The Beginning: The benefits of reading to young children

Growing bookworks 2

I have always read to my two sons. My reading to them started during my pregnancies. I read somewhere that reading to your unborn baby helps sooth the fetus and get him/her used to his/her parents voice. Any excuse to read was acceptable to me and I read the entire Jean Auel Earth Children series to Gregory during my second and third trimester.

Gregory was a difficult baby. He was born with a defect that resulted in him having eighteen operations between the ages of 1 and 6 years old. When he was crying and restless I used to read to him. It always helped him settle eventually and it calmed me too.

During my pregnancy with Michael I had a two year old toddler to read to. The unborn Michael was entertained by a series of books for small children like Rupert the Bear, Paddington and the Mr Men series.

Both my boys have grown up to be readers. It wasn’t as easy with Michael as he has an audio processing barrier which required some intervention but we have overcome that and he is now a prolific reader. Gregory was one of four boys selected to represent South Africa in the Kids Literature Quiz held in New Zealand in 2016.

My own experience in reading to my sons and to my nieces, nephews and any other children who are interested in being read to has illustrated to me the following benefits of reading to young children:

Bonding

Reading to your children helps you bond as mother or father and child. I have always had to work and it was wonderful to cuddle up to my boys after dinner every evening and read to them for an hour. It was a lovely time that we all looked forward to each and every day.

Develops concentration skills

Reading to your young child helps them to learn to concentrate for longer periods. I started off reading to Gregory for periods of about 15 minutes when he was fifteen months old and this gradually built up to an hour or more. I used to take Gregory with me to the doctor for my checkups during my second pregnancy and sometimes we had to wait for up to two hours to see the doctor. He would sit next to me quietly while I read to him and never gave me a moments trouble.

Develops discipline

Reading to your child encourages discipline as they learn to sit quietly and focus and listen. The receptionist at the doctor’s room used to comment on what a good boy Gregory was while we were waiting and how well disciplined he was. I believe that my training him to sit and listen to a story contributed greatly to his developing this important skill which plays an even greater role in his life now that he is in high school.

Encourages imagination and creativity

When you read to your child, they must use their own imagination to picture the characters and happenings in the story. It is not provided to them as with other forms of entertainment like television. You can help develop your child’s imagination and creativity by discussing the characters and setting with them and providing your thoughts on what they look like. You can also use mediums like lego to build the settings in the book you are reading and make the story more alive.

Develops language skills

The more your child hears different words and spoken language the more vocabulary and understanding of language they will gain. Reading a variety of different fiction and non-fiction books to your child will give them an extensive knowledge of words and concepts. Reading to your child also helps develop language fluency.

Develops empathy

Reading fiction to your child will assist them in learning how to react to different situations and expose them to different and more adverse circumstances than their own. It helps children learn empathy and understanding for those less fortunate than themselves.

In addition to the above benefits, reading is an essential skill to achieve success in most areas of study. If you can’t read and comprehend effectively, for example, you will struggle to answer a complex word problem in mathematics. Reading to your child and developing a love of reading goes a long way to achieving academic success.

About Robbie Cheadle

IMG_9902

Hello, my name is Robbie, short for Roberta. I am an author with five published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. These short stories are published under Robbie Cheadle.

I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://bakeandwrite.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: Robbie Cheadle – Goodreads

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books


Want to be sure not to miss any of Robbie’s Growing Bookworms segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


“Writing to be Read”: 2018 full of surprises – 2019 promises more

From Old to New

This is the time of year when I like to take a look back over the year to see what worked and what didn’t for Writing to be Read, but there are exciting changes coming as well. So let’s move forward in the logical order and talk about the old first. Let’s take a look at the past year on Writing to be Read. For me, there were several surprises and if you are following, they may surprise you, too.

I feel like we had a really great year in 2018, featuring two rounds of Ask the Authors, with two wonderful and diverse author panels sharing writing tips and advice in many aspects of writing with almost seven thousand views. Now that may not seem like a lot to some, but when you consider that it’s over three thousand more views than in 2017, that’s not too bad.

Ask the Authors

For those who don’t know Ask the Authors is a twelve week blog series, where an author panel responds to questions on the many aspects of writing. Panel members in the original series of Ask the Authors, which ran from February through April, included author and ghostwriter DeAnna Knippling, dark fantasy author Cynthia Vespia, Y.A. author Jordan Elizabeth, literary author Margareth Stewart, action novelist Tim Baker, action and speculative fiction author Chris DiBella, women’s fiction author Janet Garbor, multi-genre author Chris Barili, and Y.A. author Carol Riggs. Round 2 ran from October through mid- December with the first four authors from the previous list as returning panel members and seven new panel members, including multi-genre author Dan Alatorre, nonfiction author Mark Shaw, pulp fiction author Tom Johnson, thiller author Ashley Fontainne, romance author Amy Cecil, multi-genre author Art Rosch, and speculative fiction author R.A. Winter. I’d like to thank them all once again for taking time out to share with us here.

Wednesday Line-up 2018We also were blessed with three new Wednesday blog series with three new team members. The team member from the 2018 Wednesday line-up with the most views was Jeff Bowles with Jeff’s Pep Talk, but Jordan Elizabeth and Art Rosch brought in their fair share with Writing for a Y.A. Audience and the Many Faces of Poetry, respectively.

To my surprise, the team member with the mosts post views over 2018 was Robin Conley, who is currently not an active team member, but readers continue to seek out her writing advice in her writing Weekly and Monthly Writing Memos from 2017; the most popular was her Weekly Writing Memo: Word Choice is verything, which had the second most views of all blog posts this past year. Right up there with that is her review of Pride and Predjudice and Zombies, with over one hundred post views.

I was also surprised to learn the most viewed interview was tied between children’s author Nancy Oswald from the 2016 series Pros and Cons of Traditional vs. Independent vs. Self-Publishing and action novelist Tim Baker from the 2017 series Book Marketing; What Works. But those interviews were focused more towards information on publishing and marketing, respectively, so I don’t really count them in the same category as author interviews, because readers may view the series posts for different reasons than they would author interviews.

My author interviews provide a focus on the author, so in this category the most post views came from my interview in 2018 with screenwriter J.S. Mayank. My interview with author Alexandra Forry was next in line, and my interview with performance poet Rosemerry Wahtola Trommer recieved the third most post views.

In 2018, the top book review was Dan Alatorre’s dark fiction anthology, Dark Visions. Another surprise – the second and third most post views in the review category are both from 2016, with my review of Simplified Writing 101 by Erin Brown Conroy coming in second, and Wild West Ghosts by Mark Todd and Kym O’Connell Todd coming in third.

2018 Top Reviews

The other review that I feel is worthy of mention is my review of Mark Shaw’s new release, Denial of Justice. I did the review in December, so it hasn’t been available long enough to acrue a great number of views to rank in the yearly statistics, but it is a tale that deserves telling and Mark did a smash-up job of telling it. I’ve no doubt this book will be as popular or more so than the original tale, The Reporter Who Knew Too Much, because we all love mystery and intrigue, and the story of Dorothy Kilgallen is a true life tale filled with both. I am privilaged to have been allowed to review both of these books.

Along the lines of other content, again my 2016 post Why is Fact Better than Fiction recieved the most viewed, and surprisingly, a post from 2011, The Process Takes Time close on it’s heels, with my 2016 post, A Writer’s Life in No Bowl of Cherries following not far behind them. Not one of my top three posts was from this past year. My post from 2018 which recieved the most views was Join Me in My Protest Against Facebook, a rant I did about Facebook and their changing policies after I got blocked from posting in groups, including my own group, for a twenty-four hour period. I think this post was my cry in the dark from the frustration I felt as a busy author who promotes her own work and limited time. It makes me laugh to think it was my most popular post published last year. 

Views outnumber visitors, so I’m thinking that the increased views of all the older posts comes from new viewers who popped in to read a newer post and decided to browse the site, which is great. If I gained some new followers due to this, I certainly won’t complain.

Overall, it was a great year and my following has steadily grown, as well as post likes and comments. I have to extend thanks to my readers, my followers, my team members and my guests on Writing to be Read for helping me make it happen. I couldn’t have made such strides without all of you.

Writing My Way Into the New Year

Logo Switch2019 promises to be an even better year for both Writing to be Read and for me, and I’m excited to share my plans with you here. To start, this site will be getting a facelift: a new theme which will coincide with my new WordCrafter website and a new logo. The WordCrafter site will be the new home of Write it Right Editing Services and WordCrafter Copywriting, now housed here, as well as WordCrafter Press and WordCrafter Online Courses in the near future. Writing to be Read, although remaining here, will operate under the WordCrafter trademark. I was hoping to launch it tonight to start the New Year off right, but time constraints have not favored me. The launch of my WordCrafter and new image and logo for Writing to be Read will happen sometime in January. That’s the revised goal.

On Writing to be Read, look forward to some great new content beginning in January.  To start the year off right I already have scheduled reviews for Freedom’s Mercy, by A.K. Lawrence and Fanya in the Underworld, by Jordan Elizabeth, and an interview with western author Loretta Miles Tollefson.

Growing bookworks 2Let’s not forget the new addition to the Wednesday line-up. Starting in January, children’s author Robbie Cheadle will be joining us with her blog series, Growing Bookworms. You can learn more about Robbie and her exciting and creative new series in my introduction and welcome post last Monday.

I also have an exciting new monthly blog series planned for the third Monday of each month, called Chatting with the Pros. Starting in January, I will interview a successful professional author in a different genre, who will graciously allow me to pick their brains for tips and tidbits of writing wisdom from authors who are making it work. I can’t reveal the guest line-up yet, but it shows promise of holding some well known names. And I’m thinking about doing a writing contest, with entrants recieving an invitation for inclusion in an anthology and other cool prizes.

A third round of Ask the Authors is also in the making for this coming summer and I’m planning an Ask the Authors book to follow, which will include material from all three segments. I already have a cover for the book, created by D.L. Mullen of Sonoran Dawn Studios. I hope to have it out by the end of the year.

WIPs

And of course, you’ll be able to get updates on my other works in progress: The Great Primordial Battle, book one of my science fantasy series, Playground for the Gods; The Homecoming, book two of my western series, Delilah; and my memoir about losing my son to teen suicide, His Name Was Michael. I hope you will all join me in the coming year. 

With that, I’ll just say see you next year.

Until then, happy writing!

Happy New Year

Don’t miss a single post in the coming year. Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.

 

 


Merry Christmas!: Welcoming Children’s Author Robbie Cheadle to the WtbR Team

Robbie Chaedle

Robbie Cheadle is a very creative mother, author and fondant artist, who thinks outside the box to find inventive solutions for life’s difficulties. I first met Robbie through Sonoran Dawn’s Dead Man’s Party Halloween book event, where I did a reading of her short horror story, The Willow Tree, via audio recording for the event. During her takeover, Robbie posted images of her delectable creations to promote her Sir Chocolate book series for children, which she wrote with her son, Michael. She uses these image of her baked creations as cover art and to illustrate the book series. I thought this was incredibly innovative, and I immediately wanted to know more about this woman, and it didn’t take long to decide that I wanted to add her to the WtbR team.

Robbie is my Christmas gift this year, as I’ve been searching for a children’s author to join the Writing to be Read team. So, starting in January, Robbie will be popping in the second Wednesday of each month with her new blog series on writing for children, Growing Bookworms. I can’t wait to see what she has to share with us, so let’s learn more about her.

Kaye: Your Sir Chocolate covers are photos of your own delectable desert creations, which is very creative. Which came first – the baking or the writing?

Robbie: I started with baking and fondant art quite a long time before we wrote the books, but pairing the two was an idea that only came later. I used to write poetry and descriptive passages as a tween and teenager. Emily of New Moon by LM Montgomery was my favourite book when I was a tween. Emily is a poetess in the book and her father is a writer. The book inspired me to write down my thoughts and feelings.

This slideshow requires JavaScript.

Kaye: Would you share the story of your own publishing journey? How did the published works of Robbie Cheadle come to be?

Robbie: I never planned to become a published author when I first started writing the Sir Chocolate stories. My son, Michael, aged 6 years old at the time was having difficulties with learning to read and write. He was diagnosed with an auditory processing problem which made these activities difficult for him. He had the loveliest story ideas about a little man made of chocolate who lived in a land where you could eat anything, even the sand, trees and houses. In order to encourage him to write, I made up rhyming verse stories using his ideas. Together we wrote them down in handmade books.

I have always enjoyed fondant art and sometimes Michael would come and sit with me and make his own version of what I was making. We started making illustrations for the books by taking photographs of our creations. My nieces and nephews enjoyed the Sir Chocolate stories, so I tried them out with my Sunday school class of children. One of my friends at the Church suggested I send the stories and pictures to a friend of hers who is a publisher in the UK. Anne liked the stories and gave us a contract for the Sir Chocolate series of books.

Kaye: You talk about fondant art. I, for one had never heard of this. Could you explain briefly what fondant art is?

Robbie: Fondant is also called sugar dough and is an elastic type of icing, almost like modelling clay. This is the substance that cake bakers use to make figurines, flowers and other edible artworks for cakes. The items in the picture I emailed you are all made of fondant.

Silly Willy

Kaye: You’re the co-author, along with your son Michael of the Sir Chocolate book series for young readers. How did that partnership come about?

Robbie: Between the ages of 6 and about 9 years old, Michael and I continued to make up Sir Chocolate rhyming verse stories from time to time. We would be doing something like visiting an ice cream shop and an idea would come to us. We would then chat about the idea and develop it into a story. Michael has delightful ideas like the chocolate snow and the ice-cream rainbow fairies who feature in Sir Chocolate and the Ice-cream Rainbow Fairies’ story and cookbook which will come out in 2020.

Kaye: What’s the one thing you hope your son takes away from this venture?

Robbie: I always hoped that Michael would become a proficient reader and learn to enjoy books and reading. It is not easy for a child who struggles to learn to read to develop a love of reading. I am very happy to say that this has happened. Michael now reads on his own for about 30 minutes a day. We often read together with me reading my book of the day and him reading his current story. Lately, these are all Rick Riordan books.

Kaye: What ages are the Sir Chocolate series aimed at?

Robbie: The Sir Chocolate books are aimed at young children, aged 3 to 9 years old. They are lovely for beginner readers as they are comprised of rhyming verse.

Kaye: Each book in the Sir Chocolate series features a story and a cookbook. That’s an interesting combination. Would you like to tell us a little more about why you chose to pair the two?

Robbie: Sir Chocolate is a little man made of sweets and sugar. All the characters in the books are made of edible products as well as all the houses, trees, flowers and even the rivers and the rocks. As all the illustrations are made of cake, biscuits and sweets, it seemed natural to provide the recipes to make some of the goodies in the book and make the books into a series of first cookbooks as well as a story.

Kaye: You also write supernatural and horror for adult audiences, and you had two stories published in the recently released horror anthology, Dark Visions. (See my review of Dark Visions here.) Another interesting combination: horror and children’s stories. Is there a story behind how you ended up writing in those two genres?

Robbie and DVRobbie: I entered a short story for children in one of Dan Alatorre’s writing competitions and it won an Honourable Mention. I really liked the critique on my story that I received from Dan so when another competition cropped up a few months later I decided to enter. The topic for that one was horror so I thought I would give it a go. That was when I wrote The Willow Tree. Dan again provided an excellent critique in respect of the story. I entered The Haunting of William into his most recent horror competition in June 2018. That was how I came to write darker stories. I discovered that I enjoyed writing this genre and now I am writing a supernatural/horror YA book. I have just exceeded 50,000 words.

Kaye: I can think of many differences in writing horror and in writing for children, but are there also ways in which they are alike?

Robbie: The Sir Chocolate stories all have a villain ranging from the trolls in Book 1 to the candy stripped Roc in book 5. All stories generally have a heroic character and a bad character so there is a common thread between the two genres. The difference is that in the Sir Chocolate books the “baddie” is generally redeemed and becomes a contributing member of Chocolate Land. In my current book, the evil characters are not redeemed.

Kaye: What is the strangest inspiration for a horror story you’ve ever had?

Robbie: I have just written a horror story about cockroaches which infest a working microwave oven and gain unnatural powers as a result of the microwaves they are subjected to. I think that is about the most unusual story I have written to date but I have only been writing for just over two years and I only started writing horror this year.

Open a New DoorKaye: In addition to writing children’s stories and cookbooks, and adult horror, you write poetry. And you have a poetry collection out with Kim Blades, Open a New Door. What type of poetry can we expect to find in this collection? How did that collaboration come about?

Robbie: Kim Blades and I are both South African poets. Our collection is about life in South Africa and is divided into four sections entitled God bless Africa, God bless my family and friends, God bless me and God bless corporates and work. Each section is divided into poems about the good, the bad and the ugly of our experiences in each of these areas of our lives.

Kaye: What is the most important quality in a poem for you?

Robbie: I like poems that are simply written and have a strong message. I try to write my poems along those lines. I don’t believe a lot of “highbrow” language is necessary in a poem for it to be an emotional and evocative piece of writing.

While the Bombs FellKaye: You have another collaboration with Elsie Haney Eaton, While the Bombs Fell. It’s about life during World War II, which is quite different from the Sir Chocolate stories. What age audience is this book aimed at? Would you like to talk a little about it?

Robbie: Elsie Hancy Eaton is my mother and While the Bombs Fell is a fictionalized account of her early years growing up during WWII in a rural town in England. It features the deprivation caused by bombing and rationing and the other hardships experienced, but it also provides a lot of insight into the small pleasures people enjoyed during the war in the way of a Christmas pudding, the ingredients for which were literally saved up for most of the year, swimming in favourite spots along the river Waverney and learning to knit. The reason this account is fictionalized and not an autobiography is my mother was aged 4 to 7 years during the war and so she can’t remember all the fine details. I supplemented her memories with a lot of my own research.

Kaye: What is the biggest challenge of writing for children?

Robbie: Marketing the books. Indie authors and writers with small publishers find it more difficult to get their books into stores and in front of the eyes of children. Children generally don’t use social Medias and, therefore, we are marketing to the parents and not to the actual child. Impulse buys are fewer as a result. I try to visit schools and Sunday Schools, but my time for these events are limited due to my work requirements.

Kaye: What other activities do you find time for when you’re not baking or writing?

Robbie: I am a qualified chartered accountant with a full time job and two sons. Any recreational time I have that isn’t spent with my family is used for writing, baking and blogging. I have two blogs, one for my children’s books, light poetry, baking and fondant art called robbiespiration.wordpress.com and one for my adult writing and darker poems called robertawrites235681907.wordpress.com.

Thank you so much Robbie for chatting with me here today. It’s been a pleasure, and I’m thrilled to have you on board. I look forward to your Growing Bookworms blog series. I have no doubt that you have some interesting things to share with us.

Welcoming Robbie to the Writing to be Read team is my Christmas present this year, and adding her blog series will be a great way to start out the New Year, too. You can learn more about Robbie and her writing and art one her blogs or click on the links below:

Sir Chocolate book series: https://www.facebook.com/SirChocolateBooks/

Amazon Author page: https://www.amazon.com/Robbie-Cheadle/e/B01N9J62GQ/ref=sr_ntt_srch_lnk_1?qid=1542170868&sr=1-1

Bake & Write: https://bakeandwrite.co.za/author/robbie-cheadle/

Or look her up on social media:

Twitter: @bakeandwrite

Facebook: https://www.facebook.com/robbie.cheadle.7

Instagram: https://www.instagram.com/cheadlerobbie/

I hope all my readers will help me welcome this creative children’s author to the Writing to be Read team and be sure to catch the first segment of her Growing Bookworms series on January 9th.

Want to be sure you don’t miss any of Robbie’s Growing Bookworms segments?  Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


Interview with author Tom Johnson

Tom's Back Cover Picture

Today I have the pleasure of interviewing an old hand in the writing and publishing business, author Tom Johnson. Tom has written stories from a young age. He has been publishing his writing for more than twenty-two years and has over eighty books in publication. He grew up reading comic books and pulp fiction, becoming a collector in adulthood and his stories reflect the fascination that those books held for him. He has also written numerous nonfiction books and is currently involved in writing children’s stories. Please help me welcome Tom Johnson.

Kaye: Hi Tom. Although in the past, you’ve written and published many different genres, you are currently writing only children’s stories. So, let’s talk about that. Tell me a little about your stories.

Tom: My children stories are about 1k and meant as bedtime tales, and to be read in classroom or library settings. They are short stories with little morals to teach children something about life.

Kaye: Are they a series or stand alone?

Tom: They are a series, and published in anthologies about once a year. There have been four anthologies so far. I was invited to participate beginning in volume  #3. The anthology is called Wire Dog Storybook. Here is the background. True story. A young girl, Ellen Walters, asked her father, David Walters, if she could have a dog, and he said, “No.” So she found an old wire hanger and shaped it to resemble a dog, and called it wire dog. David Walters was fascinated by her ingenuity and created the Wire Dog Storybooks. So the stories usually feature Ellen and Wire Dog, but always Wire Dog. Five of my stories have been published so far, and I’ve written three more for the 2018 yearbook when it comes out at the end of the year.

Kaye: What age group are they aimed at?

Tom: I feel that we should begin reading to our children by age one. With that in mind, my stories are aimed at the age group of 1 to 5. However, older children will enjoy the stories, as do adults.

To get a better idea of what Tom’s children’s stories are like, you can get a free copy of one here. They are short and can be read in only a few minutes.: Wire Dog Has An Ugly Mood Day Or The House of 1000 Mirrors https://wiredogstories.com/2016/01/19/story-40-wire-dog-has-an-ugly-mood-day/

Kaye: What differences do you see between writing for children and writing adult fiction?

Tom: Adult fiction usually means, “no holds barred”, while writing children stories you want to stay away from violence, horror, and adult themes. Keep in mind, young children absorb what they hear quickly, and some themes could have an adverse effect on young minds. When writing for children we must keep this in mind.

Kaye: What appeals to you about writing for children?

Tom: Do you remember the old radio show for kids, Let’s Pretend ? It produced shows for children that acted out fairy tales and light adventures – nothing as harsh as today’s cartoons that are aimed at our youth. Well, I have the chance to import my love for adventure in tales easily understood by young people; children who some day may also experience that same love to pass on to their children. Stories that give our children a moral to live by, not “It’s clobbering time!” Or Pow! Bang! Boom! It’s something my mother did for me when I was little, and now I have the same opportunity, and I’m not going to pass it up.

You can get the Wire Dog books here:

Wire Dog Storybook #3 http://www.lulu.com/shop/david-clyde-walters/wire-dog-storybook-3-in-full-color/paperback/product-22554849.html

Wire Dog Storybook #4 http://www.lulu.com/shop/david-clyde-walters/wire-dog-storybook-4-in-color/paperback/product-23424745.html

Kaye: You have wanted to write for children since you were little and your mother used to read to you.

Tom: Oh, yes. I hope that mothers are still reading to their children. They learn at such a young age, and we’re missing an opportunity if we fail them when they’re young. They will never forget what they learn as children, it’s when their minds are growing and grasping at everything. I think one of the first words they learn is, “Why?”

Kaye: What were your favorite children’s stories?

Tom: Really, I would have to look them up in the book of fairy tales on my shelf. There were so many she read to me. Knights saving young damsels come to mind. I remember one particular fairy tale where the princess was on a glass mountain, and the young knight had to save her. She watched each day as a knight riding brown horse attempts to scale the glass mountain, then a knight on a white horse, and so on, until the final day when a knight riding a great steed scales the mountain, and we find out that he was the knight on the brown horse, the white horse, etc. It wasn’t the color of the horse, but the persistence of the knight that finally achieved the goal.

Kaye: In what ways do the stories you write emulate those favorites from your childhood?

Tom: Like the fairy tale I mentioned above, my stories will also have a similar moral – it’s not the color of the horse, or the knight’s armor, but his persistence that wins the hand of the princess. Do the right thing, for the right reason. Persevere. If you don’t succeed today, try and try again.

Kaye: You have written since you were a young man, for fifty some years, and you had your own small press for many years. Always, your life seems to have writing at the center of it. Looking back on your life, what does writing mean to you?

Tom: I think writing was always an escape to other worlds, other realms, and other dimensions. We could be anyone we wanted, go anywhere we wished, and experience great adventures. We create those worlds and people we want in them, and our heroes and heroines are who we want to be, or the friends we want beside us. We choose those things that mean the most to us. Whether we’re a cowboy or cowgirl, Conan or Xena, we bring the characters to life. That’s what writing means to me, to give life to my characters.

Kaye: How do you see the rise of digital publishing affecting authors of today?

Tom: Publishing has never been easier. When we were publishing the small press magazines, it was hands on. We did every aspect of the business, from reading, approving or rejecting, editing, set up and printing, then mailing to subscribers and bookstores that carried our magazines. Today we have Lulu and Amazon for all that. We just write, they publish. Anyone can be a writer or publisher now.

These Alien SkiesKaye: What is the strangest inspiration for a story you’ve ever had?

Tom: I had a dream one night. A young boy was in the woods dying when a strange being found him and comforted him as he passed. The strange being was an alien and I saw the saucer-shaped craft behind him. When I woke the dream stayed with me. Did the alien kill the boy? Why was the alien there? What was the boy doing in the woods? It wouldn’t let go of me. I wrote What Goes There from that dream. The boy was dying from snakebite and the alien took his pain from him so he could pass more easily. Then I made a mystery with the plot. The story is part of my book, These Alien Skies.

Kaye: Is there anything unique or unusual about your writing process?

Tom: When I write, I don’t want to be disturbed. No music, no background noise at all. My work computer is in my bedroom. I close my door from all outside communication, telephone, wife, neighbors, etc. I have to be alone when I write.

Kaye: You’ve written over eighty books in many different genres over the course of your career. Which of your books would you say are your favorites? Why?

Guns of the Black GhostTom: If we’re speaking of my fiction stories I would probably say my favorite is Guns of The Black Ghost, as it is my homage to Walter Gibson and his character The Shadow (remember him). The Shadow was one of my favorite radio dramas as a kid, and I met the creator of the character, Walter Gibson, in the mid-1970s and we were friends until his passing. I always wanted to write a Shadow novel, but copyright protection kept me from it, thus my own character, The Black Ghost came into being.

However, my non-fiction research books are probably my best sellers. I’ve written over half a dozen of them. A lot of work went into them. A lot of reading and studying, and I think it paid off, as fans have all bought the huge books for the data. These are books that don’t get thrown away, but have a special place on their bookshelves.

Kaye: So, tell us a little about your nofiction books. What is the subject matter and how did you come to write them?

Tom: As a pulp collector it was natural for me to become a historian. I had completed runs in many of the lead characters, thus had the opportunity to study the novels for research, identifying authors, plots, etc. At the time I was writing fiction and Introductions for ALTUS PRESS books, and the publisher wanted my research put into books. Some of those series were Secret Agent X Companion, Operator #5 Companion (History of The Purple Wars), The Phantom Detective Companion, The Black Bat Companion, Dan Fowler’s G-Men Companion, and Echoes 30. Several ran for twenty years, and 171 issues. Some not so long, but just as popular to the fan and collectors today. There may be others, my mind is slipping, but these were the big volumes. They covered the complete pulp series of each title. Echoes 30 covered conventions, pulp books, authors, artists, and publishers. All are in demand and have been good sellers.

 

Kaye: Are you a plotter or a pantser? Why?

Tom: I’m a pantser. I never could understand why you needed to write a fifty-page plot outline, just write the darn book. Once the words start flowing you don’t want them to stop. And they will, if you’re outlining.

Kaye: What do you think is the single most important element in a story?

Tom: Characterization. Make your characters come alive. You want readers to connect to them, feel for them, and be drawn to them. The plot will work itself out, but if your characters aren’t real I don’t care how much of a plot you have, it will bomb.

Kaye: If writing suddenly made you rich and famous, what would you do?

Tom: I don’t know that I would want to be rich and famous. What would be next? I want to always be reaching, always trying to entertain. If I set my goal for rich and famous I might forget about the entertainment and pleasure we get from writing. If I entertain one person, then I am already rich. Besides, we already have money, and fame is fleeting at best.

Kaye: What’s the best piece of advice you were ever given?

Tom: Write what you know. I’ve read a lot of books where the author is writing about something s/he knows nothing about, and it shows. I know information is at the tip of one’s fingers today, but if you haven’t truly experienced something you will come off as unbelievable if you try to write about the subject.

I want to thank Tom for joining us today on Writing to be Read and offering up some really great answers to my questions. I have really enjoyed having him. If you’d like to learn more about Tom Johnson or his books you can check out his website or his Amazon Author Page.

 

Like this post? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.


“The Day My Fart Followed Santa Up The Chimney”: A Unique Children’s Christmas Story

(No Cover Photo Available)

Most kids dream of hitching a ride in Santa’s sleigh at one time or another. In The Day My Fart Followed Santa Up The Chimney by Ben Jackson and Sam Lawrence, Timmy doesn’t get a ride, but his little fart does. Timmy’s Fart is a cute little green guy, kind of a cross between a Smurf and a chubby baby dragon.

The Day My Fart Followed Santa Up The Chimney is a delightful children’s picture book, which explores the magic of Christmas and takes Little Fart on a great adventure. It wasn’t what I expected, (I expected a lot of fart humor from the title), but I was pleasantly surprised. I give it four quills.

Four Quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“White Dragon’s Chosen”: a Fun Read

White Dragon's Chosen

White Dragon’s Chosen, by Gary J. Davies is a children’s fantasy that takes readers to a world where dragons and elves and trolls and fairies exist, and magic abounds. They travel between our world and their own world of Narma through portals, and two kids, George and Mary, are the champions who lead the battle to save both worlds, together with their dragon counterparts.

When you are dragon’s chosen, you share thoughts and have the same abilities that they do. How cool is that? When Harry’s uncle dies, Harry discovers that he is special. He’s the White Dragon’s Chosen, and his next door neighbor, Mary is the Chosen of the Dragon Jewel. But he also learns that there is a bad evil about that threatens to destroy both Earth and Narma, and it’s up to he and Mary, with their dragons, to save both worlds. It’s a tale every kid will enjoy.

For me though, I found a few problems, the least of which, was the numerous typos and missed words. As far as the crafting of the story goes, there was a lot of telling, rather than showing, which may have related to my inability to suspend disbelief on this one. Davies failed to put me in the scene and convince me that this could be possible, at least in his world.

Although White Dragon’s Chosen had a few glitches as far as craft goes, I’ve no doubt kids will love it. It’s a cute little fantasy, that I give three quills.

Three Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Horror 101: The Way Forward” Offers Good Advice for Authors and Screenwriters

horror-101

This is the longest book review I have ever written. This book was so packed full of useful information for rising authors and screenwriters that I felt I needed to cover it all. If you are an upcoming horror author or screenwriter, trying to figure out how to get a foot in the door or where to start in the matter of launching your career, Horror 101: The Way Forward offers “career advice by seasoned professionals”. Different writers will find different essays useful, so I’m giving you a rundown on all the informative essays included.

Compiled by Crystal Lake Publishing, this collection of essays has something for every writer. The anthology features quotes from the masters such as Stephen King, Ray Bradbury, Isaac Asimov,  J.R.R. Tolkien, Jack London, Clive Barker, H.P.Lovecraft, Edgar Allen Poe and many others. Advice from professional writers and editors covers all aspects of the horror writing business, and the business of writing, in general. From submitting your work, to marketing and promotion, to self-publishing and building your writing business, to crafting your work and the writing process.

The answers to many questions on the topic of submissions and all other aspects of writing as a business are found within its pages. Not getting positive response from your queries? First read Rejection Letters – How to Write and Respond to Them by award winning author Jason Bark, which offers an attempt to write a rejection letter that doesn’t sting, (at least, not so much). Then, flip to Seven Signs that Make Agents and Editors say “Yes!” to learn what agents and editors look for. Buttoning Up Before Dinner by horror author Gary Fry also offers advice to put you in the good graces of publishers and editors and create well-written stories.

Unsure how to submit your work? Submitting Your Work: Read the F*****g Guidelines by freelance writer and editor John Kenny offers tips for making a professional submission from an editor’s perspective. And What a Short Story Editor Does by horror, fantasy and science fiction editor Ellen Dallow explains the responsibilities of short story editor.

Looking for sound career advice? Be the Writer You Want to Be by television writer and novelist, Steven Savile recycles the best writing advice the author was ever given. The Five Laws of Arzen by award winning dark fiction author Michael A. Arzen offers hints to help you survive a writing career. How to Fail as an Artist in Ten Easy Steps: A Rough List Off the Top of My Head, by Confirmed Failure… by horror author John Palisano provides a reverse list of things you should do to be a successful writer.

Wondering if you need an agent to get your work in front of editors and publishers? Do You Need an Agent? by author Eric S. Brown is a discussion about the need, (or not), for an agent and relates the personal experience of how the author became successful without one. Also included are essays on building your writing business in Balancing Art and Commerce by author and screenwriter Taylor Grant , offering a look at various mediums one can write in and earn a living & advice in the business of writing. There are even essays offered on the lucrative business of ghostwriting, with a personal experience as a ghostwriter shared by dark fiction author Blaze McRob, and Ghostwriting: You Can’t Write it if You Can’t See It by award winning author Thomas Smith instructs on how to step into the author’s shoes and write like them.

If you are hoping to find some help muddling through the vast world of marketing and promotion, The Year After Publication by horror & thriller novelist Rena Mason offers an account of what to expect once you publish your first book and a walk through the exhaustive process of book marketing. How to be Your Own Agent, Whether You Have One or Not by horror writer, editor and publisher Joe Mynhardt offers tips for marketing your stories and yourself.  Reviewing by founder of Ginger Nuts of Horror, (one of the most viewed resources in horror fiction), Jim McLeod discusses getting your book in the review pile & what the writer should do while awaiting publication of the review.

If you’ve  not attended a conference or convention before, Pitch to Impress: How to Stand Out From the Convention Crowd by editor R.J. Cavender provides a guide to making a pitch that will snag agents’ and publishers’ attention. Tips for networking at conferences are offered by dark fiction author Tim Waggoner in You Better (Net)Work, and Networking at Conventions by Bram Stoker Award winning author Lucy A. Synder offers a look at the benefits conventions have to offer and a breakdown on some of the major ones for horror writers.

There is a plethora of advice offered on publishing, including a comparison of traditional publishing vs. digital publishing in Weighing Up Traditional Publishing and Ebook Publishing by award winning author Robert W. Walker; Publishing by editor and publisher Simon Marshall-Jones compares publishing in the digital arena with the way it was done in the past & how to become an independent publisher; and Glenn Rolle Toes the Line with Samhain Horror Head Hancho, Don D. Auria by Glenn Rolle with Interview that maps Auria’s rise to the top.

The arena of self-publishing is also explored in Make Your Own Dreams by horror and suspense novelist Iain Rob Wright. Besides being a plug for self-publishing’s evening of the playing table. It relates personal experience and advice for self-publishing, walking us through the self-publishing process. Self-Publishing: Thumb on the Button by author Kenneth W. Cain gives a list of things to think about before you choose to self-publish.

Also included are essays on the different mediums for horror: Poetry and Horror by Blaze McRob, and Horror for Kids: Not Child’s Play by novelist Francois Bloemhof offers guidelines for writing horror for youth. Several essays on comics and screenwriting, (one of the biggest outlets of horror today), are also included.

Horror Comics – How to Write Gory Scripts for Gruesome Artists by novelist Jasper Bark discusses the craft of writing horror comics and the relationship between writer and artist. Some Thoughts on My Meandering Within the World of Dark and Horror Art by artist Niall Parkinson offers thoughts on creating dark and horror art. So You Want to Write Comic Books… by novelist C.E.L. Welsh discusses what goes into the making of a comic book.

From Pros to Scripts by author and screenwriter Shane McKenzie talks about the many challenges of screenwriting. Writing about Films and For Film by award winning writer, editor and screenwriter Paul Kane gives the story of the author’s rise to success and tips for learning the lingo of the business. Screamplays! Writing the Horror Film by award winning author and screenwriter Lisa Morton offers the basics of screenwriting, description and dialog, and tips for getting your screenplay made into a movie. Screenplay Writing: The First Cut is the Deepest by author, director and editor Dean M. Dinkel recaps of the author’s experience at the Cannes Film Festival.

Essays on writing a digital world include Running a Webserial, or How to Lose Your Mind, One Week at a Time by Southern author Tonia Brown, providing a brief history of serials and a rundown of what goes into running one on the web; Friendship, Writing, and the Internet by Bram Stoker Award winning novelist Weston Ochse with reflections on online connections with like-minded writers, and Audiobooks: Your Words to Their Ears by horror novelist Chet Williamson discusses what it takes to create and audiobook and what to expect from the effort.

Of course, there is also plenty of advice on crafting a quality story. What is Horror? by author and novelist Graham Masterson offers general writing advice which could be applied to any genre and instructs on how to push your writing to the edge. The Journey of “Rudy Jenkins Buries His Fears” by author Richard Thomas takes us on a walk through of the writing, editing and submissions process of a story. Writing Short Fiction by horror and thriller novelist Joan De La Haye offers tips to tighten your writing and move the story forward, and discusses where to look to sell your story and how to choose where to submit. Ten Short Story Endings to Avoid by Scottish horror novelist William Meikle supplies a valuable list, if you want to avoid having readers feel cheated. From Reader to Writer: Finding Inspiration by publishing and editing consultant Emma Audsley  offers advise for attacking the blank page. Writing Exercises by horror writer Ben Eads  provides exercises in description and dialogue. Writer’s Block by short fiction writer and novelist Mark West discusses how to keep the creative juices flowing. Editing and revision are covered with Editing and Proofreading by author and editor Diane Parking presents good reasons not to send out a first draft, and How to Dismember Your Darlings – Editing Your Own Work by Jasper Bark gives a brief guide on how to self-edit.

A few essays outline the needs of a writer and suggestions on how to meet them. Filthy Habits – Writing and Routine by Jasper Bark  offers a look at the benefits of creating a daily writing routine. A Room of One’s Own – the Lonely Path of a Writer by horror and fantasy writer V. H. Leslie discusses the need for solitude and space to write in. Writing Aloud by screenwriter and author Lawrence Santoro outlines the benefits of reading aloud as a part of the writing process.

Also included are Partners in the Fantastic: The Pros and Cons of Collaborations by novelist Michael McCarty, which looks at the views of various authors on collaborations, and Writing the Series by series author Armand Rosamilia, which explains why Rosamilia writes series.

Several essays offer advice specific to writing in the horror genre. Making Contact by award winning novelist Jack Ketchum discusses how to turn what you know into a horror show. Bitten by the Horror Bug by horror author and screenwriter Edward Lee looks at what motivates us to write horror. Reader Beware by author Siobhan McKinney explores the role fear plays in horror. Bringing the Zombie to Life by author Harry Shannon maps out four components of a good zombie story. The Horror Writers’ Association – The Genres Essential Ingredient by author and President of the Horror Writers’ Association (HWA), Rocky Wood gives  a rundown on the HWA

What’s the Matter With Splatter? by horror writer and Vice-President of the AHWA, Daniel I. Russell discusses the use of blood, gore and splatter in horror fiction or screenwriting, gives tips on how to use it to gain the desired effect, and discusses why some gore doesn’t get a second thought. Avoiding What’s Been Done to Death by British horror writer Ramsay Campbell defines good horror fiction & emphasizes originality. The (Extremely) Short Guide to Writing Horror by dark fiction author Tim Waggoner offers an introduction to writing horror, including techniques and brief definitions, and a list of good resources for horror writers. Growing Ideas by horror writer Gary McMahon offers a look into the author’s writing process. Writing Horror: 12 Tips on Making a Career of It by horror novelist Steve Rasnic Tem instructs on building your own writer’s toolbox and advice for entering the profession of writing horror. The Cheesy Trunk of Horror by international best selling author Scott Nicholson provides a look at both writer and reader perspectives on horror and dark fiction. Class: Vaginas in Horror by science fiction, urban fantasy and horror novelist Theresa Derwin offers an overview of women in the horror industry. And the afterward by Crystal Lake Publishing’s editor, Joe Mynhardt, includes his own advice for writing horror.

Horror 101: The Way Forward is based on the sound advice of seasoned professionals that is useful to horror writers in any stage of their careers. I recommend it with four quills for anyone who wants to write horror in either fiction or screenwriting.

Four Quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.