Posted: March 18, 2019 Filed under: Books, Chatting with the Pros, Collaboration, Dark Fantasy, Fantasy, Fiction, Interview, Science Fiction, Speculative Fiction, Teaching Writing, World Building, Writing, Writing to be Read | Tags: Chatting with the Pros, Fantasy, Kevin J. Anderson, Writing to be Read
My guest today on “Chatting with the Pros” is an award winning and best selling author who has written countless novels and over 56 national and international best sellers. A majority of his works fall into the science fiction or fantasy genres, but he writes across many genres. In a recent introduction for “The Big Idea: Kevin J. Anderson“, an article about the latest release in his short fiction collection, Selected Stories, John Scalzi calls him, “one of the most prolific authors working today”, and one look at his immense book list on Amazon would leave no doubt that this is an accurate assessment. (You can find my review of selected stories here). He’s written a lot of books, 56 of which have hit the national and international best seller lists, and he’s been writing for many years, and I’m sure we will find his knowledge and experiences enlightening. Please help me welcome Kevin J. Anderson.
Kaye: You have written at least 56 national or international best sellers. What makes a good story in your mind?
Kevin: People want to read a good story with an exciting/interesting plot, a well-developed setting, and engaging characters. Make it a story you WANT to read, with clear prose and action. I don’t like muddled, glacial-paced stories where the prose is just too precious.
Kaye: Why science fiction and fantasy? Why not western or romance or mystery? What’s the attraction?
Kevin: Well, I’ve also written plenty of mysteries, and some of my work has been set in the old west, and most good stories have a strong romance component (though I don’t write category Romance or Westerns). I like to tell an interesting story, and I move around a lot among genres, even though I am primarily known for science fiction or fantasy. I grew up in a very mundane small town in rural Wisconsin, and I was captivated by SF/F from an early age, because it showed my imagination what was possible. I wanted to go to exotic places, whether they were filled with aliens or dragons. Science fiction took me to a much wider universe. (And as a skinny, nerdy kid with glasses and a bad haircut, “romance” wasn’t much of a possibility, so I stuck with spaceships and swords.)
Kaye: You wrote several Star Wars and X-Files novels. Is it difficult to immerse yourself in someone else’s settings and characters enough to pick up a thread and run with it in the same tone and writing style? How do you go about getting yourself into that mindset?
Kevin: It’s no more difficult than trying to immerse yourself in the old west or ancient Japan for a historical. A writer’s job is to absorb the story, characters, voice, and setting. I was already a big fan of Star Wars, Star Trek, X-Files, and Dune, and I enjoyed going to work in those universes. In each instance, I would completely surround myself with the property — whether that meant watching the Star Wars films over and over again, or the episodes of the X-Files, or repeatedly rereading DUNE and its sequels. You pick up the manner of speaking, the “look and feel” of the world, and you make it into your own story.
Kaye: You’ve done several collaborations, including books of the Dune series, with Brian Herbert and the Clockwork books which you collaborated with Neil Peart, drummer for the band Rush. What is the biggest challenge when collaborating on a book?
Kevin: You both need to have the same vision for the book—which means a LOT of talking and brainstorming ahead of time—and you both need the same work ethic (so each partner puts in the same amount of time and effort…a tortoise and hare collaboration will just cause a lot of friction), and you need to be flexible. There’s never only ONE way to write a sentence or describe a scene. I would never want to collaborate with a diva!
Kaye: Do you belong to any writing organizations? If so, which ones? Do you feel your membership in these writing organizations have been helpful in your writing successes? How so?
Kevin: I belong to the Horror Writers Association (and edited three anthologies for them, the BLOOD LITE series), IAMTW (International Association of Media Tie-In Writers), and SFWA, the Science Fiction and Fantasy Writers of America, although some of their recent decisions have made me so upset that I would not renew my membership if I wasn’t already a lifetime member. The problem with such organizations is that you can become to engrossed in the politics and bickering that you forget your real purpose, which is to WRITE.
Kaye: You’ve written several series, including Saga of the Seven Suns, Dan Shamble P.I. and the Clockwork books? Are any of your books stand alone? Why do you lean toward series?
Kevin: I’ve written many standalone books. The one I just finished last week, a vampire/serial-killer thriller STAKE, that’s not part of a series. But I like to tell big stories, and once you’ve done all the effort of world building and character building an entire universe, you want to spend some time. To me, a trilogy is perfect — a beginning, middle, and end, with enough room to tell the story and describe the world in all its glory. Pragmatically speaking, it’s a much better decision commercially to build a series, because readers will want more and more, and each new book will help sell copies of previous volumes. Can you imagine if A.C. Doyle had stopped after writing only one Sherlock Holmes story?
Kaye: Science fiction authors create whole worlds from their imaginations, often with new languages created in their own minds, and you have created many. How do you go about creating a new language?
Kevin: Hmm, creating languages? I’m not really a linguist and I don’t know that I’ve developed full languages (though I do use weird words). I just make up the words by making what seem to be the appropriate sounds, linguistic flavors, scary sounds for monsters or villains, softer or ethereal sounds for pleasant things. I can’t really explain it more rigorously than that.
Kaye: Your work has won many prestigious awards. Which award are you most proud of? Why?
Kevin: Awards are awards, and it’s nice to have them, but I really prefer READERS. That’s what makes your writing worthwhile. It’s not terribly prestigious, but the award I value most is one I received very early in my career, when I received a trophy with an engraved brass plate and everything, naming me “The Writer with No Future” because I could produce more rejection slips than any other writer at an entire conference. To me, that didn’t mean I was a failure as a writer or that my work was awful—it proved that I was more persistent, that I kept trying, kept getting better, and never gave up. I still have that trophy.
Kaye: In addition to being an author, you and your wife, Rebecca Moesta, are publishers at Wordfire Press, but originally you were traditionally published. Why the switch to being your own publisher after being traditionally published for so many years?
Kevin: Survival. No choice. The publishing industry has undergone a tremendous upheaval equivalent to the Industrial Revolution, and I could either be a mammal and evolve or stay a dinosaur and go extinct. I am still traditionally published (four books released in 2018, in fact, and a new 3-book contract from Tor Books for an epic fantasy series), but I also have a lot of backlist titles that were out of print and my fans wanted to read them. So I started releasing them myself with all the innovations of new technology. It’s just another alternative.
Kaye: What does Wordfire press offer as a publisher for other authors?
Kevin: We are nimble and flexible, and we can produce books and get them to market far quicker than a traditional publisher can manage. But when you work with an indie publisher, or if you do it yourself, then you have to do all the work, all aspects of it. It’s another income stream and another way to get your book in front of your audience.
Kaye: Is Wordfire taking submissions? What type of fiction is Wordfire looking for?
Kevin: Not really, I’m afraid. When we are open, we’re looking for established writers who don’t need their hands held, writers who already have their own platforms, fanbases, and marketing efforts because we have to rely on them to do the work that a whole department at a traditional publisher would do.
Kaye: You recently signed on as an adjunct professor at Western State Colorado University and you are a finalist candidate for the director of their Certificate in Publishing program. What prompted you to venture into the world of academia?
Kevin: Actually, I’m now a full professor and I run their Masters program in Publishing. I will start the first group of MA students this coming summer. There’s a LOT of paperwork and bureaucracy in academia! I have taught writing and publishing quite often at countless writers’ conferences and conventions, most notably our own Superstars Writing Seminars, which is just hitting its tenth year. Becoming a professor and teaching at a beautiful university in the Colorado mountains is great, offers a little more stability than freelance writing, and (the bane of all freelancers) it gives me health insurance and benefits I wouldn’t otherwise get.
Kaye: Any writing pet peeves?
Kevin: I don’t like artsy-fartsy stuff, dense prose and opaque plots. Tell me a great story with a cool setting and interesting characters!
Kaye: Creating characters, developing plot, world building – what is the most challenging part of writing for you?
Kevin: Those are all fun, but if I had to choose I would say I have most difficulty with building rich, fleshed-out characters. Plotting and worldbuilding—that’s what I excel in.
Thanks to Kevin for sharing with us today. He’s given us food for thought with some really great answers. You can find more about Wordfire Press here: https://wordfirepress.com/. Kevin and his wife, Rebecca Moesta, head up the Superstars Writing Seminars each year in February, in Colorado Springs, Colorado, for those interested in learning the business of writing. If you’d like to become a member of the Superstars Tribe, or would just like more information about Superstars, visit the folowing link: superstarswriting.com. Visit the links below to learn more about Kevin J. Anderson and his works.
Amazon Author page: https://www.amazon.com/Kevin-J-Anderson/e/B000AQ0072/ref=sr_ntt_srch_lnk_1?qid=1545798018&sr=1-1-fkmr1
Wordfire Press: http://www.wordfire.com/
Join us next month on “Chatting with the Pros”, when I’ll be chatting with romance author Maya Rodale. You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2019, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress.
Posted: March 11, 2019 Filed under: Blog Content, Dark Fantasy, Fantasy, Fiction, Science Fantasy, Science Fiction, World Building, Writing | Tags: Fantasy, sci-fi, Science Fantasy, Science Fiction, Writing to be Read
In March, Writing to be Read celebrates science fiction and fantasy, and everything in between. Science fiction springs from imaginings of what ifs, regarding technological advancements and futuristc worlds and universes, while fantasy fiction involves impossible or improbable events usually involving magic, or magical creatures or objects grounded in myths, legends and folklore of old. Both of these genres takes us to fantasical places and awe readers with amazing feats of courage, and good usually overpowers evil. Both entertain us, and are often addicting. In the current book market, there are many books which fall into a genre that is somewhere in between.
There are more subgenres for both of these genres than a person is able to count, including stories which feature elements of both. When I wrote my thesis proposal for what will one day be my science fantasy series, Playground for the Gods, I was told there was no genre for a story with both science fiction and fantasy elements. But in fact, there is such a genre as science fantasy, and there are many books out there today that fall into it. I recently reviewed one featuring alien life forms and a powerful magic object, Rogue Crystal, by Jordan Elizabeth in last Friday’s post.
As mentioned above, Playground for the Gods was originally proposed as my thesis story. It is a tale of aliens, Atlans, who come to pre-historic Earth when their planet is destroyed, and act as gods and godesses, forming human beliefs about devine matters, and creating the fondation for myths and legends of ancient history. The character names were all chosen from ancient summerian names, and many of the subplots parrellel those same myths and legends, adding new twists. In order to maintain the appearance of gods, they use their advanced technologies to appear magical and all powerful, each one wielding the ability to fall into different personas throughout time, providing basis for all world myths and religions around the globe.
It’s a lot of story, and many said it was too big and couldn’t be done, so I broke it down into four novels, which follow the Atlan through earth’s history to present day, and perhaps even beyond Book 1: The Great Primordial Battle tells the tale of the Atlans arrival on Earth. and tells how the heroine, Innana tries to stop the same Atlans who caused the destruction of their home planet from detroying their new home, as well. All whhile working to find a cure for her sister, Ereshkigal’s wasting desiese which is eating her up from the inside out. This story is curently with my beta reader, although I was hoping she’d have it back to me by now, so I could share my excitement, because it is very close to being publication ready.
Among the great science fiction authors we find familiar names: Isaac Asimov, Ray Bradbury, and Edgar Rice Burroughs. More recently, we have Robin Wayne Bailey, Richard Bachman, who we all now know is Stephen King, Dean Koontz, John Scalzi and Kevin J. Anderson. (Don’t forget to catch my interview with Kevin J. Anderson next Monday on “Chatting with the Pros”. You won’t want to miss it.) Fantasy authrs who may come to mind are J.R.R. Tolkien, George R. Martin, J.K. Rowling, R.A. Salvator, Ray Bradbury, Stephen King, and Kevin J. Anderson. As you can see, there is some crossover of authors from one genre to the other; there are authors who write in both.
This month, in additon to my interview with K.J.A. and my review of Rogue Crystal, I also have my review of Kevin J. Anderson’s Selected Stories: Science Fiction Volume 2, and an interview with fantasy author Laurel McHargue. I do hope you’ll drop by.
P.S. Be sure to check out my science fiction time travel short, Last Call, and my dystopian short, “If You’re Happy and You Know It” in the Collapsar Directive science fiction anthology (Zombie Prirates Publishing).
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Posted: August 10, 2018 Filed under: Book Review, Books, Fiction, Post-Apocalyptic, Science Fiction, World Building | Tags: Book Review, Eugene W. Cundiff, Post-Apocalyptic, Science Fiction, Songs of the Earth
The title is Songs of Earth: A Teller’s Tale, and the author, Eugene W. Cundiff is a story teller in following with the best of the tradition. A well-crafted science fiction post-apocalyptic story, with excellent world building, this book keeps the pages turning. Cundiff captures the imagination and doesn’t let go. I didn’t want to put it down.
Songs of Earth is a tale of an abandoned civilization, left by the Mongers, those who came before them, to fend for themselves in a harsh environment as best they could. On Luna, Elisheva is a Teller’s apprentice until the terraforming technology that enables their existence quits and she is sent with a group of Miners, a Marshall and an Engineer, on a journey into the wastelands, from which no one ever returns, to attempt repairs. In thier quest to save thier people, they uncover the secrets the Mongers never intended them to discover and travel much farther than any of them ever imagined they would have to repair the damaged machinery. And they solve the mystery of what happened to those who went into the wasteland before them, including Elisheva’s brother, but they aren’t the answers Elisheva had hoped to find.
Songs of Earth follows story telling traditions in exquisite form. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.