envision those settings in another time period. It seems perhaps your own setting acts as inspiration for your stories?

Loretta: It does. Very much so. I’ve lived in New Mexico almost thirty years and was fortunate enough to travel all over the state in connection with my job. Then, after I retired, we moved to Eagle Nest, New Mexico, on the northern end of the Moreno Valley. We lived there five years and that experience really brought together my love of history and my desire to write full time. There’s so much history here in New Mexico that I don’t think I will ever run out of ideas. We recently moved to Santa Fe, New Mexico, and that will continue to inspire me and to provide me with great resources for my research.

Kaye: Your novel, Not Just Any Man, was recently released. Would you like to tell us a little about that book?

Not Just Any Man ebook cover.final 11 5 18.150 dpiLoretta: Not Just Any Man is about a black mountain man in 1820s New Mexico named Gerald Locke, Jr. It’s an adventure story, as Gerald traps in Northern New Mexico and then joins a fur trapping expedition across the Arizona desert and up the Colorado River. The group includes Enoch Jones, the only mountain man in the West who seems to have an issue with Gerald’s skin color. Jones has a few other issues as well, and the conflict between the two men is a crucial plot element.

But this isn’t just an adventure story. Gerald has met a young woman in Taos who seems far above his station in life and he can’t stop thinking about her. Even if he can survive the Sangre de Cristo mountains, the Mohave Indians, and the arid rim of the Grand Canyon, as well as Enoch Jones, can Gerald prove to himself and the girl he loves that he is, after all, not just any man?

Kaye: Do you think western readers are more receptive to male protagonists?

Loretta: There certainly are a lot of male protagonists in the western genre. I think this is because the traditional Western initially reflected the cultural assumption that only men played an active role in events in the West. As we broaden our understanding of the historical West, both before and after the United States was the primary actor there, we’re realizing just how often women played critical roles on the frontier. Life was harsh. Any family that was going to survive needed everyone in it to be fully engaged. Women had to take on roles they hadn’t necessarily played before. If anything, I believe their experiences on the frontier helped to begin breaking down the barriers that we’re still disassembling today. As we do that, I suspect Western readers will become more and more receptive to all kinds of protagonists.

Kaye: You have wonderful covers with beautiful landscapes that cry out ‘western’! Where do you get your covers?

Loretta: Well, thank you! I’m glad you like them. I worry about my covers. Other than The Pain in the Sorrow, I’ve designed them all myself and created most of them using a combination of Publisher and Gimp. The pundits’ advice is to have someone else do them, but I tend to have very specific ideas about what I want, and I haven’t yet discovered anyone who can quite catch my vision.

Loretta: The Pain and the Sorrow was strongly inspired by New Mexico history. Its characters actually existed and the primary incidents in the story are based on historical artifacts.

The plot of Not Just Any Man is also strongly situated in actual events. While the protagonist and villain are both fictional, most of the mountain men in the novel, are based on actual people—Old Bill Williams, Milton Sublette, Ewing Young, etc.—and much of the story line is based on their first-hand accounts.

Kaye: The Pain and the Sorrow has historical basis, as do all your books as I understand it. And it’s obvious that you strive to make your details as accurate as possible. Do you weave the history into your stories or is it the New Mexico history that inspires the stories?

9781632931849-Perfect w shadow.inddKaye: The Pain and the Sorrow is based in New Mexico history and a historical figure of legend, but the story about your female protagonist. Not all of your novels have female protagonists though. Was the female protagonist easier to write since you have a natural female perspective?

Loretta: The Pain and the Sorrow was a very difficult story to tell because of the abuse my teenage protagonist suffers at the hands (and other body parts) of her husband. I think that writing Gregoria’s story may have been more difficult for me precisely because I am female. My emotions were very raw during the entire process. I might have found it easier to tell Gregoria’s story if I didn’t have a “natural female perspective” and felt less connection with her.

Kaye: Do you think it’s more difficult for a female to make it in the western genre than it is for male authors?

Loretta: I think it’s difficult for any author to break into any genre today, regardless of their gender. However, it seems to me that more women are writing Western-style stories and getting them published than has been true in the past. For example, of the fourteen authors showcased in Five Star Publishing’s recent The Trading Post and other stories, four or five are women. In early December 2018, the twenty top-sellers in Amazon’s Western category included at least two women. There may have been more, publishing under a male pseudonym. We’ll really know that women have made it in western fiction when no one finds it necessary to use a male, or male-sounding, pen name when they do so.

Kaye: My publisher slapped Delilah into the romance category, listing it as a frontier romance. While there is a romantic element to the story, I didn’t make it the major focus of the story. I guess they thought it was more marketable as a romance, and I do think that because my protagonist is female, the book might have a stronger appeal to a female audience. Do you think western readers are more receptive to stories with a male protagonist?

Loretta: That’s hilarious. I really liked Delilah and I enjoyed the romance element in it, but classifying it as a frontier romance seems to me to diminish its marketing potential. I never search for frontier romance. As a result, I would have missed Delilah entirely if that’s the only place it could be found. I feel strongly that the current way the market is being sliced into finer and finer categories does us all — readers and writers alike — a disservice because it makes it more difficult to find the well-written, well-conceived books like Delilah that transcend easy categorization.

Kaye: Do you feel that it is harder for women authors to be taken seriously in the western genre?

Loretta: To a certain extent, this may be true. After all, as I mentioned above, some women authors of Westerns apparently feel that it’s necessary to use pseudonyms to obscure their gender. But I think that as we persist, this will become less and less of an issue.

Kaye: You are also a poet and you have out several poetry books. Would you talk a little about what inspires your poetry?

Loretta: My poetry is very personal, especially But Still My Child, which contains the poems I wrote after a miscarriage over thirty years ago. The poems I wrote during that time and afterwards helped me process that grief and I hope publishing them will support others in that same process.

My other volumes of poetry were the result of an attempt to blend my interest in poetry with my love of story. For historical stories, now that I think of it. The poems in But Then Moses Was There and Mary At The Cross try to get inside the heads of Biblical characters to express what living their experiences might have felt like.

Kaye: You’ve also written other non-western novels. What other genres do you write in?

Loretta: I’ve written an urban fiction about coming of age/homelessness in 1980s Seattle and a chick lit novel about a New Mexico couple who wins the lottery. I’m not working in either of those genres now. I’m focusing my energies exclusively on historical fiction set in Old New Mexico.

That focus on historical fiction has also resulted in two short story collections set in New Mexico: Valley of the Eagles and Old One Eye Pete. Valley is a collection of micro-fiction. The stories are all 500 words or less. Old One Eye Pete contains longer pieces, with stories featuring the mountain man Old One Eye Pete acting as the narrative thread.

Kaye: What is the working title of your next book?

Loretta: It’s called Not My Father’s House. It’s a sequel to Not Just Any Man and (spoiler alert!) focuses on Suzanna’s struggle to adapt to living high in New Mexico’s Sangre de Cristo mountains. I’ve just finished the second draft, so it should be out by the middle of 2019.

Kaye: Besides writing, what are your favorite things to do?

Loretta: I research material for my upcoming books — or at least I tell myself it’s for my upcoming books. Hah! And I read fiction: historical, mystery, suspense, Westerns, and pretty much anything else that looks interesting to me at the moment. I review most of everything that I read, unless it has 100 reviews or more. I would love to review more historical fiction set in 1800s New Mexico and Southern Colorado, since Southern Colorado was part of New Mexico at one time.

Kaye: Would you tell us a little about your blog? What will readers find there if they visit?

Loretta: My blog is at http://www.LorettaMilesTollefson.com. About once a week, I post a short piece about a historical event or a flash fiction story set in Old New Mexico, which I define as anything prior to statehood in 1912. The site also includes news about, and links to, my books.

Kaye: Which author or poet, dead or alive, would you love to have lunch with?

Loretta: I have so many favorites. This is a hard question to answer. I think right now, given the work I’m doing, the person I would most like to have lunch with would be Paulette Jiles. I really enjoyed her News Of The World and the way she brought actual events to life in that book.

Kaye: What do you like to do when you’re not writing?

Loretta: I read and explore the region with my husband. Ultimately, it’s all research.

Kaye: Is there anything unique or unusual about your writing process?

Loretta: My writing process consists of writing the first draft, letting it sit a month, revising, letting it sit a month or so, then revising again until I feel it’s really ready. This process seems to be becoming more unusual in today’s fast-paced writing environment.

Kaye: How much non-writing work, (research, marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?

Loretta: At the moment, I’m doing all my own research, marketing, promotion, book covers, and so forth. I’m stretching myself pretty thin with all these different activities, but doing it all gives me a lot of control. I may have to start farming some of the non-writing work out as I move along in my journey.

Kaye: If your book was made into a film, who would you like to play the lead?

Loretta: To tell you the truth, I watch so little television and so few movies these days, that I’m not sure who would be the best actor to play Gerald or Susanna in a movie based on Not Just Any Man or Gregoria or Charles Kennedy in The Pain And The Sorrow. I’d love some input from your readers on this question.

Kaye: I can and will reach out to readers for input on who should play your leads were your story made film, but now you have to answer another question: Since many of my readers may not have read your books, can you tell us what characteristics these characters would have so they can better imagine who would be a good fit?

Loretta: Hmmm,
Characteristics:

Gerald: square forehead, gray eyes. Half black/half Irish. Late 20s.

Suzanna: slim, tall for a woman (about Gerald’s height). long black hair, dark brown eyes. Half anglo (WASP), a quarter french, a quarter Navajo. About 16.

Alright readers. Here’s your chance be heard. Who do you think would be good for the roles of Gerald and Suzanna? Please comment with your suggestions. Loretta and I would both love to hear the possibilities.

Kaye: What advice do you have for aspiring authors?

Loretta: In a nutshell: read, revise, revise again.

If you plan to write fiction, read fiction. Especially classic fiction: Hemingway, Steinbeck, Austen, Dickens, and so forth. Also, read contemporary fiction, and not just books in your genre. Some of my favorite authors right now are Louise Penny and Donna Leon. They teach me pacing and character development. I’m especially fascinated by the way their protagonists develop over the course of the series. Everything’s research, even the books you don’t like. And don’t be afraid to express your opinions and trust your instincts. It’s okay to not like a book even if everyone else is saying how wonderful it is.

Most of all, revise! As Anton Chekhov said, “rewrite everything five times.” Well, maybe not that many, but you see what I mean. I would add “but not immediately” to that advice. Take the time to let your work rest, and then go back and look at it again. When you start changing sentences back to the way you had them in a previous version, that’s when you should stop. But not until then.

Revise it, let it rest, then revise it again. There’s a popular saying that “Perfection is the enemy of done.” I am uncomfortable with that statement. While no work is going to be absolutely perfect, rushing to publication is the enemy of quality work. Try to get your story as well-written as possible. Producing quality work is what will keep your readers coming back for more.


I want to thank Loretta for joining us today and sharing a glimpse into the world of western writing from a female author’s perspective. I have admired her work since I reviewed The Pain and the Sorrow last May, and it’s a thrill to have the privelage of interviewing her. It’s a real treat to hear from another female author in the world of western fiction.


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Interview with Multi-Genre Author R.A. Winter

RA Winter

I recently made the acquaintance of the energetic, sassy author, R.A. Winter. She writes in several genres, including fantasy, magical realism, dark fantasy, , time travel romance, contemporary Native American romance, and paranormal Native American western. And it seems she never rests when it comes to writing. Please help me to welcome R.A. Winter to Writing to be Read.

Kaye:  Hello and welcome. Would you start by sharing the story of your own publishing journey?

R.A.: I started out writing genealogy nonfiction books under my married name.  I love research and old libraries! I also love reading romances.  With so many ideas flirting around my head, I thought I’d give creative writing a go.

Kaye: Is there anything unique or unusual about your writing process?

R.A.: I write the raunchiest first draft, the humor is way over the top. Then I cut it down, and my crit circle cuts it down further.  My editor slices more.  They say that a bit of humor goes a long way.

Kaye: You have sites on both WordPress and Wix. Can you give us the advantages and disadvantages of each? Which site do you prefer? Why?

R.A.: Wix is easier to deal with, super simple to navigate and change.  WordPress is a bit of a pickle to deal with, and every time I change something, I mess up the page.  I do prefer WordPress because I can easily  share review and pages on a whim.  Wix doesn’t give you that option.

Kaye: You’re on the review team at The Naked Reviewers, where authors can submit a book and request an honest review. Would you like to tell us a little about that site and what the review process is?

R.A.: We have a group of published author on Scribophile.com who formed the group.  Right now, I think there is twelve of us.  When someone submits a book, we all read the first chapter, the ‘look inside’ feature on Amazon.  Then we rate the writing, the blurb, and the cover.  If two of us agree, we review the book.  Each Wednesday, two of us leave our review as a feature, if anyone else read it, they leave their thoughts in the ‘comment’ section.  It does mean that most books that we review get a 4.0 or higher rating, usually.  We wanted to show off the best books.

Kaye: You had bad experience with Amazon regarding reviews. This is something we’re hearing from many authors, although complaints vary. Many reviewers, including myself,  have had book reviews pulled by Amazon, with the claim that their terms of use were violated because of an existing relationship which would bias our opinions. I even heard of an reviewer whose reviews were pulled because Amazon saw that they were Facebook friends, which they claimed indicated a prior relationship. (This doesn’t make sense to me. Many authors who I have done reviews for have become virtual online friends because of the review, not the other way around.) Your experience was a bit different because it wasn’t books that you were reviewing. Would you like to tell us a little about your experience?

R.A.: I ordered products from Amazon.com.  A coffee grinder, a milk frother, and a small coffee taper, they just happened to be from the same company in China.  Now, I review every product I receive, but when I went to upload my reviews, Amazon wouldn’t allow it.  After contacting them, they said that I had a ‘relationship’ with the company in China and that I’d violated their terms.  Apparently, I ordered too many things from them. I just don’t understand. They ask you to review, you review… then they’re like… you review too much! They banned me for LIFE for writing any reviews.

My point to them was- IF I was screwing reviews, wouldn’t my books have like 300 hundred reviews instead of each of them having less then 10? I mean seriously. THAT’S what would have benefited me!

Kaye: What is one thing that your readers would never guess about you?

R.A.: I have five children… all boys. I’ve lived in 5 different countries too. I don’t know which one was harder to live through. And all my boys look like my husband.

Kaye: What are your secrets for juggling writing with family?

R.A.: My kids are older, so they don’t need me. I like to write at night, when the house is quiet and no one interrupts. My earbuds are essential, and a song list that corresponds to my writing mood.

Kaye: You have some really great covers, some of which you’ve shared here. What do you do for cover art? DIY, or hired out, or cookie cutter prefab? Do you have a great cover designer you’d like to recommend?

R.A.: Some  are creations of Kayci Morgan, from KreativeCovers.com.  A few I did myself, which you can probably tell.  Kayci is wonderful to work with and very reasonable.  I am learning Photoshop and I’m doing my own teasers.  I’m getting better but I just don’t have the finesse to do covers well.

Kaye: You have a paranormal romance fantasy novella, Twisted, which I’m excited to be reviewing here on Writing to be Read. (So watch for that review on Friday.) What can you tell us about that story?

TwistedforRAwitheyesR.A.: Twisted is a novella, and one of the hardest things I’ve

written.

It’s a Freaky-Friday, body switching piece… full of adult humor. A witch’s land is cursed. Males are no longer born to the vampires, nor are females born to the wolves. To end the curse, the witch must solve a riddle, and she has to have the cooperation of the vampires and the werewolves.

The only way to make them work together, is to make them work with themselves, so she switches their bodies. The male werewolf becomes the female vamp, and the vamp a male wolf. Then, the fun begins. It’s been called a cross between the “Underworld Series’ and ‘Once upon a Time.’

Kaye: What is the strangest inspiration for a story you’ve ever had?

R.A.: My Spirit Key series was a way to keep my cat alive in my memories.  He’d just past away, and Dingle had the oddest personality for a cat. He always reminded me of an old man, you know the one.  The spunky old guy in the nursing home who’s constantly bugging the pretty nurses and running behind them with his walker, never able to catch them.  Occasionally, he’d pinch their behinds, but act like he didn’t do it. I taught Dingle how to wink, but usually he had this grumpy look on his face.  He used to love to jump out and scare me, then give me that ugh, you’re-stupid-to-fall-for-that-again look.  He’s now a ten-thousand year old spirit who has a bit of trickster in him.

Kaye: Your Spirit Key series are westerns with a bit of a different twist to them. Would you like to tell us about them?

R.A.: Contemporary Native American’s in a western setting with magical realism is the gist of the Spirit Key Series.  In book 1, we follow young Sara,  as  the ghosts of ancestors  haunt her days and try to keep her away from young RedHorse.  There’s a new spirit in town, a nefarious one who has his own agenda.  The Old One wants the land for the dead and he’ll do anything to have it, including taking away what Sara loves most.

Kaye: There are two books in The Spirit Key series: Painted Girl and Redhorse. What type of research did you do for these books?

R.A.: The first two book are contemporary, set in modern day Kansas on a farm.  Books 3 and 4 (which are almost finished) go back to 1950, and we delve into Grandfather’s life, and that of the ten-thousand year old spirit who watches over them.  My research centered on the old Indian Schools, and the horrors that the children underwent.  It’s all to stop the spirits from invading this world, and to give grandfather his happy ending.  The Native American research is from my family.

Kaye: You also write contemporary romance with a Native American twist. What about Little Sparrow, A Kiowa in Love or Red Dress, Two Wives?

R.A.: Those were my early books.  I’ve taken the ebooks down, and now I’m writing those into the Spirit Key Series.  Everyone is related, so it made sense to do that.  I kept the hard copies up because a few people really liked them the way they were.  My writing evolved, and I thought those two would be great as part of the Spirit Key Series with some rework.

Kaye: What is the attraction for adding a Native American element to your writing?

R.A.: Two fold.  My grandmother was ‘found’.  It was assumed that she was Native American.  This was in the 1880’s, a time when the tribes had to travel west and were forced onto reservations.  Our family farm was near one of the routes and my grandfather brought home a baby girl one day, saying that he’d found her. My cousins are Sioux.  I barely remember the eldest two girls but I do remember their beauty.  One day, when I was only six years old, they disappeared.  Just up and gone.  Our family went nuts, as you can imagine.  It wasn’t until twelve years later that we learned that they had been taken west  to different orphanages and divided up.   (This was the early ’70’s when the government still took NA children on a whim.)  Anyway, my stories revolve around finding your identity when you don’t know who you are, when you have no memories of your family.  My Native American family is rooted by my life stories. You know that you’re different, but you feel the same as everyone else.  You just have to find your own special, because it’s there, you don’t have to go looking for it.  It just may be hiding in plain sight.

Kaye: I’m also very interested in your time travel romances, As Long As I Have You and Always With You. What can you share with us about them?

Always With YouR.A.: These were part of an anthology, and part of a series inside the anthology. The rules  are simple, Cupid owns a bar, and his mate has a special tattoo that glows when soul mates are touched.  In book 1, Ann Paolo comes to the bar with her dog.  Unbeknownst to her, the dog, Han, is the spirit of a long dead Native American,  who has been cursed to follow Ann through time, always to love her, and be loved, but never to be with her.  Cupid sends them back in time, so Han can erase his curse.  In book 2, Ann’s back, because so many lifetimes couldn’t be rewritten.  This time, Cupid calls on the fates to bring Han to life in this day and time.  The fates have a bit of trouble writing him into time-line, so they turn to Netflix for ideas.  Han is now, Dan Winchesty, from the TV show Super-Unnatural Killers and Revealers  Suckers for short.  You know, Dan Winchesty- the one with the perky nipples?  It’s a spoof on Supernatural, and I think it’s hilarious, but that’s just my opinion.

Kaye: What is your favorite genre to write in so far? Why?

R.A.: I love magical realism and fantasy.  Creating my own world, and rules, takes a lot of thought and design.  You just can’t pop something on paper, it has to make sense, have rules, have life, and you have to bring a reader into your world and make them happy.

Kaye: How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?

R.A.: I do all my own marketing, which isn’t much.  Word of mouth is my best friend, because lets face it, my works are different.  I just had a review from a guy, who said that someone at work bullied him into reading it and he loved it, even with the romance in the book.  I think that was a compliment.

Kaye: If one of your books was made into a film, which book would you want it to be? And who would you like to play the lead?

R.A.: Hmm, I’d love the Spirit Key to be a series on Netflix, but for a movie, I’d chose Twisted. Sam Witwer and Meaghan Rath. They had great chemistry in Being Human.  Now, however, Meaghan would be a vampire, and Sam would be a wolf.

Kaye: What’s next? What does the future look like for R.A, Winter?

R.A.: Oh, I have at least six books in various stages of completion. Twisted will be turned
into a series, readers have asked for that. I’m also writing a series about Death Takers
coming alive and finding love. It’s a dark romance series that takes the reader on a
journey to Tartarus and the bowels of hell. Book 1 is finished, book 2 is halfway. Once
book 2 is ready I’ll publish.

Kaye: If writing suddenly made you rich and famous, what would you do?

R.A.: I’ve done a lot of things on my bucket list. I’ve traveled the world, lived in five different countries and enjoyed most of my life. If I had a lot of money, I’d pay off my family’s student loans. Right now, it’s around 200k, and I’m serious. It would be life changing for them to pay off their debts. BTW, I have one family member, with 100k debt who graduated from Pitt with a bachelor’s in psychology. Anyone have any job prospects for him? E-mail me.

I want to thank R.A. Winter for joining us today and putting up with my interrogation. Seriously though, she was really a good sport about answering all of my questions with open, honest answers. You can find out more about her and her writing on her website, her Spirit Keys site, or her Amazon Author Page.

 

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