A Roundup of Westerns in May

Western Roundup

When I began seeking my M.F.A. in Creative Writing, back in 2012, I would have said that the western was a dying breed. Even as I tried my hand at writing a western novel, with Delilah, I didn’t think the book would get very far. I figured publishers didn’t want to put out westerns anymore, because they were looking for books that would sell. I thought the only readers westerns had were old men who’d grown up on Louis L’Amour and Zane Grey. I didn’t believe there was an audience for western any longer.

Today, I have to say that I was wrong, since there seem to be new western authors popping up all the time and a good portion of them are female. In fact, the genre seems to be expanding, rather than dying out. I’ve made the acquaintence of several who I did not previously know as a result of my research for this month’s genre theme. That first assignment eventually grew into the first book I was able to get published, but when I began to write Delilah, I looked at westerns as a male realm where a female author might find difficulty being accepted. Now, I’m seeing a lot more female authors of the genre than was previously the case and I am pleasantly surprised.

But I don’t think this is because publishers are eagarly scooping up western novels. A majority of western authors with books in the marketplace are self-published authors. I think western authors must self-publish first and prove themselves before publishers are willing to take a chance on the genre these days.

For a look at a new twist on classic historic western fiction, you can check out my review of Not Just Any Man, by Loretta Miles Tollefson. Like all good things, the western genre has had to change with the times to survive. Many authors are finding a selling point by combining western with other more popular genres, like romance. If you look, you’ll find that a good portion of today’s westerns fall into the category of western romance, although romance isn’t the only genre authors have combined with western. I’ve read a few paranormal westerns, as well. For an example, you can read my review of Joanne Sundell’s, A Slip on Golden Stairs. There are even a few science fiction westerns out there, as well as western dark fantasy, such as Chance Damnation, by DeAnna Knippling, which I reviewed earlier in the month, or check out my 2016 review of Chris Barili’s Hell’s Butcher series, which both feature supernatural elements.

I’d also venture to say that the number of westerns featuring tough female protagonists would tip the scales if measured against those featuring male heros in today’s westerns. It seems the cowgirl is determined to take her place in history, even though old cowboys never really die. But, all western heroines are not cowgirls. Western heroines may take the form of pioneer women tough enough to brave the western frontier and win, or a homesteading wife who loses her husband to one of the many threats that come with living in a harsh landscape and must survive in a brutal landsacpe and fend for herself, or prostitutes who lived lives of servitude and put up with indignities not spoken about in polite company in order to survive an isolated existence, or young girls full of dreams to see the world who are looking to escape and determined to do whatever it takes to achieve them. They aren’t all Calamity Jane, but they are each tough and bold and gritty in their own ways.

But don’t take my word for it. Maybe the western genre hasn’t changed as much as I think. You can find out what other western authors think by checking out this month’s interviews. My “Chatting with the Pros” author guest was western adventure author Scott Harris, and I also interviewed Christian western romance author Patricia PacJac Carroll, and western author Juliette Douglas. And if you’re interested in further discovery, you can check out my January interview with western author Loretta Miles Tollefson.

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As for myself, I’m working on the rewrite of the first 45,000 pages in the second book in my frontier western saga, Delilah: The Homecoming. I know you’re not supposed to edit until you’ve finished the first draft, but that’s what happens sometimes. Your character walks up and smacks you and says, “Where the heck are you taking me?”, and you realize the story has taken a wrong turn somewhere along the way. But I’m getting her back on track now. While Lois L’Amour is the reason I love reading westerns, Delilah and the other colorful characters featured in these books are the reason that I love writing them.

It’s been a great western round-up and I hope you’ll all join me in June, when will be riding the thriller train and looking at ways to give readers the thrills and chills they crave. My “Chatting with the Pros” author guest will be thriller author John Nicholls, and I’ll be interviewing author Dan Alatorre and reviewing his new thriller, “The Gamma Sequence”. My second thriller review is yet to be determined, so it will be a surprise. I hope you’ll drop in and see what’s in store.

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“A Slip on Golden Stairs”: A western paranormal romance?

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Some might cliam that the paranormal and western genres don’t go together, but A Slip on Golden Stairs, by Joanne Sundell does an excellent job of melding past with present, offering readers a romantic ghostly tale that you won’t want to put down. This well-crafted story conjures ghosts from the Alaska gold rush days, when many risked everything, including their lives, for a chance to strike it rich, telling their story through their connection to the present.

Abby Gray doesn’t believe in ghosts, but she can find no other explanation for the the mysterious figure of a woman in the second floor window of what was once a brothel, or the handsome stranger who appears when she least expects it, or the unexplained man’s voice calling her name, that no one else seems to hear. What starts out as a summer of chasing gold mining history, turns into a ghost hunting adventure into the past that ends in love. Through her search for answers, we learn the story of Abigail Grayson, a tough young girl, determined to find her freedom and independence in the Alaskan gold fields. The connection between the two women and their beaus is revealed slowly, with each turn of the page, as the love between Abigail and Elias navigates the obstacles along the way, and Abby searches for a man who can’t possibly exist. Abby believes she might be losing her mind. After all, can one fall in love with a ghost?

Whether readers are into westerns, ghosts or romance, A Slip on Golden Stairs is sure to satisfy.  The two stories are woven together in a masterful blend of multiple genres. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


On “Writing to be Read”: Romance is in the air in April

romance

Romance is one of the most popular genres around, not because everyone is reading them, but because romance readers read a lot. Romance comes in a wide variety of sub-genres: contemporary romance, historical romance, paranormal romance, fantasy romance, western romance, Christian romance, adventure romance, dark romance, and of course, erotic romance, just to name a few. Each type of romance can be very different, because they are after all different types of stories, and there are romantic elements in many types of storiest a romantic subplot has strong emphasis, such as romantic thrillers, romantic mysteries, romantic fantasies, or romantic time travel novels.

So, why is romance so popular? I think it is due in part to the fact that romance is such a vital part of life. Most people have experienced romantic relationships, and if they haven’t, they are searching for such a relationship, because we all need to give love and feel loved. But, romance readers aren’t just love starved singles whose dreams lay just beyond their reach, they also include plenty of happily married people, (mostly women, both married or single), who just like to relive those positive feeling they get from a good love story. Romance is something we all can relate to in one way or another. Romance novels offer a way for us to satisfy our inner longings viscareally or relate and relive our own experiences.

Every romance story or subplot has three things in common: two flawed main characters and a happily ever after, or at least a happily for now. In between, the characters must overcome many obstacles and conflicts. Sometimes these are external, such as others trying to keep them apart, but often they are internal, trying to convince themselves that they should be together, because they won’t admit that this is what they want, even to themselves. In the past the two characters were a boy and a girl, or a man and a woman, but in these changing times it is acceptable, perhaps even desirable, to write or read LBGT romances, where the characters may be of the same sex, or even questionable gender. Today romances may also be rated by the how much and how graphic the sex scenes are, from sweet to steamy to downright hot, and everything in between.

Romance is the genre theme for April, with interviews with “Chatting with the Pros” guest author historical romance author, Maya Rodale, and paranormal romance author Chris Barili (A.K.A. B.T. Clearwater). This month also featured reviews of an historical erotic romance, Ripper, by Amy Cecil, and a science fiction time travel romance, The Christmas Cruise, by Tammy Tate. As a special bonus, Jordan Elizabeth talked about writing her paranormal western romance, Treasure Darkly on her segment of “Writing for a Y.A. Audience“. Two reviews is hardly enough to be examples of all of the wide variety of forms and sub-genres which romance takes, so below you will find links to other past reviews of the romance genre, both good and not so good,  to allow you to explore a wider variety of romance. As you can see from the varied selection, even though each contains the basic romance elements, all romances are not alike.

For my reviews of contemporary romance novels: Destiny’s Detour, by Mari Brown; Freedom’s Mercy, by A.K. Lawrence; Leave a Mark, by Stephanie Fournet; Ice on Fire, by Amy Cecil;

For my reviews of inspirational romance: Once – Ask Me Anything, Not Love, by Mian Mohsin Zia; Wrinkles, by Mian Mohsin Zia

For my reviews of an historical romance novel: Blind Fortune, by Joanna Waugh

For my reviews of a science fiction romance novel: Ethereal Lives, by Gem Stone

For my review of a LBGT science fiction romance novel: The Hands We’re GivenThe Hands We’re Given, by O.E. Tearmann

For my reviews of YA romances: Rotham Race, by Jordan Elizabeth (dystopian, apocalyptic); Runners & Riders, by Jordan Elizabeth (steampunk); Bottled, by Carol Riggs (romance fantasy); Treasure Darkly, by Jordan Elizabeth (dark western steampunk fantasy romance)

For my reviews of paranormal romances: Love Me Tender, by Mimi Barbour; Smothered, by B.T. Clearwater; Don’t Wake Me Up, by M.E. Rhines; The Demon is in the Details, by Harris Channing

For my review of a science fantasy romance: Gyre, by Jessica Gunn

For my review of supernatural romances: Bait, by Kasi Blake; Wolves for the Holiday 1.1, by Josette Reuel

For my interview of a comedy crime romance: Bailin’, by Linton Robinson

For my review of a contemporary sports romance: A Slapshot Prequel Box Set (Slapshot Prequel Trilogy Book 4), by Heather C. Myers

For my reviews of contemporary erotic romance: Bullet, by Jade C. Jamison; Everything Undone, by Westeria Wilde; Tangled Web, by Jade C. Jamison

For my review of romantic comedies: Behind Frenemy Lines, by Chelle Pederson Smith; Dream Job: Wacky Adventures of an H.R. Manager, by Janet Garbor

For my review of a romantic thriller: Freedom’s Song, by A.K. Lawrence

I hope you enjoyed our exploration of romance this month, and I hope you will join me in May for a closer look at Westerns. My “Chatting with the Pros” guest will be western author Juliette Douglas, with a supporting interview with Patricia PacJac Carroll, who writes Christian western romances. My book reviews will be on Chance Damnation, by DeAnna Knippling and Not Just Any Man, by Loretta Miles Tollefson. I’m looking forward to it, and I hope you are, too.

In April, we also had a special Saturday bonus interview with Shiju Pallithazheth to celebrate the release of his new book of magical realism stories, Katashi Tales. We also talk about the work he is doing to aknowledge contributors to world literature. We need more stories which spread love and acceptance of one another. I hope you’ll drop by to catch that one, too.

Remember, tomorrow is the deadline for the WordCrafter paranormal story entries. So, submit your paranormal short now, before it’s too late. I’ve already received some good ones, but there’s room for more. Winner gets a spot in the WordCrafter paranormal anthology and a $25 Amazon gift card. Other qualifying entries may get invitations to the anthology, as well. It’s only $5 to enter, so you really can’t go wrong. Full submission details here.) Send me your story while there’s still time. Hurry!


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Interview with romance author Chris Barili (AKA B.T. Clearwater)

Today I have the pleasure of interviewing author Chris Barili, and although he’s written in other genres, and his latest release is the fantasy novel Shadow Blade, which I reviewed last month, he also writes romance under the name B.T. Clearwater. You can read my review of his paranormal romance, Smothered, here.

In January, we talked to women’s fiction author Barbara Chepaitis and western author Loretta Miles Tollefson about the fact that women authors still are encouraged to use sex neutral pen names when writing certain genres, but here we have a male author who uses one when writing romance. We’re going with talk to Chris about writing romance and why there aren’t more male romance authors today. Or are there? Let’s find out what Chris Barili has to say about it.


Kaye: You have fiction published under your own name, but when it came to Smothered, your publisher suggested you publish as B.T. Clearwater. This is the reverse of what many female authors experience when publishing in certain genres, such as western. Did you feel like there is discrimination toward male romance authors?

Chris: My publisher didn’t encourage the pseudonym, actually. That was advice from a mentor and college professor, who recommended different pen names for different genres due to perceptions in the industry that if you write one genre well, you’re limited to that genre. I also publish westerns under a different pen name, T.C. Barlow.

And while I didn’t experience discrimination toward me as a male romance writer, I did get some raised eyebrows and comments like, “You write THAT?” So I had my youngest daughter think up a pen name that used my initials, and that sounded gender neutral. She came up with B.T. Clearwater.

Kaye: Do you think it is harder for male authors to make it in the romance genre than it is for female authors? Why?

Chris: I think it’s harder because not enough men have tried, so there’s no benchmark for it, no evidence to the doubters that men can do it. Men tend to avoid it because of the stigma associated with writing “that” kind of fiction.

Kaye: What is the biggest challenge of writing romance for you?

Chris: Probably making it “juicy” enough for a modern audience. I’m an old-fashioned guy, so I like love stories, and I tend to focus on the emotional relationship rather than the sexual one. Many (not all, but many) romance readers are looking for the steamy stuff, and that just isn’t me.

Kaye: You have a family, and are involved in cycling and martial arts, yet you find time to write and attend conferences and seminars. What are your secrets for juggling writing with your home life?

Chris: Mostly, I neglect my dog. 😊 No, that’s only a little true. As with anything, finding time for writing is a matter of discipline and sacrificing things that are less important. I had to remove a video game from my computer because it was distracting me from writing. Similarly, my DVR is 90% full of programs I fully intended to watch, but can’t get to because of writing. You have to make writing THAT important. My priorities are: my family, my health, the day job, writing. Everything else comes later.

Kaye: What is your favorite genre to write in? Why?

Chris: I’m actually published in every fiction genre: fantasy, science fiction, romance, horror, western, and crime. I don’t know that I have a favorite, but I do most of my writing in the fantasy and romance genres. They’re all fun to write, and one of the things I learned during my MFA studies under Russell Davis at Western is to let the story find its genre. Don’t try to force it into one you’re comfortable writing.

Kaye: If Smothered was made into a film, who would you like to see play male and female leads?

Chris: Interestingly, when I develop a character, I often choose a model, actor, public figure, etc to roughly model their looks. In this case, I used actor James Denton as a rough look-a-like for Mike, and Annie was loosely modeled on Jeanine Garofalo. So yeah, them.

Kaye: What’s is the single most important element in a romance story?

Chris: Damage. The lead female character has to be broken somehow, and the only way she can heal herself is to be with the male lead. It’s corner, and not a great way to base a real relationship, but that’s kind of the trope of romance. She has to realize she cannot live without him.

Kaye: Where did you find the inspiration for Smothered?

Chris: Again, my MFA studies, only this time in a class with Michaela Roessner. She had us write a sex scene that gets interrupted somehow, and I had mine interrupted by the ghost of the woman’s late mother, who appears at the foot of the bed. That interested me so much that it grew into a novel, which was my MFA thesis.

Kaye: What was the most fun part of writing a romance for you?

Chris: Romance is a very formulaic genre, and the fun part, for me anyway, is finding a way to make that formula sound new. They say there are no new stories, only new ways of telling old ones, and I think that’s what I like about romance. Proving to doubters that it CAN be original and unique.

Kaye: Is there a future for B.T. Clearwater? Can readers expect to see more from this author?

Chris: Oh yeah, B.T. has a novella published in Gwyn McNamee’s Last Resort Motel series, called “Room Fifty-Eight.” That came out a few months ago, and will appear in a box set soon. And B.T.’s latest novel, Rise and Fall, needs to go off to the freelance editor soon for a work-over. I decided to take B.T. full indie, to self-publish those stories, because self-pubbed romances can do very well. Gwyn has given me some tips on how to get it right. So when Rise and Fall and the next two in that series are ready, I’ll upload them and see how they do.

Kaye: Chris Barili has a fantasy novel coming out in June, Shadow Blade, which I recently reviewed. Would you like to tell us a little bit about that one?

Chris: Shadow Blade was actually my backup thesis. Yeah, I had a backup. Outlined both, but wrote Smothered and saved Shadow Blade for after graduation due to the world-building it needed. It tells the story of Ashai Larish, an assassin for the feared Denari Lai order. The Denari Lai are a religious order that keeps their killers loyal by addicting them to the very magic that makes them so effective at killing. In Ashai’s case, he is sent to kill a king and his daughter, but falls in love with the princess, and finds himself fighting to keep her alive rather than to kill her.

Shadow Blade is being published by WordFire Press, as a “Kevin J. Anderson Presents” title, where the best-selling author highlights a new author “to watch.” It’s on a review tour now, and should come out in e-book and hard cover in May, and by the time this article airs, it will be out as part of WordFire’s “Epic Fantasy” bundle at StoryBundle.com.

I want to thank Chris for joining us and sharing today. It is interesting to learn about writing romance from a male perspective. You can learn more about Chris and all of his works on his author blog and website, his Amazon Author page, his Goodreads Author page, as well as on Facebook and Twitter. You can learn more about the works of B.T. Clearwater on Amazon, Goodreads, Simon & Schuster, and Smashwords.



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Writing for a YA Audience: Romance Darkly

Writing for a Y.A. Audience

My mom and uncle are obsessed with Westerns. They grew up watching Westerns and still make time for them every weekend. While watching a Western with my mom, I had the idea of writing a young adult Western…with a steampunk twist. I brainstormed a ranch with a family secret. Along came TREASURE DARKLY.

After the first draft, it was recommended I add in a romantic theme. Thus, Clark and Amethyst fell in love. It worked. I didn’t have to force them together. They were already best friends, and it flowed that they should develop romantic feelings for each other.

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Then came the challenging part. My first editor for the story wanted more romance.  I wasn’t a romance writer.  Sure, my main characters each had a love interest, but I wouldn’t call my early works romances.

I set out to read romance novels to get a feel for the genre. I read some young adult romances, some Harlequins, and then I discovered a love of paranormal romance. I devoured those and wanted more. Eventually, I felt ready to write my own romance.

Young adult romances are tricky. Some people don’t want any sex in YA novels; some people say its okay. I struggled with that fine line before firmly stepping onto the “no sex” side. Yes, the book does get a bit steamy, but there is never explicit sex.

“But teens already know everything about sex,” I’ve been told.

Okay, that might be the case, but it doesn’t mean every young adult book has to contain graphic sex scenes. I want my books to be more about the adventure and setting than erotica.

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Photo by Anderson Weiss on Pexels.com

Jordan Elizabeth is a young adult fantasy author who dapples in the steampunk realm.  You can connect with Jordan via her website, JordanElizabethBooks.com.


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Chatting with the Pros: Interview with romance author Maya Rodale

chatting with the pros

Today on “Chatting with the Pros” my guest author is a historical romance novelist, Maya Rodale. She writes strong female characters who stand up for themselves and still manage to maintain their feminity. Her books have appeared on the USA Today bestselling list and have been published in several languages. Her novel, The Wicked Wallflower won the RT Reviewer’s Choice Award for best historical hero, and What a Wallflower Wants was labeled as a romance novel for the #MeToo movement. I’m pleased to have the opportunity to chat with her today and learn her thoughts on romance, female authors and women’s place in the world.

Maya Rodale Framed

Kaye: Your stories favor strong heroines for your main characters. Do you think romance is usually a female domain?
Maya: Romance has been traditionally a female domain, though 18% of readers today are men! I would love to see more men openly reading romance, but I also hope it never loses it’s focus on the female experience and the empowerment it brings to so many women in publishing. 
Kaye: Perusing your website and checking out your book covers, one gets the impression that your romances are a bit risqué. How steamy can you get before you cross over into the land of erotica? Do your books cross that line?
Maya: Romance Writers of America provides the best succinct definition of erotica: “Romance novels in which strong, often explicit, sexual interaction is an inherent part of the love story, character growth and relationship development and could not be removed without damaging the storyline.”
So it’s not a matter of how much sex is portrayed but how the sex engages with the plot. My historicals definitely have some steamy sexy times on the page, but I wouldn’t classify them as true erotica.
The Tatooed Duke
Kaye:  How do you decide the titles for your books? Where does the title come in the process for you?
Maya: A title needs agreement from both the publishing team and myself; sometimes the title I pitch is the one we go with. Sometimes the story is nearly done and we’re frantically brainstorming at the last minute to find something that works.
Fun behind the scenes story: I wrote The Tattooed Duke thinking the title would be Brave New Lord which I LOVE but my pub team thought The Tattooed Duke had better sales potential, so that’s the one we went with.
Kaye: Your books feature strong female heroines, who stand up for themselves and what they believe against the men around them and societal beliefs. Why do you think your readers relate to them?
Maya: I think this is the experience for most women: we are constantly having to stand up and assert our humanity. I like to think that my heroines help real women have the courage and confidence to do this. And for those readers who don’t feel it’s necessary, I hope they see that it is.

Kaye: What are some tips for writing strong female characters in a time period when there weren’t many to be found, and making them believable?

Maya: The more I dig deeper in my research of history the more I believe that this is a myth. Women have always gotten out of the house and done great, wonderful, terrible things; but it hasn’t been recorded, or their stories haven’t been told, or (male) historians deemed it unimportant. Women have never been boring, silent bystanders to the world. 

I think we’ve been (maybe deliberately) shut out of history books and as a result we don’t know the long and full history of women being active participants in the world. Start with a look at the New York Times Overlooked Obituaries, for example. 

The problem isn’t that strong historical female characters aren’t accurate, the problem is that we have been made to believe they are. And in the name of “historical accuracy” we unwittingly perpetuate that in our novels. 

My tip for writers: find those stories, write those stories! And then explain your research in the author’s note. And my advice for readers: check your biases and preconceived notions and let yourself get swept up in the story. You may just learn something new about history too. 

Kaye: What’s the biggest challenge in writing romance for you?
Maya: Protecting my time! It’s my day job and still there are so many demands on my time and energy that make it hard to focus on my books.
Dangerous Books for GirlsKaye: You wrote a nonfiction book titled Dangerous Books for Girls: The Bad Reputation of Romance Novels Explained. Can you explain briefly why romance has a bad rep and it is justified?
Maya: Romance novels have a bad reputation because they’re so powerful—they are the only art that consistently portray women triumphing in a world that doesn’t want women to triumph. Mocking them as “trashy books” or just “mommy porn” or “unrealistic” is a way to diminish their power. If we valued women and women’s work more, we’d value romance novels more!
Kaye: How many different countries and languages are your books sold in?
Maya: Many! A list of covers for foreign editions is on my website at www.mayarodale.com/books
Kaye: What’s the most fun about writing romance?
Maya: I do love being the all powerful Goddess of fictional worlds. And not having to get dressed up for work 😉
Kaye: What do you think is the single most important element in a romance story?
Maya: The development of the romantic relationship! And the happy ever after, of course.
Kaye: Where does inspiration for your stories come from?
Maya: Story inspiration is everywhere if you open your heart and mind to it! Right now I’m finding the New York Times “overlooked obituaries” of historical women to be a gold mine of story ideas for historical romance. I just need more time to write them…
Some Like It ScandalousKaye: You have a new book in your Gilded Age series coming out in June, Some Like it Scandalous. Would you like to tell us about it?
Maya: Longtime enemies embark on a sham engagement and end up falling in love! The only way for society darling Theo Prescott to survive his most recent, unspeakably outrageous scandal is marry someone respectable. Someone sensible. Someone like Daisy Swan. But she has plans that do not include a loveless marriage to anyone. Instead, she aspires to sell cosmetics that she has created. But this brainy scientist needs a smooth talking charmer’s flair for words and eye for beauty to make it a success. Before long, Daisy and Theo are trading kisses. And secrets. And discovering that despite appearances, they might be the perfect couple after all.
Read more at www.mayarodale.com/scandalous
Kaye: As a romance writer, what kind of research do you find yourself doing for your stories?
Maya: I do A LOT of research. Everything from reading biographies, non-fiction, histories, other novels to trips to the library or visits to museums. Or just googling. There’s general research to do about the time period—for example, I had to learn all about the Gilded Age (1860-1900) in Manhattan for my new seriesThe Gilded Age Girls Club.And then there’s research necessary for each particular book. For the next book in the series, Some Like It Scandalous I had to do a deep dive into the invention and popularization of cosmetics, since the heroine launches a cosmetics company with the hero.
Kaye: What advice do you have for aspiring romance authors?
Maya: My best advice I think comes from Nora Roberts: “Ass in the chair. Words on the page.” Also, my friend once told me “If you’re not getting a rejection once a week you’re not trying hard enough.” Brutal, but effective. 


I want to thank Maya for joining me today and sharing her views with my readers. I think some may walk away with a different perspective on the romance genre. You can learn more about Maya on her very creative website: http://www.mayarodale.com/ and on her Amazon Author page, her Goodreads Author page, or on her Fantastic Fiction Author page.


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“The Christmas Cruise”: A science fiction time travel romance

The Christmas Tour

The Christmas Cruise, by Tammy Tate is a really cute romance story which could have been so much more. This story combines romance with science fiction when the two main characters, who are attracted to one another but won’t admit it to themselves, both happen to be swept from their Christmas cruise in the Burmuda Triangle onto a deserted island from the past.

It’s a good plot and it could work if the characters were more developed and didn’t just accept what was happening without a second thought. The story moves from point A to point B in a fairly straight line, at a fairly quick pace, lacking any real twists or surprises. Just the fact that they are the only two to be swept away gave me trouble buying in, and when they return without any logical explaination as to how it happened, it lost me totally.

If the author had taken the time and effort to expand the plot, and portray believable reactions to absurd circumstances, The Christmas Cruise could have been a really entertaining story. As it is, it lacks depth of character and is difficult to swollow. I can only give it three quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.