“Perils for Portents”: A Steampunkish Novel with a Heroine to be Admired

Perils for Portents

Perils for Portents, by Diana Benedict is a well crafted story and a truly enjoyable read. Taking place in an era when women had to struggle to be taken seriously, young Francie Wolcott proves a heroine who young women today can look up to in a story of mystery and adventure.

When their parents die, Francie and her brother, Rooney, are left to make their own way in the world. Francie uses her resources, combined with Rooney’s ingenuity to travel across the country by unconventional means, to their uncle and grandmother in San Francisco. On the journey, the automaton Rooney designed is possessed by a ghost, whose fortunes are right on the mark. When she reveals a murder the circus owner was involved with, it puts Francie on his radar as a liability. Once they’ve reached their family, Rooney settles in well, while Francie entertains plans to travel the world with the fortune telling automaton. But her grandmother has other plans for her, as she puts Francie on display for all eligible suitors, regardless of how repulsive Francie finds them. Besides thwarting her grandmother, Francie must also evade the circus owner, who is set on her demise, and she proves herself up to the task.

Perils for Portents is a delightful historic YA novel, with elements of adventure and romance. It is well written and entertaining. I give it four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


A Published Author At Last – Now It’s In My Readers’ Hands

Delilah Cover

The exciting news this week is, Delilah is now available in digital format! It’s something I’ve been waiting for for quite a while, so of course, I am ecstatic. But, something many aspiring authors may not realize is that publication isn’t the end of the road. No, it’s actually just the beginning of a new chapter in the book of writing, this one titled Sell that Book.

For those of you who aren’t familiar with my road to publication, I started Delilah back in 2012, when I entered the M.F.A. in Creative Writing program at Western State Colorado University. The assignment given by my instructor, Russell Davis, was to write an excerpt in a genre outside our comfort zone. I was assigned to write in western genre, and low and behold, I found not only am I good at it, but I like writing western. Four years later, that small excerpt, grew into a 60,000 word western novel which I’ve been trying to find a publisher for over the past year.

You see, writing the book, while a great accomplishment unto itself, is only half the battle. It doesn’t do any good to write a story, if no one ever reads it. In order for that to happen, the book must be published, and while I could self-publish, (I had considered it), I held out hope of finding a publisher, and in the end my persistence paid off.

So, now that I got Delilah published, with the help of Dusty Saddles Publishing, I must get the word out through marketing and promotion. I must get people to read, and maybe more important, write reviews.

Reviews are where it’s at these days. According to Amazon, reviews are how you get your book promoted, and I just read somewhere that Amazon has recently increased the number of reviews needed for them to promote your book, from thirty-five to fifty or one hundred.

The question is, where do I get reviews from? Although I do honest reviews here, on Writing to be Read, I don’t know many other bloggers who do. So, it comes down to appealing to you, my readers, to buy Delilah, read it and then go onto Amazon and Goodreads, (Delilah will be listed there soon -another thing I still need to do), and leave a review.

If you are willing to go to the trouble of doing all that, I thank you, but I also ask that you leave a review that is honest. While I would love you to leave a review which sings Delilah’s praises, I want it only if it is heartfelt. If you see problems with my story, I need to know what they are, in order to improve my writing of future books, so I am asking for honest criticism, if you are kind enough to leave a review at all.

In the end, it’s up to you, the reader, how successful Delilah, or any book, will be. So, buy the books you want to read, (which I hope includes my debut novel), and be kind. Leave an honest review.

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 

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“Weeping Willows”: A Ghostly Tale

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Weeping Willows by B.J. Robinson has the potential to be a good ghostly tale. Unfortunately, Robinson didn’t take it quite far enough. All the elements are there, but they just don’t come together very well.

The story fails to set a tone scary enough to cause any real anticipation. The House of Usher, it is not. The one spirit that actually shows herself, isn’t very threatening, is actually rather helpful, providing all the needed information about the house’s history, so the story may proceed, thus removing any sense of mystery the story might have been carrying.

The plot is classic haunted house to the point of almost being cliché. Two couples enter into a contest where the couple who lasts the longest in the old house, which threatens to crumble and fall into the sea, wins a honeymoon in Hawaii, but of course, the house is haunted and the spirits don’t seem happy about its latest guests.

The circumstances often seem a little too convenient, as if the events occur at the convenience of the author, to get the story out. It feels like the characters do what is necessary for the story to unfold, but perhaps not what would be natural for their personalities, but that could be because the characters lack depth. Character development is always a challenge when writing short fiction due to the short amount of page space, but without it, it’s difficult to care about the characters.

Weeping Willows is a ghost story of fair quality. I give it three quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Interview with author DeAnna Knippling

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This week, I’m interviewing Colorado freelance writer, editor, author and book designer, DeAnna Knippling. I first met DeAnna through the Pike’s Peak Writers when I was still serving as the Southern Colorado Literature Examiner. What struck me about her was her enthusiasm and willingness to help where ever she can. She treats her writing as a business and goes at it with a high degree of professionalism, yet she is personable and willing to share what she’s learned from her own writing experiences.

DeAnna Knippling writes science fiction, fantasy, horror, crime, and mystery for adults under her own name; adventurous and weird fiction for middle-grade (8-12 year old) kids under the pseudonym De Kenyon; and various thriller and suspense fiction for her ghostwriting clients under various and non-disclosable names. Her latest book, Alice’s Adventures in Underland:  The Queen of Stilled Hearts, combines two of her favorite topics–zombies and Lewis Carroll.  It’s the story of a tame zombie who told a little girl named Alice a story that got them both in more trouble than they could handle. Her short fiction has appeared in Black Static, Penumbra, Crossed Genres, Three-Lobed Burning Eye, and more.

Kaye: You created Wonderland Press to get your books out there. What all is involved in creating a press for your work and what are the advantages of doing so? I mean, why would an author do this rather than just throwing their book out on Amazon or Smashwords?

DeAnna: This isn’t one of the fun answers.  It’s stupid easy to make a “press.”  It involves no special equipment.  You look online, make sure nobody else has one of that name in your state, register a business name with your state or county (look up, “How to register a business name in [name of state]”), and Bob’s your uncle.  You might want to get more complex with an LLC or something–but I recommend leaving that for later, unless you already have experience doing that.  I am, of course not a lawyer and can’t give legal advice.  When you want to start looking at an LLC or corporation, I believe, is when you start having to worry about taxes and tax brackets.

I set up my press, “Wonderland Press,” because some publishing sites back in the day didn’t want you to publish books under multiple pen names under the same account without having a publisher name.  Then I realized that I wouldn’t be able to keep up with multiple blogs for my pen names, and moved the names to the same website (for now).  However, things are changing, and I may need to move back to multiple websites, mailing lists, etc.  The thing about business is that everything changes based on the scale of what you’re doing and how much time has passed since you set things up.  It seems like it’s more important to stick to a couple of core principles (bring customers back to a location you can control rather than social media–that kind of thing) and stay flexible in the details than it is to get wrapped up in questions like, “Should I set up a small press?”
Kaye: A lot of your books don’t fit neatly into a genre category or subcategory. How do you describe your books?
DeAnna: I’ve struggled with genre categories since I started publishing.  Part of the reason for that is that my subconscious loves to smash incongruous things together.  For example, I love puns and double entendres–two ways of seeing meaning at the same time–and I love stories that are really two things that don’t really go together being put together (like cowboys in space–Firefly).  The kinds of stories that I tend to write are kind of the opposite of sitting firmly within a genre and therefore being easy to describe.
I’m both looking into ways to get around this (by sneaking more solidly into genres) and finding out what parts of my genres I’m missing out on.  I recently finished up what I call “my cheesy ’80s genre novel.”  When I did the research to try to find out where to put it, I found that…it actually fits pretty solidly into the current Occult subgenre of Horror.  I keep trying to tell myself there’s nothing wrong with writing what feels cheesy (I certainly read it), but sometimes it takes a while for me to learn the obvious.
To actually answer your question?  Since I can’t copy my competitors, I describe my books by putting on the silliest movie announcer voice I can come up with and reading the blurbs out loud.  The more mock-serious the better.  Somehow it works.
Kaye: What’s the most fun part of writing a novel or a story? What’s the least fun part?
DeAnna: Most fun:  The fun parts. Least fun:  The parts that stick the fun parts together.
I get really bored at the least fun parts.  I think that’s where the books I write start getting weird.  If I plan a book, then I plan something at least a little bit more genre-specific than what actually comes out.  But then I get bored and jump the tracks.  I feel like writing a book is a process of going “Ooooh, shiny” over and over until I step into the circle of rope hidden under the leaves in the jungle, and the ending jerks me upside down into the air.
I wish it were that quick to write the end–it’s the slowest part of the book for me as I wrap up all the shinies that I’ve picked up throughout the plot–but that’s what it feels like.
Kaye: If your writing suddenly made you rich and famous, what would you do?
DeAnna: More of the same.  My major goal in life is to allow my wonderful spouse to become a pool boy at our eccentric castle in the mountains.  Travel more.  At least, I say those things.  Probably I’d still just begrudge the time I wasn’t reading or writing.  I’d go to exotic locations and just read a book.
Kaye: Why do you think some writers sell well, and others don’t?
DeAnna: Probably that stuff I mentioned about genre.  A lot of writers will look at a successful writer’s book and go, “What a terrible writer!  Why do they sell?!?”
But here’s my experience (based on ghostwriting so much):
The stuff that I’m forced to write to genre by my clients sells a lot better than the stuff I write for myself.
Granted, you still need to know what you’re doing.  But writing a book isn’t just about pretty sentences–it’s about making the constant readers happy, feeding their addictions.  The answer to why some books are massive successes when others aren’t is often, “Because they can see the forest for the trees–and you can’t.”  Cold but true.
Kaye: Any advice for upcoming authors who are trying to get a foot in the door?

DeAnna: Just keep working.  Everybody’s in a hurry to succeed.  Success!  Millions!  Riches!  Fame! But, in the end, it comes back to the basics.  Did you read?  Did you write?  Did you learn something?  Did you talk to other people in the writing community?

“A foot in the door” is just the feeling that the universe owes you something, or that you can sneak something past somebody.  “How do I cut in line past the people who have been working their asses off for years?” And the only answers are:  Write a good story, network, value your readers, don’t be stupid about genre, work your ass off, don’t fail on purpose.  That last one is pretty significant.  I’ve seen a lot of people give up or just put things off until they’re “ready.”  The hell with waiting for “ready.”  If you’re going to do that, you’ve already failed, because this is a bootstrap industry–nobody gets the magic green light.  Even people who are going traditional start out by hustling for publishers and agents.  Make someone else tell you no.  Make them tell you no a lot.
I want to thank DeAnna for joining us here on Writing to be Read, and for sharing her knowledge with us. If you’d like to learn more about Deanna or her books, her website and blog are at www.WonderlandPress.com.  You can also find her on Facebook and Twitter.

 

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“Fear and Loathing in Las Cruces”: A short fiction collection that’s full of surprises

Fear and Loathing in Las Cruces

This week I’m pleased to review Fear and Loathing in Las Cruces – the latest collection of short fiction by my friend and colleague, Jeff Bowles. Since I know Jeff personally, I do admit to a certain amount of bias, but only because I truly admire the way this man crafts a story, so I went at this reading with a certain amount of anticipation. With Jeff, I never really know what to expect, but I always expect to be pleasantly surprised.

And, I was not disappointed. The stories found in this collection are original and unique, and the artwork is awesome.

The first story, Will of the West, has a good western flavor with a surprise ending.  I truly enjoyed the vivid imagery of the lightning dance is Blue Dancing With Yellow, and Jeff’s story telling voice in Tumbleweeds and Little Girls nails the young girl’s POV. Four Heads, Two Hearts is a unique romance with its own unusual set of obstacles and a very interesting solution. The Fall and Rise of Max Ziggy is a reincarnation story of the feline kind.

Two of the stories deal with the topic of mid-life crisis, a topic that the author seems too young to know a lot about, but when you read these stories, us old foggies may find, or at least I did, that his interpretations are pretty spot on. Mid-Life Crisis: The Video Game defines the age of technology in a way the older generations can relate to, right down to the frustrations of dealing with voice activated responders which never seem to get our answers right. And,  Jack Hammer’s Online Identity Crisis provides an online view of the mid-life crisis of a hit man that is sure to make you chuckle.

The collection also offers two ghost stories: Falcon Highway is a good, old fashioned ghost story running along the lines of an urban legend. And, Deadman’s Hand is a ghostly tale of being ‘spirited’ away.

All of the stories contained in Fear and Loathing in Las Cruces are well crafted and quite entertaining, and they all contain unexpected elements that Jeff Bowles makes to work in short story form. Each and every one carries the uniqueness that is Jeff Bowles style, making for an overall enjoyable read. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Bailin'”: A Comedic Crime Romance Indeed

Bailin'

Bailin’  breaks every writing rule there is, but somehow, Linton Robinson makes it work. Labeled a “Comedic Crime Romance” on the cover, this book is a fast paced crime story, filled with a cast of bungling criminals, who somehow always manage to come out  ahead, in spite of the precarious situations they end up in.

Bunny and Cole are a daring crime duo looking for the one big heist that will set them up for life. The two pull several heists, but never seem to come away with any money. Bogart and Flathead, two bikers, who try to make a business out of transporting certain things across the border, and who fail repeatedly as smugglers. Add in an embezzling treasurer, who gets caught and jumps bail, a determined bounty hunter, and a sadistic hit man, and you’ve got the proper ingredients for comedic antics as all of their paths cross.

I read it twice, the second time, aloud. It is filled with big words, lots of adverbs and adjectives, alliteration and empurpled prose, but the story line is so much fun, all of that can be forgiven. In fact, Robinson’s style helps to set the tone in this comedic caper and make the whole thing work.

I really enjoyed this read. I give Bailin’ four quills.Four Quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“The Clockwork Alice”: A Literary Work in the Tradition of Lewis Carroll

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The Clockwork Alice, by DeAnna Knippling,  introduces Alice, all grown up, and takes readers on a return trip to Wonderland, where all is not as it should be, or maybe it never was. Knippling does a smashing job of picking up the tone of the original Wonderland stories, making this a fantasy tale which will delight readers of all ages.

Many of our favorite characters make appearances, including the Red Queen, the White Rabbit, the March Hare, and the Cheshire Cat, to name a few. Alice discovers that all of Wonderland is actually made of clockwork mechanisms, including a Clockwork Alice, who looks just like the girl who she once was. But all is not as it should be in Wonderland, or maybe it never was, but it’s up to Alice, or one of the Alice’s, to stop the great unwinding, and set things back in order. Alice may uncover and foil the evil plot to destroy Wonderland, or perhaps she will destroy it all instead, because this trip to Wonderland is just as confusing, or maybe even more so, than the first.

The Clockwork Alice is a well-written, skillfully crafted story that is just plain fun to read. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.