Join Me In My Protest Against Facebook


There are changes for Facebook on the horizon, and they aren’t beneficial to struggling authors or small business owners. Many are already going into effect. I’ve already seen an impact on my Facebook activities and I’m not liking it at all.

Some of the expected changes are explained in the K-lytics article, How the New Facebook Algorithms Affect Authors, by Alex Newton,

“In other words, if you write a post promoting your most recent book, only a fraction of your page fans or friends will see it. If your fans do not follow your page, your post is going to end up in the alternative news feed, not the main feed, if it shows up at all….”


Social Media Examiner founder Michael Stelzner claims these changes are already occuring, including  video getting less watch time and links to external pages getting less visibility, and he claims these changes will impact all people and pages. And I think he’s right. Just because someone follows you, doesn’t mean that they are seeing your posts in their news feed.

In the K-lytics article, Alex Newton claims Facebook is really after your money, trying to push you to pay for your promotions because starving artists and start-up businesses are taking advantage of their free promotion features and they aren’t making any money off of you,

“Remember, organic reach is the total number of unique people who were shown your post through unpaid distribution. If you had 3,000 fans on your page and you reached 300 (10%) with a post, you could consider yourself lucky. And these days, the percentage is so much lower.

The fact is, Facebook wants you to pay for your reach. Facebook wants you to run ads and “boost” your posts.”

This algorithm and Facebook’s effort to bully people into paying for what we used to get on their site for free has already had an impact. I have made a practice of being a member of many writing, author, and book groups, where I post each time I publish a new blog post and promote my books, short stories and poetry. I try to keep track of which groups allow promotional posts and the ones that allow them only on certain days, and I try to follow all of the rules. But because I share my posts in so many different groups, the Facebook algorithm has been known to tag my posts as spam, especially if I’m short on time and rushing through my promotional tasks. Facebook has cut me off for going too fast or for making too many shares. It’s not people reporting me, it’s their algorithms deciding that I’ve been a bad girl.

Most recently, Facebook has banned me for twenty-four hours and then as soon as I did three shares the next day, all to the “Writing Contacts” group that I started, they banned me again. And they don’t just ban me from sharing posts, they ban me from all group activities. I couldn’t even comment on someone else’s posts or contribute to the group in any way, so it looks like all I do there is promote. I try to be a contributing member to most of the groups I belong to and not just promote my work, but my time is often limited and I have to combine the two activities in order to get them both done. I have been doing things this way for at least eight years, but now they are slapping my hands for it.

Michael Stelzner suggests measures to increase the chances of getting your posts seen, such as posting less often, create content that promotes people to talk to each other instead of just you, increase your live video use, avoid posts that encourage people to comment (engagement bait), and pay for your ads and use Messenger chatbots.  (If you are interested in learning more about this, you won’t want to miss the Social Media Marketing 2018 Conference).

To my thinking, if I play Facebook’s game and change my marketing strategy on their site, or pay for their advertising to make sure my posts are seen, especially when the majority of my posts are for Writing to be Read which I’m not making any money off of, then they win. Why should Facebook decide who gets to see my posts. If I’ve followed someone, I want to see their posts. That’s why I followed them in the first place. Those who have followed me should by rights, be able to see my posts. That’s the way it’s supposed to work, but that’s not the way it does work with these new algorithms.

So, I have a different solution. I created a “Westerns” page here on the Writing to be Read site, to replace my Delilah Facebook page and I hope to drive traffic to it, instead of promoting the Facebook page. I plan to do the same with my Playground for the Gods page. I have a cool idea for marketing of the second book, but you’ll have to check in to my Westerns page to learn what it is. If I’m ever fluid enough to pay for Facebook ads, I’ll use them to drive to my website pages, here, rather than their Facebook counterparts.

So, I am asking for your help. You, dear reader, can help support my Facebook protest by liking my “Westerns” page, subscribing to email, (up below the Red Quill logo and the search box in the top right side of the page), or follow Writing to be Read on WordPress. Remember, authors count on you, not just to buy their books, but to like their posts and write reviews. These days, these are things that matter in the rankings. Also, watch for a new way to sign up for my email list to recieve news and updates on my work, and when you see it, please sign up. I need your support. And if you are an author, I call upon you to move your pages to a different platform and stand in unification against the big conglomerates who believe they have us by the short hairs.

Picket Line


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Looking Back on 2017

Looking Back

Every year at this time I look back and so a review of what was published on Writing to be Read and my writing life. 2017 has been pretty eventful for both me and Writing to be Read, so this year I’m particularly excited about this look back. But, I’m also excited to get out my crystal ball and warm up my psychic abilities as we take a look forward that comes as we start the new year, because I think there may be some exciting things in store.

There were so many things that happened for me in 2017. In April, my western novel, Delilah was published by Dusty Saddle Publishing, which of course, is exciting. Delilah hasn’t done too bad on sales, but it didn’t make the best seller list. It has received some really excellent reviews, and is rated with four stars on Amazon. Although it may not be a huge success, for me it was a hard earned accomplishment, but the reward came the day I received my first royalty check. Yep, I’ve got royalties. Isn’t that the final proof that I’m a writer, at last?

Delilah and Horse Web Cover

I do have folks inquiring about a second novel, and for those who are wondering, Book 2 is in the working. My crystal ball tells me that it will be published sometime in the coming year, only this book, I may publish myself and skip the publisher as middle man. I’m having a time getting the sales data, and what I do have makes it appears as if what sales I do have, have been the results of my own marketing efforts, so I’m not seeing the benefit of sharing my royalties with a publisher, when I can do about everything they have done for me.  In addition, mid-year the rather generic cover the publisher provided for the book was replaced by a cover that fits the story better, done for me by Sonoran Dawn Studios, which I am much happier with.

The Collapsar DirectiveIn addition I had two short stories published in 2017 by Zombie Pirates Publishing. The first, “If You’re Happy and You Know It” came out on August 1, in their science fiction anthology The Collapsar Directive. The story is a futuristic dystopian tale with just a touch of humor, in a world where productivity is high, but you’re only allowed to be happy on the weekend. Relationship Add Vice

The second story, “The Devil Made Her Do It”, just came out the 15th of this month in their Crime Romance anthology, Relationship Add Vice. It’s a tale about the crazy things we do for love and a girl, Betty Lou Dutton, who leaves hereself open to be taken advantage of and ends up taking the rap. My fortune telling abilities see Zombie Pirates in my future for the coming year, as well. I submitted a little flash fiction story for consideration in their Full Metal Horror anthology. Wish me luck.

The really big thing that happened for me in 2017, or at least I think it’s big, is a landed an adjunct position teaching ENG102:Academic Writing at Western State Colorado University, my Alma Mater. Let me tell you, it has been a crazy ride. I got the position due to a last minute opening, when a scheduled lecturer was unable to teach for health reasons, which was unfortunate for the scheduled lecturer, but very fortunate for me. We got it all figured out and I was hired five days before classes started, so that’s how long I had to restructure both classes to be hybrid classes and figure out how to teach a method of writing I knew nothing about. It was a rocky start, and to be honest, I think I confused many of my students at first, because I was unsure myself, but as the semester moved forward, I gained more solid footing in the classroom, and the students began to figure it out, too. I have now successfully made it through a whole semester, teaching two hybrid courses and it feels great. I know I can do it and I have some experience teaching in a University setting, so I know there will be more teaching jobs in the coming year. My crystal ball is a little blurry in this area, but I know last minute stuff happens all the time, so who knows? Maybe I’ll end up back at Western.

teacher-owl clip-art

As for Writing to be Read, I’ve had an exciting year there, too. At the beginning of the year, I my friend Robin Conley helped me do a total overhaul of the site, and in August my friend DL Mullan of Sonoran Dawn Studios helped to redesign it. The results are what you see here now, but they were a long time in coming. I’ve added my website right here on the blog and you can reach the different sections by clicking on the tabs across the top to learn about my published poetry and fiction, my westerns, my Playground for the Gods series, or Write it Right Editing. Writing to be Read also gained some great talent in 2017, Robin Conley with her Weekly and Monthly Writing Memos, and Jeff Bowles with his Pep Talks and his God Complex posts, and I am thankful for benefit of their content for the short time they were with me. Unfortunately, life carries folks in different directions and both of these fine writers are no longer able to share their expertise and wisdom with us and I don’t foresee them rejoining us in 2017.


What my crystal ball does show me, is that Writing to be Read has grown in readership over the past year, and I feel it is due to the great and consistant content posted not only by myself, but by Robin and Jeff, as well. Most recently, the content has been almost non-existant, because I’ve had to focus on the classroom and I’ve discovered grading essays takes a lot of time. I don’t think the drop in content from losing my team members or from my not having the time to devote that I should have hurt my numbers yet, but I do foresee such a possibility if the lack of content continues.

In this realm, my crystal ball shows me something very interesting. I see new members of the Writing to be Read team and really great content in the coming year. In fact, a call for action is going out with this post, right now. If you are a writer who feels you might have something to contribute and you’d like to be on the Writing to be Read team, I want to hear from you. Shoot me an email at kayebooth(at)yahoo(dot)com telling me what type of contribution you would like to make and how often you’d like to make it. I’m pretty flexible, so let’s talk.

In years past, I have given a rundown of all the posts throughout the year and which were viewed the most or which got the highest numbers of comments or likes, however that makes for a very lengthy, boring post, so this year I’m only giving you the most interesting facts. For instance, over the past year Writing to be Read has had viewers from the across the globe. The highest number of views coming from U.S., the United Kingdom, Canada, Australia, Ireland, India and Mexico. It’s top referrer is Facebook, which doesn’t really make me happy, since I’m kind of peeved at Facebook at the moment, but I’ll take my viewers wherever I can get them.

The month to receive the most views was July, with my interview with writer, poet and cover designer Dawn Leslie Mullan being the hightest viewed post. Next up was a “Pep Talk” from Jeff Bowles, “I Think We Need a Break”, and third highest was my post, “An Adventure in Social Media Marketing“. The post that received the most viewed over the whole year was my post titled, “How Do You Measure Success?” which I wrote after signing the contract for Delilah. The second highest views overall were received by “Ah! Sweet Rejection“, which I wrote, oddly enough, after recieving a rejection for Delilah. The third highest was Robin Conley’s “Weekly Writing Memo: Word Choice is Everything“.

Looking ahead to 2018, my crystal ball says it’s going to be a good year. I hope it’s right. I guess only time will tell. So until then…

Happy New Year


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HallowErotica Anthology to be Released October 31


HallowErotica 2017 comes from the creative minds of Scerina Elizabeth, Lucille Moncrief, and D. Fischer.  With a release date of October 31, this collection of short Paranormal, Horror, and Erotica stories from various authors including R. Tran, Kaye Lynne Booth, and Amy Hamilton promises to give readers a Halloween they’ll never forget.

Yep. That’s my name in there. In addition to being on the FMB book blog tour, HallowErotica 2017 features my story, A Turn of the Tables. The release date is, well, Halloween of course! They’re having a big HallowErotica 2017 Release Party on Facebook starting at 6 p.m. EST, and I or my PA, DL Mullen will be entertaining you throughout the 7 p.m. EST slot, so be sure to drop by.

I’ve had the pleasure of interviewing one of the creators of HallowErotica 2017, paranormal romance author Scerina Elizabeth for one of her other tours, and I also featured an excerpt from her book, Eternally Yours: Bloodlines.

As a special treat today, I’m featuring an excerpt from my first attempt at vampire erotica. (But we’ll keep things on the blog rated ‘R’ or under). So without further ado, here’s an excerpt from A Turn of the Tables, by yours truly:


The sign on the door read Melina Dupree, M.D. – Psychiatrist. Michael straightened his lapel on his pinstriped suit, focusing on creating a mental shield before entering the office. Without it, mortals often felt ill at ease around his kind. The Elder Council wanted him to keep a low profile and had warned Michael to control his temper when he was chosen for the assignment. The council needed this mortal alive for now. Her research on how blood pathogens affect certain brain disorders had yielded information that could be quite unsettling to the entire vampire society.

Dr. Dupree had not found what she was looking for, but unwittingly, one of the pathogens she’d created had the potential to wipe out all vampires. It was unknown whether she herself, realized what her research had uncovered. Under other circumstances the Elder Council would have the research destroyed and she would be eliminated. But this mortal was surrounded by the aura of a coven of powerful witches, sworn enemies of all vampires. Her connection to the Sarenrea wasn’t clear, but Michael’s instructions were to bring her before the council without alerting the coven.

He pushed open the glass door to the office. Two large salt water fish tanks almost covered an entire wall on either side of the waiting room. Six tacky leather chairs sat in line in front of a gray metal desk. A girl, perhaps in her early twenties, with straight blond hair and too much make-up, sat behind the desk filing her nails. She looked up as he entered.

“Please tell Dr. Dupree that Michael Wymond is here to see her,” he said, meeting her gaze with an intense stare.

The girl sat up straighter, scanning her appointment book. She pushed the button on the intercom on her desk. “Dr. Dupree, your seven o’clock appointment is here.”

Michael’s gaze did not waver from the girl behind the desk. It wouldn’t do for her to be here when he took Dupree out.

“Send him in.”

The girl looked up, meeting his gaze before glancing away to stare at the intercom with a blank expression. Without saying a word, she reached under the desk, grabbing her purse and sweater, and left the office. Michael smiled at the thought of her hitting the street, realizing she had no idea where she was headed.

In the inner office, the antique furnishings appeared authentic. They included a wooden filing cabinet next to a free-standing mirror to his left, a beveled glass bookshelf lining the right wall, a Victorian-style Chaise lounge that no doubt served as the “analysis couch” next to the wall, and the oak desk, which Dr. Dupree sat behind.

The Sarenrae aura hit Michael strong, as the doctor peered over her black-framed librarian’s glasses at him, smiling. He wondered if she chose that style to make her look more intellectual. It was a look that worked, combined with her sandy blond hair pulled back in a ponytail, and her blue tailored skirt and blazer. She was the perfect picture of what a psychiatrist should be, albeit a sexy one.

Her female scent was sensual. This one had pheromones dripping off her. It stirred the maleness left within him, hardening his member as if he were still mortal. He detected the odor of fresh sex emanating from between her thighs. She’d been fucked not long ago, and still the scent of her need clung to her.

He closed his eyes, blocking his mind to those sexual thoughts, which he knew could lead nowhere. At the same time, he opened himself to her mind to see what he might learn. It was strange that he sensed no malice from her. A Sarenrae should be able to detect his true nature even with his mind shielded, but she seemed to be unaware.

When he opened his eyes, she was checking him out. Her eyes roved up and down him as she accessed the muscular man standing before her in a dark blue hoodie and black jeans. “How may I help you, Mr. Wymond?” she asked, tipping her head just a fraction to the side, her deep violet-blue eyes penetrating the depths of his stare.

Such strange eyes, meeting his gaze and holding it, drawing his eyes to hers. He’d play it cool while he probed her mind more for the answers he sought.

“I’m not here as a patient,” he said.

Her aura was strong and unmistakable, but he sensed no conscious connection with the coven. Then, a shield snapped up around her mind, like a light bulb burning out, and her thoughts were closed to him. It caught him off guard. Most mortals didn’t have strong enough minds to keep him out, but this one didn’t even seem to be aware that she’d done it.

She gazed at him with raised brow. “Then why are you here?”

With her mind shielded, subtle was out. He chose a more direct approach. “I’m a vampire,” he said with a smile, taking a seat on the leather armchair across the desk from her.

“A vampire?” She peered over her glasses at him once more, the corners of her mouth turning up ever so slightly, her brows raised over those deep blue eyes. “Of course. Is that why you request an evening appointment?” she asked.

Michael ran his hand up over the top of his head, pushing unruly black curls back from his face. Her disbelief seemed genuine. He took a deep breath, reminding himself to have patience with this mortal. He needed her, for now. “You think I’m crazy,” he said, placing his hands on the desk across from her. “You should be quaking with fear, but you’re not.”

She looked up, again meeting his gaze. “Those in my profession prefer not to label people in such manner,” she said, scribbling something on the yellow legal pad in front of her.

Each time she tipped her head as she wrote he could see her jugular pulsing in her beautifully curved neck. That, combined with the smell of her blood created a strong urge in him to jump over the desk and drink her dry, but he knew he couldn’t risk it. Perhaps when the Elder Council had finished with her…



For more information on HallowErotica 2017 you can visit our official site @ or contact me via email Admin@ScerinaElizabeth.NET


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Book Marketing – What Works?: Conclusions

Book Marketing

Whether an independent author or traditionally published, it seems most of the marketing and promotion falls to the author in today’s literary arena. Even if we love marketing and don’t find it to be an absolutely harrowing task, we are writers, and time spent marketing is time not doing what we love: writing. We don’t want to waste our time and money on ineffective marketing methods. We want to make our marketing techniques pay off big in as little time and expense as possible, so we can spend more time putting words to page.

In this series, we’ve talked to seven authors to learn what methods of book promotion works for them. In Part 1, I talked with Cynthia Vespia, who chose to go independent after having minimal results with small publishers. She does her own cover art and all of her own marketing. She prefers face-to-face marketing events to social media marketing. While she does do social media release parties and book events, she finds them most effective to increase fanbase, rather than book sales. She says it is more difficult to gauge the effectiveness of social media marketing than it is to see the imediate results of conventions and book signings.

Something which I’ve tried which has been somewhat effective, at least in building my platform, if not in actual sales, are the book releases and book events on Facebook. Even though obtaining a spot in one of these events is free, they do require a lot of preparation for a short little spurt (1/2 hour to 1 hour) for your spot. And I think you’ll get better results if you hang out for at least a while, commenting and playing the games to support your fellow authors and creating visibility. If you’d like to check one out, I’m participating in a special Cyber-Monday event, hosted by Sonora Dawn Studios and DL Mullen, and they are still looking for author particiapnts.

In Part 2, Mark Todd and Kym O’Connell Todd , who are small press and independent authors. Kym does their covers and Mark copyedits their books, and they do all of their own marketing. They promote through blogging and have a YouTube channel, where visitors could watch recordings of their research and ghost investigations. They also have a website and author pages on Amazon and Goodreads. They have found blogging, and social media promotion effective ways to get the word out about their books, but they found in person book readings to be less effective and unpredictable. They advocate free promotions and KDP Select.

On the issue of KDP select, I have my doubts, and author Chris Barili is in agreement with me in Part 6. It doesn’t make sense to limit the venues on which you can sell your book. With KDP select, you must sell only on Amazon, exclusively, which excludes many other venues, such as Smashwords, Lulu, Book Baby, etc… And while I say it makes no sense, both of my books are with KDP select right now. I’ve left Last Call there for now, because I have an idea to do something else with that story, and it doesn’t make sense to pull it off KDP select until then. And with Delilah, it’s really up to my publisher, so for now, I don’t have a choice.

Part 3 featured an interview with Jordan Elizabeth, a small press author. Her publisher handles editing and book covers, but she handles the major portion of her marketing. She’s an advocate of social media promotion. She reports good results advertising with BookBub and Fussy Librarian, and also says book signings are effective.

In 2016, author Nicholas C. Rossis in his post, Call to Arms: Year-long survey reveals which book advertiser offers best value for money, says that at the end of 2016, the best buy for your buck as far as advertising discounted books goes, was Amazon Marketing Services, Book Barbarian, and ENT. But he also notes that these trends fluctuate and advertisers that were rated higher in 2015, may have rated lower or not made his list in 2016. And he notes that Amazon Marketing Service rising from the ranks with unfortold speed.

According to Writer’s News’ list of useful book promotion websites , Write Globe, which claims to be the perfect platform for creative individuals, ranked number one. Also mentioned are Writers.Support, BooksOnline.Best, Noble Authors,, Creative Designers and Writers,, Earn.Promo, in that order. The last one on their list stuck out for me, because it’s free. As a starving writer, free always has a certain appeal. Another site for free advertising that I found was Authors Talk About It. They run your ad for your book in their newsletter for free and also free book cover contests, and featured author interviews. They ran my interview and made me sound good.

Independent author Tim Baker  joined us in Part 4. He started out with small press publishers, but switched over to independent, creating his own brand. He does free promotions and giveaways and finds them to be effective in creating buzz, resulting in future sales. He contracts out editing, formating and cover art, but handles all his own marketing, believing there is no magic formula for selling books but hard work and persistance.

If you are fortunate enough to be able to hire out your non-writing tasks, so you can spend your time tending to the business of writing, there are plenty of sites out there where you can find free-lance service providers. My editing services are offered through The Author Market, and they also offer cover design and book trailers, proofreading, ghostwriting and PA services.

In Part 5, independent author Amy Cecil shared her thoughts on marketing and social media promotion. She hires out her marketing tasks so she has more time to spend on the business of writing. She hires for editing and cover design, has a marketing firm and two PAs. She’s a new found believer in book blog tours, has done a book signing at B&N, and has a street team for creating social media buzz aboout her books. She’s not in favor of free promotions, but loves the exposure that social media has given her.

While Jordan didn’t find review tours to be worth the money it costs of the promotional agencies as her results were minimal. I  know a little about them, and I know authors who swear by them, like Amy Cecil. Many of my author interviews are part of the Full Moon Bites Promotions book blog tours. And I know there are plenty of other promotional services which set up book blog tours out there, but it appears the verdict is still up in the air on this book marketing method.

Part 6 features author Chris Barili, who has published both traditionally and independently. While his traditionally published book requires only minimal marketing from him, the independently published books require him to do it all. He has found social media marketing, free promotions and KDP select to be ineffective. What works for him is hard work and persistance.

In Part 7, I interviewed DeAnna Knippling, an independent author who has also developed her own brand and publishing label. She uses an Advance Reader Copy list and newsletters, free promotions,  and tries to attract super-readers on Goodreads, testifying to the power of reviews. (Of free promos Knippling says that if it doesn’t generate new sales, it at least generates new readers and that’s worth the cost.)

There is no doubt that in today’s book market, in the world of digital marketing, book reviews are where it’s at. But, honest reviews aren’t always easy to come by.  YA author Jordan Elizabeth used her street team for the task of finding reviewers, with mixed results, and DeAnna Knippling has done free promotions on sites like Instafreebie. Free ARCs don’t always garauntee the review. That’s one of the reasons I do honest book reviews here on Writing to be Read, to help promote other authors and their work.

Everybody talks about branding and how you have to have a brand, but it looks to me like branding is something that just sort of happens in many cases, such as my red quill and ink, which began as a social media avatar and has become my logo. In others cases, like DeAnna Knippling and Tim Baker, it’s a purposeful, but still comes almost naturally.

Overall, it seems that different methods are effective for different authors, and in different ways. While social media and free promotions may or may not produce new book sales, it does create buzz, which results in future sales, at least in theory. Although Mark and Kym don’t place a lot of value on social media promotion, Cynthia Vespia, Jordan Elizabeth, Amy Cecil and DeAnna Knippling find it an effective way to build a fan base and get reviews. It seems like face-to-face promotional encounters such as book signings and conferences are a pretty effective way to get your book out there, and free promos pay off if you look at other measures of effectiveness besides book sales. Tim Baker and Chris Barili both put their faith in hard work and persistance, regardless of the marketing methods you chose.

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Book Marketing – What Works? (Part 7): Interview with author DeAnna Knippling

DeAnna Knippling and Books

Welcome to the final interview in my Book Marketing – What Works? series, here on Writing to be Read. So far, we’ve heard from independent authors Cynthia Vespia on face-to-face marketing vs. digital marketing, Tim Baker on branding, Amy Cecil on street teams and social media marketing, and traditionally published YA author Jordan Elizabeth with an altogether different approach to street teams. We’ve also heard from authors who have published both independently and traditionally, Mark Todd and Kym O’Connell Todd on blogging as a marketing strategy, and Chris Barili weighed in on social media marketing and Amazon KDP. It seems no matter which way an author goes in today’s publishing arena, they are going to be responsible for the majority of marketing and promotion for their book.

In my final interview today, I’ll be talking with independent author, DeAnna Knippling, who has created her own brand and press to publish her books under. DeAnna is a talented lady and multigenre author, who not only publishes her own books, but freelances as a ghostwriter, as well. I’ve had the pleasure of reviewing three of her wonderful books, How Smoke Got Out of the Chimneys, Clockwork Alice, and Something Borrowed, Something Blue. DeAnna also shared with my readers in an earlier interview how she came about creating her own press to publish her books under. Today she shares with us a little about her book marketing experiences and talks about free promotions.

Kaye: How do you measure which marketing strategies are effective?

DeAnna: The ultimate proof is whether sales go up and stay better than they were before for a while. I tried a bunch of things that did well for a brief burst but left me no better off than I was before; I’m starting to be choosier about what strategies I stick with because of it.

Kaye: These days, reviews are a valuable marketing tool. What is the most effective way you’ve found to bring in reviews for your books? How much effect have reviews had for you?

DeAnna: Right now, I have an Advanced Readers’ Copy list that works better than other things that I’ve tried.  That is, if you’re willing to be a guinea pig, I’m willing to send you free books.

I started looking at who was reviewing my books on Goodreads earlier in the year and went, “Holy crap, I have readers who read 50+ different books a week and review all of them.”  I’m not joking. I call them super-readers…I started thinking about what I could do to attract more of those super-readers, and this is one of the techniques that I’m trying.  We’ll see if the others work; most of my ideas have to happen down the road a bit.

As far as the effect reviews have had for me, I had the good luck a while back to be riding near the top of a couple of the Amazon lists I was in while reviews were actually coming in (and while I was obsessively hitting the refresh button on Kindle Direct Publishing and the Amazon sales page).  Overall rankings went up by like 50 points an hour after the first review went live, even though only like one or two additional sales rolled in.  Reviews don’t always have such a measurable effect, but it was a blast to see at the time.  Also, when someone emails you off an ARC and tells you that you’re becoming one of their favorite writers ever and their review is up now, it really encourages you to keep going.

Kaye: You have used Instafreebie to promote your work. How does that work? How effective is it?

DeAnna: I think there are other resources about how to use Instafreebie that would work better than me trying to explain the basics in any kind of useful depth.  For the sake of the rest of the answer, though, I’ll sum up:  Instafreebie is a site where, for $20 a month, they host your ebooks and collect potential readers’ emails (for which the readers receive a free copy of the ebook).  You can boost the number of eyes on your book by joining group emails/group promotions, separate from Instafreebie.

It worked well for me, but I got in at exactly the right moment:  enough writers were participating in group promotions that the book giveaways hit a lot of new readers, and readers weren’t burned out with ereaders full of free books yet.  I added more emails than I knew what to do with and ended up costing myself a lot of money on MailChimp.  I actually had to cut some emails off the list–people who weren’t opening my newsletters. (I even got some responses back from MailChimp saying I had been reported as spam a couple of times and that the person hadn’t signed up for the list–not true; they had just signed up for so many lists that they had no memory of mine whatsoever).

Instafreebie allowed me to build up enough readers that I was able to put together an ARC list and to connect with some amazing readers that I wouldn’t have otherwise reached.  However, I’m not paying for Instafreebie any longer.  I don’t know how it’s going now; I just know that the flood of new newsletter readers who may or may not ever read my book was more than I could deal with.  Maybe when I get a better sense of how to market via my newsletter, I’ll try it again.

Sometimes you pounce on marketing opportunities.  The cost/benefit analysis on marketing shifts constantly.  “What works today won’t work six months from now” is kind of an ebook marketing truism.

That being said, no quick-response marketing strategy will work if you don’t have the basics covered, like having an updated website and a newsletter and a way for your readers to find your books and to contact you or connect with you.  There’s a lot of passive marketing stuff that supports the big, quick-turnaround experiments like Instafreebie.  Otherwise the readers fall through the cracks and disappear after they get their free ebook or whatever.

Kaye: A lot of authors today offer their work for free, or do limited free promotions. I’ve never really understood this. How does giving away your work pay off?

DeAnna: I think it depends on how you see readers, which is not to say that one way is better than another.  I mean, I know people who swear that giving away books for free will be the death of a career.  But I just can’t see giving away free ebooks as dooming me to failure per se, any more than you can see it the other way.

I see obtaining a loyal reader as an investment.  I want them to read my work and love it so much that they pass it on to someone else.  I’m willing to invest a free ebook or ten to see whether I can flip them to loyal readers.  If yes, YAY.  If not, it’s a sign that I need to work harder and keep learning.  I don’t write irresistibly good fiction yet.  I’m working on it.  Oftentimes, the people who are buying my books are people who are on my ARC list, who already have the free ebook in hand, and want to help support me.  I know, because they care enough to email me about it.  I tear up every time.

Maybe when I write fiction that I know people can’t resist, I’ll restrict my opportunities for free stuff.  I have already done that a bit.  For example, I no longer give away books for free per se.  I want an opportunity to keep reminding the reader I exist via newsletters or whatever–I want the opportunity to try to win them over.

Kaye: What other marketing strategies have you employed? Which ones worked for you?

DeAnna: I’ve tried a lot of things, and most of them are irrelevant at this point–we’re past the six-month mark.  What it comes back to:  your readers are your boss.  Write a lot.  Write better every time.  Stay in contact.  Don’t work for the jerky boss, work for the one who appreciates your work.  Keep your information updated.  Be a person, not a marketing machine.  Say please and thank you.  When you reach out to new readers, treat it like a job interview.  Keep your eye open for ways to go a little bit above and beyond.  Keep your eye open for ways to team up with bloggers, reviewers, other writers, and readers.  When you’re selling a book, sell the book–describe your book in a way that makes somebody drool, instead of saying things like, “I have a new release, check it out LOL.”  Investigate why people like what you write, how you make them feel when you’re at the top of your game, and sell that.  Be ready to pounce on opportunities, and learn from train wrecks so you can pounce on fewer train wrecks.

Marketing is hard.  It takes time and respect.

Kaye: What works best to sell books for you, as far as marketing goes?

DeAnna: Staying honest with myself and writing the books that are in me, and not the books I think should be in me.  I had to look at myself and go, “I write hipster pulp.  I write trope-filled popular fiction stories with quality ingredients, decent technique, a few original weird touches here and there (the equivalent of sriracha mayo on a juicy burger, I guess), and with a bit of ironic perspective and humor.”  Suddenly, voila, I had more sales.

More seriously, though, knowing yourself and your work on this level is sometimes known as “branding.”  The description is a bit facetious, but…well, it’s not exactly wrong, either.

I know what writers are looking for is a magic button to make their books take off in the market, but there isn’t one.  What you want to be able to do is repeat success and learn from failure.  Don’t be the person who writes one book (or one trilogy) that takes off and who then cannot repeat that success or in fact finish another book at all, ever.  Don’t be the person who burns out on writing because of all the marketing you have to do.  Do what it takes to stay in love with writing first and foremost, experiment with different techniques, and be prepared to fail on a regular basis.  Try to fail in a different way each time.

Also, if you can write porn, do that.  It sells really well.

Kaye: What’s your favorite social media site for promotion? Why?

DeAnna: Purely for promotion, as opposed to staying in contact with people?  Probably Goodreads.  Highest proportion of dedicated readers and super-readers.  Lots of great data, too, if you poke around a bit and make a few inferences.

Kaye: What advice do you have for authors who are trying to get their work out there?

DeAnna: Don’t blame the readers.  If your ads don’t work, if nobody shares your posts, if nobody wants to review your book, if nobody gushes over your cover, etc., etc.  Don’t blame the readers.

I want  to thank DeAnna for taking the time to answer all my questions. It’s evident by her answers that she’s put in the time, both in writing and marketing, and it’s wonderful that she is willing to share with us here on Writing to be Read. You can learn more about DeAnna’s books at Wonderland Press.

This is the last of my interviews for this series, but be sure to drop by next week to take a look at my conclusions in the last post for Book Marketing – What Works?.

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Book Marketing – What Works? (Part 6): Interview with author Chris Barili

Barili and Books

In Part 1, of Book Marketing – What Works?, dark fantasy author, Cynthia Vespia, shared her insights in social media vs. face-to-face marketing, and we heard from co-authors Mark Todd and Kym O’Connell Todd in Part 2. We’ve also about how they launched a digital media marketing strategy which they’ve found to be effective. YA author Jordan Elizabeth talked about her street team and social media marketing experiences in Part 3, and in Part 4, author Tim Baker talked about branding.

Today, I have the privilege of talking with my friend and cohort, author Chris Barili. I have reviewed all of his books here, on Writing to be Read: The Hell’s Butcher series and it’s prequel, Guilty, and his paranormal romance, Smothered. As a hybrid author, Chris walks both sides of the publishing line with works published independently, as well as a work published with a traditional publisher. Like many of today’s authors, Chris may be the picture of the prototype for the author of the future. Many authors who have been traditionally published successfully are now looking at the independent publishing route, because authors still left with bearing the bulk of the marketing and promotional burden.

Unlike the enthusiasm of last week’s guest, contemporary and historical romance author Amy Cecil for social media marketing strategies in Part 5, Chris doesn’t find it very productive, but I’ll let him tell you about that.

Kaye: Would you share the story of your own publishing journey?

Chris: I am a hybrid author, so I have two stories. The first is my traditional publishing journey with Smothered as B.T. Clearwater. That book was my MFA thesis, and when I finished it, I didn’t know what to do with it. Got no replies from a couple of major romance publishers, so when Winlock/Permuted press held a contest for their new supernatural romance line, I entered and I won! About four months later, the e-book hit the virtual world, and this past July, Simon and Shuster did a limited print run of 450 copies.
The second story is my self-publishing journey with the Hell’s Butcher series of novellas. I wrote Guilty, the pre-quel, as an assignment for my MFA, and submitted it to a themed anthology. While the editor praised the story, it didn’t quite fit their antho’s theme, so it was rejected. And rejected. And so on, until I finally got the idea to write a novella series based on Frank becoming Hell’s Marshal. Knowing there wasn’t much of market for novellas, and that weird westerns a smaller market anyway, I decided to self-publish. That meant hiring a professional editor, a cover artist, and a formatter, but I did it! There are three books in the series and more to come!

Kaye: What’s something most readers would never guess about you?

Chris: Readers of Smothered might not guess that I’m a guy? LOL. I think most wouldn’t guess that I have Parkinson’s Disease, as I try hard not to mention it in my writing. I do slip in the occasional hand tremor or other symptom, but I don’t mention the disease itself.

Kaye: You recently ran a free promotion, where you offered Guilty for free for a limited time. I’ve often wondered about the logic behind that type of thing. How does offering your book for free help increase book sales? Or does it?

Chris: I offered Guilty for free in hopes of pulling readers into the series, so they’d buy books one and two. Did it work? I don’t think so. I gave away something like 55 or 56 free copies of the book, and sold 13 paid copies. And while sales have been steady since then, I don’t think the free giveaway had anything to do with that.

Kaye: You’ve participated in book release events on Facebook. How did that work for you?

Chris: Not a fan. I have yet to see significant sales tied to online functions like that for any of my books. However, I know authors who swear by Facebook promos like blog takeovers, release parties, and so on. Maybe I’m just doing it wrong, but they never work for me.

Kaye: What works best to sell books for you, as far as marketing goes?

Chris: Hard f**king work. My highest paid sales month was October of 2016, when my good friend Amity Green and I decided to have a contest and see who could sell more books by Halloween. We used Amazon marketing campaigns, Facebook boosted posts, and our own social medial blitzes. We were pimping and fluffing and promoting our books like crazy. She ended up beating me by six copies, but that remains the most lucrative sales month for me, and I believe it is for her, as well. Problem is, you can’t maintain that pace of advertising for long, if you have a job/life.

Kaye: You have a traditional publisher for Smothered. How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your book in comparison with what you do for your Hell’s Butcher series, which you self-published?

Chris: A little marketing. Winlock/Permuted had me do a blog, which I need to resume, and they tasked me with finding podcasts and reviewers. I’m still working on both of those items. For Hell’s Butcher books, I do it all. I pay for the cover, the editing, the formatting. All of it.

Kaye: Do you participate in KDP Select on Amazon? One of the requirements for the KDP Select platform is that you must agree not to use any other platforms, giving Amazon the exclusive. Do you feel this program is conducive to selling books?

Chris: I do for now, but I am dropping it as soon as Guilty is through it at the end of October. I don’t see a benefit. I’m getting it out there on Barnes and Noble, Kobo, and so on.

Kaye: What do you do for cover art on our self-published books? DIY, or hired out, or cookie cutter prefab?

Chris: I contract Michelle Johnson of Blue Sky Design. Look her up on Facebook. She offers a deal where she does the e-book cover, paperback wrap for Createspace, Facebook cover and profile, and Twitter cover and profile at a reasonable price.

Kaye: What do you see as the pros and cons of independent vs. traditional publishing?

Chris: Independent gives you more control, but requires a lot more work and usually won’t sell as well. Traditional is less work, but you also have less control and make much lower royalties.

Kaye: What’s the best piece of advice you were ever given?

Chris: Self-publish and go tradition. Hybrid is the future of authorship.

Kaye: Besides writing, what are your favorite things to do?

Chris: I am an avid mountain biker, and I do martial arts, both of which are fun and help me fight my disease. I also like to read, of course.

I want to thank Chris for being here with us on Writing to be Read and sharing his thoughts on marketing from both sides, independent and traditionally published. If you’d like to know more about Chris Barili, B.T.Clearwater or his books, visit his Amazon Author Page.

Be sure and catch Book Marketing – What Works? next week, when independent author DeAnna Knippling will share which marketing strategies have worked for her.


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Book Marketing – What Works? (Part 5): Interview with Romance Author Amy Cecil

Amy Cecil and Books

So far in this Book Marketing – What Works? series we’ve heard about: social media marketing vs. face-to-face marketing methods form dark fantasy author, Cynthia Vespia in Part 1; digital marketing strategies from co-authors Mark Todd and Kym O’Connell Todd in Part 2; social media marketing and street teams for reviews from YA author Jordan Elizabeth in Part 3; and branding and free promotions from author Tim Baker in Part 4.

Today, I’m pleased to bring you a chat with contemporary and historical romance author Amy Cecil, who is a self-published author, who uses book blog tours and street teams to promote her work. I met Amy when I interviewed her for her book blog tour through Full Moon Bites Promotions for the release of the second book in her Knights of Silence MC series, Ice on Fire. So, without further ado, please welcome Amy Cecil.

Kaye: In addition to your Knights of Silence MC contemporary romance series, you write historical romance. Would you like to talk about those books a little?

Amy: Of course I would!  I have two historical romance novels published that are variations of Jane Austen’s Pride & Prejudice.  You know, the kind of stories that you always wonder, “what if?”  Well I did and I decided to create my own “what if” story in Jane Austen’s world.  I am currently working on a third historical romance, also a Jane Austen variation, titled On Stranger Prides.

Kaye: What made you decide self-publish?

Amy: At first, I really didn’t have a choice.  The publishing companies that I originally contacted were not interested or were not taking new authors at that time.  I didn’t know that self-publishing was an option until I did some research.  Self-publishing was the only chance I had to get my stories out there.  I have no complaints with the self-publishing world, but I do believe it requires a lot more work on the part of the author.

Kaye: How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?

Amy: Originally, I did everything myself.  But as I got savvier, I have since hired a professional editor and cover designer both with Creative Digital Studios. And marketing, well, I never did anything in the early days.  I never realized how important it was until I decided to hire a PA.

Kaye: How much work do you contract out? Book Covers? Editing? Marketing? Etc…?

Amy: Creative Digital Studios does all my promotional materials, however I may do a teaser or two myself.  My two PA’s Alicia Freeman and Monica Diane do all my marketing and promoting.  I do a little myself when I am not trying to meet writing deadlines.

Kaye: How do you feel about the marketing tasks you have to do? Do you embrace them or loath them? Why?

Amy: That’s a trick question.  LOL… I’m just kidding.  Sometimes I am all excited about doing some marketing of my books, other times not so much.  It really all depends on my mood and what else I have to do.

Kaye: You and I met through Full Moon Bites Promotions, when they hosted your book blog tour for Ice on Fire. For that tour I did a review of your book and we did an author interview. Is that the first book blog tour you’ve done? What kind of results did you see from it? Was there a rise in sales? Do you feel it was a successful marketing venture?

Amy: It was the first blog tour I have ever done – and I assure you, I will not release another book again without one.  I really can’t say that I saw a rise in sales, but what I did see was my new release ALL OVER SOCIAL MEDIA!  And if I saw it, then I am sure millions of others saw it.  So, yes, I feel it was completely successful.

Kaye: You recently did your first book signing at Barnes & Noble. How did that go? How successful do you feel that was, as a marketing strategy?

Amy: That was freaking awesome!  For an indie author like myself to actually get into a major bookstore is huge!  I met a lot of great people that day, including the B&N staff.  On the marketing end, I believe it was very successful.  It’s definitely opened up a lot of doors for me.

Kaye: You have a street team who help you promote your work, Amy’s Amazing Street Girls. Can you talk a little about what your street team does and how you build a street team?

Amy: I can definitely talk about my street team, but a little – not so much!  My street team is amazing!!  I didn’t realize when we named it Amy’s Amazing Street Girls, that I would continually use the word “amazing” to describe them.

This team is my safe zone.  I go to my team when I need someone to bounce ideas off or to get me through a rough writing patch.  When I need something shared or a contest voted on I can always count on my team.  I host several giveaways in my team and we even have a weekly SWAG giveaway that we do.  They help me promote my books everyday.

In return, we (my PA’s and I) entertain them.  There is activity in this group every single day.  Some days are themed others are not, but we have a lot of fun with whatever we happen to be doing on that particular day. We currently have over 470 members and we add new members every day.  Just to show how much I love my street team, my latest release, Ice on Fire is dedicated to them.

Kaye: You have a P.A. who helps promote your work, too. How much of a help in your marketing is this?

Amy: No, I don’t have a PA – I have two, Alicia Freeman and Monica Diane.  These ladies are my biggest support in all aspects of writing.  They promote my stuff, they run my street team, they do Author Takeover Events – they do everything.  I would be lost with them and still don’t know how I survived as an author before them.

Kaye: Do you pay your P.A.s or your street team?

Amy: I do pay my pa’s, but not members of the street team.

Kaye: So what is involved in building a street team?

Amy: I believe that you need to constantly be recruiting new members – keep them engaged daily and offer lots of perks for them to be a member of the team.  My PA’s have worked really hard in building the team and I am just along for the ride.  LOL.

Kaye: You promote a lot on social media, including book release parties and the like. How effective do you find social media marketing to be? Do you feel they increase your sales or are the biggest benefits in gaining new followers?

Amy: I’m not really sure if social media has increased my sales, as I believe people are buying books like they used to.  Indie authors have got them self in rut by giving away free books that I believe a lot of people on social media are looking for the freebie. But on the flip side of that, social media has definitely given me exposure. To me, the exposure outweighs the sales because I am a firm believer that eventually that exposure will lead to more sales.

Kaye: What other marketing strategies have you used?

Amy: I have done Facebook, Goodreads and Amazon ads and giveaways.  I have also done advertising in Inks and Scratches magazine and have attended several signing events.

Kaye: What would you say works best to sell books, as far as marketing goes?

Amy: Me.  I know that sounds odd, but I find that I sell more books if I am physically in front of the person telling them about my book.  I have done a lot of signings this year and that face-to-face contact between me and the reader makes a huge difference.

Kaye: What advice would you give to new authors trying to get their work out there?

Amy: Don’t be afraid to spend some money.  First and foremost hire a good cover designer and editor.  It is so worth it in the end.  And definitely hire a PA!  Their rates are reasonable and their value is priceless!

Thank you so much Kaye Lynne!

No thank you Amy, for joining us on Writing to be Read, not once, but twice. And thanks for sharing some of your marketing experiences with us. If you’d like to learn more about Amy or her books, visit her Amazon Author Page, her Goodreads Author Page, or her website.

Don’t miss next week, when my guest will be hybrid author, Chris Barili in Part 6 of the Book Marketing – What Works? series. If you don’t know what a hybrid author is, you’ll have to check back in to find out.


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