Posted: March 4, 2020 Filed under: Commentary, Editorial, Fiction, News Media, Nonfiction, Opinion, Words to Live By, Writing | Tags: News Media, Story telling, Words to Live By, Writing, Writing to be Read
The first Wednesday of every month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.
Sex, Love, Warfare, and Death
People will fool you if you let them. Consumers especially. Consider the old marketing adage coined by Steve Jobs, “A lot of the time, people don’t know what they want until you show it to them.” Every single morning, especially with the elections coming up, I turn on the news to get a glimpse of my world. The media skews reality so badly it sometimes seems pathological, but hey, let’s face it, if I really wanted raw unbiased information, I wouldn’t get it from CNN, Fox News, or MSNBC.
Coronavirus is about to go pandemic. That’s scary, which means the news will deliver it to me at accelerated intervals. Donald Trump tweeted something nasty again—big surprise there—and I’ll hear about it at the top of the hour, every hour. A new celebrity sex scandal? I eat those up, because, well, I’m a human being and gossip about sex somehow makes me feel like an active participant. It really isn’t the media’s fault, of course. They only sell what I’m willing to buy. Whatever else it may have become in the modern era, the news business has always understood our psychology far better than we do.
No matter how old we get, how wizened, educated, experienced, or jaded, there are but a few key elements we demand like clockwork from our stories: sex, love, warfare, and death. The news is a storytelling racket, after all, no different from books, movies, or anything else worth binging till our eyes bleed. Broadcasting the truth (or something designed to look like a reasonable facsimile thereof) is supposed to carry with it an added degree of responsibility, but if you find yourself screaming at the anchorman for his disastrous manipulation of the facts, don’t blame his boss or parent company. We are who we are. Humans possess a higher mind, higher aspirations and beliefs, altruism, compassion, faith, family unity, a virtuous sense of community. But we have a lower mind, too, a famously inconvenient and uncompromising wilderness of dim subconscious junk, and any storyteller worth her salt knows to engage us there first and foremost.
Think about your favorite stories. Every single one of them, I’ll bet, contains some degree of sex, love, warfare, or death. Now, your all-time top ten may not include all four at once, and maybe one or two of those elements, more or less to the point, is dressed up to resemble something else entirely. But they are there. 50 Shades of Grey wasn’t a pop culture phenomenon because it was a good book, and War and Peace would’ve sold far fewer copies historically if Tolstoy had simply called it Peace. I know what you’re thinking. This is all pretty cynical, Jeff. Surely people aren’t so basic as that. Why yes we are, and don’t call me Shirley. Anyway, it’s not cynicism. It just might be helpful to know what you’re up against before you decide to tell your next story.
Here’s what you’re up against. You are a human being attempting to entertain, enlighten, provoke, or otherwise affect on an emotional level other human beings, a species of meat-bodied, highly intelligent yet conflicted primates with a long, glorious history of blood for blood, sex for pleasure, and a penchant for looking for love in all the wrong places. Just so you know I’m not biased, I also believe each of us has a soul and a sovereign and divine spiritual destiny. To my mind, we’re a perfectly perfected, haphazard merger of things both high and low. It’s just that sometimes higher things can seem lowly and lower things can get us really, really, really, awesomely freaking high. There’s no shame in it, at least there shouldn’t be. You’re a warm body and an isolate personality. You get lonely sometimes, have to eat, sleep, and contend with day-to-day living. I also happen to believe in God and the unified consciousness of all things. Good thing, too. It helps to remember my mantras while I’m stuck in traffic, barely suppressing the urge to hop out and punch the guy sexting his girlfriend in the Hyundai next to me.
Have you ever read a really boring novel and thought, there needs to be more conflict, more romance, just a touch more daring and danger? I have, I do, all the time, especially when I’m reading something written by a beginner. Novice writers often confuse circumstance for story. These things aren’t mathematical, you aren’t working an equation, and outlining your latest plot to within an inch of its life will only render the storytelling equivalent of procedural asphyxiation. If artificial intelligence ever takes over the world, it won’t be writing stories. Not good ones, anyway.
Because we’re not synthetic lifeforms, you may every so often encounter people with beating hearts, barely controlled primal urges, a whole host of neuroses (both subtle and extravagant), and oh yeah, a crippling sense of self-doubt and self-limitation, stemming from one very basic fact: we’re all going to die, and there’s not a single thing any of us can do about it.
We care about sex because the survival of our species depends on it. We care about love and tragedy because they tend to define our most guarded, significant moments. And when it comes to warfare, we’ve all gotten a taste. What’s the difference between arguing with your neighbor for playing his music too loud and desiring to invade a foreign country because you don’t like the way they’ve been eying your stuff? A matter of degree is no matter at all, as it turns out. The trouble with reality as we know it is that we as individuals are just so damn, well, individualized. Relating to others in empathetic and wholly loving terms sometimes requires feats of superhuman strength, especially because I’m so terribly separate from you, and you’re so terribly separate from me, and I have my own needs, desires, limitations, and personal wounds to contend with.
But that doesn’t mean we’re alone. We aren’t, not one of us. It also doesn’t mean the stories we tell, the stories we love, have to be manufactured to meet primal criteria and primal criteria alone. The warmth and splendor of our experience is only equal to the depths of despair and loneliness we may encounter. That’s just the way it is. Life is a roller-coaster ride, and truth be told, we wouldn’t have it any other way. As The Beatles put it, in the end, the love you take is equal to the love you make. How much love have you made recently? Was it worth writing about? If so, why the hell are you reading some stupid blog post? Jot it down. Hurry! Hurry! Before it disowns you and moves to upstate Antarctica!
Sometimes fiction writers neglect their own experience in favor of concocting synthetic lives, synthetic characters, synthetic prose. I imagine to some the old chestnut, write what you know, seems like a bad idea. It isn’t. You’ll have to trust me on this. Your experience is equally significant as mine, as hers, as his, which is to say, both significant and insignificant as dirt. But that’s okay. In fact, it’s the way things are supposed to be. In the course of any given lifetime, fortunes will change hands, lovers will dispose us or face our disposal, babies will cry, enemies and friends will be made, laughs will be had, tragedies endured, and at the end of it all, we’ll have to give the whole shebang back and pretend it was some kind of season finale to a sleeper hit show the network neglected to renew. It seems unfair, but immortality is reserved for vampires, Highlanders, homogenous national virtues, and other mythical beasts. It is precisely our temporal nature that enables the existence of storytelling in the first place. The people who remind us of our limits, who console us, make us feel understood, the ones who tempt us or frighten us or leave us hanging, we call them storytellers, and we honor their place in our lives.
Every single day is story unfolding, and every individual you encounter is a supreme co-author of yours. It is entirely possible to acknowledge these things about ourselves, these dark and dirty, foible-filled things, and to still enjoy the hell out of each waking moment. More than possible. Perhaps mandatory, because hating your life is just a way of saying you love it with all your heart. The real miracle, the fact that any of us are here at all, necessitates our uncompromising need to build the biggest, most luxurious sandcastles, and then to watch helplessly as the tide swallows them whole. This is the essence of storytelling. It’s the essence of life. All things must pass. All things must pass away. Just remember that the next time you sit down to write. You’d better entertain me, wow me, seduce me, or otherwise completely jack up my mood, because if you don’t, I’m putting your book down and turning on the news.
Oh look, Trump just tweeted about Coronavirus, Joe Biden, the Chinese economy, Russian election meddling, Nancy Pelosi, Roger Stone, his persecution at the hands of our political system, and he managed to use the term fake news a total of seven times. That’s got to be some kind of record. What a storyteller! Guess I’m watching CNN all morning again.
It’s in the bloodstream, you see, always was and always will be. And thank goodness for that. No need to make America great again, Mr. President. Or the rest of the human race, for that matter. We’re all pretty great already. I mean, we invented War and Peace and 50 Shades of Grey, and we haven’t even learned to conquer death yet. Bet there’s a good story in there somewhere. You should totally write it, dude, before someone else beats you to it.
Talk at you next month, everybody! Have a good one. 🙂
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Posted: January 24, 2020 Filed under: Book Review, Books, Nonfiction, Opinion, Teaching Writing, Writing | Tags: Book Review, Kevin J. Anderson, Martin L. Shoemaker, On Being a Dictator, Writing, Writing by dictation, Writing to be Read
Most writers are busy people. I know I am. Most of my 2019 writing goals are still sitting on a back burner, simmering, because I was way to busy with work, school and this blog, as well as launching WordCrafter Quality Writing & Author Services and WordCrafter Press, to stir up my own stories and bring them to a boil. So, I’ve been looking into different ways to manage my time better. As I get older, skipping sleep in order to write seems to be getting less and less feasible.
On Being a Dictator, by Kevin J. Anderson and Martin L. Shoemaker is a author’s resource about how writers can use idle times in your day to spark creativity and increase productivity through dictation. It is a part of the Million Dollar Writing series, designed to help aspiring authors along the way.
I was blessed, back in 2012, to hear Kevin J. Anderson speak during the Writing the Rockies Conference at Western State Colorado University, (then, just plain old Western State College), where he talked about using dictation in his writing. While the rest of us had all been indulging in Western’s wonderful cuisine, Kevin had written roughly two chapters of his latest novel while hiking a pristine trail in the beautiful Gunnison Valley, in beautiful Colorado.
I was impressed with the idea at the time, and soon went out and bought myself a digital recorder, much like the one featured on the book cover. Although, it did help me to preserve my writing ideas on the spot, it required me to be embarked in activities where I could stop frequently to turn on and off the recorder. Then when I went back to access these ideas and get them down in print, I had to skip around to find the ideas or perfect sentences I was looking for and then type them out myself, which took up just as much time, if not more, so it didn’t take me long to give up this idea and go back to pecking out my story, one word at a time, as I had always done.
Upon reading On Being a Dictator, my thoughts on the matter have changed a bit. Anderson and Shoemaker begin by emphasizing the point that, like everything else in life, dictation takes time and practice, making me realize how foolish it was for me to expect to go buy a digital recorder and immediately start cranking out novels.
This resource is also valuable because the two co-authors each have different approaches to dictation which fit best into their individual lifestyles, proving that there is no one ‘right way’ to use this method and technology. This made me realize that I really didn’t give dictation a chance. I didn’t play with it enough to discover the different ways it might be useful to me with practice.
The book also includes descriptive lists of the different types of equipment and transcription software available and the advantages and disadvantages of each, as well as transcription services. Since technology is changing very rapidly, there are devices and software available now, which were not even thought of back in 2012, and likely next year, there will be even better technology available that wasn’t mentioned here. But their efforts gave me a good idea of what is available now, and got me thinking about how it might be of use to me.
Once again, I am impressed with this idea of turning otherwise idle activities, creativity-wise into productive writing time. On Being a Dictator has convinced me I should give writing by dictation another go. Maybe you should, too. I give it four quills.
Buy Link: https://www.amazon.com/Being-Dictator-Dictation-Million-Writing-ebook/dp/B07TYJLJNS/ref=sr_1_1?keywords=On+Being+a+Dictator&qid=1578591530&sr=8-1
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: January 20, 2020 Filed under: Chatting with the Pros, Interview, Memoir, Nonfiction, Self-Help, Writing, Writing Workshops | Tags: Chatting with the Pros, Diana Raab, Memoir, Nonfiction, Self-Help, Writing, Writing to be Read
My author guest today on “Chatting with the Pros” is someone who focuses on helping fellow authors to find and harness their positive inner energies and let them shine through, both in their writing and in their lives. She has written memoirs, poetry, written and/or compiled writing resource books, and she offers workshops focused on healing and transformation through memoir writing. Her works have won numerous awards, including Best Book Award, Feathered Quill Book Award, Mom’s Choice Award, Eric Hoffer Award, and Allbooks Review Editor’s Choice Award. Please help me welcome creative nonfiction author, Diana Raab, PhD.
Kaye: You have a PhD in Psychology with a research focus on the healing and transformative powers of memoir writing. Can you explain briefly what those powers are?
Diana: My research examined how pivotal experiences encouraged individuals to write memoirs as a way to transform, grow, and become empowered. I interviewed esteemed writers about the role writing their memoirs had in their lives. Poet Kim Stafford said that writing his memoir transformed him, in that it helped him come to a new understanding about his brother’s suicide. Another writer said that the writing experience relieved him from the pain of his past. And another writer who lost a son said that writing helped her look at life in a much larger context and also helped to keep her son “alive.” Writer Maxine Kingston said that she was transformed by penning her memoir because she was finally able to tell the stories from her past, which for a long time had been a secret. Thus, in most cases, the writers were liberated from the demons of their pasts.
Kaye: How can writing facilitate transformation and empowerment?
Diana: Transformation is a dramatic change in one’s physical or psychological well-being. It’s about becoming more aware of and facing our thoughts, feelings, and experiences. Writing down our feelings can lead to self-realization and a sense of empowerment, because we’re moving our feelings from inside of us and onto the page; and like therapy, it can help us work through our challenges. Writing can also be transformative because it helps us gain a better understanding of ourselves. With that understanding comes deeper reflection, and consequently a more profound sense of harmony.
Kaye: What is your biggest challenge of being a writer?
Diana: That’s a great question. In my earlier years, while raising children, my biggest challenge was carving out the time to write. These days, I would say that my biggest challenge as a writer is finding inspiration.
Kaye: What time of day do you prefer to do your writing? Why?
Diana: When I was younger, I used to love writing in the wee hours of the night, but now that I’m older, my preference is to write early in the morning. That’s when my mind and thought processes are most clear. I like writing just after my morning meditation, as sometimes thoughts emerge during this time that can move me into a highly creative and inspirational zone.
Kaye: Besides writing, what are your favorite things to do?
Diana: I love being with my adult children (ages 36, 34, and 30) and playing with my grandchildren; and I love hiking and going for beach walks. I meditate every day, and like most writers, I love to read. I also love cooking, especially soups and desserts. I love doing needlepoint, a craft I learned from my maternal grandmother, Regina, who committed suicide when I was ten. She was my caretaker, and this was a huge loss for me. Her story is the basis of my first memoir, Regina’s Closet: Finding My Grandmother’s Secret Journal.
Kaye: How does memoir writing differ from other writing forms? Don’t most forms of writing “unleash the true voice of the inner self”?
Diana: I don’t believe that most forms of writing “unleash the true voice of the inner self.” It might start out that way when writing fiction, but soon the imagination comes into play. Memoir writing is a first-person account chronicling a slice of life, not an entire life. It is a subjective recollection from one’s own perspective. Typically, there is a theme or thread running through a memoir. What sets a memoir apart from other forms of nonfiction is that it weaves the story as it happened, but also includes reflection. It’s much more than a journalistic telling. Compelling memoirs definitely unleash the true inner self.
Kaye: Tell me about your writing workshops. What can I expect to come away with if I take a workshop with you?
Diana: What you will come away with will depend on the nature of the particular workshop. Each one is different, depending on its focus. I usually revise my workshop format accordingly. For example, I’ve taught high-risk youth, bereaved adults, hospice workers, and those battling with drug addiction. My regular workshops are related to memoir writing, where participants of different writing levels come together to work on their personal stories.
I limit these groups to ten individuals so that I can offer individualized coaching. Participants learn by hearing my comments about their memoirs, and we also discuss published memoirs. They’re grateful to hear about all the tidbits of information I’ve gathered during my 40-year writing career. I stress the idea that writing is a process, and like any other process, patience is necessary. Those who take my workshops say that they leave them feeling very inspired to continue their memoir-writing journeys.
Kaye: What lessons do you want readers to walk away with from reading Writing for Bliss: A Seven-Step Plan for Telling Your Story and Transforming Your Life?
Diana: There are many lessons within those pages, as I weave my story into a how-to book on personal writing. I want readers to understand the transformative powers of memoir writing and be aware that writing is a journey. I stress the idea of truly enjoying that journey and not becoming focused on the destination. People have called Writing for Bliss “instructive, inspiring, healing, and a blueprint for writing for healing and transforming your life.”
Kaye: You put together a book project that was quite innovative with Writers and Their Notebooks. I thought it was a really cool idea, and apparently others did too, since it became a Best Books award finalist with USA Book News. In fact, I’d bet there is an abundance of valuable information for aspiring authors. What inspired you to compile an anthology of author essays about the value of an author’s notebook?
Diana: As I mention in the Preface, “As artists have sketchbooks, writers have notebooks.” My inspiration for creating this anthology originated from my own experience and the joy that journaling has brought into my own life. For more than five decades, journaling had helped ground and center me. My passion began with my mother giving me a Kahlil Gibran journal when I was ten to help me cope with my grandmother’s suicide.
This book is a celebration of well-published writers who use their notebooks to inspire, record, and document anything and everything that nurtures or sparks their creative energy. Many of the essays in the collection are confessional in nature. This year celebrates the book’s tenth anniversary. The project is even more meaningful for me now, as many of the writers in the anthology have passed away, such as Sue Grafton and Michael Steinberg.
Kaye: Another valuable anthology which you put together is Writers on the Edge, a collection of 22 authors being brutally honest about their own battles with addiction. Was it difficult to get so many authors to open up?
Diana: Great question. Addiction is defined as the obsession and compulsion to self-destruct. Author James Brown and I co-compiled this anthology because of our passion for the subject. We contacted writers who we thought would be interested in writing about their journaling practices. We were honored when Jerry Stahl agreed to write the foreword. A number of authors said that they didn’t know if they could write so intimately and honestly, but they did. Some had never written nonfiction before, so it was a huge challenge for them, but in the end, they felt a huge sense of satisfaction. As we said in the preface, “These battles are not fought alone, and perhaps these stories will also provide insight and hope to all those and their loved ones struggling with some form of addiction and its inevitable consequences.”
Kaye: You’ve written two memoirs yourself. Why did you choose to share with others your inner thoughts and feelings during a difficult time in your own life, with Healing with Words: A Writer’s Cancer Journey?
Diana: After my first cancer diagnosis in 2001, I decided, as a gift to myself, to enroll in graduate school for my MFA in writing. My two memoirs were a part of my creative thesis. In actuality, I had no intention of writing a memoir about my cancer journey. I was the type of person who believed that I got breast cancer, had a mastectomy and reconstruction, was healed, and that it was over and I’d be okay. I didn’t want my cancer diagnoses to define me.
During my recovery, I did a lot of journaling, but with no intention to publish a book on the subject. Five years later, to my surprise, I was diagnosed with multiple myeloma, an incurable form of bone marrow cancer. Supposedly, it’s not connected to breast cancer. I was devastated, but the silver lining was being told that I had smoldering myeloma and wouldn’t yet need treatment, just regular blood work.
My friends and colleagues encouraged me to write about my cancer journey because they thought it would help others. To make the book a little different and more universal, I decided to create a self-help memoir where I provided journaling opportunities for readers to share their own cancer journeys.
Kaye: You won the Mom’s choice award for your first memoir was Regina’s Closet: Finding My Grandmother’s Secret Journal. What kind of revelations does it contain?
Diana: During the writing process, I learned a lot about my grandmother. I began writing the book about the time of my first cancer diagnosis. I wanted to study my grandmother’s life to see if she’d committed suicide in 1964 because of cancer, but that wasn’t the case. I learned that at the time of her death, she was very depressed, and her doctor had given her a prescription for Valium, which she eventually overdosed on. By studying my grandmother’s life, I learned that she held on to the demons of her past, such as being orphaned during World War I and marrying an abusive man. All this inner turmoil eventually got to her, so she took her own life.
Kaye: Imagine a future where you no longer write. What would you do?
Diana: I don’t want to think about it. I love writing, whether it’s journaling; or writing poems, articles, letters, or blogs. It’s where I find my peace.
Kaye: What is next for Diana Raab? What can your readers and authors look forward to in the future?
Diana: Last year I turned 65 and felt that there was a huge shift in my vision. While I’ve always practiced mindfulness, I find that I’ve been living more in the moment. Also, in recent years, I’ve lost a number of loved ones, which is another reminder to enjoy the present. Thinking a little farther ahead, I hope to give more workshops and maybe create some short inspirational books. I’m currently working on my fifth book of poetry. I also have an unfinished novel that has been sitting in my drawer. Maybe one day I’ll be inspired to get back into it, or perhaps I’ll become inspired to write a children’s book for my grandchildren. Time will tell!
I want to extend my thanks to Diana Raab for joining us today and sharing with us. I have to agree with her philosophies, as I’ve experienced the healing powers of writing in my own life. I believe many of us have. If you’d like more information about Diana, her books, projects and events at her website: dianaraab.com.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.
Posted: January 10, 2020 Filed under: Book Review, Books, Crime, Nonfiction | Tags: Austin Stone, Book Review, Ed Stone, Nonfiction, True Crime, Writing to be Read
Missing: Murder Suspected is a true crime trilogy written by Austin Stone, compiled and edited by his son, Edmund J.A. Stone after his father’s death. In his investigative style of writing, similar to that of Truman Capote, Austin Stone has managed to bring the characters of each story to life in the reader’s mind in grisly detail.
A chicken farmer who buries a love struck woman beneath one of his chicken coops. A surgeon prone to fits of rage kills his wife and nanny, dismembering their bodies and concocting elaborate stories to account for their absence from his home. A firefighter kills his abusive wife in the heat of a moment, disposing of her body in a shroud of burlap sacks. These are murders which took place in the early 1900’s, and Stone offers a glimpse into the lives and motivations of the people involved through his telling.
If you like cold case type of stories, you will find these stories intriguing. There was too much telling and not enough showing for my own tastes, but giving the journalistic style, I don’t see how this could have been avoided. I give Missing: Murder Suspected three quills.
Buy Link: https://www.amazon.com/Missing-Murder-Suspected-Austin-Stone-ebook/dp/B075H2F1XM/ref=sr_1_2?keywords=Missing%3A+Murder+Suspected&qid=1578591806&sr=8-2
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: January 6, 2020 Filed under: Blog Content, Books, Creative Nonfiction, Memoir, Nonfiction, Self-Help, Writing, Writing to be Read | Tags: Creative Nonfiction, essays, How To, Memoir, Self-Help, True Story, Writing to be Read
Nonfiction is the stuff texts books are made of, the straight-out boring stuff that puts you to sleep, right? Not necessarily. Texts books don’t have to be boring. Nonfiction that is written creatively can capture the reader’s interest or immerse them into true life stories. From memoir, to self-help and how-to books, and yes, even text books can be highly entertaining.
True life circumstances and facts determine the story in nonfiction, yet nonfiction authors are faced with the same challenges as fiction authors to bring the characters and setting to life in the readers mind, or portray the information they wish to relate in a manner which readers can relate to. Both fiction and nonfiction authors strive to grab readers attention, now, in this digital age more so than ever before. But there are differences, as well.
To start off 2020, we’re going to delve into creative nonfiction in January. We have a pretty good sampling on the different forms that creative nonfiction might take. My author guest on “Chatting with the Pros” is bestselling author and memoirist, Diana Raab, who believes in the healing powers of writing. I will also be interviewing an author team, Mark Todd and Kym O’Connell Todd, who wrote Wild West Ghosts, one of the most informative and entertaining how-to books I’ve read. I will also be reviewing a true crime book, Missing: Murder Suspected, by Austin Stone, edited by his son Ed after his father’s passing, and a book on writing, On Being a Dictator, by Kevin J. Anderson and Martin Shoemaker. I do hope you will join us and help get Writing to be Read off to a good start for the year ahead.
For additional samplings of creative nonfiction see the following interviews and reviews:
“Chatting with the Pros: Interview with Nonfiction Author Mark Shaw”
“Interview with author Mark Shaw”
“Interview with author B.Lynn Goodwin”
Review: How I Sold 80,000 Books: Book Marketing for Authors by Alinka Rowkowski
“Interview with multi-genre author Brenda Mohammed”
“Interview with nature author Susan J. Tweit”
Review: How to Become a Published Author, by Mark Shaw
Review: The Well-Fed Writer, by Peter Bowerman
Review: Stress: How Stress Affects Your Life and How to Manage It, by Dr. Christine Rose
Review: Hack Your Reader’s Brain, by Jeff Gerke
Review: Horror 101: The Way Forward (Crystal Lake Publishing)
Review: Hollywood Game Plan, by Caro;e Kirschner
Review: Simplified Writing 101, by Erin Brown Conroy
Review: The Road Has Eyes, by Art Rosch
Review: The Reporter Who Knew Too Much, by Mark Shaw
Review: Denial of Justice, by Mark Shaw
Review: Courage in the Face of Evil, by Mark Shaw
Review: Letters of May, edited by Julie Alcin
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