Author Update: The Making of a Memoir On Hold Indefinitely

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I’m sorry to say that the obstacles and road blocks I mentioned in my April post have brought my memoir writing process to a screeching halt before it had truly begun, and thus, this bi-monthly blog series must come to a halt, as well, until I can find answers to the problems related to writing about real people and organizations which is necessary to telling my son Michael’s story, as well as my own. Losing Michael: Teen Suicide and a Mother’s Grief  has been shelved, at least for a while due to legalities. This book project is based from my personal experience and is dear to my heart, and it great saddness that I make this decision, but I’m not ready to face the trials that forging ahead with it would require.

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On the other hand, there are exciting things on the horizon. My efforts for the near future will turn to working on the issue of re-issuing Delilah, which Dusty Saddle Publishing has so graciously offered to do. Once this is completed, I plan to pick up where I left off on the drafting of the second book, Delilah: The Homecoming. I just got Delilah back on track in this story with considerable revisions and I’m a little sad to have to delay the completion of this book, but also confident that the story will be better for it.  

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I will be getting the WordCrafter website up and running and ready for launch.  Get ready folks, because WordCrafter Writer & Author Services is coming soon. Services will include Editing and Copywriting services, online courses, and WordCrafter Press.

I’ll also be compiling and publishing the two great anthologies to be released by WordCrafter Press. The Ask the Authors anthology will feature the collaborative interviews from the 2018 “Ask the Authors” blog series right here on Writing to be Read. This book will be filled with writing tips and advice from authors who are out there doing it, a valuable writing reference for authors in all stages of the publishing journey.

WordCrafter Paranormal Anthology - smallThe other anthology, Whispers in the Dark, will be a short story collection harvested from the WordCrafter Paranormal Short Story Contest held at the beginning of 2019. It will feature several of the submissions from the contest, including the winning entry, “A Peaceful Life I’ve Never Had”, by Jeff Bowles. These anthologies are still in the preliminary stages, but I plan to have them both out by the end of the year. I have cover ideas for each one, but only Whispers has a final version at this time. I plan to release it in October.

 

 

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A Roundup of Westerns in May

Western Roundup

When I began seeking my M.F.A. in Creative Writing, back in 2012, I would have said that the western was a dying breed. Even as I tried my hand at writing a western novel, with Delilah, I didn’t think the book would get very far. I figured publishers didn’t want to put out westerns anymore, because they were looking for books that would sell. I thought the only readers westerns had were old men who’d grown up on Louis L’Amour and Zane Grey. I didn’t believe there was an audience for western any longer.

Today, I have to say that I was wrong, since there seem to be new western authors popping up all the time and a good portion of them are female. In fact, the genre seems to be expanding, rather than dying out. I’ve made the acquaintence of several who I did not previously know as a result of my research for this month’s genre theme. That first assignment eventually grew into the first book I was able to get published, but when I began to write Delilah, I looked at westerns as a male realm where a female author might find difficulty being accepted. Now, I’m seeing a lot more female authors of the genre than was previously the case and I am pleasantly surprised.

But I don’t think this is because publishers are eagarly scooping up western novels. A majority of western authors with books in the marketplace are self-published authors. I think western authors must self-publish first and prove themselves before publishers are willing to take a chance on the genre these days.

For a look at a new twist on classic historic western fiction, you can check out my review of Not Just Any Man, by Loretta Miles Tollefson. Like all good things, the western genre has had to change with the times to survive. Many authors are finding a selling point by combining western with other more popular genres, like romance. If you look, you’ll find that a good portion of today’s westerns fall into the category of western romance, although romance isn’t the only genre authors have combined with western. I’ve read a few paranormal westerns, as well. For an example, you can read my review of Joanne Sundell’s, A Slip on Golden Stairs. There are even a few science fiction westerns out there, as well as western dark fantasy, such as Chance Damnation, by DeAnna Knippling, which I reviewed earlier in the month, or check out my 2016 review of Chris Barili’s Hell’s Butcher series, which both feature supernatural elements.

I’d also venture to say that the number of westerns featuring tough female protagonists would tip the scales if measured against those featuring male heros in today’s westerns. It seems the cowgirl is determined to take her place in history, even though old cowboys never really die. But, all western heroines are not cowgirls. Western heroines may take the form of pioneer women tough enough to brave the western frontier and win, or a homesteading wife who loses her husband to one of the many threats that come with living in a harsh landscape and must survive in a brutal landsacpe and fend for herself, or prostitutes who lived lives of servitude and put up with indignities not spoken about in polite company in order to survive an isolated existence, or young girls full of dreams to see the world who are looking to escape and determined to do whatever it takes to achieve them. They aren’t all Calamity Jane, but they are each tough and bold and gritty in their own ways.

But don’t take my word for it. Maybe the western genre hasn’t changed as much as I think. You can find out what other western authors think by checking out this month’s interviews. My “Chatting with the Pros” author guest was western adventure author Scott Harris, and I also interviewed Christian western romance author Patricia PacJac Carroll, and western author Juliette Douglas. And if you’re interested in further discovery, you can check out my January interview with western author Loretta Miles Tollefson.

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As for myself, I’m working on the rewrite of the first 45,000 pages in the second book in my frontier western saga, Delilah: The Homecoming. I know you’re not supposed to edit until you’ve finished the first draft, but that’s what happens sometimes. Your character walks up and smacks you and says, “Where the heck are you taking me?”, and you realize the story has taken a wrong turn somewhere along the way. But I’m getting her back on track now. While Lois L’Amour is the reason I love reading westerns, Delilah and the other colorful characters featured in these books are the reason that I love writing them.

It’s been a great western round-up and I hope you’ll all join me in June, when will be riding the thriller train and looking at ways to give readers the thrills and chills they crave. My “Chatting with the Pros” author guest will be thriller author John Nicholls, and I’ll be interviewing author Dan Alatorre and reviewing his new thriller, “The Gamma Sequence”. My second thriller review is yet to be determined, so it will be a surprise. I hope you’ll drop in and see what’s in store.

Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress.

 

 

 


“A Slip on Golden Stairs”: A western paranormal romance?

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Some might cliam that the paranormal and western genres don’t go together, but A Slip on Golden Stairs, by Joanne Sundell does an excellent job of melding past with present, offering readers a romantic ghostly tale that you won’t want to put down. This well-crafted story conjures ghosts from the Alaska gold rush days, when many risked everything, including their lives, for a chance to strike it rich, telling their story through their connection to the present.

Abby Gray doesn’t believe in ghosts, but she can find no other explanation for the the mysterious figure of a woman in the second floor window of what was once a brothel, or the handsome stranger who appears when she least expects it, or the unexplained man’s voice calling her name, that no one else seems to hear. What starts out as a summer of chasing gold mining history, turns into a ghost hunting adventure into the past that ends in love. Through her search for answers, we learn the story of Abigail Grayson, a tough young girl, determined to find her freedom and independence in the Alaskan gold fields. The connection between the two women and their beaus is revealed slowly, with each turn of the page, as the love between Abigail and Elias navigates the obstacles along the way, and Abby searches for a man who can’t possibly exist. Abby believes she might be losing her mind. After all, can one fall in love with a ghost?

Whether readers are into westerns, ghosts or romance, A Slip on Golden Stairs is sure to satisfy.  The two stories are woven together in a masterful blend of multiple genres. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


We Can’t All Be Prolific Writers

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Not all authors can be prolific, turning out one, two, or even three books a year. To be sure, there are prolific authors out there. If you’d like examples, think Stephen King, Dean Koontz, J.K. Rowling, or take a look at my interview with the most prolific writer I personally know, Kevin J. Anderson. The words just seem to flow onto their manuscript pages with the right words, settling in just the right order, to say exactly what the author intended to say, requiring minimal editing and revision, churning out quality stories in mind boggling volume.

I am not a prolific writer. This is an epiphiny which came to me only recently. I know it can be done, but it’s just not me. Realizing this actually explains a lot about me. Now I know why I never could complete a NaNoWriMo. While it is true that I did once write a 35,000 word novel in nine days, it wasn’t the quality writing that I am capable of. It was a draft that was nowhere close to publication. I have to struggle through the plotting, and work things out in my head with my characters until I get it just right.

With Delilah, the first book in my western frontier saga, I completed the first draft and put it through a first read and revised, and ended up rewriting at least a third of the book because I changed one scene that impacted and changed everything that had come after, but the book came out better for it after two years.

The problem is that I’m a perfectionist, so anything that is less than as perfect as I can make it be isn’t good enough to go out there with my name on it. I don’t want to pump out a huge volume of sub-par writing just to bring in the green. My readers deserve more than that, and I won’t settle for less than the quality writing and well crafted stories that I long to create.

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With the second book in the saga, Delilah: The Homecoming, I didn’t even get the first draft completed before the first rewrite. Around 40,000 words into the first draft, Delilah told me that the story was all wrong. Somewhere along the line, my plot had taken a wrong turn, and the story wasn’t going in the intended direction. (Yes, I talk with my characters with the stories in this saga.) When I reread what I had, I realized the truth of it. I had no idea where to take the story from the point it was at.

I tend to be a seat-of-the-pants writer. I get an idea and I have to get it down, so I just start writing. With short fiction, that’s not a bad thing, but when it comes to novels it can be. I could see a couple of places where I thought the story should go in a different direction, but the enormity of the task weighed on me and there were spots where I couldn’t see around what was already written. I set it aside for a month while I pondered the possibilities until I realized what needed to be done.

I may not be prolific, but I am obsessive/compulsive about writing, always having two or more WIPs in different stages of completion. While writing Delilah, I was also working on my thesis novel, which has now become book one of my Playground of the Gods science fantasy series, The Great Primordial Battle, along with completing several short stories during that time. Currently, along with crafting the first draft of The Homecoming, I’m working on two anthologies, preparing The Great Primordial Battle for publication, and working through the snags I’ve hit with my memoir, Losing Michael. It’s no wonder my books take years to write. Yet, I have the satisfaction of knowing that when I’m finished, they will be well crafted stories.

The soil of my mind is fertile and can produce an abundant harvest of stories. The children of my creativity just require longer gestation and growth periods. Stories don’t just spew out of my brain, ready made. They must be honed and crafted until they become the works of quality writing that my readers have already come to expect. But another thing that I’ve realized, with as many projects as I have going, when they all are finally published, and they are all lined up across my author pages and my website, it will appear that I am prolific to anyone who doesn’t know better.

The point is, as authors, we’re all heading toward the same goals, quality crafted stories. The path we chose to get there, they way that we approach the writing process, isn’t nearly as important as the fact that we complete the job. And we can all do that. What kind of writer are you?


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Chatting with the Pros: Interview with western author Scott Harris

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Today my author guest on “Chatting with the Pros” is a successful western author, who also happens to write his own blog, which ranked in the top 10 western blogs by Feedspot. He has written many western novels and numerous western short stories. His Brock Clemons Series was a finalist in the Western Fictioners Peacemakers Award and is ranked as a top selling series by his publisher, (and mine, as it happens), Dusty Saddle Publishing. According to his website, he grew up on Louis L’Amour. When it comes to the western genre, he really knows his stuff. Please help me welcome western novelist Scott Harris.


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Kaye: What is most challenging about writing western for you?

Scott: Since I am still working full-time running my company, finding the time to write is the most challenging thing. I usually write in the morning and have to drag myself from the keyboard to go to work. I’m hoping retirement fixes that.

Kaye: You have three books out in the Brock Clemons series? What can you tell me about that series?

Coyote Creek ColorScott: There are actually eight books in the series. The six novels (in order) are: Coyote Courage, Coyote Creek, Coyote Canyon, Mojave Massacre, Battle on the Plateau and Ambush at Red Rock Canyon. Additionally, there are two collections of short stories based on the Brock Clemons characters: Tales From Dry Springs and Tales From the Grand Canyon.

Brock was my first series, so it holds a special place in my heart. The characters are more complex than those in my subsequent series, which makes writing the stories more difficult and more rewarding. I will come back to these characters, but probably not for a year or two.

thumbnailKaye: What can you tell me about your CAZ: Vigilante Hunter series?

Scott: This series is pretty much the antithesis of the Brock series. It is six books (Slaughter at Buzzard’s Gulch, Never Shoot A Woman, The McKnight Massacre, Fire From Hell, Hell on Devil’s Mountain and A Whore’s Life) about a man named Caz (no last name) who travels the West searching for and killing evil men who have evaded justice. The series was an absolute blast to write.

 

Kaye: When writing for a series, do you outline the whole series from the start, or do you add books as you go? Are the books stand alone, or do the follow a chronological path which should be read in order?

Scott: I am on my 3rd series now (Stagecoach Willy) and I’m in the middle of the 2nd book. I have no idea where the next books are going to go and won’t think about the 3rd book until I finish this one. As a matter of fact, I do not outline my books at all. When I finish a chapter, I have no more of an idea of what the next chapter holds than the reader will. I know that’s different than most writers, but for me, it keeps the writing fresh.

For the most part, the Caz books can be read as stand alone, there is very little crossover from book to book. The Brock series is different and benefits by being read in order.

Coyote CanyonKaye: The most recent book in the Brock Clemons series is Coyote Canyon. Can you tell me a little about that book?

Scott: Coyote Canyon came out early last year and was the 3rd book in the Brock series. The series can be thought of as two different trilogies (Dry Springs and Grand Canyon), so in that sense Coyote Canyon was the last in a trilogy. It was a fun book to write because it wrapped up Brock and his families time in Dry Springs and set the stage for them to move to the Grand Canyon.

Kaye: In addition to your western novels, you have also contributed to several western anthologies. Do you prefer writing book length works or short fiction? Why?

Scott: I think that depends on my mood. My short stories range from 500 words to 5,000 words and sometimes I have an idea that I think is powerful, but requires no more than a short story. It can be freeing to write shorts without having to worry about the continuity that novels require.

On the other hand my novels (Brock averages about 50,000 words per book and Caz closer to 30,000 words) allow me to explore ideas and characters in depth. I would hate to be limited to one or the other.

Six Gun PartnersKaye: You wrote a collection of short stories together with your son, Justin. How did that work? Did you write each story as a collaboration or did you each contribute stories of your own? Was it a good experience? Would you do it again?

Scott: We wrote our own stories, though we talk 2-3 times per week about what we’re working on. He is my best story editor and muse. It was a great experience and we’re working on some things together right now. He’s also about halfway done with his first novel.

Kaye: What is the most fun about writing western for you?

Scott: Coming up and with sharing my ideas. It is really exciting to be able to create stories and characters and then do with them what you will. I have learned that it doesn’t take long before the character takes over and I find myself saying “He/She would never do/say that”

Hearing from readers that they like my work is tremendously rewarding. And I’m just old fashioned enough to still love seeing my books in actual print, with paper, ink and a cover.

Kaye: Your blog recently received the Feedspot award, ranking it up there with the top 20 western blogs out there. I believe your blog was actually ranked in the top 10. Would you like to talk a little about that?

Scott: It was flattering, of course. I try to write posts that are honest and candid. I share my troubles and mistakes (at least with regards to writing) and I believe that resonates with people. I love getting feedback from readers. I am absolutely certain that I learn as much, if not more, from my readers than they do from me.

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Kaye: Since you write one of the top western blogs, and have been a fan of westerns since an early age, what do you see when you look at the genre today? Do you find more male or female western authors? Do you find the genre dominated by independently published authors? Do you find it trending more toward western romance these days?

Scott: The genre certainly leans toward being male dominated, but it’s changing and more and more women are getting involved, which is great. Certainly the 3-4 huge names dominate the book stores and it’s tough for most of us to get any shelf space. But, Amazon opens the world for independent writers and gives many of us a chance to find an audience. Can’t ask for more than that.

I have noticed the western romance genre getting more notice and attention. It’ll be interesting to see if that continues.

Kaye: Where do you see the western genre going in the future?

Scott: Wherever we want to take it, or maybe more realistically, wherever the readers want us to take it. There are plenty of different genres sitting under the Western umbrella, so it’s up to us to write some great books and pull in readers – new and old – and at the same time, we need to listen to what the readers are telling us.

thumbnail (2)Kaye: What is in store for the future for Scott Harris? Does Brock or Caz have more stories in store for them? You are working on the second book in the Shotgun Willy series? Tell me about that series, if you would.

Scott: I’m done with Brock and Caz for now. I am working on the 2nd book in the Stagecoach Willy series. Willy is a stagecoach driver and keeps stumbling into trouble and then I need to write him out of it. He has a sense of humor, which is fun to write and has a partner, Ten, that he’s been staging with for years. When I finish the 6th book, I plan to do a “capstone” book that brings Brock, Caz and Willy together in one grand book.

Kaye: What do you like to do when you’re not writing?

Scott: Spend as much time as possible with my wife, Randi, my son, Justin and my daughter Samantha and her husband Devin. Randi and I travel quite a bit, try to take one RV trip per month. Next month is a 3 week trip to South Bend to watch our daughter graduate from Notre Dame Law School.

Next year, we’re retiring and moving to Tennessee. Very much looking forward to it.

I want to thank Scott for chatting with me here and sharing some of his expertise in the western genre. I very much enjoyed this and hope all of my readers have, too. You can learn more about Scott Harris on his blog and website, or on his Amazon author page. Join me next month on “Chatting with the Pros”, when my guest author will be hardboiled crime fiction novelist Jim Nesbit. I hope to see all of you then.


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Interview with western romance author Juliette Douglas

Juliette Douglas

I’m pleased to be chatting today with a prolific author who has burst onto the western scene in a relatively short amount of time. Her debut novel, Freckled Venom, was a Laramie award winner, and she recently signed on with Delilah‘s publisher, Dusty Saddle Publishing. The amazing part is she manages churn out all of her many books, while still holding down a traditional job outside the home, as well. Let’s see if she has any secrets to share. Please welcome western author Juliette Douglas.


Kaye: Your website says you are a new voice in the western genre, but it seems like you have written a lot of books. How long have you been writing western?

Juliette: I was a new voice 5 years ago, as I tend to have more grit in my novels then most women western writers.

I was 1st published in 2013, but the publisher was awful so ditched them and became indie and re-issued my books with new covers and re-edited interiors in 2014. So that’s when I like to say I’ve been published.

Kaye: What did you write before westerns?

Juliette: I have never written a thing before in my life. So I guess you could say I’m a late bloomer.

Kaye: Do you think it is more difficult for a woman to author a western novel and make a success of it?

Juliette: No I don’t. When I began to promote my novels at local events, I sold more to men then women. Since then I have all ages who read my books.

I personally feel it’s easy for me to write strong female characters in an old western setting then to write a contemporary western.

I love history, so it’s a good match for me. I’ve been blessed with my success. I know I am up against many good male western writers who have been around much longer then I have, but I’m making strides.

Kaye: What’s the biggest challenge in writing westerns for you?

Juliette: Making sure the things I want to happen are in the right time frame, I use the weapons for that era etc. For example: smokeless gunpowder did not appear until the 1890s.

Kaye: Your female characters are bold and brassy in a genre where women are typically portrayed as damsels in distress needing rescued by a big strong man. How do you write your heroines in a way that makes them believable, yet allows them to remain independent?

Juliette: I try to put myself into the situation. How would I feel, behave, emotions I might hide or display. Would I be angry or decide these are the cards I was dealt and how would I go about living my life with these secrets or circumstances thrown at me. Women who carved out a future for themselves in the old west had to be some of the strongest I have ever read about and I try to portray that with my characters.

Kaye: What can you share about your Freckled Venom Series?

Juliette: It was a great experience for me as a writer. I loved how my characters took over and I was just the messenger typing out their words and feelings.

SkeletonsThe Freckled Venom Series is very different then most western novels out there because it has a gun toting rugged female who bounty hunts instead of the usual male filled westerns. I’ve reversed the roles you might say.

In Freckled Venom Skeletons I tried something different. I had two points of view going on. One from the children’s POV and then the adults and it worked very well.

There will be many more stories in the FV Series. This summer I will have Freckled Venom Vixen The Early Years and for Christmas, Plum Dickens of a Christmas. A reunion of sorts with all the characters brought together in this book.

Kaye: What do you consider to be the single most important element in a western?

Juliette: Good storylines & plots. Plenty of action and hair-raising adventures.

Perfume Powder and LeadKaye: Would you talk a little about Perfume, Powder and Lead: Holy Sisters?

Juliette: Hahaha…This was one of the most fun books I have written. The idea is so absurd that this would have happened, but a possibility in those days.

Three soiled doves are tired of that life and set out to the gold fields, but they need money to get there. They stumble across nuns killed by raiders, and the girls change their habits, so to speak and make plans to rob a bank dressed as nuns.

But there are deeper elements also allowing the reader to form a bond with these girls.

It’s raw, it’s gritty and it’s not for everyone to read.

Kaye: Are there any of your books which you’d classify as western romances?

Juliette: I have the teasing potential of romance in most of my novels and my readers seem to like that.

Kaye: One of your most recent releases, Bed of Conspiracy, sounds to me like an

historic thriller involving political conspiracy, assassination plots and cloak

and dagger action, all set during the Grant administration? Was it difficult for

you to stray outside of the western genre?

Bed of ConspiracyJuliette: Oh man, I had wanted to do this story for 3 years before I finally found time to write it.

Loved writing this one! Set in 1876 it wasn’t hard for me at all. I loved weaving actual events into the story. Looking at maps of Washington DC from 1876 to learn the layout of the city to include actual street names and places scattered about in the fictional story. It has ended up being one of my most popular novels and due to the high interest has spawned a series. Next one titled: Death Deals the Hand, A Ross & Sam Adventure.

Kaye: Where do you find inspiration for your stories?

Juliette: Every where. Everyday stories and situations that can be transported back in time to the old west!

Kaye: What’s the most fun about writing westerns?

Juliette: Everything!

Kaye: The first book in your Freckled Venom series was also your debut novel, Copperhead, which you won a Laramie Award. What is the Laramie Award and how does one receive it?

Juliette: The Laramie Award is the western division of the Chanticleer awards. I submitted Copperhead on a whim and won over very stiff competition.

For 2019 I will be entering Bed of Conspiracy in the Laramie Awards Adventure & Caper category. Will see what happens!

They also have a category for children’s books and I will be entering my 1st Children’s book: We Are Awesome Possums.

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Kaye: Would you recommend aspiring authors attempt the western genre? Why or why not?

Juliette: You need to know the history of the old west for sure. There are still many untold stories out there to share, but it takes hard work to come up with a fresh idea with the old tales that would be marketable.

The American Old West is our history, no one else can claim it. It speaks to the hearts of men, women and children across the world. It is America’s claim.

Kaye: If you could have lunch with any author, alive or dead, who would it be? Why?

Juliette: Louie L’Amore. A fascinating man. His stories are based on a lot of his own actual experiences. It would be neat to visit and talk with him.

I want to thank Juliette for sharing with us today. It has been an absolute pleasure. You can learn more about Juliette Douglas and her work on her Facebook Author page or her Amazon Author page. I’m proud to share a publisher with Juliette. I hope you will join me next week on “Chatting with the Pros”, when my author guest will be another Dusty Saddle author, Scott Harris. I hope to see you then.


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“Not Just Any Man”: A Journey into New Mexico’s Past

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A true western makes you feel the landscape, and Not Just Any Man, by Loretta Miles Tollefson does just that. Tollefson’s use of present tense narration and vivid visual imagry don’t just help readers see the scene in their mind, but actually puts you there. Woven into true events in New Mexico’s history, Tollefson portray’s the landscape as it was, with a storyline and fictional characters which could have been, and for as long as it takes to read the book, maybe they were.

Gerald Locke is not just any man. He’s a man of mixed race, trying to find a place for himself and acceptance from his fellow man, which he believes might be found in the frontiers of what is today, New Mexico. In Gerald’s time, it is a vast land filled with open spaces and wildlife, plentiful with opportunity, and Gerald has hopes of finding a spot where he can settle down and live comfortably, but first, he must raise the funds to embark on such an endeavor. He hasn’t planned on sharing his dream, but when he makes the acquaintance of Suzanna Peabody, new dreams in which she is by his side begin to foster as he makes his way following the rugged life of a trapper. Upon his return to Taos, he finds his dreams haven’t changed but his doubts have grown. He’s not the same man he was when he set out. Will Suzanna have him when she learns just who he really is?

Tollefson’s masterful use of third person present tense and her vivid descriptions make this book seem like a journey into the past. I give Not Just Any Man five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.