Second Anglo Boer War propaganda poetry – the Boer side of things

Background

For those of you who do not know, a Boer is the Dutch and Afrikaans word for “farmer”.

Britain occupied the Cape in South Africa in 1795, ending the role of the Dutch East India Company in the region. After the British occupation, the infrastructure in the Cape Colony began to change as English replaced Dutch, the British pound sterling replaced the Dutch rix-dollar and a freehold system of landownership gradually replaced the existing Dutch tenant system.

Between 1835 and 1840, the Great Trek took place when approximately 12 000 Boers from the Cape Colony migrated into the South African interior to escape British control and to acquire cheap land.

Over time, the Boers achieved the independence of their two republics, the South African Republic (Transvaal) and the Orange Free State which shared borders with the British controlled Cape Colony.

When Sir Alfred Milner took over as Governor of the Cape Colony and High Commissioner for Southern Africa in May 1897, relations between Britain and the two Boer republics had been strained for some time. The Boers had already successfully defended the annexation of the Transvaal by the British during the first Anglo Boer War. Milner knew that an independent Transvaal stood in the way of Britain’s ambition to control all of Africa from the Cape to Cairo and that, with the discovery of gold in the Transvaal, the balance of power in South Africa had shifted from Cape Town to Johannesburg.

After the discovery of gold in the Transvaal, thousands of British and other gold seekers called Uitlanders, flocked to the Witwatersrand. The Boers considered that the Uitlanders threated the independence of their republic and refused to give them the vote. Milner used the Uitlander issue as a pretext to provoke the Boer government. The two republics declared war on the British Empire on 11 October 1899 and the second Anglo Boer War started.

Propaganda during the war

During the Second Anglo Boer War or South African War, there was a lot of propaganda on both sides. Propaganda is common in a war scenario. It is a significant tool used by government to get men sufficiently wound up against the enemy to shoot them without conscious.

As with all wars, some terrible things occurred during this war. One of the worst developments, in my opinion, were the concentration camps that Lord Kitchener created to incarcerate the families of fighting Boers. Approximately 48 000 people, a lot of whom were children, died in the concentration camps between September 1900 and May 1902.

Lizzie van Zyl

Emily Hobhouse tells the story of the young Lizzie van Zyl who died in the Bloemfontein concentration camp: She was a frail, weak little child in desperate need of good care. Yet, because her mother was one of the “undesirables” due to the fact that her father neither surrendered nor betrayed his people, Lizzie was placed on the lowest rations and so perished with hunger that, after a month in the camp, she was transferred to the new small hospital. Here she was treated harshly. The English disposed doctor and his nurses did not understand her language and, as she could not speak English, labeled her an idiot although she was mentally fit and normal. One day she dejectedly started calling for her mother, when a Mrs Botha walked over to her to console her. She was just telling the child that she would soon see her mother again, when she was brusquely interrupted by one of the nurses who told her not to interfere with the child as she was a nuisance. Quote from Stemme uit die Verlede (“Voices from the Past”) – a collection of sworn statements by women who were detained in the concentration camps during the Second Boer War (1899-1902). 

While I was doing the research for my new novel that tells the stories of three ghosts who all experienced different aspects of this war, I came across the following propaganda poem about the concentration camps.

The refugee camps (so called)

Lord Roberts he boasts that he stands at the head

Of all that is noble, and nice, and wellbred,

So we’ve got to believe it, it’s only his due,

He says so himself – so it’s bound to be true.

 

If against the “cowardly ignorant Boer”

In a barbarous manner he carries on war,

Why! What does it matter to me or to you,

He says so himself – so it’s bound to be true.

 

The Boer has deserted his children and wife

For the purpose of leading a pleasanter life

Yes, “Such are those people, unnatural crew!”

Lord Kitchener says – so it’s bound to be true.

 

If he harries weak women and children tender

It is not to induce the men to surrender,

Oh no! that’s a thing he never would do,

He says so himself – so it’s bound to be true.

 

If the women and orphans he drags away

In his pest-smitten camps are willing to stay

Let no one assert he the Innocents slew,

He says so himself – so it’s bound to be true.

 

If by thousands they die of disease and starvation

In those sweet health-resorts they call “concentration”

No matter! Those people deserved it too,

He says so himself – so it’s bound to be true.

 

Lord Kitchener persecutes woman and child

Because he was always exceedingly mild

And the more they objected the kinder he grew

He says so himself – so it’s bound to be true.

 

Oh! He is so gentle, the Mahdi’s head

He cut that off when his foe was dead;

In uncivilized warfare, that’s nothing new

He says so himself – so it’s bound to be true.

 

The wife gets a pass and may go away

To bring in the man; but the child must stay;

This, of course, Lord Kitchener never knew,

He says so himself – so it’s bound to be true.

 

But Thanks to our wives, for they do not care

Whatever the hardships they have to bear,

They willingly suffer their woeful plight

If their husbands stand firm for God and the right.

 

By her noble example the Burgher’s wife

Still gives him strength to continue the strife

And she cheers him on with all her might

To stand up firmly for God and the right.

 

O Africander! Be staunch and true

For that’s what your wife is expecting from you

You will help her to make the burden light

By standing firm for God and the right.

This poem is published in The War Reporter The Anglo-Boer War Through the eyes of the Burghers by J.E.H. Grobler

A Ghost and His Gold by Roberta Eaton Cheadle – Cover reveal

The cover of my new novel, A Ghost and His Gold about the Second Anglo Boer War

About Roberta Eaton Cheadle

IMG_9902

I am an author who has recently branched into adult horror and supernatural writing and, in order to clearly differential my children’s books from my young adult and adult writing, these will be published under the name Roberta Eaton Cheadle. My first young adult supernatural novel, Through the Nethergate, has recently been published.

I also have two short paranormal stories in Whispers of the Past, a paranormal anthology edited by Kaye Lynne Booth.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Hot Off the Press! “Ask the Authors” is now available!

ATA Cover

It has been two years in the making, but I’m pleased to announce that the WordCrafter Q&A anthology, Ask the Authors, has finally been released. This anthology has its origins right here on Writing to be Read back in 2018, when I ran a twelve week blog series of the same name. I compiled those interviews to create a valuable author’s reference, with writing tips and advice from seventeen different authors on all areas of writing, craft and promotion.

Contributing authors on this project include Dan Alatorre, Tim Baker, Chris Barili, Amy Cecil, Chris DiBella, Jordan Elizabeth, Ashley Fontainne, Janet Garber, Tom Johnson, Lilly Rayman, Carol Riggs, Art Rosch, Margareth Stewart, Mark and Kym Todd, Cynthia Vespia, and R.A. Winter. Single and multi-genre authors combined, write fiction for both Y.A. and adult readers, in a multitude of genres: medical thriller, science fiction, commercial fiction, action/adventure, crime fiction, weird western, romance, steampunk, fantasy, paranormal fiction, murder mystery, thrillers, speculative fiction, pulp fiction, literary fiction, humor, nonfiction, dark fantasy, and western. Subject matter includes all aspects of writing from process and inspiration, to craft and practice, to publishing, to marketing and book promotions. This is one writing reference no author should be without.

Get your copy today!: https://books2read.com/u/mdzvwO


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


“The Encyclopedia of American Animated Television Shows”: Everything you always wanted to know about the history of animation.

The Encyclopedia of American Animated Television Shows

If you are a cartoon buff or just miss Saturday morning cartoons, The Encyclopedia of American Animated Television Shows, by David Perlmutter could prove to be a valuable resource. Who created them? When did they air? Who produced them? Who played the character voice? Summaries of many of these programs are included.

This book has animated series from Abbott and Costello to Zorro. Opening the pages of this book made me feel like Saturday morning cartoons all over again. I found the histories of all of my favorite animated series within its pages; Scooby-Doo, Where Are You?; Casper the Friendly Ghost; The Jetsons; Fat Albert and the Cosby Kids; Bugs Bunny; The Flintstones; and The Smurfs. It even features School House Rock.

There is sure to be something for fans big and small, and they aren’t all from out of the distant past. Younger generations still harboring that inner child may place higher value on more recent animated series, including American Dad; King of the Hill; Southpark; The Simpsons; and Beavis and Butthead.

Of course, it features all of the super heroes from both Marvel and D.C. Comics, from Flash Gordan; Teen Titans; Spider-Man; Superman; Batman and Robin; Wolverine and the X-Men; The Fantastic Four; and even Mighty Mouse and Underdog. Although, none of them have series named for them because they are the bad guys, all our favorite super villains are in there, too.

The Encyclopedia of American Animated Television Series is an invaluable resource if comics are your thing, providing an overview which illustrates how animated series and literature hold a valuable place in the evolution of American entertainment outlets. Filled with a plethora of information on the evolution of animation and comic characters. I give it five quills.

Five Quills

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


WordCrafter Update: Stay in Place Virtual Writing Conference & Short Fiction Contest Submission Deadline Approaching

WordCrafter promo 1

WordCrafter

April has been a busy month for WordCrafter. The 2020 Stay in Place Virtual Writing Conference is tomorrow, April 28th. Wow! Even during all this Stay at Home stuff, time has just flown by. I can’t believe the day has already arrived. I hope everyone will join us. If you didn’t recieve an invite you can click on the link above to sign up, (just click on ‘Going’.) That gets you into the free Facebook event portion of the conference, where there will be a video or live stream presentation every hour, as well as author takeovers where you can meet some talented authors and converse via the comment section.

But that’s not all. You can also click on ‘Find Tickets’ to gain access to the interactive portion of the conference on Zoom. (Please do this ahead of time, so I have time to get the access information to you.) This portion of the conference will feature interactive workshops and panel discussions that you won’t want to miss, including the Keynote with Kevin J. Anderson. Each individual session is $5 or you can get an ‘All Events Pass’ and attend all of the sessions for $50. I know many of us don’t have an abundance of money right now, so I tried to keep this affordable.

SiP Header

WordCrafter’s 2020 Virtual Writing Conference

We have 22 presenters, (you can learn more about our talented presenters here), offering presentations, workshops and panel discussions.

  • Opening Introductions
  • “The Gateway to the Unknown: Poetry Thought Shop” with Rosemerry Wahtola Trommer – 9:10 am
  • “The Art & Craft of Writing” workshop with L. Jagi Lamplighter – 10 am
  • “Promoting Your Book BIG” with Dave Wolverton – 10:10 am
  • Short Fiction Panel: Lamplighter; Raine; Maberry; DeMarco; Wilber; Killiany-11 am
  • “The Power of Motivation: What your characters do and why” with Mario Acevedo – 11:10 am
  • “Visceral Story Beginnings” workshop with Sean Taylor – 12 pm
  • “Story Ideas and the Choices You Make” with Jason Henderson – 12:10 pm
  • World Building Panel: Lamplighter; Raine; Maberry; De Marco; Killiany – 1 pm
  • “Working with Other People: How to direct others successfully” with Anthony Dobranski – 1:10 pm
  • “Writing Across Genres” workshop with Chris Barili – 2 pm
  • “Creating Villains We Love To Hate” with Art Rosch – 2:10 pm
  • Keynote – “The Popcorn Theory of Success” by Kevin J. Anderson – 3 pm
  • “How to Swim Upstream: When you’re not mainstream in your market/genre” with Anthony Dobranski – 3:10 pm
  • The Ins & Outs of Writing Media Tie-Ins Panel: DeCandido; Maberry; Nash; Killiany – 4 pm
  • “Short Fiction” with L.D. Colter – 4:10 pm
  • Book Marketing Panel: Nash; Henderson; Wolverton; Alatorre – 5 pm
  • “Writing in the Face of Adversity” with Chris Barili – 5:10 pm
  • “The Savage Horror of Back Cover Copy” workshop with Anthony Dobranski – 6 pm
  • “The Importance of Promotion” with Bobby Nash – 6:10 pm
  • “Business Class Tarot” workshop with Anthony Dobranski – 7 pm
  • “The Business of Writing” with Keith R.A. DeCandido – 7:10 p.m.
  • “Bringing the Funny: How to Apply Humor in Your Writing” workshop with Jody Lynn Nye – 8 pm
  • Closing Ceremonies

Ghost Miner

While things have been busy in preparation for the conference, I don’t want anyone to forget the fast approaching deadline for the “WordCrafter 2020 Short Fiction Contest”, on April 30th. (See Full Submission Guidelines).There’s still time to submit your story, so put on the finishing touches and polish it up. I’m dying to read your entry!


ATA Cover

The great news is that Ask the Authors is finished and finally being released. It’s been a long haul and it was quite a project, but the result is a quality author’s reference no author should be without.

Buy Link: https://books2read.com/u/mdzvwO


WordCrafter Paranormal Anthology

Last, but not least, Whispers of the Past is on sale for .99 cents starting tomorrow, April 28th, 2020 through Thursday, April 30th at all outlets.

Buy Link: https://books2read.com/u/38EGEL


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


Words to Live By – Sex, Love, Warfare, and Death

Jeff Version_Words to Live By 2

The first Wednesday of every month, writer Jeff Bowles muses on life, creativity, and our collective destinies as makers of cool stuff. You’re a writer, but have you ever thought about how or why? Here are some words to live by.

Sex, Love, Warfare, and Death

People will fool you if you let them. Consumers especially. Consider the old marketing adage coined by Steve Jobs, “A lot of the time, people don’t know what they want until you show it to them.” Every single morning, especially with the elections coming up, I turn on the news to get a glimpse of my world. The media skews reality so badly it sometimes seems pathological, but hey, let’s face it, if I really wanted raw unbiased information, I wouldn’t get it from CNN, Fox News, or MSNBC.

Coronavirus is about to go pandemic. That’s scary, which means the news will deliver it to me at accelerated intervals. Donald Trump tweeted something nasty again—big surprise there—and I’ll hear about it at the top of the hour, every hour. A new celebrity sex scandal? I eat those up, because, well, I’m a human being and gossip about sex somehow makes me feel like an active participant. It really isn’t the media’s fault, of course. They only sell what I’m willing to buy. Whatever else it may have become in the modern era, the news business has always understood our psychology far better than we do.

No matter how old we get, how wizened, educated, experienced, or jaded, there are but a few key elements we demand like clockwork from our stories: sex, love, warfare, and death. The news is a storytelling racket, after all, no different from books, movies, or anything else worth binging till our eyes bleed. Broadcasting the truth (or something designed to look like a reasonable facsimile thereof) is supposed to carry with it an added degree of responsibility, but if you find yourself screaming at the anchorman for his disastrous manipulation of the facts, don’t blame his boss or parent company. We are who we are. Humans possess a higher mind, higher aspirations and beliefs, altruism, compassion, faith, family unity, a virtuous sense of community. But we have a lower mind, too, a famously inconvenient and uncompromising wilderness of dim subconscious junk, and any storyteller worth her salt knows to engage us there first and foremost.

Think about your favorite stories. Every single one of them, I’ll bet, contains some degree of sex, love, warfare, or death. Now, your all-time top ten may not include all four at once, and maybe one or two of those elements, more or less to the point, is dressed up to resemble something else entirely. But they are there. 50 Shades of Grey wasn’t a pop culture phenomenon because it was a good book, and War and Peace would’ve sold far fewer copies historically if Tolstoy had simply called it Peace. I know what you’re thinking. This is all pretty cynical, Jeff. Surely people aren’t so basic as that. Why yes we are, and don’t call me Shirley. Anyway, it’s not cynicism. It just might be helpful to know what you’re up against before you decide to tell your next story.

Here’s what you’re up against. You are a human being attempting to entertain, enlighten, provoke, or otherwise affect on an emotional level other human beings, a species of meat-bodied, highly intelligent yet conflicted primates with a long, glorious history of blood for blood, sex for pleasure, and a penchant for looking for love in all the wrong places. Just so you know I’m not biased, I also believe each of us has a soul and a sovereign and divine spiritual destiny. To my mind, we’re a perfectly perfected, haphazard merger of things both high and low. It’s just that sometimes higher things can seem lowly and lower things can get us really, really, really, awesomely freaking high. There’s no shame in it, at least there shouldn’t be. You’re a warm body and an isolate personality. You get lonely sometimes, have to eat, sleep, and contend with day-to-day living. I also happen to believe in God and the unified consciousness of all things. Good thing, too. It helps to remember my mantras while I’m stuck in traffic, barely suppressing the urge to hop out and punch the guy sexting his girlfriend in the Hyundai next to me.

Have you ever read a really boring novel and thought, there needs to be more conflict, more romance, just a touch more daring and danger? I have, I do, all the time, especially when I’m reading something written by a beginner. Novice writers often confuse circumstance for story. These things aren’t mathematical, you aren’t working an equation, and outlining your latest plot to within an inch of its life will only render the storytelling equivalent of procedural asphyxiation. If artificial intelligence ever takes over the world, it won’t be writing stories. Not good ones, anyway.

Because we’re not synthetic lifeforms, you may every so often encounter people with beating hearts, barely controlled primal urges, a whole host of neuroses (both subtle and extravagant), and oh yeah, a crippling sense of self-doubt and self-limitation, stemming from one very basic fact: we’re all going to die, and there’s not a single thing any of us can do about it.

We care about sex because the survival of our species depends on it. We care about love and tragedy because they tend to define our most guarded, significant moments. And when it comes to warfare, we’ve all gotten a taste. What’s the difference between arguing with your neighbor for playing his music too loud and desiring to invade a foreign country because you don’t like the way they’ve been eying your stuff? A matter of degree is no matter at all, as it turns out. The trouble with reality as we know it is that we as individuals are just so damn, well, individualized. Relating to others in empathetic and wholly loving terms sometimes requires feats of superhuman strength, especially because I’m so terribly separate from you, and you’re so terribly separate from me, and I have my own needs, desires, limitations, and personal wounds to contend with.

But that doesn’t mean we’re alone. We aren’t, not one of us. It also doesn’t mean the stories we tell, the stories we love, have to be manufactured to meet primal criteria and primal criteria alone. The warmth and splendor of our experience is only equal to the depths of despair and loneliness we may encounter. That’s just the way it is. Life is a roller-coaster ride, and truth be told, we wouldn’t have it any other way. As The Beatles put it, in the end, the love you take is equal to the love you make. How much love have you made recently? Was it worth writing about? If so, why the hell are you reading some stupid blog post? Jot it down. Hurry! Hurry! Before it disowns you and moves to upstate Antarctica!

Sometimes fiction writers neglect their own experience in favor of concocting synthetic lives, synthetic characters, synthetic prose. I imagine to some the old chestnut, write what you know, seems like a bad idea. It isn’t. You’ll have to trust me on this. Your experience is equally significant as mine, as hers, as his, which is to say, both significant and insignificant as dirt. But that’s okay. In fact, it’s the way things are supposed to be. In the course of any given lifetime, fortunes will change hands, lovers will dispose us or face our disposal, babies will cry, enemies and friends will be made, laughs will be had, tragedies endured, and at the end of it all, we’ll have to give the whole shebang back and pretend it was some kind of season finale to a sleeper hit show the network neglected to renew. It seems unfair, but immortality is reserved for vampires, Highlanders, homogenous national virtues, and other mythical beasts. It is precisely our temporal nature that enables the existence of storytelling in the first place. The people who remind us of our limits, who console us, make us feel understood, the ones who tempt us or frighten us or leave us hanging, we call them storytellers, and we honor their place in our lives.

Every single day is story unfolding, and every individual you encounter is a supreme co-author of yours. It is entirely possible to acknowledge these things about ourselves, these dark and dirty, foible-filled things, and to still enjoy the hell out of each waking moment. More than possible. Perhaps mandatory, because hating your life is just a way of saying you love it with all your heart. The real miracle, the fact that any of us are here at all, necessitates our uncompromising need to build the biggest, most luxurious sandcastles, and then to watch helplessly as the tide swallows them whole. This is the essence of storytelling. It’s the essence of life. All things must pass. All things must pass away. Just remember that the next time you sit down to write. You’d better entertain me, wow me, seduce me, or otherwise completely jack up my mood, because if you don’t, I’m putting your book down and turning on the news.

Oh look, Trump just tweeted about Coronavirus, Joe Biden, the Chinese economy, Russian election meddling, Nancy Pelosi, Roger Stone, his persecution at the hands of our political system, and he managed to use the term fake news a total of seven times. That’s got to be some kind of record. What a storyteller! Guess I’m watching CNN all morning again.

It’s in the bloodstream, you see, always was and always will be. And thank goodness for that. No need to make America great again, Mr. President. Or the rest of the human race, for that matter. We’re all pretty great already. I mean, we invented War and Peace and 50 Shades of Grey, and we haven’t even learned to conquer death yet. Bet there’s a good story in there somewhere. You should totally write it, dude, before someone else beats you to it.

Talk at you next month, everybody! Have a good one. 🙂


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

GB Cover

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!



Want to be sure not to miss any of Jeff’s “Words to Live By” segments? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress. If you found this useful or just entertaining, please share.


“On Being a Dictator”: Writing help for busy authors

 

Tips for busy authors

Writing Resource

Most writers are busy people. I know I am. Most of my 2019 writing goals are still sitting on a back burner, simmering, because I was way to busy with work, school and this blog, as well as launching WordCrafter Quality Writing & Author Services and WordCrafter Press, to stir up my own stories and bring them to a boil. So, I’ve been looking into different ways to manage my time better. As I get older, skipping sleep in order to write seems to be getting less and less feasible.

On Being a Dictator, by Kevin J. Anderson and Martin L. Shoemaker is a author’s resource about how writers can use idle times in your day to spark creativity and increase productivity through dictation. It is a part of the Million Dollar Writing series, designed to help aspiring authors along the way.

I was blessed, back in 2012, to hear Kevin J. Anderson speak during the Writing the Rockies Conference at Western State Colorado University, (then, just plain old Western State College), where he talked about using dictation in his writing. While the rest of us had all been indulging in Western’s wonderful cuisine, Kevin had written roughly two chapters of his latest novel while hiking a pristine trail in the beautiful Gunnison Valley, in beautiful Colorado.

I was impressed with the idea at the time, and soon went out and bought myself a digital recorder, much like the one featured on the book cover. Although, it did help me to preserve my writing ideas on the spot, it required me to be embarked in activities where I could stop frequently to turn on and off the recorder. Then when I went back to access these ideas and get them down in print, I had to skip around to find the ideas or perfect sentences I was looking for and then type them out myself, which took up just as much time, if not more, so it didn’t take me long to give up this idea and go back to pecking out my story, one word at a time, as I had always done.

Upon reading On Being a Dictator, my thoughts on the matter have changed a bit. Anderson and Shoemaker begin by emphasizing the point that, like everything else in life, dictation takes time and practice, making me realize how foolish it was for me to expect to go buy a digital recorder and immediately start cranking out novels.

This resource is also valuable because the two co-authors each have different approaches to dictation which fit best into their individual lifestyles, proving that there is no one ‘right way’ to use this method and technology. This made me realize that I really didn’t give dictation a chance. I didn’t play with it enough to discover the different ways it might be useful to me with practice.

The book also includes descriptive lists of the different types of equipment and transcription software available and the advantages and disadvantages of each, as well as transcription services. Since technology is changing very rapidly, there are devices and software available now, which were not even thought of back in 2012, and likely next year, there will be even better technology available that wasn’t mentioned here. But their efforts gave me a good idea of what is available now, and got me thinking about how it might be of use to me.

Once again, I am impressed with this idea of turning otherwise idle activities, creativity-wise into productive writing time. On Being a Dictator has convinced me I should give writing by dictation another go. Maybe you should, too. I give it four quills.

Four Quills

Buy Link: https://www.amazon.com/Being-Dictator-Dictation-Million-Writing-ebook/dp/B07TYJLJNS/ref=sr_1_1?keywords=On+Being+a+Dictator&qid=1578591530&sr=8-1


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Chatting with the Pros: Interview with award winning author Diana Raab

Chatting with the Pros

My author guest today on “Chatting with the Pros” is someone who focuses on helping fellow authors to find and harness their positive inner energies and let them shine through, both in their writing and in their lives. She has written memoirs, poetry, written and/or compiled writing resource books, and she offers workshops focused on healing and transformation through memoir writing. Her works have won numerous awards, including Best Book Award, Feathered Quill Book Award, Mom’s Choice Award, Eric Hoffer Award, and Allbooks Review Editor’s Choice Award. Please help me welcome creative nonfiction author, Diana Raab, PhD.


Diana-Raab-7045_600x899_300dpi-200x300

Kaye: You have a PhD in Psychology with a research focus on the healing and transformative powers of memoir writing. Can you explain briefly what those powers are?

Diana: My research examined how pivotal experiences encouraged individuals to write memoirs as a way to transform, grow, and become empowered. I interviewed esteemed writers about the role writing their memoirs had in their lives. Poet Kim Stafford said that writing his memoir transformed him, in that it helped him come to a new understanding about his brother’s suicide. Another writer said that the writing experience relieved him from the pain of his past. And another writer who lost a son said that writing helped her look at life in a much larger context and also helped to keep her son “alive.” Writer Maxine Kingston said that she was transformed by penning her memoir because she was finally able to tell the stories from her past, which for a long time had been a secret. Thus, in most cases, the writers were liberated from the demons of their pasts.

Kaye: How can writing facilitate transformation and empowerment?

Diana: Transformation is a dramatic change in one’s physical or psychological well-being. It’s about becoming more aware of and facing our thoughts, feelings, and experiences. Writing down our feelings can lead to self-realization and a sense of empowerment, because we’re moving our feelings from inside of us and onto the page; and like therapy, it can help us work through our challenges. Writing can also be transformative because it helps us gain a better understanding of ourselves. With that understanding comes deeper reflection, and consequently a more profound sense of harmony.

Kaye: What is your biggest challenge of being a writer?

Diana: That’s a great question. In my earlier years, while raising children, my biggest challenge was carving out the time to write. These days, I would say that my biggest challenge as a writer is finding inspiration.

Kaye: What time of day do you prefer to do your writing? Why?

Diana: When I was younger, I used to love writing in the wee hours of the night, but now that I’m older, my preference is to write early in the morning. That’s when my mind and thought processes are most clear. I like writing just after my morning meditation, as sometimes thoughts emerge during this time that can move me into a highly creative and inspirational zone.

Kaye: Besides writing, what are your favorite things to do?

reginas closetDiana: I love being with my adult children (ages 36, 34, and 30) and playing with my grandchildren; and I love hiking and going for beach walks. I meditate every day, and like most writers, I love to read. I also love cooking, especially soups and desserts. I love doing needlepoint, a craft I learned from my maternal grandmother, Regina, who committed suicide when I was ten. She was my caretaker, and this was a huge loss for me. Her story is the basis of my first memoir, Regina’s Closet: Finding My Grandmother’s Secret Journal.

Kaye: How does memoir writing differ from other writing forms? Don’t most forms of writing “unleash the true voice of the inner self”?

Diana: I don’t believe that most forms of writing “unleash the true voice of the inner self.” It might start out that way when writing fiction, but soon the imagination comes into play. Memoir writing is a first-person account chronicling a slice of life, not an entire life. It is a subjective recollection from one’s own perspective. Typically, there is a theme or thread running through a memoir. What sets a memoir apart from other forms of nonfiction is that it weaves the story as it happened, but also includes reflection. It’s much more than a journalistic telling. Compelling memoirs definitely unleash the true inner self.

Kaye: Tell me about your writing workshops. What can I expect to come away with if I take a workshop with you?

Diana: What you will come away with will depend on the nature of the particular workshop. Each one is different, depending on its focus. I usually revise my workshop format accordingly. For example, I’ve taught high-risk youth, bereaved adults, hospice workers, and those battling with drug addiction. My regular workshops are related to memoir writing, where participants of different writing levels come together to work on their personal stories.

I limit these groups to ten individuals so that I can offer individualized coaching. Participants learn by hearing my comments about their memoirs, and we also discuss published memoirs. They’re grateful to hear about all the tidbits of information I’ve gathered during my 40-year writing career. I stress the idea that writing is a process, and like any other process, patience is necessary. Those who take my workshops say that they leave them feeling very inspired to continue their memoir-writing journeys.

Kaye: What lessons do you want readers to walk away with from reading Writing for Bliss: A Seven-Step Plan for Telling Your Story and Transforming Your Life?

Diana: There are many lessons within those pages, as I weave my story into a how-to book on personal writing. I want readers to understand the transformative powers of memoir writing and be aware that writing is a journey. I stress the idea of truly enjoying that journey and not becoming focused on the destination. People have called Writing for Bliss “instructive, inspiring, healing, and a blueprint for writing for healing and transforming your life.”

Writers and Their NotebooksKaye: You put together a book project that was quite innovative with Writers and Their Notebooks. I thought it was a really cool idea, and apparently others did too, since it became a Best Books award finalist with USA Book News. In fact, I’d bet there is an abundance of valuable information for aspiring authors. What inspired you to compile an anthology of author essays about the value of an author’s notebook?

Diana: As I mention in the Preface, “As artists have sketchbooks, writers have notebooks.” My inspiration for creating this anthology originated from my own experience and the joy that journaling has brought into my own life. For more than five decades, journaling had helped ground and center me. My passion began with my mother giving me a Kahlil Gibran journal when I was ten to help me cope with my grandmother’s suicide.

This book is a celebration of well-published writers who use their notebooks to inspire, record, and document anything and everything that nurtures or sparks their creative energy. Many of the essays in the collection are confessional in nature. This year celebrates the book’s tenth anniversary. The project is even more meaningful for me now, as many of the writers in the anthology have passed away, such as Sue Grafton and Michael Steinberg.

Writers on the EdgeKaye: Another valuable anthology which you put together is Writers on the Edge, a collection of 22 authors being brutally honest about their own battles with addiction. Was it difficult to get so many authors to open up?

Diana: Great question. Addiction is defined as the obsession and compulsion to self-destruct. Author James Brown and I co-compiled this anthology because of our passion for the subject. We contacted writers who we thought would be interested in writing about their journaling practices. We were honored when Jerry Stahl agreed to write the foreword. A number of authors said that they didn’t know if they could write so intimately and honestly, but they did. Some had never written nonfiction before, so it was a huge challenge for them, but in the end, they felt a huge sense of satisfaction. As we said in the preface, “These battles are not fought alone, and perhaps these stories will also provide insight and hope to all those and their loved ones struggling with some form of addiction and its inevitable consequences.”

Healing with WordsKaye: You’ve written two memoirs yourself. Why did you choose to share with others your inner thoughts and feelings during a difficult time in your own life, with Healing with Words: A Writer’s Cancer Journey?

Diana: After my first cancer diagnosis in 2001, I decided, as a gift to myself, to enroll in graduate school for my MFA in writing. My two memoirs were a part of my creative thesis. In actuality, I had no intention of writing a memoir about my cancer journey. I was the type of person who believed that I got breast cancer, had a mastectomy and reconstruction, was healed, and that it was over and I’d be okay. I didn’t want my cancer diagnoses to define me.

During my recovery, I did a lot of journaling, but with no intention to publish a book on the subject. Five years later, to my surprise, I was diagnosed with multiple myeloma, an incurable form of bone marrow cancer. Supposedly, it’s not connected to breast cancer. I was devastated, but the silver lining was being told that I had smoldering myeloma and wouldn’t yet need treatment, just regular blood work.

My friends and colleagues encouraged me to write about my cancer journey because they thought it would help others. To make the book a little different and more universal, I decided to create a self-help memoir where I provided journaling opportunities for readers to share their own cancer journeys.

Kaye: You won the Mom’s choice award for your first memoir was Regina’s Closet: Finding My Grandmother’s Secret Journal. What kind of revelations does it contain?

Diana: During the writing process, I learned a lot about my grandmother. I began writing the book about the time of my first cancer diagnosis. I wanted to study my grandmother’s life to see if she’d committed suicide in 1964 because of cancer, but that wasn’t the case. I learned that at the time of her death, she was very depressed, and her doctor had given her a prescription for Valium, which she eventually overdosed on. By studying my grandmother’s life, I learned that she held on to the demons of her past, such as being orphaned during World War I and marrying an abusive man. All this inner turmoil eventually got to her, so she took her own life.

Kaye: Imagine a future where you no longer write. What would you do?

Diana: I don’t want to think about it. I love writing, whether it’s journaling; or writing poems, articles, letters, or blogs. It’s where I find my peace.

Kaye: What is next for Diana Raab? What can your readers and authors look forward to in the future?

Diana: Last year I turned 65 and felt that there was a huge shift in my vision. While I’ve always practiced mindfulness, I find that I’ve been living more in the moment. Also, in recent years, I’ve lost a number of loved ones, which is another reminder to enjoy the present. Thinking a little farther ahead, I hope to give more workshops and maybe create some short inspirational books. I’m currently working on my fifth book of poetry. I also have an unfinished novel that has been sitting in my drawer. Maybe one day I’ll be inspired to get back into it, or perhaps I’ll become inspired to write a children’s book for my grandchildren. Time will tell!


I want to extend my thanks to Diana Raab for joining us today and sharing with us. I have to agree with her philosophies, as I’ve experienced the healing powers of writing in my own life. I believe many of us have. If you’d like more information about Diana, her books, projects and events at her website: dianaraab.com.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


Interview with authors Mark Todd & Kym O’Connell Todd

Todds - Copy

I am so excited to have these two authors, Mark Todd and Kym O’Connell Todd, as my guests today. They are both really great people and our conversations are always interesting, to say the least. Although I’ve never met Kym in person, Mark was my professor and mentor, and later my co-worker at Western State Colorado University. They also were a part of one of my 2018 “Ask the Authors” blog series and will be featured authors in the anthology of the same name, which is taken from that series and is planned for release in 2020.

You’ve heard of those couples who have been married so long and know each other so well that they can finish each other’s sentences? Well, these two really do that, both in speech and in writing, and they have co-authored several books together. We’re going to talk today about their nonfiction collaboration, Wild West Ghosts, which documents their paranormal research, (which was of course, carried out as a team). Let’s welcome them now and see what they have to share with us today.


Kaye: You’ve written both fiction and nonfiction. What are some of the major differences that you see between the two types of writing?

Kym-n-Mark: We both began as journalists, so we cut our eyeteeth writing nonfiction. Lots and lots of straight news stories.

Kym: For years my job as a newspaper features editor gave me plenty of practice at bringing out the lives of interviewees to readers by applying creative writing techniques such as scene dramatization, dialogue, setting, and “character” description.

Mark: This may sound flippant, but my favorite description of the difference is this: nonfiction is writing that pretends it’s true while fiction is writing that pretends it isn’t! Okay, that even sounds flippant to me. But I think there’s a kernel of truth in there.


smallghostsKaye: In Wild West Ghosts, although the material is nonfiction, describing ghost hunts that you have been on, the historical characters which inhabited the locations in the past were very real and they had lives. How did you help those characters come to life for your readers?

Kym-n-Mark: We did a lot of research for each hotel and often found first-hand historical accounts either by the people we wrote about or about those folks by others from the time. During and after our paranormal investigations, we tried to be mindful the entitles we seemed to contact were once real people and respectful when we told the stories they had to share – or at least our encounters with them.


Kaye: What is the most unusual ghost hunt you’ve ever been on? Why?

Kym-n-Mark: We’d have to say the Norwood Hotel really stands out for all the things that happened. A cup flew off a table in front of us, we encountered a cold spot, and multiple pieces of equipment reported the same readings. In one room, there seemed to be a pathetic presence who identified herself as “Leah” who asked us to help her, and when we reviewed out digital recorder later asked us to remember her. In another room at the hotel, all our equipment red-lined and then shut down at the same time. We decided it was time to go.


Kaye: What time of day do you prefer to do your writing? Why?

Kym-n-Mark: Ha! As journalists we learned to write to deadline, so any time is good. But we also pick whatever time we’re both free to write together.


Kaye: You’ve been a college professor and Kym is a graphic designer, in addition to being authors. If writing suddenly made you rich and famous, what would you do?

Kym-n-Mark: Probably what we’re doing right now. We write because we enjoy it. Besides, we’ve turned a number of hobbies into businesses through the years, and it somehow kills the joy. We’d never want that to happen to our writing if that’s all we had to do.


Kaye: What is the biggest challenge when writing with a co-author?

Kym-n-Mark: For us it’s never been a challenge. But we’ve talked to other authors who found it hard. Most use “over the transom” writing, where each writes drafts and passes it to the other  to revise back and forth. But all a matter of compatibility – in writing style, in work ethic, and in commitment.

Kym: Writing style and values are important. If either one of us had large egos, we’d either stop writing together or else we’d be divorced.

Mark: Yes, dear.


Kaye: What is the best part of writing with a co-author?

Kym-n-Mark: We’re sure there are others out there who do it like we do, but we can’t name anyone.

Kym: I start a sentence…

Mark: …and I finish it.

Kym: Or vice versa. Then before we finish a session, we reread and rewrite until –

Mark: — until we can’t tell who wrote what.

Kym: You’d think were married or something. Oh wait, we are!


Kaye: What is your favorite channel for book promotion?

Kym-n-Mark: That’s a toughie. We’ve tried most of them, and we ended up taking the sage advice to focus on just a handful that seemed to fit us best. Like you, Kaye, we like blogging, and have had a fair amount of success with that channel when cross-promoting with FB and Twitter.


Kaye: What’s the best piece of writing advice you were ever given?

Mark: I’ve always liked Natalie Goldberg’s advice from her book, “Writing Down the Bones: “Always give yourself permission to fail.”

Kym: I’ve always liked this: “Just start writing. If you don’t like it, that’s what the delete button is for.”


Kaye: What advice do you have for aspiring authors?

Kym: Don’t quit your day job. Until you make it, the electricity still needs to be paid.

Mark: I agree. I usually takes time to break in to publishing. Don’t put the pressure on yourself or your family. You’ll either find yourself blocked or you’ll crank out something that’s a waste of your time and your readers.


Kaye: Are there more books in the future for Mark and Kym Todd? What are you currently working on?

Mark: We’ve both really gotten into genealogy – we even have a blog dedicated to the more interesting skeletons we’ve each discovered in our closets. I’ve also always wanted to finish a memoir  (one of those drafts-in-a drawer kinds of thing) about growing up in in a family mortuary business. A comedy, of course.

Kym: Our last book about ghosts happened because we were celebrating with our publisher the publication of our the third book in the Silverville trilogy. I never drink but had two Cape Cods that night. When our publisher asked us what was next, I blurted out a book about haunted hotels. Two days later, he called us and said he’d publish the ghost book. Maybe we’ll plan the next one when I get drunk again.


I want to thank Kym & Mark for joining us here and sharing today. As always when talking with them, the conversation was unique and entertaining, as well as being informative. I, for one, can’t wait to learn what that next book will be about, so I think Mark should take Kym out more often. You can learn more about Mark & Kym and their books on Mark’s Amazon Author page or on his Goodreads author page. To learn more about their paranormal investigations, visit their blog, Write in the Thick of Things.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


“Missing: Murder Suspected”: True Crime Stories Brought to Life

Missing. Murder Suspected

Missing: Murder Suspected is a true crime trilogy written by Austin Stone, compiled and edited by his son, Edmund J.A. Stone after his father’s death. In his investigative style of writing, similar to that of Truman Capote, Austin Stone has managed to bring the characters of each story to life in the reader’s mind in grisly detail.

A chicken farmer who buries a love struck woman beneath one of his chicken coops. A surgeon prone to fits of rage kills his wife and nanny, dismembering their bodies and concocting elaborate stories to account for their absence from his home. A firefighter kills his abusive wife in the heat of a moment, disposing of her body in a shroud of burlap sacks. These are murders which took place in the early 1900’s, and Stone offers a glimpse into the lives and motivations of the people involved through his telling.

If you like cold case type of stories, you will find these stories intriguing. There was too much telling and not enough showing for my own tastes, but giving the journalistic style, I don’t see how this could have been avoided. I give Missing: Murder Suspected three quills.

Three Quills

Buy Link: https://www.amazon.com/Missing-Murder-Suspected-Austin-Stone-ebook/dp/B075H2F1XM/ref=sr_1_2?keywords=Missing%3A+Murder+Suspected&qid=1578591806&sr=8-2 


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 


Delving Into Creative Nonfiction in January

Creative nonfiction

Nonfiction is the stuff texts books are made of, the straight-out boring stuff that puts you to sleep, right? Not necessarily. Texts books don’t have to be boring. Nonfiction that is written creatively can capture the reader’s interest or immerse them into true life stories. From memoir, to self-help and how-to books, and yes, even text books can be highly entertaining.

True life circumstances and facts determine the story in nonfiction, yet nonfiction authors are faced with the same challenges as fiction authors to bring the characters and setting to life in the readers mind, or portray the information they wish to relate in a manner which readers can relate to. Both fiction and nonfiction authors strive to grab readers attention, now, in this digital age more so than ever before. But there are differences, as well.

To start off 2020, we’re going to delve into creative nonfiction in January. We have a pretty good sampling on the different forms that creative nonfiction might take. My author guest on “Chatting with the Pros” is bestselling author and memoirist, Diana Raab, who believes in the healing powers of writing. I will also be interviewing an author team, Mark Todd and Kym O’Connell Todd, who wrote Wild West Ghosts, one of the most informative and entertaining how-to books I’ve read. I will also be reviewing a true crime book, Missing: Murder Suspected, by Austin Stone, edited by his son Ed after his father’s passing, and a book on writing, On Being a Dictator, by Kevin J. Anderson and Martin Shoemaker. I do hope you will join us and help get Writing to be Read off to a good start for the year ahead.


For additional samplings of creative nonfiction see the following interviews and reviews:

Chatting with the Pros: Interview with Nonfiction Author Mark Shaw

Interview with author Mark Shaw

Interview with author B.Lynn Goodwin

Review: How I Sold 80,000 Books: Book Marketing for Authors by Alinka Rowkowski

Interview with multi-genre author Brenda Mohammed

Interview with nature author Susan J. Tweit

Review: How to Become a Published Author, by Mark Shaw

Review: The Well-Fed Writer, by Peter Bowerman

Review: Stress: How Stress Affects Your Life and How to Manage It, by Dr. Christine Rose

Review: Hack Your Reader’s Brain, by Jeff Gerke

Review: Horror 101: The Way Forward (Crystal Lake Publishing)

Review: Hollywood Game Plan, by Caro;e Kirschner

Review: Simplified Writing 101, by Erin Brown Conroy

Review: The Road Has Eyes, by Art Rosch

Review: The Reporter Who Knew Too Much, by Mark Shaw

Review: Denial of Justice, by Mark Shaw

Review: Courage in the Face of Evil, by Mark Shaw

Review: Letters of May, edited by Julie Alcin


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.