Chatting with the Pros: Interview with suspense thriller novelist John Nicholl

chatting with the pros

It’s my pleasure to have as my guest today on “Chatting with the Pros” bestselling suspense thriller author John Nicholl. His works draw from his own true life experiences as a law enforcement officer and child welfare social worker in Wales. John has written seven thrillers and every one of them has seen the bestseller list. Please help me welcome him now. Maybe we can learn some of his secrets to becoming a bestselling author.

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Kaye: Would you share the story of your own publishing journey?

John: I self-published initially. When that went better than expected, I partnered with a literary agent and signed a publishing deal. Further books followed from there.

Kaye: What do you think is the single most important element in a story?

John: The hook is crucial. I try to capture the reader’s attention from the very first page.

Kaye: What time of day do you prefer to do your writing? Why?

John: I write in the morning. It’s when I’m at my most creative.

Kaye: What is the biggest challenge in writing psychological thrillers for you?

John: My books sometimes engender memories that were, perhaps, best left in the past.

Kaye: What elements of storytelling do you feel are specific to the thriller genre? Are there particular elements that are specific to psychological thrillers?

John: Psychological thrillers explore the extremes of human behaviour.

Kaye: Anonymity is described as intense and terrifying; White is the Coldest Color as violent and brutal; Portraits of the Dead as disturbing and compelling; The Girl in Red as haunting and unsettling. Where do you get ideas for your stories?

John: I began my working life as a young police officer, and subsequently trained as a social worker. I worked in child protection for about twenty years after qualifying. My writing draws heavily on those experiences.

Kaye: Thrillers are action-packed and filled with conflict and tension. What techniques do you use to keep the story moving, the readers on the edges of their seats, and the pages turning?

John: I try to keep the stories as fast paced as possible, without too much padding. Quality is more important than length!

Kaye: How do you decide the titles for your books? Where does the title come in the process for you?

John: Inspiration comes from different places. The title of White is the Coldest Colour, for example, came to me when listening to A Whiter Shade of Pale on Radio 2.

Kaye: Is there anything unique or unusual about your writing process?

John: The words come into my head as if channelled from somewhere else entirely.

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Kaye: Your latest release was The Girl in Red, which came out in March. Would you like to tell me a little about this book?

John: The Girl in Red is a dark tale of domestic violence, and the extreme lengths that one woman goes to, to escape her tormentor.

 

Kaye: Every one of your books has been an Amazon bestseller. What’s your secret?

John: I’ve had a lot of luck. And the book blogging community has been wonderfully supportive. I’ll always be grateful for that.

Kaye: Are there any particular thriller authors that you fashioned your writing style after as you approached writing in the thriller genre?

John: I mostly read historical biography and stories of real-life experiences that are out of the ordinary· Castaway by Lucy Irvine is a particular favourite. I’ve read it three times over the years.

Kaye: What are you working on now? What’s next for John Nicholl?

John: My next thriller, The Girl in White, will be published by Bloodhound Books this year. The release date has just been bumped up to September 4. It’s the story of a secret, quasi-religious cult hidden deep in the beautiful West Wales countryside. Hopefully, readers will like it. I’ll keep my fingers crossed!

I want to thank John for joining me here and sharing with us today. You can learn more about John and his bestselling thriller novels on his website, on his Amazon Author page. or on his Goodreads Author page. Join me on the third Monday in July, when we’ll be celebrating crime fiction and my “Chatting with the Pros” author guest will be Jenifer Ruff.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.


Interview with Christian western romance author Patricia PacJac Carroll

Pac PIc

My author guest today is a prolific writer, who must publish an average of at least six books per year, in numerous romance series. Patricia PacJac Carroll writes historical and western Christian romance at a rate that I find amazing. The books on her Amazon Author page scroll in what seems like a never ending flow. In addition to her own series, which are many, on occasion, she’s invited to participate in series with a collection of other authors, as is the case with her most recent release. Let’s see what she has to share with us today.

Kaye: In what ways is writing a Christian western romance different from writing a western romance?

Patricia: For me, saying it is Christian means at least some of the characters have a Christian world view. Faith and hope in the Lord are evident in their lives. No preaching or sermons or a lot of verses, only faith as it relates to the story and the characters.

Kaye: Your latest book was recently released, Sandra’s Journey. Would you like to tell me a little about the story?

Patricia: Sandra is struggling, she’s walled herself in away from others. Her little brother’s death and the fact that a fiance left for Calfornia the year before and she only received one letter from him, have stolen her courage. She meets a corporal who is escorting the wagon train, and he challenges her to dream. Romance blossoms along the California trail where by trails end she will have to choose between the two men. A story of courage rediscovered and dreams coming alive.

Sandra's Journey

Kaye: Sandra’s Journey recently came out as a part of a historical western series with a wagon train theme, which includes your book and those of several other Christian western authors. Would you like to tell me about the Lockets and Lace series?

Patricia: The Locket and Lace series is made up of several different authors.  I was asked to join in 2018 and wrote Oregon Dreams for the Locket and Lace series for 2018. And then this year again for the Locket and Lace series for this year with Sandra’s Journey.

Every book has a connection to the Bavarian Jeweler in St. Joseph, Missouri. They have a locket that was made in the shop and a piece of lace. We had 9 books last year and 10 this year. They are all wonderful books

Kaye: The Lockets and Lace series books are not the only books you’ve written, by far. You have written several other series, including the Mail Order Brides and The Law Keepers series. How many books have you written? How long have you been writing?

Patricia: I have been writing seriously for thirteen years and began publishing in 2012.  I have 40 books out right now and plans for many more. I have several series ~ Mail Order Brides of Hickory Stick, Montant Brides of Solomon’s Valley, and several others.

Kaye: Tell me a little about your author’s journey, if you would?

Patricia: I began writing and attending critique groups in 2006. I loved it, but my friends would call me the book of the week person because story ideas would attack me. I love the thrill of a new story and still do. Finally, I decided I better finish a book and my first book was Liberty Belle that I published in 2012.

Kaye: Your husband is instrumental in your writing, so much so that you’ve incorporated both of your initials into your author’s name – PacJac. Would you talk about how he enables you to write?

Patricia: My husband is a wonderful prince of a man who gives me the time to do what I love. He let me retire in 2006 so I could write. And now, my writing has enabled him to retire. We are a wonderful team and are enjoying our lives.  I added the PacJac to my writing name because I found there were other Patricia Carroll’s out there in the writing world. It works well though because you put PacJac in Amazon and it will pop up my books.

Kaye: Your female characters of the contemporary strong and independent variety, or do they follow the traditional damsel in distress variety of heroine?

Patricia: I’d say they are a combination. While I want to be historically correct, readers live in the 21st century. I do like spunky women, but I also enjoy writing about a character who grows in courage and strength, too.

Kaye: What part of writing do you find to be the biggest challenge?

Patricia: The self-discipline. I am a seat-of-the-pants writer, and I tend to live my life the same way. I enjoy fun, family, and friends as well as writing so at times the need to balance comes into play.

Kaye: Where does your inspiration come from?

Patricia: The Lord. He gives me the stories. I am amazed at how He has made sure I understand that. One time I had the opportunity to put a Christmas story in an anthology and had a weekend to write it as it was due Monday at noon. Now, I had bragged that if you just give me a name and a place, I will come up with a story. Well, after my haughty attitude, my friends gave me a name and place and my imagination heard crickets. Nothing. Nada. No story. Now, that was a bit scary to me. A writer isn’t much without a story. So I figured I missed the anthology. But then at 5:30 Monday morning I woke up with a picture in my mind of a cowboy on a horse pulling a Christmas tree and knew I had a story. And I wrote it and turned it in before noon. You can find that story in my book Christmas in Texas. The Richest Christmas. So I will give the Lord all the credit for anything good that I do. Any mistakes are mine.

Kaye: Your books obviously are portrayed in a western landscape, based on historical times and events. What kinds of research do you find yourself doing for your books?

Patricia: Documentaries, books on the old west. I have always loved the west and westerns.

Kaye: Do you feel you draw pieces from your own life into your stories? How so?

Patricia: Yes, and I tell my friends anything may be used in a story. I know I often have my characters state “How hard can it be?”  That is all me.

Kaye: What is the most fun part of writing western romance for you?

Patricia: I enjoy the characters and the things they get themselves into. Plus horses, I love horses and they have always been part of the draw to westerns for me. I also love the idea of the wide open wild country.

Kaye: What is something many of your readers wouldn’t guess about you?

Patricia: For twenty years, I owned and ran a pet store. Sea Horse Pets in Arlington, Texas. As you can guess I love animals. And people. I love to write, and my heart is that readers will enjoy my stories and be strengthened and encouraged by reading them. I enjoy making readers happy.

I want to thank Patricia for joining me today to share her thoughts with us. I don’t know about all my readers, but I am astounded by the sheer volume of her works. You can learn more about Patricia at the links below. Stop in and see if you too are not awed by the books she’s produced within the span of the past seven years.

Links

Author page on Amazon: https://www.amazon.com/Patricia-PacJac-Carroll/e/B008R9JCN2/

 

Facebook Author page: https://www.facebook.com/PatriciaPacJacCarrollAuthor/

 

Website: http://www.pacjaccarroll.com/

 

Newsletter sign up http://eepurl.com/bpPmbP


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Chatting with the Pros: Interview with romance author Maya Rodale

chatting with the pros

Today on “Chatting with the Pros” my guest author is a historical romance novelist, Maya Rodale. She writes strong female characters who stand up for themselves and still manage to maintain their feminity. Her books have appeared on the USA Today bestselling list and have been published in several languages. Her novel, The Wicked Wallflower won the RT Reviewer’s Choice Award for best historical hero, and What a Wallflower Wants was labeled as a romance novel for the #MeToo movement. I’m pleased to have the opportunity to chat with her today and learn her thoughts on romance, female authors and women’s place in the world.

Maya Rodale Framed

Kaye: Your stories favor strong heroines for your main characters. Do you think romance is usually a female domain?
Maya: Romance has been traditionally a female domain, though 18% of readers today are men! I would love to see more men openly reading romance, but I also hope it never loses it’s focus on the female experience and the empowerment it brings to so many women in publishing. 
Kaye: Perusing your website and checking out your book covers, one gets the impression that your romances are a bit risqué. How steamy can you get before you cross over into the land of erotica? Do your books cross that line?
Maya: Romance Writers of America provides the best succinct definition of erotica: “Romance novels in which strong, often explicit, sexual interaction is an inherent part of the love story, character growth and relationship development and could not be removed without damaging the storyline.”
So it’s not a matter of how much sex is portrayed but how the sex engages with the plot. My historicals definitely have some steamy sexy times on the page, but I wouldn’t classify them as true erotica.
The Tatooed Duke
Kaye:  How do you decide the titles for your books? Where does the title come in the process for you?
Maya: A title needs agreement from both the publishing team and myself; sometimes the title I pitch is the one we go with. Sometimes the story is nearly done and we’re frantically brainstorming at the last minute to find something that works.
Fun behind the scenes story: I wrote The Tattooed Duke thinking the title would be Brave New Lord which I LOVE but my pub team thought The Tattooed Duke had better sales potential, so that’s the one we went with.
Kaye: Your books feature strong female heroines, who stand up for themselves and what they believe against the men around them and societal beliefs. Why do you think your readers relate to them?
Maya: I think this is the experience for most women: we are constantly having to stand up and assert our humanity. I like to think that my heroines help real women have the courage and confidence to do this. And for those readers who don’t feel it’s necessary, I hope they see that it is.

Kaye: What are some tips for writing strong female characters in a time period when there weren’t many to be found, and making them believable?

Maya: The more I dig deeper in my research of history the more I believe that this is a myth. Women have always gotten out of the house and done great, wonderful, terrible things; but it hasn’t been recorded, or their stories haven’t been told, or (male) historians deemed it unimportant. Women have never been boring, silent bystanders to the world. 

I think we’ve been (maybe deliberately) shut out of history books and as a result we don’t know the long and full history of women being active participants in the world. Start with a look at the New York Times Overlooked Obituaries, for example. 

The problem isn’t that strong historical female characters aren’t accurate, the problem is that we have been made to believe they are. And in the name of “historical accuracy” we unwittingly perpetuate that in our novels. 

My tip for writers: find those stories, write those stories! And then explain your research in the author’s note. And my advice for readers: check your biases and preconceived notions and let yourself get swept up in the story. You may just learn something new about history too. 

Kaye: What’s the biggest challenge in writing romance for you?
Maya: Protecting my time! It’s my day job and still there are so many demands on my time and energy that make it hard to focus on my books.
Dangerous Books for GirlsKaye: You wrote a nonfiction book titled Dangerous Books for Girls: The Bad Reputation of Romance Novels Explained. Can you explain briefly why romance has a bad rep and it is justified?
Maya: Romance novels have a bad reputation because they’re so powerful—they are the only art that consistently portray women triumphing in a world that doesn’t want women to triumph. Mocking them as “trashy books” or just “mommy porn” or “unrealistic” is a way to diminish their power. If we valued women and women’s work more, we’d value romance novels more!
Kaye: How many different countries and languages are your books sold in?
Maya: Many! A list of covers for foreign editions is on my website at www.mayarodale.com/books
Kaye: What’s the most fun about writing romance?
Maya: I do love being the all powerful Goddess of fictional worlds. And not having to get dressed up for work 😉
Kaye: What do you think is the single most important element in a romance story?
Maya: The development of the romantic relationship! And the happy ever after, of course.
Kaye: Where does inspiration for your stories come from?
Maya: Story inspiration is everywhere if you open your heart and mind to it! Right now I’m finding the New York Times “overlooked obituaries” of historical women to be a gold mine of story ideas for historical romance. I just need more time to write them…
Some Like It ScandalousKaye: You have a new book in your Gilded Age series coming out in June, Some Like it Scandalous. Would you like to tell us about it?
Maya: Longtime enemies embark on a sham engagement and end up falling in love! The only way for society darling Theo Prescott to survive his most recent, unspeakably outrageous scandal is marry someone respectable. Someone sensible. Someone like Daisy Swan. But she has plans that do not include a loveless marriage to anyone. Instead, she aspires to sell cosmetics that she has created. But this brainy scientist needs a smooth talking charmer’s flair for words and eye for beauty to make it a success. Before long, Daisy and Theo are trading kisses. And secrets. And discovering that despite appearances, they might be the perfect couple after all.
Read more at www.mayarodale.com/scandalous
Kaye: As a romance writer, what kind of research do you find yourself doing for your stories?
Maya: I do A LOT of research. Everything from reading biographies, non-fiction, histories, other novels to trips to the library or visits to museums. Or just googling. There’s general research to do about the time period—for example, I had to learn all about the Gilded Age (1860-1900) in Manhattan for my new seriesThe Gilded Age Girls Club.And then there’s research necessary for each particular book. For the next book in the series, Some Like It Scandalous I had to do a deep dive into the invention and popularization of cosmetics, since the heroine launches a cosmetics company with the hero.
Kaye: What advice do you have for aspiring romance authors?
Maya: My best advice I think comes from Nora Roberts: “Ass in the chair. Words on the page.” Also, my friend once told me “If you’re not getting a rejection once a week you’re not trying hard enough.” Brutal, but effective. 


I want to thank Maya for joining me today and sharing her views with my readers. I think some may walk away with a different perspective on the romance genre. You can learn more about Maya on her very creative website: http://www.mayarodale.com/ and on her Amazon Author page, her Goodreads Author page, or on her Fantastic Fiction Author page.


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Chatting with the Pros: Interview with nonfiction author Mark Shaw

chatting with the pros
In February, Writing to be Read is taking at look at nonfiction authors and their works. I’m pleased to say that my guest on Chatting with the Pros this month is nonfiction author Mark Shaw. Mark has been a traditionally published author for many years, following a successful career in journalism. He’s written biographies on sports greats, priests, accused criminals in high profile cases, as well as books about golf and pilots, and writing instruction. Today, he champions those for whom justice has not been served, his most recent book being Denial of Justice, which outlines the events surrounding the  and deaths of J.F.K., Lee Harvey Oswald, Jack Ruby and Dorothy Kilgallen, which is a sequel to The Reporter Who Knew Too Much, which is Kilgallen’s story, and both books have been optioned for visual media and a script is currently being developed. Let’s welcome him and see what he has to say.
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Kaye: Could you share a brief history of your author’s journey for those who are not familiar with you or your work? How did you get to where you are today? 
Mark: It’s difficult for me to even believe that Denial of Justice was my 27th book. I never had any experience with writing, no classes, no workshops, etc. when I first wrote a book about Mike Tyson’s rape trial in 1992. What I fell in love with was the research, the writing process, and the chance to make people stop and think about important historical issues. That’s what keeps me going, looking for subjects now that deal with justice and injustice.
Kaye: In your books, you use your investigative reporting skills to dig deep and reveal little or unknown facts until you can tell the whole tale. Many of your books have brought some surprising details to the public eye. How do you choose the subjects for your books? 
Mark: I like to say the book ideas come to me. Most of the time, I get an idea for a book at 3 a.m. and quickly write down a thought about it on some note cards I keep by my bed. All of my book titles have come that way as well. Writers need to keep their eyes open, many book ideas float right in front of us if we pay attention.
Kaye: After the story of Dorothy Kilgallen, The Reporter Who Knew Too Much, had a great reception and is now being prepared to be told through visual media. Was any of this a surprise to you, or did you think this story might be a best seller as you were writing it? 
Mark: I had no idea Dorothy’s name was still magic, that a book about her would touch so many reader’s emotions and become a bestseller. I’ve heard from people around the world about the book, still do today, two-plus years after the book was published. It’s been amazing experience for sure.
Kaye: You recently released Denial of Justice, which digs even deeper into Dorothy’s story. How did you know there was more to be found regarding her story?
Mark: Those readers I mention sent me tips about new information about Dorothy’s life and times and her death and a file I kept just kept getting thicker until I realized there was a second book for those who read the first one and did not. Now I feel as if I have told the complete story about her although some new information still comes my way.

 

 

Kaye: As mentioned above, the Dorothy Kilgallen story in The Reporter Who Knew Too Much is going to be portrayed on the screen. Are there plans to include Denial of Justice to be portrayed visually or perhaps be included in the screen version already planned? 
Mark: Both books were optioned for the big or little screen.
Kaye: How is that going so far?
Mark: There is no filming yet of The Reporter Who Knew Too Much. It is still in the development phase with a script being completed. I am quite excited about Dorothy’s story being on the big or small screen since if that happens, more and more people will know about this remarkable woman. I like to say a book is like a written megaphone to the world but a film or TV series reaches even more people.
Kaye: In addition to several books which revolve around J.F.K. and his circles, you’ve also written about sports icons such as Larry Bird, Jack Nicklaus, Pete Dye and Don Larson. You’ve told the tales of suffering and discrimination during the holocaust, and you’ve written the biography of a priest, books on golfing and a how-to book on writing. What motivates you to write the stories that you write?
how to become a published authorMark: Again, the chance to make people stop and think, although some books have been more for entertainment purposes. Regardless, my books have a controversial slant to them, and that is important, something aspiring authors should seek to achieve. In my book about the publishing process that I use when aspiring authors hire me as a consultant, How to Become a Published Author: Idea to Publication, this is the type of practical advice I provide based on all of my
experience.
Kaye: Have you ever written a book of fiction? 
courage in the face of evil cover final nov 10 2017Mark: Yes, Courage in the Face of Evil is based on a true story, a Holocaust diary that is both disturbing and inspirational in nature, but I had to add certain elements that cause it to enter the world of fiction. I have also created a crime series called Vicker Punch: Lawyer on the Brink that is fiction, but based on my years as a criminal defense lawyer handling murder cases, and a book that is a sequel to a famous work of fiction.
Kaye: How do you see writing nonfiction differing from fiction in the publishing arena?
Mark: Fiction is much more fun, let the imagination loose without worrying about footnotes, etc. Just let it go and let the characters tell whatever the story is they want to tell. This said, for a first time author, getting fiction published these days is much more difficult that non-fiction since with fiction the star of the book is the author while with non-fiction the star of the book is the story.
Kaye: What is the biggest challenge in writing nonfiction for you?
Mark: How to tell the story once I have done all of my research.
road to a miracleKaye: Tell me a little about Road to a Miracle? The book is listed on Amazon for $57.73. I have to wonder what type of book rates a price like that? 
Mark: That’s nuts, and there are other editions of the book at a much less cost. The book is my road through the amazing life I have been blessed to live to the point of finding a daughter and two grandchildren I never knew existed a few years ago. Truly a miracle.
Kaye: I believe your stories are successful because they all hit emotional chords in your readers. How do you portray the emotional elements of your story so that they will touch your readers?
Mark: I tell writers I work with to be certain, whether fiction or non-fiction, to show the reader what’s happening, not tell them. That’s how the emotion comes through, how the reader connects with the story. Remember, a book is like a conversation with the reader but the author is not there so the emotion must be shown not told.
Kaye: In How to Become a Published Author, you talk about the importance of titles and subtitles. How do you come up with titles and subtitles for your books? How important are subtitles?

Mark: The book ideas come to me and the titles in the middle of the night when whatever spirit it is that is guiding my life, whispers in my ear. I quickly write down the idea on note cards I keep by my bed.

Many good books and movies have never seen the light of day due to bad titles. They need to be catchy, like TRWKTM, Denial of Justice, Miscarriage of Justice, The Poison Patriarch, etc. Don’t have too much experience with books based on true stories or fiction but Courage in the Face of Evil is striking as is Victor Punch: Lawyer on the Brink.
 
Re subtitles, not as important as titles but add to the description of the book. Again, I’m quite proud of the subtitles for my books. They certainly add to the allure of the story.
Kaye: Many of your books are collaborations. Is it difficult to write a book with someone else? Why collaborate? What are the pros and cons? 
Mark: No, during the early part of my getting some footing as a writer, I had collaborations, but no more. This said, working with someone famous to tell their story is a good way to show writing skill and the ability to tell a good story. That’s key to establishing a reputation, as is writing biographies if a writer wants to enter the world of non-fiction.
Kaye: You were a criminal defense attorney and legal analyst for the news media covering the Mike Tyson, O.J. Simpson and Kobe Bryant cases, and you have a book about Tyson, Falsely Accused. Are there books about O.J. and Koby in the future? If not, what separates Tyson out from the others? 

 

 

Mark: Injustice is the key word for the Tyson book since he did not get a fair trial. That thread has been woven through almost every book I’ve written in the last ten years or so, Miscarriage of Justice, Beneath the Mask of Holiness, Melvin Belli: King of the Courtroom, The Poison Patriarch, TRWKTM and now Denial of Justice, which relates actually to four people, JFK, Oswald, Jack Ruby and Dorothy Kilgallen. All were denied justice.
Kaye: What’s in the future for Mark Shaw?
Mark: Only the good Lord knows but I am truly the most blessed man on the face of the earth and for sure, I want to help as many writers as possible become published, to realize their publishing dreams.
I want to thank Mark for sharing with us today. He’s given us some insight into the world of a nonfiction author. You can learn more about Mark or his books at the links below.

Website: https://www.markshawbooks.com/

Amazon Author Page: https://www.amazon.com/Mark-William-Shaw/e/B000APQ7ZM/ref=sr_ntt_srch_lnk_3?qid=1547774000&sr=1-3

 

 

You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.


Interview with nature author Susan J. Tweit

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My guest today is an author, nature lover and plant ecologist. Her books include memoirs, beautifully illustrated travel books, nature guides, and even children’s books, but they all have strong ties with nature. Her books reveal connections with nature and life that have not been pondered or may have been overlooked in our everyday lives. Her books have won the ForeWord Book of the Year, the Colorado Book Award, and she is a five time recipient of Colorado Author’s League Award. With a background in science and plant ecology, she expertly weaves her natural environment into her writings, illustrating how all things interact and connect. Let me introduce creative nonfiction author, Susan J. Tweit.

Kaye: You are a female author who champions the natural environment. Do you identify most as a feminist, a naturalist or an environmentalist?

Susan: All of the above. I grew up in a family of naturalists and scientists; restoring everyday nature is my way of leaving the world a better place. And I work in two fields where women are still second-class citizens in so many ways: science and writing. So am a feminist just be participating in those fields as a woman.

Kaye: On your website you claim that you taught yourself to write after you realized that you enjoyed the stories told by the data more than you did doing the research. How does one teach oneself to write?

Susan: I don’t know how other people teach themselves to write creatively, but for me, as a scientist trained to eschew personal opinions and emotions, and to be extremely parsimonious with descriptive adverbs and adjectives, I found my writing voice in reading the works of writers whose works I admire. I read Ann Zwinger and Terry Tempest Williams, Barry Lopez and Kim Stafford, Brenda Peterson and Linda Hogan, Leslie Marmon Silko and Denise Chávez, Robert Pyle and Gary Paul Nabhan, Sharman Apt Russell and Barbara Kingsolver, and so many others.

As I read, I thought about the mechanics of how each writer told their stories (whether fiction or essays), how they introduced subjects and characters, where they got personal and where they stepped back, how they described landscape and culture, how they used words and language… I tried out techniques and styles until I found my own voice, which has continued to evolve through twelve books and hundreds of essays, articles, and columns for newspapers and magazines.

Kaye: Connections are a common theme in many of your works. Can you talk a little about those?

Susan: As a plant ecologist, I am fascinated by the relationships and interrelationships that form community, whether the human community, or what I call “the community of the land,” the interwoven communities of species—from tiny microbes to gigantic redwood trees—that make life on Earth possible. Who loves who, who eats who, who sleeps with or pollinates who, who can’t stand who… All of those relationships weave the fabric of Life with a capital L. Without them we would not exist, and we have so much to learn about the connections that are vital to this planet. I just collaborated with science illustrator Samantha Peters on “Natural Partners,” a feature for WILDFLOWER Magazine on plants and the animals they rely on. It’s up on the internet here: https://www.wildflower.org/magazine/fauna/natural-partners (The print version took the cover of the magazine, and it’s really gorgeous!)

Kaye: Writing seems to be a way of life for you, and your love for nature is woven into almost everything you do. You have a background as a plant biologist and most of your books offer a perspective on nature and the environment, and you call your books love letters “to the earth and its living web of lives”. If you could convey one message to your readers, what would it be?

Susan: Get outside and get to know nature nearby. Learn even a handful of your neighbors in the world of plants and animals and you’ll never be bored. Nature is vital to our health and wellbeing—it’s the best antidote to stress I know of, the closest source of inspiration and renewal, and it doesn’t require a prescription or training. And it’s free!

Kaye: Besides writing and ecological restoration projects, what are your favorite things to do?

Susan: I’m an outdoors person, so I love taking long walks in the arroyo near my home, hiking with friends, and setting out on long road trips to see this amazing continent. At home, I tend a small garden of native wildflowers and other plants chosen to provide habitat for songbirds and pollinators, cook elaborate dinners for family and friends, and read. I’m an omnivorous reader, which leads into your next questions…

Kaye: You’ve written three memoirs about your life experiences. What makes an experience worthy to become a memoir?

Susan: Memoir is a way of distilling what our own lives and experiences have to offer others. What makes an experience worthy of memoir is partly whether we can find a way of telling the story that is compelling to others (that is, to a wider audience than our close friends and family!). It might be that we lived through a critical part of history, or our personal journey is exceptional in some way, or simply that we figure out how to relate our very ordinary story in a way that offers some universal wisdom about being human. Both of my published memoirs—Walking Nature Home; and Barren, Wild, and Worthless: Living in the Chihuahuan Desert—taught me about how to tell a story, how show the way we grow and change over time, and how to pick and choose telling detail. Each one presented different challenges, and the memoir I am working on now is challenging me in new ways. Telling my personal story may be my greatest learning experience as a writer!

Kaye: Would you tell us about your Write & Retreat Workshops?

Susan: They are an immersion in writing, in learning place and story, and in the inner work that is the source of our creativity. Each one includes hands-on writing and workshop time, as well as time to retreat and nurture our inner selves. Each one is set in some extraordinary place chosen to inspire us, with time spend exploring that place. I don’t have any W&R workshops planned this year, but next year I may offer one set near Yellowstone National Park, that place of wildness and wonders.

Kaye: You are a member of Story Circle NetworkWomen Writing the Westand Colorado Author’s League. How are these organizations beneficial to you as a writer?

Susan: I am also a member of Wyoming Writers. Belonging to at least one professional writing organization is critical to writing: they offer education, resources, and, most importantly. community. Writing is an inherently solitary activity: pulling words from deep within, honing them into stories, and then offering the work of our hearts to the world is perilous. Finding a community of fellow sufferers… uh, writers, is essential to maintaining our sanity, growing in the craft, and getting published.

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Susan: Besides leaving behind a paycheck, benefits, and job security to chase words and stories? Hmm… It’s hard to choose just one. Kayaking with sea turtles in the Sea of Cortez off Baja California? Learning about how to blow up dams to restore a river and its salmon run? Dancing with a Native American community to celebrate the return of those salmon? Watching a grizzly bear mom teach her twin cubs how to dig and eat spring-beauty bulbs in a meadow in Yellowstone National Park? Walking alone through some of the wildest country in the Lower 48 states, carrying all I needed on my back to listen to myself? Tending my husband and the love of my life through his death from brain cancer and then figuring out how to write how to survive loss? Seeing monarch butterflies return to a restored patch of urban nature? I’ve been fortunate to experience miracles and wonders all along the way.

Kaye: What are you working on now? What can readers expect in the future from Susan J. Tweit?

Susan: I’m working on The Climate Victory Garden, a book about how gardens can help grow The Green New Deal and slow climate change. It’s another chapter in my life-long quest to leave this world in better shape than I found it by restoring nature nearby and our connection to the green and living world.

Many thanks to Susan for sharing with us today. You can learn more about Susan J.Tweit and her work by visiting the following links:

Amazon Author page: https://www.amazon.com/Susan-J.-Tweit/e/B000AQ53RY/ref=sr_ntt_srch_lnk_1?qid=1547778739&sr=1-1

Website: http://susanjtweit.com/

Join us next Monday, when I’ll begin a new bi-monthly blog series, “His Name Was Michael”, which will chronicle the stages of writing a memoir as I work through them for my own memoir of the same name, telling the story of my son’s death and my own grief process. This first post will talk about the prewriting stage for memoir.

 

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Interview with western author Loretta Miles Tollefson

Loretta Miles Tollefson headshot.9 26 16

After writing an excerpt of Delilah for an assignment in grad school, I remember thinking, ‘this could be a book’. But I also remember thinking that a western by a female author probably wouldn’t sell. Women weren’t supposed to write westerns. After all, the western frontier was for rugged men. I knew there were women in the west, but I guessed that they weren’t protagonist material. Then, I wrote and published Delilah anyway. It was a story that wanted to be told. My character, Delilah spoke to me and the writing of the tale was too important for me to let the idea that it might not be a best seller stand in the way.

In the meantime, I was happy to learn that there are other female western authors out there. I’m pleased to have one as my guest today. Her books are set in the historical New Mexico landscape based on factual historical people and places. Western fiction author Loretta Miles Tollefson will share her thoughts on the matter of gender in the western genre and other aspects of writing and her books. 

Please welcome Loretta Miles Tollefson.


Kaye: Would you share the story of your own publishing journey?

Loretta: When I was fifteen I won a writing contest in a Sunday School paper and that triggered a deep desire to continue to see my words in print. I published a couple more pieces in that same paper, then branched into short stories and poetry in my 20s and 30s. I had a few things published and received a co-publication offer for a novel. Unfortunately, I didn’t have the financial resources to follow up on that. I continued to write and had some poetry published in my 40s and early 50s. I self-published a couple novels in my mid-50s and then The Pain and the Sorrow was published by Sunstone Press in 2017. I was frustrated by the lack of opportunities to advertise a novel that had been traditionally published and went back to the self-pub route with Not Just Any Man.

Kaye: When did you know you wanted to be an author?

Loretta: I was 15 but, because I come from a very practical family, I chose to take the pragmatic approach of going into newspaper and magazine work instead of stepping into the uncertain waters of fiction. Eventually, I became a Special Projects Manager for a regional planning organization here in New Mexico, a job which utilized both my writing and research skills. I didn’t realize my dream of writing full time until I retired about five years ago.

Kaye: What is the most enjoyable part of writing westerns for you?

Loretta: For me, the most enjoyable part of writing is finding ways to bring the historical details, my characters’ personalities, and the storyline itself together. It’s like weaving a tapestry. And then there’s always the sudden inspiration that seems to come out of nowhere, when my characters seem to be telling me what they want to say. Although I, as the author, always have control, I’m sometimes surprised at where the story takes me.

Kaye: What is the biggest challenge of writing western fiction for you?

Loretta: I think my biggest challenge in writing historical fiction set in the West is feeling like I need to double check all the details. Even though I grew up on a small farm and we had horses and cows and chickens and hung the clothes on a line and pretty much all the rest of it, there’s a great deal I don’t remember or took for granted at the time. And, of course, I didn’t actually live in the early 1800s. I have to be careful not to assume certain ways of doing things or specific pieces of equipment were common back then. I’m always concerned that I’ll slip into an anachronism.

Kaye: You follow the old adage “write what you know”, setting your books in areas where you have lived and are familiar with, yet you must envision those settings in another time period. It seems perhaps your own setting acts as inspiration for your stories?

Loretta: It does. Very much so. I’ve lived in New Mexico almost thirty years and was fortunate enough to travel all over the state in connection with my job. Then, after I retired, we moved to Eagle Nest, New Mexico, on the northern end of the Moreno Valley. We lived there five years and that experience really brought together my love of history and my desire to write full time. There’s so much history here in New Mexico that I don’t think I will ever run out of ideas. We recently moved to Santa Fe, New Mexico, and that will continue to inspire me and to provide me with great resources for my research.

Kaye: Your novel, Not Just Any Man, was recently released. Would you like to tell us a little about that book?

Not Just Any Man ebook cover.final 11 5 18.150 dpiLoretta: Not Just Any Man is about a black mountain man in 1820s New Mexico named Gerald Locke, Jr. It’s an adventure story, as Gerald traps in Northern New Mexico and then joins a fur trapping expedition across the Arizona desert and up the Colorado River. The group includes Enoch Jones, the only mountain man in the West who seems to have an issue with Gerald’s skin color. Jones has a few other issues as well, and the conflict between the two men is a crucial plot element.

But this isn’t just an adventure story. Gerald has met a young woman in Taos who seems far above his station in life and he can’t stop thinking about her. Even if he can survive the Sangre de Cristo mountains, the Mohave Indians, and the arid rim of the Grand Canyon, as well as Enoch Jones, can Gerald prove to himself and the girl he loves that he is, after all, not just any man?

Kaye: Do you think western readers are more receptive to male protagonists?

Loretta: There certainly are a lot of male protagonists in the western genre. I think this is because the traditional Western initially reflected the cultural assumption that only men played an active role in events in the West. As we broaden our understanding of the historical West, both before and after the United States was the primary actor there, we’re realizing just how often women played critical roles on the frontier. Life was harsh. Any family that was going to survive needed everyone in it to be fully engaged. Women had to take on roles they hadn’t necessarily played before. If anything, I believe their experiences on the frontier helped to begin breaking down the barriers that we’re still disassembling today. As we do that, I suspect Western readers will become more and more receptive to all kinds of protagonists.

Kaye: You have wonderful covers with beautiful landscapes that cry out ‘western’! Where do you get your covers?

Loretta: Well, thank you! I’m glad you like them. I worry about my covers. Other than The Pain in the Sorrow, I’ve designed them all myself and created most of them using a combination of Publisher and Gimp. The pundits’ advice is to have someone else do them, but I tend to have very specific ideas about what I want, and I haven’t yet discovered anyone who can quite catch my vision.

Loretta: The Pain and the Sorrow was strongly inspired by New Mexico history. Its characters actually existed and the primary incidents in the story are based on historical artifacts.

The plot of Not Just Any Man is also strongly situated in actual events. While the protagonist and villain are both fictional, most of the mountain men in the novel, are based on actual people—Old Bill Williams, Milton Sublette, Ewing Young, etc.—and much of the story line is based on their first-hand accounts.

Kaye: The Pain and the Sorrow has historical basis, as do all your books as I understand it. And it’s obvious that you strive to make your details as accurate as possible. Do you weave the history into your stories or is it the New Mexico history that inspires the stories?

9781632931849-Perfect w shadow.inddKaye: The Pain and the Sorrow is based in New Mexico history and a historical figure of legend, but the story about your female protagonist. Not all of your novels have female protagonists though. Was the female protagonist easier to write since you have a natural female perspective?

Loretta: The Pain and the Sorrow was a very difficult story to tell because of the abuse my teenage protagonist suffers at the hands (and other body parts) of her husband. I think that writing Gregoria’s story may have been more difficult for me precisely because I am female. My emotions were very raw during the entire process. I might have found it easier to tell Gregoria’s story if I didn’t have a “natural female perspective” and felt less connection with her.

Kaye: Do you think it’s more difficult for a female to make it in the western genre than it is for male authors?

Loretta: I think it’s difficult for any author to break into any genre today, regardless of their gender. However, it seems to me that more women are writing Western-style stories and getting them published than has been true in the past. For example, of the fourteen authors showcased in Five Star Publishing’s recent The Trading Post and other stories, four or five are women. In early December 2018, the twenty top-sellers in Amazon’s Western category included at least two women. There may have been more, publishing under a male pseudonym. We’ll really know that women have made it in western fiction when no one finds it necessary to use a male, or male-sounding, pen name when they do so.

Kaye: My publisher slapped Delilah into the romance category, listing it as a frontier romance. While there is a romantic element to the story, I didn’t make it the major focus of the story. I guess they thought it was more marketable as a romance, and I do think that because my protagonist is female, the book might have a stronger appeal to a female audience. Do you think western readers are more receptive to stories with a male protagonist?

Loretta: That’s hilarious. I really liked Delilah and I enjoyed the romance element in it, but classifying it as a frontier romance seems to me to diminish its marketing potential. I never search for frontier romance. As a result, I would have missed Delilah entirely if that’s the only place it could be found. I feel strongly that the current way the market is being sliced into finer and finer categories does us all — readers and writers alike — a disservice because it makes it more difficult to find the well-written, well-conceived books like Delilah that transcend easy categorization.

Kaye: Do you feel that it is harder for women authors to be taken seriously in the western genre?

Loretta: To a certain extent, this may be true. After all, as I mentioned above, some women authors of Westerns apparently feel that it’s necessary to use pseudonyms to obscure their gender. But I think that as we persist, this will become less and less of an issue.

Kaye: You are also a poet and you have out several poetry books. Would you talk a little about what inspires your poetry?

Loretta: My poetry is very personal, especially But Still My Child, which contains the poems I wrote after a miscarriage over thirty years ago. The poems I wrote during that time and afterwards helped me process that grief and I hope publishing them will support others in that same process.

My other volumes of poetry were the result of an attempt to blend my interest in poetry with my love of story. For historical stories, now that I think of it. The poems in But Then Moses Was There and Mary At The Cross try to get inside the heads of Biblical characters to express what living their experiences might have felt like.

Kaye: You’ve also written other non-western novels. What other genres do you write in?

Loretta: I’ve written an urban fiction about coming of age/homelessness in 1980s Seattle and a chick lit novel about a New Mexico couple who wins the lottery. I’m not working in either of those genres now. I’m focusing my energies exclusively on historical fiction set in Old New Mexico.

That focus on historical fiction has also resulted in two short story collections set in New Mexico: Valley of the Eagles and Old One Eye Pete. Valley is a collection of micro-fiction. The stories are all 500 words or less. Old One Eye Pete contains longer pieces, with stories featuring the mountain man Old One Eye Pete acting as the narrative thread.

Kaye: What is the working title of your next book?

Loretta: It’s called Not My Father’s House. It’s a sequel to Not Just Any Man and (spoiler alert!) focuses on Suzanna’s struggle to adapt to living high in New Mexico’s Sangre de Cristo mountains. I’ve just finished the second draft, so it should be out by the middle of 2019.

Kaye: Besides writing, what are your favorite things to do?

Loretta: I research material for my upcoming books — or at least I tell myself it’s for my upcoming books. Hah! And I read fiction: historical, mystery, suspense, Westerns, and pretty much anything else that looks interesting to me at the moment. I review most of everything that I read, unless it has 100 reviews or more. I would love to review more historical fiction set in 1800s New Mexico and Southern Colorado, since Southern Colorado was part of New Mexico at one time.

Kaye: Would you tell us a little about your blog? What will readers find there if they visit?

Loretta: My blog is at http://www.LorettaMilesTollefson.com. About once a week, I post a short piece about a historical event or a flash fiction story set in Old New Mexico, which I define as anything prior to statehood in 1912. The site also includes news about, and links to, my books.

Kaye: Which author or poet, dead or alive, would you love to have lunch with?

Loretta: I have so many favorites. This is a hard question to answer. I think right now, given the work I’m doing, the person I would most like to have lunch with would be Paulette Jiles. I really enjoyed her News Of The World and the way she brought actual events to life in that book.

Kaye: What do you like to do when you’re not writing?

Loretta: I read and explore the region with my husband. Ultimately, it’s all research.

Kaye: Is there anything unique or unusual about your writing process?

Loretta: My writing process consists of writing the first draft, letting it sit a month, revising, letting it sit a month or so, then revising again until I feel it’s really ready. This process seems to be becoming more unusual in today’s fast-paced writing environment.

Kaye: How much non-writing work, (research, marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?

Loretta: At the moment, I’m doing all my own research, marketing, promotion, book covers, and so forth. I’m stretching myself pretty thin with all these different activities, but doing it all gives me a lot of control. I may have to start farming some of the non-writing work out as I move along in my journey.

Kaye: If your book was made into a film, who would you like to play the lead?

Loretta: To tell you the truth, I watch so little television and so few movies these days, that I’m not sure who would be the best actor to play Gerald or Susanna in a movie based on Not Just Any Man or Gregoria or Charles Kennedy in The Pain And The Sorrow. I’d love some input from your readers on this question.

Kaye: I can and will reach out to readers for input on who should play your leads were your story made film, but now you have to answer another question: Since many of my readers may not have read your books, can you tell us what characteristics these characters would have so they can better imagine who would be a good fit?

Loretta: Hmmm,
Characteristics:

Gerald: square forehead, gray eyes. Half black/half Irish. Late 20s.

Suzanna: slim, tall for a woman (about Gerald’s height). long black hair, dark brown eyes. Half anglo (WASP), a quarter french, a quarter Navajo. About 16.

Alright readers. Here’s your chance be heard. Who do you think would be good for the roles of Gerald and Suzanna? Please comment with your suggestions. Loretta and I would both love to hear the possibilities.

Kaye: What advice do you have for aspiring authors?

Loretta: In a nutshell: read, revise, revise again.

If you plan to write fiction, read fiction. Especially classic fiction: Hemingway, Steinbeck, Austen, Dickens, and so forth. Also, read contemporary fiction, and not just books in your genre. Some of my favorite authors right now are Louise Penny and Donna Leon. They teach me pacing and character development. I’m especially fascinated by the way their protagonists develop over the course of the series. Everything’s research, even the books you don’t like. And don’t be afraid to express your opinions and trust your instincts. It’s okay to not like a book even if everyone else is saying how wonderful it is.

Most of all, revise! As Anton Chekhov said, “rewrite everything five times.” Well, maybe not that many, but you see what I mean. I would add “but not immediately” to that advice. Take the time to let your work rest, and then go back and look at it again. When you start changing sentences back to the way you had them in a previous version, that’s when you should stop. But not until then.

Revise it, let it rest, then revise it again. There’s a popular saying that “Perfection is the enemy of done.” I am uncomfortable with that statement. While no work is going to be absolutely perfect, rushing to publication is the enemy of quality work. Try to get your story as well-written as possible. Producing quality work is what will keep your readers coming back for more.


I want to thank Loretta for joining us today and sharing a glimpse into the world of western writing from a female author’s perspective. I have admired her work since I reviewed The Pain and the Sorrow last May, and it’s a thrill to have the privelage of interviewing her. It’s a real treat to hear from another female author in the world of western fiction.


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“Writing to be Read”: 2018 full of surprises – 2019 promises more

From Old to New

This is the time of year when I like to take a look back over the year to see what worked and what didn’t for Writing to be Read, but there are exciting changes coming as well. So let’s move forward in the logical order and talk about the old first. Let’s take a look at the past year on Writing to be Read. For me, there were several surprises and if you are following, they may surprise you, too.

I feel like we had a really great year in 2018, featuring two rounds of Ask the Authors, with two wonderful and diverse author panels sharing writing tips and advice in many aspects of writing with almost seven thousand views. Now that may not seem like a lot to some, but when you consider that it’s over three thousand more views than in 2017, that’s not too bad.

Ask the Authors

For those who don’t know Ask the Authors is a twelve week blog series, where an author panel responds to questions on the many aspects of writing. Panel members in the original series of Ask the Authors, which ran from February through April, included author and ghostwriter DeAnna Knippling, dark fantasy author Cynthia Vespia, Y.A. author Jordan Elizabeth, literary author Margareth Stewart, action novelist Tim Baker, action and speculative fiction author Chris DiBella, women’s fiction author Janet Garbor, multi-genre author Chris Barili, and Y.A. author Carol Riggs. Round 2 ran from October through mid- December with the first four authors from the previous list as returning panel members and seven new panel members, including multi-genre author Dan Alatorre, nonfiction author Mark Shaw, pulp fiction author Tom Johnson, thiller author Ashley Fontainne, romance author Amy Cecil, multi-genre author Art Rosch, and speculative fiction author R.A. Winter. I’d like to thank them all once again for taking time out to share with us here.

Wednesday Line-up 2018We also were blessed with three new Wednesday blog series with three new team members. The team member from the 2018 Wednesday line-up with the most views was Jeff Bowles with Jeff’s Pep Talk, but Jordan Elizabeth and Art Rosch brought in their fair share with Writing for a Y.A. Audience and the Many Faces of Poetry, respectively.

To my surprise, the team member with the mosts post views over 2018 was Robin Conley, who is currently not an active team member, but readers continue to seek out her writing advice in her writing Weekly and Monthly Writing Memos from 2017; the most popular was her Weekly Writing Memo: Word Choice is verything, which had the second most views of all blog posts this past year. Right up there with that is her review of Pride and Predjudice and Zombies, with over one hundred post views.

I was also surprised to learn the most viewed interview was tied between children’s author Nancy Oswald from the 2016 series Pros and Cons of Traditional vs. Independent vs. Self-Publishing and action novelist Tim Baker from the 2017 series Book Marketing; What Works. But those interviews were focused more towards information on publishing and marketing, respectively, so I don’t really count them in the same category as author interviews, because readers may view the series posts for different reasons than they would author interviews.

My author interviews provide a focus on the author, so in this category the most post views came from my interview in 2018 with screenwriter J.S. Mayank. My interview with author Alexandra Forry was next in line, and my interview with performance poet Rosemerry Wahtola Trommer recieved the third most post views.

In 2018, the top book review was Dan Alatorre’s dark fiction anthology, Dark Visions. Another surprise – the second and third most post views in the review category are both from 2016, with my review of Simplified Writing 101 by Erin Brown Conroy coming in second, and Wild West Ghosts by Mark Todd and Kym O’Connell Todd coming in third.

2018 Top Reviews

The other review that I feel is worthy of mention is my review of Mark Shaw’s new release, Denial of Justice. I did the review in December, so it hasn’t been available long enough to acrue a great number of views to rank in the yearly statistics, but it is a tale that deserves telling and Mark did a smash-up job of telling it. I’ve no doubt this book will be as popular or more so than the original tale, The Reporter Who Knew Too Much, because we all love mystery and intrigue, and the story of Dorothy Kilgallen is a true life tale filled with both. I am privilaged to have been allowed to review both of these books.

Along the lines of other content, again my 2016 post Why is Fact Better than Fiction recieved the most viewed, and surprisingly, a post from 2011, The Process Takes Time close on it’s heels, with my 2016 post, A Writer’s Life in No Bowl of Cherries following not far behind them. Not one of my top three posts was from this past year. My post from 2018 which recieved the most views was Join Me in My Protest Against Facebook, a rant I did about Facebook and their changing policies after I got blocked from posting in groups, including my own group, for a twenty-four hour period. I think this post was my cry in the dark from the frustration I felt as a busy author who promotes her own work and limited time. It makes me laugh to think it was my most popular post published last year. 

Views outnumber visitors, so I’m thinking that the increased views of all the older posts comes from new viewers who popped in to read a newer post and decided to browse the site, which is great. If I gained some new followers due to this, I certainly won’t complain.

Overall, it was a great year and my following has steadily grown, as well as post likes and comments. I have to extend thanks to my readers, my followers, my team members and my guests on Writing to be Read for helping me make it happen. I couldn’t have made such strides without all of you.

Writing My Way Into the New Year

Logo Switch2019 promises to be an even better year for both Writing to be Read and for me, and I’m excited to share my plans with you here. To start, this site will be getting a facelift: a new theme which will coincide with my new WordCrafter website and a new logo. The WordCrafter site will be the new home of Write it Right Editing Services and WordCrafter Copywriting, now housed here, as well as WordCrafter Press and WordCrafter Online Courses in the near future. Writing to be Read, although remaining here, will operate under the WordCrafter trademark. I was hoping to launch it tonight to start the New Year off right, but time constraints have not favored me. The launch of my WordCrafter and new image and logo for Writing to be Read will happen sometime in January. That’s the revised goal.

On Writing to be Read, look forward to some great new content beginning in January.  To start the year off right I already have scheduled reviews for Freedom’s Mercy, by A.K. Lawrence and Fanya in the Underworld, by Jordan Elizabeth, and an interview with western author Loretta Miles Tollefson.

Growing bookworks 2Let’s not forget the new addition to the Wednesday line-up. Starting in January, children’s author Robbie Cheadle will be joining us with her blog series, Growing Bookworms. You can learn more about Robbie and her exciting and creative new series in my introduction and welcome post last Monday.

I also have an exciting new monthly blog series planned for the third Monday of each month, called Chatting with the Pros. Starting in January, I will interview a successful professional author in a different genre, who will graciously allow me to pick their brains for tips and tidbits of writing wisdom from authors who are making it work. I can’t reveal the guest line-up yet, but it shows promise of holding some well known names. And I’m thinking about doing a writing contest, with entrants recieving an invitation for inclusion in an anthology and other cool prizes.

A third round of Ask the Authors is also in the making for this coming summer and I’m planning an Ask the Authors book to follow, which will include material from all three segments. I already have a cover for the book, created by D.L. Mullen of Sonoran Dawn Studios. I hope to have it out by the end of the year.

WIPs

And of course, you’ll be able to get updates on my other works in progress: The Great Primordial Battle, book one of my science fantasy series, Playground for the Gods; The Homecoming, book two of my western series, Delilah; and my memoir about losing my son to teen suicide, His Name Was Michael. I hope you will all join me in the coming year. 

With that, I’ll just say see you next year.

Until then, happy writing!

Happy New Year

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