The Many Faces of Poetry: Where Does Poetry Come From?

The Many Faces of Poetry 2

Where Does Poetry Come From?

I keep inquiring into the nature of poetry: where does it come from? It’s a question that opens a lot of introspection into the nature of literature itself. Poetry is the ultimate ancestor of literature. There was the spoken word, the saga, told around fires surrounded by rapt listeners. Poetry came from the telling of heroic stories. Beowulf, the Eddas, the Greek epics, the Chaldean cycles. We’ve come a long way from the spoken word, the recitals that spawned the invention of text itself. People cared enough about the preservation of their cultural history that they made the effort to write it down. Ancient stories survived the eons, so that we still have them, we still can read The Odyssey or learn about the trials of Gilgamesh. In truth these long recitals are almost unbearable in the real world but they are like artifacts in museums. We have them. We can reach into their labyrinths and return with answers to questions that we must always ask. Why are we here? What are we doing?

Poetry is the literary equivalent of cave drawing. Mankind, many thousands of years ago, felt the impulse to make an artistic statement, whether it be for a ritual gathering of game animals or to praise the gods for their benevolence. We are still, when we write poetry, drawing on cave walls. We are traveling backward in time to re-enact the original creative impulse. What came first, I wonder? Did poetic recitation pre-date the drawing on cave walls. Or did they come at the same time? I wonder what anthropologist will research that question and tell us about the history of art. All of this speculation is to invoke the origin of Art itself. Poetry has changed with the human race. We are not the same people who told and re-told The Odyssey. We are modern people with a modern poetry, a poetry that has become more free as we re-invent the structures of literature.

We must ask another important question, one that I will address in a later essay. What does poetry do? We must break this down into two parts. What does it do for the poet? What does it do for its audience?

The poet writes to express his or her state of being. It may be emotional, intellectual or both. A poet, however, usually needs fire to lure an audience, so poetry begins in the emotions, where the fire lives. There are three things that literature needs to provide in order to attract an audience: information, inspiration, and entertainment. Who will listen to poetry if it’s not entertaining? Many are the yawns I’ve seen at poetry readings, glances at the wristwatch, restless fidgeting. Entertain us, poet! Or go home, get off the stage.

I’m rushed this month. We’re moving into a house, a beautiful house!


A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good.  His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv


Want to be sure not to miss any of Art’s The Many Faces of Poetry segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you find it interesting, please share.


We’re Sleuthing Out Mysteries in August

Mystery

What comes to your mind when someone says mystery? For me, I think of Agatha Christie, the queen of cozies, or maybe the Sherlock Holmes of Arthur Conan Doyle stories. The first murder mystery is said to be written by Edgar Allen Poe, The Murder in the Rue Morgue. But the mystery genre overflowed into the crime fiction genre, and cozy mysteries featuring amateur sleuths who put the puzzle pieces together in an unofficial capacity began to take center stage in the mystery genre.

This month I’ve been learning right along with you. As a youth, I lavished in the cozy amateur sleuth mysteries of Nancy Drew and The Hardy Boys. In my teens, I was fascinated and maybe a little haunted by The Hound of the Baskervilles with its hints of paranormal. As I grew older, I found that I enjoyed the Dr. Allen Gregory series, by Stephen White, and the Alex Delaware series, by Jonathan Kellerman,  which are cozies with a touch of psychological thriller to them, but by that time, Stephen King had already stolen my heart as favorite author and I was veering more toward horror, so admittedly my experience and knowledge in the mystery genre is limited although much of what I read has some kind of mystery element to it. My one attempt at writing it resulted in my paranormal mystery novella, Hidden Secrets, which you can get free when you sign up for my newsletter.

When we come across a mystery, there’s something in the human mind that just won’t let us let go of unanswered questions, so we automatically start trying to put the pieces together to bring a conclusion that makes some resemblance of sense. We can’t seem to help ourselves. So it shouldn’t be surprising that Agatha Christie is the number one all time best selling author in history. I mean, who doesn’t love a good whodunit or locked room mystery?

However, as with all genres, this one has changed with the times. Contemporary mysteries include detective novels that cross over into the crime fiction realm, such as the Carson Reno Mysteries of Gerald Darnell, suspense mysteries such as those of  my “Chatting with the Pros” author guest, Gilly Macmillan, murder mysteries like Murder on the Horizon, by M.L. Rowland that take us into the world of search and rescue, and paranormal mysteries like Broomsticks and Burials, by Lily Webb, that lead us into the world of fantasy or folklore. We even find mysteries in short fiction form, as are found in the murder mystery anthology Death Among Us. Mysteries today seem to delve into the realms of other genres or sub-genres, creating an interesting mix of stories. The cozy is alive and well, but it is found in a vast array of variations that weren’t available in the days of yore.

August has been an educational and entertaining adventure into the world of the mystery genre. I hope you’ll join me next month too as I delve into Christian fiction when my “Chatting with the Pros” author guest will be Christian inspirational author Angela Hunt, and I will also be interviewing murder mystery author Gerald Darnell. My Christian fiction book reviews will include two Christian romances in the Thanksgiving & Blessings collection, Texas Tears, by Caryl MacAdoo, and Mail-Order Misfire, by Davalynn Spencer. It looks to be a good line-up and I’m excited to be moving into September with this exploration of the Christian fiction genre. Until then, happy writing!


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress.


Chatting with the Pros: Interview with bestselling mystery author Gilly Macmillon

chatting with the pros

My “Chatting with the Pros” author guest this month is a New York Times bestselling mystery author with books translated in over twenty languages. Her success as a writer may have come as a surprise, but I’ll let her tell you about that. She currently has five published mystery/suspense novels, and is working on the sixth, I believe. Let’s see what she has to say on the writing of mysteries. Please help me welcome UK author Gilly Macmillan.

 

© Céline Nieszawer/Leextra

© Céline Nieszawer/Leextra


Kaye: Can you tell me about your author’s journey? How did you get to where you are today?

Gilly: I started to write when I was over 40 and I challenged myself to do 1000 words a day until I had finished an entire book. I faithfully recorded my word count each day until it was done. I polished the first three chapters and send them to a few agents. Two rejections followed swiftly, one agent didn’t reply but the fourth one I sent it to was interested enough to offer me representation. She and I worked on the book together for a year before she submitted it to publishers, and we were lucky enough to sell it very rapidly and in over 20 territories! The rest has followed from there. I write a book a year and try to keep things fresh, compelling and thrilling for myself and my readers.

Kaye: When did you know that you wanted to be an author?

Gilly: For many years I didn’t have a burning desire to write, I think because I was busy doing other things and life got in the way, but once my youngest son started school full time I wanted to see if I could challenge myself to write a novel. The idea sort of came out of the blue but perhaps it wasn’t that surprising because at that point I had been an obsessive reader for 35 years. I had a small window of opportunity before having to get a proper job, so I took it.

Kaye: Why do you write mystery? Why not romance, or western, or horror?

Gilly: I read very widely, but mystery books have always been a favorite, so I write what I would like to read.

Kaye: What element do you think is the most important in a mystery story? Why?

Gilly: That it creates an impulse in the reader to turn pages. This can come from great characters, a thrilling set up, tons of action or an intriguing plot, but it must be there.

Kaye: What is one thing your readers would never guess about you?

Gilly: I have no idea! I’m a fairly straightforward person so there’s probably not much they couldn’t guess.

Kaye: (So, there’s no mystery to the mystery author? Hmmm.) What is the biggest challenge in writing mystery for you? Why?

Gilly: Plot. I don’t plan ahead when I write and creating a well-paced, complex and intriguing plot is always my biggest challenge, especially as I like to keep things within the realms of believability.

Kaye: What is the most fun part of writing mystery? Why?

Gilly: I love creating new characters and devising a challenging scenario for them. It intrigues me to explore how ‘regular’ people might behave if placed in extreme situations and pushed to their limits.

Kaye: Your most recent release is The Nanny. What can you tell me about it?

81ul8HE96pL.SR160,240_BG243,243,243Gilly: When her beloved nanny, Hannah, left without a trace in the summer of 1988, seven-year-old Jocelyn Holt was devastated. Haunted by the loss, Jo grew up bitter and distant, and eventually left her parents and Lake Hall, their faded aristocratic home, behind.

Thirty years later, Jo returns to the house and is forced to confront her troubled relationship with her mother. But when human remains are accidentally uncovered in a lake on the estate, Jo begins to question everything she thought she knew.

Then an unexpected visitor knocks on the door and Jo’s world is destroyed again. Desperate to piece together the gaping holes in her memory, Jo must uncover who her nanny really was, why she left, and if she can trust her own mother…

Kaye: What is your biggest accomplishment to date in your writing career?

Gilly: Making bestsellers lists! It’s a dream come true!!

Kaye: Of all of your books, which one is your favorite? Why?

What She KnewGilly: I love them all for different reasons, but I think my favorite is my debut, What She Knew, because that was the book that launched my career and I put a lot of heart into it.

Kaye: How do you keep tension and suspense in your stories, so that readers will keep the pages turning?

Gilly: I work hard to come up with characters that I hope will be relatable and intriguing and then place them in a compelling situation, which subsequently evolves in a threatening, challenging or terrifying way. At the end of every day of work, I ask myself: will this turn pages? If the answer is ‘no’, I start over and do it again until I’m happy that both tension and suspense are maximised.

Kaye: Is there a common theme running through your books?

Gilly: I like to take a person or people who are in a relatable situation and make something very dramatic or difficult happen to them. A mother with a missing child, for example, or a teenager who has made a fatal mistake in her past which threatens to derail the new life her mother has carefully reconstructed for her, or perhaps a little girl whose nanny disappeared overnight without trace or explanation and reappears thirty years later in very mysterious circumstances. I love to explore dynamics within families, especially the parent child bond.

Kaye: What are you working on now? What is next for Gilly Macmillan?

Gilly: I’m working on a novel that feels like a journey into psychological horror. The main character is a female crime writer. That’s about all I can say for now!


I want to thank Gilly for sharing her craft today. I think it is fascinating that she can plot as she writes. When I try and do that, I find myself exploring avenues that lead to dead ends and have to backtrack a lot. You can learn more about Gilly Macmillan and her books on her website and Amazon Author page.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.


“Murder on the Horizon”: A classic cozy in a contemporary setting

Murder on the Horizon

Murder on the Horizon, by M.L. Rowland is a cleverly crafted murder mystery set in a rural resort town 100 miles east of L.A. For Grace Kinkaid, aiding in an evidence search out in the blazing desert sun is all in a day’s work. But when the Timber Creek Search and Rescue Team turns up a pair of severed hands, her view of her rural resort town and the surrounding area is about to change. Her curiosity and circumstance lead her toward the answers, and she won’t stop until she learns the truth, even when she herself becomes a target.

I truly enjoyed this story. Rowland made me feel as though I knew Gracie and her friends, and she drew me into the story, causing me to keep the pages turning. In addition to being a good mystery, it addresses social issues such as prejudice and bigotry which are so prominent in today’s world. I give Murder on the Horizon five quills.

five-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Interview with mystery author Gerald Darnell

GD

My guest today has made a career from a single mystery series. He must be doing something right. His Carson Reno Mystery series consists of 18 books and still going strong. He was awarded the 2016 Indie Author Crime Master “Best Thriller/Suspense/Murder Mystery Author” for book 18, Lack of Candor. Let’s find out how he’s done it. Please help me welcome mystery author Gerald W. Darnell.


Kaye: Can you tell me about your author’s journey? How did you get where you are today as a writer?

Gerald: I began writing in college, but nothing serious. After college I published a couple of articles for outdoor magazines and then joined the working world.  I retired after 30 years in the computer industry and wrote my first non-fiction book (which I had been working on for about 15 of those years). It is mostly a bio about my life Don’t Wake Me Until It’s Time to Go. My Carson Reno series started after that – and 18 books later…here we are.

Kaye: What do you like to do when you’re not writing?

Gerald: Anything outdoors. I have a boat, and when I’m not riding I’ll be fishing.

Kaye: You describe what you write as “Fiction for Fun”. Can you clarify for my readers just what you mean by that?

Gerald: Sure. I use real places with semi-real characters (reflections of my friends or people I know) and tell a story that didn’t happen – but could have.

CR logo

Kaye: In your Carson Reno Mystery series each book is a stand-alone mystery, yet you claim they have character continuity across novels. How do you accomplish that?

Gerald: While the core characters might grow (as my writing grows) they change very little from book to book.  And each new book has enough new characters to keep any reader’s attention.

Kaye: Your latest book, Lack of Candor, received the 2016 Indie Author Crime Master award for best author in thriller/mystery/suspense category. Can you tell me a little about that book?

Lack of CandorGerald: It is set in 1962 with most of the story taking place in and around Memphis, Tennessee. A Sergeant with the Memphis Police Department is found dead only hours before his scheduled testimony before a grand jury. Was it suicide or was it murder? What was he going to testify about? A handwritten note left by the Sergeant and addressed to the District Attorney disappears. What was in the note? Was it a suicide note with information regarding his pending testimony or something else? A woman claiming to have information related to his planned testimony comes forward and seeks protection.
Carson is hired to look into the matter and provide protection to the mysterious woman, but protection from whom? The situation gets out of hand quickly, and Carson finds himself in trouble with most everybody involved. A dark cloud hangs over the truth, as he tries to determine the ‘good-guys’ from the ‘bad-guys’ from the ‘bad good – guys’.
This old fashion crime story takes Carson Reno and his crew on a complicated adventure, where it seems that no one is looking for a solution.

Kaye: What is the biggest challenge in writing mystery for you? Why?

Gerald: My time period (early 60’s) has its own challenge. Limited transportation, no cell phones, no CSI type of stuff to solve these crimes. Old black and white solutions to whatever Carson is involved in.

Kaye: What is the best part of writing mystery for you? Why?

Gerald: I’ll answer that by referring to what I tell other writers or wanna’be writers. Don’t write to get rich, but to enrich others.

Kaye: What time of day do you like to do your writing? Why?

Gerald: No particular time, but I prefer the evenings with a little ‘libation’ for inspiration.

Kaye: How do you decide on your titles? Where does this come in the writing process?

Gerald: Titles are always first and I have NO idea where they come from. My friends constantly ask the same question – wish I had a catchy answer.

Kaye: Of all of your books, which one is your personal favorite? Why?

Gerald: I have two and they are my most popular and best sellers – ‘Dead End’ and ‘Murder and More’.  I like the stories and I guess my readers do too.

 

 

Kaye: Many of the events in your stories are inspired by real life events. What was the strangest or most unusual inspiration you’ve ever had for a story?

Gerald: ‘Dead End’ involves a chase scene in a rural Arkansas area where I spent many years when I was younger. The snow, the dirt roads, the mud, the outdoor part of me enjoys that.

Kaye: There are 18 Carson Reno books, one book in your Jack Sloan series: Concrete Jungle, in addition to your autobiographical book, Don’t Wake Me Until It’s Time To Go. So, is Carson Reno on the way out and Jack Sloan on the way in? Or is there more Carson in the future?

Gerald: More Carson and maybe a little more Jack.  A work in progress.

Kaye: What are you working on now? What is next for Gerald W. Darnell?

Gerald: ‘The Disappearance of Robin Murat’ and it will be out before the end of this year (I hope).  No spoilers, but a big part of the story takes place in New Orleans – one of my favorite cities. A great place for mystery and ‘bad-guys’.


I want to thank Gerald for chatting with me today and sharing his experiences and advice. You can learn more about Gerald Darnell and his books at the links below.

Website: www.geraldwdarnell.com/

Amazon Author page: https://www.amazon.com/gp/product/B07NQRPXMW/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i5

Goodreads Author page: https://www.goodreads.com/author/show/4521276.Gerald_W_Darnell

Lulu.com Spotlight: http://www.lulu.com/spotlight/geralddarnell

LinkedIn: https://www.linkedin.com/in/geralddarnell


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress.


“Broomsticks and Burials”: A paranormal cozy that’s fun to read

Broomsticks and Burials

Broomsticks and Burials, by Lily Webb, is a paranormal mystery cozy and a really fun read. Once you buy in to a magic place that only those with paranormal talents can see, the rest comes easy.

Zoe Clarke is an out of work journalist, and when she gets an offer to work on the newspaper in Moon Grove, she can hardly refuse, even though it requires her to pull up stakes and move to a town she’s never even seen on a map. Right away she notices something different about Moon Grove. Maybe it’s the anchorman who transforms from a wolf to show her around that tips her off, but she worries she may not be right for the job. After all, she has no paranormal talents, so she shouldn’t even be able to see Moon Grove. Or does she?

When she finds that her predecessor was murdered, creating the opening for her, she starts looking into the mysterious circumstances even though several people warn her off, a broken broomstick at the scene her only clue. But, once she gets started, the plot thickens and she just can’t stop until the mystery is solved and she’s discovered that she belongs in Moon Grove more than she ever could have imagined.

Broomsticks and Burials is a light-hearted cozy mystery that’s fun to read. I give it four quills.

four-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Death Among Us”: A collection of short fiction mysteries

Death Among Us

Death Among Us – An Anthology of Murder Mystery Short Stories, compiled and edited by Stephen Bentley is a curious collection of stories, indeed. As I’ve mentioned before, the problem with short fiction lies in telling a complete story in a condensed form, with beginning, middle and end, and it’s one of my peeves when I walk away from a short story and it doesn’t feel complete, or it feels as if it ended too abruptly, as if the author was in a hurry to wrap things up. Some of the stories in this collection are like that, and some were more telling than showing. A few I didn’t feel really fell into the category of murder mystery at all, but for the most part each one kept me engaged despite all that. (That’s another thing about short fiction; you don’t have to keep your reader engaged for a long period of time, but that also means that you have less time to hook them and reel them in.) And there were some stories in this collection, which I’ll talk about in a minute, that were really well written and I was able to immerse myself in from start to finish.

Of particular note, Michael Spinelli’s No Man’s Land is the tale of a desert manhunt for a gruesome serial killer. It’s well-crafted, and built tension and suspense all the way up to the surprise ending. The two stories by L. Lee Kane, A Deadly Lady and Stop Me If You Can, are really two parts of one tale of abuse and revenge, crafted so that the first part offers the motive for what happens in the second. And Justin Bauer kept me fully engaged clear through Sales Meeting, although I felt the ending was tied up a little too neatly. This is not to say that the other shorts in this collection weren’t good, but these three are the ones that stick out in my mind the most.

I will also mention that there are three stories included by Writing to be Read team member, Robbie Cheadle, in this murder mystery collection: Justice is Never Served, An Eye for an Eye, and The Murder of the Monk. Robbie’s stories are each inspired by factual historic events that have to make one wonder and tell the tales the way she imagines them to have happened.

Overall, this anthology was entertaining, (and, after all, isn’t that the point?). I give Death Among Us four quills.

four-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.