Spend Your Halloween at the “All Hallows Eve: Little Shop of Horrors Party” Book Event

Book Event Promotion

It’s almost Halloween! Don’t sit home and be bored. WordCrafter is partying with Sonoran Dawn Studios with the All Hallow’s Eve: Little Shop of Horrors Party on Facebook.

  • Free promotion for authors
  • Music
  • Audio stories
  • Games and giveaways with great prizes

The author voted best scary audio story will receive a $25 Amazon gift card, so come party with us and let your vote be counted. Join in the fun and support your favorite authors on Thursday, October 31st. Just click on the link below and then click ‘Going’.

Author takeover slots are still available, but time is short, so contact Sonoran Dawn Studios from the event page to reserve your time slot now. Bring all of your ghosts, goblins and ghouls and let’s party! See you there!

All Hallow’s Eve: Little Shop of Horrors Party

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“Chatting with the Pros”: Interview with bestselling horror author Jeffrey J. Mariotte

Chatting with the Pros

My author guest today on “Chatting with the Pros” may just have books in his blood. Before he was an author he managed a bookstore.  He’s gone on to work in both marketing and publishing, and become a bestselling, multiple award-winning author with leanings toward dark fiction. He’s got great insight into writing on the dark side which he’s willing to share with us today, so let’s welcome Jeffrey J. Mariotte now.



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Kaye: When did you know you wanted to be an author?

Jeff: I started writing stories when I was very young, probably 7 or 8. They were terrible, of course, and utterly derivative, mostly of the Hardy Boys novels that were my primary reading material at the time. I kept at it all through school, and by the time I got to college I knew I wanted to make my money writing something–I just didn’t know precisely what. I went in as an advertising major and did some copywriting, but graduated with a degree in Radio/TV/Film, a minor in English, a literary award, and a published article. Three years later, I got a job at a bookstore, and eventually became a manager (and later, opened a store of my own). It was while managing a store that I met a lot of authors and publishing professionals and found out the realities of publishing, and sold my first short story. So I guess the short answer to the question is: always, and the long answer is: I always wanted to write, but I didn’t know I could do it professionally until much, much later.

Kaye: What draws you to dark fiction? Why not romance, or mystery, or western?

Jeff: The truth is, I have written in two of those genres, and others besides. I’ve written both mysteries and westerns (along with science fiction, fantasy, straight fiction, and more), and intend to continue. In fact, the next couple of books I’m planning are both westerns. But yes, I am drawn to the dark side, and often when I work in those other genres I bring in elements of horror or dark suspense. I’ve never really analyzed it, but I suppose it’s a combination of a longstanding interest in horror and the supernatural, and an awareness of the darker, more unpleasant aspects of human nature.

cold_black_hearts_smerKaye: Cold Black Hearts is one of several recent releases through Wordfire Press. With more than 70 novels under your belt, what lead you to join the Wordfire family?

Jeff: I’ve known Kevin J. Anderson and Rebecca Moesta for what seems like forever–this goes back to meeting authors through my bookstore work. They’re two of the greatest people on the planet. They’re supremely talented, super nice, and scrupulously honest. When I saw the books they were putting out, I knew I wanted to be part of their line, and to work with friends rather than strangers.

Kaye: My review of Cold Black Hearts posted this month, but for those who didn’t catch it, would you like to tell me a little about it?

Jeff: It’s a supernatural thriller about a police detective who loses her hearing in an explosion, but gains something else in its place–a heightened sense of empathy. That quickly becomes a burden in a crowded metropolitan area, where people’s emotions press in on her from every side. When she’s offered a job in a remote part of New Mexico, working to free an accused killer from prison, she takes it. But it turns out that she’s just stepped from the frying pan into the fire, because there are strange, spooky things going on.

Kaye: You don’t advertise your books as horror, but as dark thrillers. In your mind, what is the distinction?

Empty RoomsJeff: Actually, that’s WordFire‘s tag, not mine. I think of Cold Black Hearts and some of my other books as supernatural thrillers, because they combine traditional thriller elements–law enforcement, espionage, etc.–with supernatural elements. The first book of mine they published, Empty Rooms, was a straight, non-supernatural mystery/thriller, and it was very dark indeed, so I guess the phrase came from that.

 

Kaye: You also write comic books and graphic novels, short fiction and nonfiction. Which is your favorite type of writing? Why?

Jeff: The novel is my favorite, because it gives me more room to tell a complete story–to really dig into the characters’ psyches and explore their worlds. I love it all; I’ve even recently done some very short, 3-page comics for HyperEpics.com, which is a blast. But if I had to only pick one, it’d be novels.

Kaye: Which author, dead or alive, would you love to have lunch with? Why?

Jeff: As a bookseller for decades, and someone who’s worked in publishing–in addition to 20 years as a professional novelist–I’ve been lucky enough to meet and spend time with most of my favorite authors. I’ve visited with Ray Bradbury, Harlan Ellison, David Morrell, Clive Barker, Don Winslow, and James Lee Burke (among others) at their homes, hung out with Wallace Stegner, Stephen King, Sue Grafton, Joe R. Lansdale, and Neil Gaiman, had meals with Robert B. Parker, James Ellroy, Jonathan Maberry, and Joan D. Vinge… Plus, every day I get to have a meal with my favorite author, Marsheila Rockwell (who is, coincidentally, also my wife and frequent writing partner, and a magnificent fiction writer and poet on her own). My point is, while it’s cool to have lunch with an author, it’s not exactly something I haven’t had a chance to do.

That said, I’d love to have a meal with the recently departed William Goldman, who’s a longtime favorite for his novels and his screenplays, and who’s the author I’ve most wanted to meet, but never had a chance to. He’s done it all, and exceedingly well, and I wish I could have benefited from his insights in person.

Kaye: What’s the most fun part of writing a novel? What’s the least fun part?

Jeff: The most fun part is finishing it, and seeing it become a real-live book. The rest of it is hard work. The research, the working out of the plot, the discovery of who the characters are, the actual chore of sitting down and turning out page after page after page… it’s a grind. Not to say that it’s not fun, but it’s work, too. The least fun part is probably when, in the editing/revising process, I realize that I have to cut lines or scenes that I really loved writing.

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Jeff: There’ve been several, but if I have to pick one, I guess it’d be that time I went to the set of CSI: Miami to hand-deliver copies of the first-ever CSI: Miami graphic novel (which I wrote) to cast members, all while being filmed for Access Hollywood. Which promptly cut me out of all the footage–but they showed the book, and that’s what counts!

Kaye: Which of your books would you most like to see turned into a film? Who would you like to play the lead?

Jeff: There are several I think would be great for film or TV, but for the purposes of this interview, let’s say Cold Black Hearts, with Jessica Chastain.

Kaye: Imagine a future where you no longer write. What would you do?

Jeff: Catch up on reading and TV shows, I guess. Bake more. But also, since 1980, every dollar I’ve made has come from the business of writing/editing/publishing/ book selling/ etc. — from the written word, and the process of getting it out of the brain and into a reader’s hands. So if I wasn’t writing, I’m sure I’d still be doing something in that realm.

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Kaye: What’s in the future for Jeffrey J. Mariotte? What should readers look forward to?

There’ve been 6 books published so far this year: The SlabMissing White GirlRiver Runs RedSeason of the Wolf, and Cold Black Hearts from WordFire, and YA-horror Year of the Wicked from Simon Pulse. So readers can do some catching up while they’re waiting for the next thing.
JJM Books2Jeff:The newest release is to be a weird western short story in an anthology called Straight Outta Deadwood, published on October 1. The book is edited by David Boop and has stories by a bunch of pals, including Charlaine Harris, Steve Rasnic Tem, Shane Lacy Hensley, and the wonderful Marsheila Rockwell, so everyone who likes westerns with a side of spooky should check it out. After that, there are some comics projects in the works. Novel-wise, I have a thriller on submission, and I’m working on a new book (or will be back to it, as soon as I get this sent off)! So stay tuned.
I want to thank Jeffrey J. Mariotte for taking the time to chat and share with us. You can learn more about Jeff and his books on his website, or check out his author pages on Amazon and Wordfire Press. And be sure to check out my double review from October 4, featuring Jeff’s Cold Black Hearts.
In addition, I was fortunate for the opportunity to bring you a bonus “Chatting with the Pros” this month with award-winning horror author Paul Kane. If you write dark fiction and horror, or just enjoy reading it, you won’t want to miss that interview, too.

Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress.


Jeff’s Movie Reviews – Joker

Jeff's Movie Reviews

Who’s Laughing now? Anyone? Anyone?

by Jeff Bowles

At one point in time, the Joker was the super villain you loved to hate. Introduced in the very first issue of Batman, published in 1940, the Clown Prince of Crime has spent decades as an icon of the kind of humor that kills. He’s crazy, occasionally buffoonish, almost always invested in some overly complex hair-brained scheme, and what else can be said? The guy loves to laugh.

Except the Joker has evolved in the last ten years or so, predicated by Heath Ledger’s legendary turn in 2008’s The Dark Knight. His Joker was different, more menacing, quicker to kill with a gun or a knife, as opposed to laughing gas or a rubber chicken set to explode. This was not the Joker that generations of fans had grown up with, but Ledger’s performance was outstanding, and the fact that he died before the movie came out only increased his popularity. Warner Brothers and DC Comics seemed to have decided something at that point. The Joker people really wanted to see was less Cesar Romero and Jack Nicholson and more Ted Bundy and Jeffrey Dahmer. Enter Jared Leto’s performance in 2016’s Suicide Squad, which, while certainly enthusiastic, was more or less utterly ridiculous and clearly manufactured to up the ante on Ledger’s Joker on every front.

And now we finally have a Joker standalone film, starring Joaquin Phoenix in the title role. It’s R-rated, morose as a funeral, and seems to have misplaced the classic jolly clown that keeps hyenas as pets and shacks up with a blonde in a jester costume. Notably, even DC Comics has altered the Joker in their own source books, because, I suppose, they don’t understand what too much of a good thing is. This character has in recent years been a literal monster, a frightening urban legend, a crazed sadist, who in one famous 2009 story line, removed his own face and pinned it to a wall (though he still had time for a joke or two).

2019’s Joker film has done something with Batman’s arch nemesis that has never been attempted before. It’s taken the fun out of him. Phoenix’s portrayal is both woeful and terrifying, sympathetic and pityingly childlike. Batman isn’t in this movie, but if he were, you’d kind of hate the guy for beating the crap out of poor Arthur Fleck. In basic truth, we never love to hate this Joker. First we feel bad for him, then we want to run the hell away. He’s an unfortunate guy in a series of tremendously unfortunate events who learns the value of self-confidence once and only once he’s blown away three miscreants on the subway. The movie is more or a less a monotone depiction of a modern mass killer. It’s only got one speed: decay.

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More than this, it feeds into the stereotype that people with severe mental illness are dangerous and scary. I hate to break the movie reviewer fourth wall here, but as someone who suffers from schizoaffective disorder, it’s a little demoralizing. As I write this, the guns vs. mental illness debate rages here in America. Phoenix’s portrayal of an alienated, unstable, abused, and traumatized individual who one day decides to take his pain out on the world hits a bit too close to home. We live that reality. Do we also want to watch it on the big screen?

The rest of the cast includes Brett Cullen as Bruce Wayne’s father, Thomas, Robert DeNiro as a late night talk show host (completing DeNiro’s King of Comedy destiny), Francis Conroy as Arthur Fleck’s frail mother, and Zazie Beetz, a kind of romantic interest who turns into a Fight-Club-like twist that goes nowhere. A talented cast, not improperly used, but still, to quote the clown himself, why so serious?

And the truly insane thing about it is we’re talking about the Joker! Beloved cultural icon since 1940. Yes, it’s a more realistic version of the character, and yes, the guy has been shown in so many different ways, there’s almost certainly a financially viable infinite multiverse of Jokers who could range from saccharine sweet to, well, Joaquin Phoenix depressing. But for crying out loud, I laughed once and snickered once during the entire running length, and in both those instances, not a single exploding chicken!

I kid of course. Someone ought to.

Ultimately, the real sin of this movie is a cinematic one. It’s a bit of a slog. It’s the equivalent of painting a jolly portrait using only grey. There are no highs, no true delirium, nothing of the brilliance it yearns to express. Joker isn’t exactly a bad movie. It’s probably ill-timed, and it’s debatably irresponsible, but for true Batman fans, it’s gratifying to see a favorite character shown so much respect. Or is that disrespect? Mileage may vary.

If only they’d remembered to invite Batman to the party. Does it say something about 2019 that we’d rather watch a movie about the villain than the hero? Joker is a downward plunge that never comes back up. It never relents, never provides us a single ray of light or shred of hope. That would normally be, you know, Batman’s job to provide. Speaking of which, if the guy dressing up like a giant bat is saner than you are, it’s entirely possible you’re not as funny as you think you are. Which explains… everything, really.

Jeff’s Movie Reviews gives Joker a 6 out of 10.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

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Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


You can keep up on what Jeff’s been watching and catch all of his great movie reviews the third Friday of each month on Writing to be Read. Subscribe to email or follow on WordPress today.


Lost Village of Delta

Writing for a Y.A. Audience

My earliest years were spent in Westernville, NY. Right down the street was the beautiful Lake Delta, a place we visited frequently. My parents and I played on the beach. We walked the trails through the woods. One day my father mentioned that when he used to fly his plan over Lake Delta, he could see the foundations beneath the water. That puzzled me – why would there be foundations down there? Were they like the shell fossils we found in our backyard sometimes?

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Photo by Lisa Fotios on Pexels.com

He explained that a village used to be there, but it was flooded to create the lake. My imagination went wild. He also told me that my grandmother’s house on the farm where we lived was moved from the lost village. That amazed me, and gave me my first glimpse at history. My fascination with Lake Delta continued, but we moved to a neighboring village and didn’t visit the state park as often.

One day, the Westernville Town Clerk, Mary Centro, spoke at my hometown about Delta. My mother and I attended the lecture, and we were enthralled. I wanted to write a story at once, but I didn’t know where to take it.

My parents moved back to Westernville and I met with the town clerk to discuss Lake Delta in more detail. She told me about walking the land while the lake is low and finding treasures washed up on shore. The next year, my parents and I walked the lake, but we didn’t find anything. Again, I felt the need to write about the lost village of Delta, but I didn’t know who my main character would be yet.

The town clerk wrote two non-fiction books about Delta and my dad bought copies. While visiting my parents, I looked through them, and then did some research online. I learned that one house hadn’t been torn down the first time they flooded the land. It wasn’t until later, when the water receded, that they demolished it.

That was my story. A little magic seeped into the tale, and Lottie came to life. You can read about Lottie in DELTA, my first historic fiction novella that is appropriate for teens and adults.

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About the real Delta…

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Photo by eberhard grossgasteiger on Pexels.com

New York State decided it was time to expand the Erie Canal. Many of the ports along the canal were no longer being used, because shipping goods by train became the more popular method. Shipping by train was cheaper than shipping via canal. It wasn’t just the price, though, that encouraged manufactures to choose train travel. The modern barges that were needed to ship the goods couldn’t go on the Erie Canal, which was too small and far too shallow. The water level of the Erie Canal tended to fluctuate. By expanding the Erie Canal, the ports would flourish once again. Many farmers were excited by this. They would be able to transport their goods to cities elsewhere in New York State. Expanding the canal required the use of five reservoirs. These reservoirs would provide enough water to keep the level of the canal even. New York State chose Delta because they would only need to build one dam.

The village of Delta rested inside of a deep valley. This made the perfect bowl-shape to fill with water from the Mohawk River nearby. Flooding Delta meant that privately owned land would need to be seized by the government. Everyone living on that land would need to move elsewhere.

In 1903, surveyors arrived in Delta to measure the land and create maps. In 1908, New York State officially authorized that Delta would be cleared to make way for the reservoir. Blue evacuation notices were presented to the village’s five-hundred residents, forcing them to relocate. One hundred buildings were torn down and destroyed. Some, however, were dismantled and moved to other towns in the area, where they were rebuilt. People moved away and their village became a reservoir. The dam was completed in October 1912. Water first went over in May of 1916.

Despite the great expenses incurred in the relocation of the Black River Canal, it closed in 1921.

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Jordan Elizabeth is a fantasy author who is obsessed with history and ghosts.  You can connect with Jordan via her website, JordanElizabethBooks.com.  The photo above shows Jordan on the shores of Lake Delta.  You can often find she and her son enjoying the beach.


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Interview with horror author Roberta Eaton Cheadle

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Today my guest is an author who I’ve gotten to know well, because she is a member of the Writing to be Read team, where she writes a monthly blog segment on children’s literature that’s proven to be very popular, “Growing Bookworms”. By day she walks in the world of fondant and children’s fiction, but when darkness falls she transforms into an emerging horror author. But this author doesn’t just emerge, she explodes onto the scene with  this month’s release of her first novel length horror tale, Through the Nethergate.  In addition, this month she also has a short story appearing  in  Dan Alatorre’s Nightmarland anthology, and another coming out in the WordCrafter paranormal anthology, Whispers of the Past. I’m really excited to be able to interview her about her experiences with horror, so please help me welcome author Roberta Eaton Cheadle.

Kaye: You started out writing children’s stories with your son, but you’ve recently leaped into the horror realm, which is kind of at the opposite extreme of the spectrum. Was that a hard transition for you?

Roberta: It wasn’t a hard transition for me at all. I have always loved supernatural, horror and dark psychological thrillers so I think this genre comes naturally to me. More recently I have been reading and re-reading a lot of dystopian fiction such as Fahrenheit 451 by Ray Bradbury and The Long Walk by Richard Bachman (aka Stephen King).

I can remember reading my Mom’s copy of Stephen King’s The Shining behind the couch in the lounge when I was ten years old. After that book, I worked my way through the rest of her Stephen King collection and several other adult horror books too.

Kaye: Can you name one thing you have to think about when writing horror that you might not ever think about when writing for children, (or any other genre, maybe)?

Roberta: When writing from the point of view of the victim, I need to imagine their fear and describe this in a way that brings out the same emotion in the reader. When writing from the point of view of the party who sees a ghost or discovers a body, I need to imagine their shock and horror at what they are seeing. To describe the tumultuous feelings that would bubble up inside them at seeing something truly frightening or gruesome.

I would never attempt to scare children or invoke feelings of fear and anxiety in them. My Sir Chocolate books series is my attempt to draw children into a happy and safe world of complete fantasy where good always wins and any less likable characters are drawn into the circle of friendship and become part of the team.

Kaye: When making the move into adult fiction, why did you choose to write horror? What draws you to the genre?

Roberta: As mentioned above, I have always liked supernatural horror. I was drawn to it from a young age even though it scared me half to death when I read both The Shining and Salem’s Lot by Stephen King.

I have also always gravitated towards psychologically disturbing books that make me think such as Roald Dahl’s short stories for adults. I have never forgotten Lamb to the Slaughter about a pregnant woman who kills her husband after discovering he is having an affair. She saved her own skin, and that of her unborn baby, by making the murder weapon disappear in the most innovative way imaginable.

The idea of writing about ghosts came to me while I was writing While the Bombs Fell, a fictional biography about my mom’s life, growing up in the small English town of Bungay, Suffok, during WWII. My extensive research while writing this book led me to discover the history of one of the oldest inns in the town which is purported to be haunted by over twenty ghosts. The little bit of information that is available about each of these ghosts intrigued me, and I decided to write a selection of short stories, each featuring the circumstances leading up to, and the death of, a specific ghost.

As I went along with Through the Nethergate, Margaret injected herself into this story and it took on a whole new direction with her having the power to reincarnate the ghosts.

Kaye: What is the biggest challenge for you in writing horror?

Roberta: I think like many other new writers, my biggest developmental area has been learning to show instead of tell in my stories. I believe I have improved a huge amount in this area. As I came from a non-fiction writing background, I have also had to learn to write more descriptively and really reach into myself and find the whirlpool of emotion my characters are feeling in any given circumstance. These emotions must be shown and not told which takes me back to my first point.

Kaye: Your latest release is a work of horror, Through the Nethergate. Where did your inspiration for this story come from?

NETHERGATERoberta: As mentioned above, my original idea was to write a selection of short stories, each featuring the death of one ghost.

As I went along the idea for Margaret with her power to reincarnate ghosts and experience their deaths and pain came along. Margaret has recently lost her parents which gives her heightened sensitivity to the world around her.

At the same time, the idea of having one ghostly master to rule over the others popped into my head and this evolved into the ghostly black dog, or Black Shuck, which is an ancient myth in Suffolk and its surrounds. Legend in Bungay has it that Hugh Bigod, a most evil descendant of the original Normandy invaders and the man who erected Bungay Castle during the 12th century, still haunts the castle in the form of the black dog. The inn around which Through the Nethergate is centred, shares a wall in its cellar with Bungay Castle.

There are four other descendants of the Bigod family who are also alleged to haunt the town in their ghostly carriage drawn by fire breathing horses.

Initially, the reader will believe that Hugh Bigod is the villain of the book, but this is not the case. There is a far greater evil force at work who covets Margaret’s power and who makes Hugh Bigod look quite pathetic and ridiculous in his small attempts at evil.

Kaye: Can you tell me a little about Through the Nethergate?

Roberta: Through the Nethergate is intended to demonstrate to the reader how evil has always existed in our world and how evil forces manipulate human inventions and greed for power and wealth to their own ends. Evil has always existed, and it always will, but there is the counterbalancing force of goodness and the kindness and empathy that exists in an equal number of people. This is a book about faith and my belief that goodness and faith always prevail.

Kaye: If Through the Nethergate were made into a film, who do you see playing the lead as Margaret? Who do you see playing your villain, Hugh Bigod?

This is a tough question for me as I don’t watch movies or television. I will have to base it on my previous experience of movies.

I would choose Drew Barrymore to play Margaret in a similar manner to her portrayal of Charlie (Charlene) in the movie version of Firestarter by Stephen King. She would need to be a few years older, however, as Margaret is sixteen in my book. The mixture of innocence, toughness and a strong will to survive are the qualities in Charlie’s character portrayal that underpin my selection.

For Hugh Bigod I would choose Richard Chamberlain in a mixture of his portrayals of Father Ralph de Bricassart in The Thorn Birds and Captain John Blackthorne in Shogun. In both series he portrays someone who is able to separate himself from the anguish of the people around him and ruthlessly pursue his own ends and survival.

Kaye: The setting for Through the Nethergate is an ancient inn with quite the history. How much historical research went into it?

Roberta: I do a massive amount of research for my books with partial or total historical settings.

Each ghostly character in Through the Nethergate came from a different historical era and I had to do meticulous research into what people wore, drank and ate during those particular time periods, as well as how they traveled and the political agendas and attitudes towards servants, masters, females and religious figures that prevailed at the time of their stories and deaths.

For example, Katharine is a reluctant Benedictine nun who comes from a wealthy background and is forced into Bungay Priory during the 14th century. She is in love with William and conspires to escape her dreary life by running away with him. James Wilson was a Benedictine monk who was the cellarer at Glastonbury Abbey during the 15th century when Richard Whiting, the last Abbot of Glastonbury Abbey, presided. James originates from Bungay where his father was the local blacksmith. Peggy and her husband and child are survivors of the great fire that destroyed much of Bungay in the 17th century. The book also includes other historical figures such as John Collins, the famous Chartist from Birmingham, Countess Elizabeth Báthory de Ecsed, a Hungarian Countess and one of Europe’s most prolific serial killers, as well as Tom Hardy, a highwayman who rode with the infamous Dick Turpin and Amelia Dyer, Britain’s most famous female serial killer.

When featuring real people, I must research their stories in as much detail as possible to ensure I get the facts correct. I usually check between five and ten sources, depending on the amount of information available.

Kaye: You also do a lot of short dark fiction, and have stories included in several dark anthologies. In fact, you have two stories “Last of the Lavendar” and “Missed Signs” coming out this month in the WordCrafter paranormal anthology, Whispers of the Past, and “The Siren Witch”, “A Death Without Honour” and “The Path to Atonement” are featured in Dan Alatorre’s Nightmareland horror anthology, also released this month. Do you prefer writing short dark fiction or novel length horror? Why?

 

Roberta: I like writing both kinds of story.

Short stories are fun to write, but they are restrictive because of their length of 1 500 to 3 000 words. It can be tough to get all the necessary background and detail into a short story in a clear and concise way. I had to cut quite a lot out of “A Death Without Honour” to get the length and sharpness right. Dan Alatorre was great at helping me with that. Sometimes I struggle to get the ending wound up in a concise and exciting way with short stories, as I did with “Last of the Lavendar”, the ending of which you helped me improve greatly. I like writing for anthologies because I learn so much. I also get a lot of guidance from the experienced editors and also from reading the stories included in the anthologies by other authors. They really are a wonderful learning and growing experience for me.

I have written two novellas now, While the Bombs Fell, and my recently completed A Ghost and his Gold which is about the Second Anglo Boer War fought between the “Boers” [farmers] and the British Empire in the early 19th century. I love the length of novellas because it allows for more detail and depth than a short story, but is still fairly short and concise. I think that modern readers prefer shorter stories due to their busy lifestyles.

Through the Nethergate is my first full length novel and I enjoyed writing it and “seeing” how my imagination could take off and extend to a much longer story.

I am currently 40 000 words into a dystopian novel which will be part of a trilogy about a future world dealing with drastic climate change and the fourth industrial revolution. Trilogies are popular and this idea came along so I thought I would jump right in. I love to experiment and learn about new things.

Kaye: What is your biggest fear? What scares you?

Roberta: Real life scares me. The prospect of climate change wreaking devastation on our planet, overpopulation, poverty and criminality which are changing the way society operates as well as the Fourth Industrial Revolution which will forever change the nature of the working world, these things scare me far more than “monsters under my bed.”

Dystopian novels like 1984 by George Orwell and The Long Walk by Richard Bachman (aka Stephen King) really disturb me, but I can’t help reading them. It is better to be informed than not. Even H.G. Wells gives great insights into the nature of society and how it could evolve in his books The Time Machine and War of the Worlds, which are really frightening.

Kaye: What is the scariest story that you’ve ever read and why do you think it is the scariest?

Roberta: I think 1894 by George Orwell is the scariest dystopian novel I have read. Living in the world he describes is so awful I think people would be better off dead.

The Shining is the scariest supernatural horror book I have ever read. The ghosts in the Overlook Hotel that become visible and can harm Danny and his family are most frightening. The invasion of his father’s mind in order to bend him to the will of the evil in the hotel was terrifying. Stephen King has a way of describing things in such a visual way, you feel as if you are living them with the character in the book.

Kaye: What is the scariest story that you’ve ever written?

Roberta: My short story about Amelia Dyer called “Justice is Served” in the murder mystery anthology, Death Among Us, is quite scary as it is based on a real serial killer who murdered babies.

From a purely fiction point of view, I think “The Path to Atonement” in the forthcoming Nightmareland anthology is quite eerie and chilling. “Missed Signs” from the forthcoming Whispers of the Past is frightening because it is within the realms of probability.

Kaye: What methods do you use to create suspense and make a story scary?

Roberta: I use a slow build up to the deaths as a tool to create suspense as well as a lot of visual descriptions and emotional language. Dialogue and onomatopoeia are good ways of conveying literary “sound effects” and tension in a story.

Kaye: Who is your favorite villain or monster from a horror story or film? Why?

Roberta: My favourite villain is Dracula. I loved his sly intelligence and sneaky ways of manipulating his victims and also the heroes of the book.

Kaye: Is there more dark fiction in store for the future readers of Roberta Eaton Cheadle? What are you working on now?

Roberta: I have recently finished the first draft of A Ghost and his Gold and sent that off to my developmental editor. I am hoping to have it available on Amazon in March/April 2020.

I am also working on book 1 of my dystopian trilogy about a world where drastic measures are required to address climate change and the unemployment caused by the Fourth Industrial Revolution. The first book is called Russian Roulette Anyone? And will probably be available in October 2020. I also hope to participate in more anthologies next year as I really enjoy those.

I want to thank Roberta for sharing with us today. I too have been a fan of dark fiction since a young age, and at one time delved into all works Stephen King. I read The Shining while babysitting one night when I was 15. I was totally immersed in the story and couldn’t put the book down, but I had to call and wake up my mother to talk to me about three a.m. because the story scared me silly. I finished the book before the sun came up though. Although I grew up reading the masters like Stephen King, Dean Koontz, Anne Rice, John Saul, and Peter Straub, doing so set a high bar for the writing of horror.

Roberta gets cudos though for having the nerve to do what I’ve not found the courage to do, the nerve to immerse herself in a world of fear and terror in order to write a novel of dark fiction. You can learn more about Roberta and her books by visiting her on her Amazon Author page or on her Facebook page. You can also learn about her children’s books and her creativity with fondant at Robbie’s Inspirations. And don’t forget to catch her “Growing Bookworms” blog segment on the second Wednesday of every month right here on Writing to be Read.


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Through the Nethergate”: A supernatural journey through time

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Through the Nethergate, by Roberta Eaton Cheadle, is a captivating journey in the here and now that reaches through the barriers of time to bring legend to life, and it’s a very scary legend. This is a tale of horror, but not all spirits are evil, and many of Cheadle’s ghosts make up the cast of characters. Cheadle brings the characters in this story life masterfully, even the ghostly ones, whose backstories are woven into the legend’s tapestry to become part of the whole while still standing on their own individually.

When Margaret comes to live with her grandfather in a haunted old inn that has been in their family for centuries, she discovers that she has the uncanny ability to bring spirits back and make them more real and substantial. But, she doesn’t possess the ability to release them from the tethers that bind them to this plane. As she meets each of the inn’s ethereal occupants and learns their stories, she finds they are all held by an entity of local legend, Hugh Bigod, who prefers to appear in the form of a huge black demon dog. Hugh Bigod was a truly evil man and his spirit is just as nasty. When he feels the spirits pulling away from him, as Margaret’s presence breathes new substance into them, he blames her and vows to stop them by putting an end to her.

Through the Nethergate is a brilliant production of the stories within the story, and an excellent example of god vs. evil dark fantasy. Filled with plenty of suspense and clever story twists. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Should we read the sad and the scary to our children?

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When I was a young girl, I loved to read and so I did. I read and I read, until there were no children’s books left in the children’s section of the library for me to read. South Africa during the 1980’s was a conservative place to live, so the librarians did not allow children to go into the adult section of the library, never mind take out books for it.

Fortunately for me, my mom was a big reader herself. Her taste ran to classic literature, horror / supernatural books and the odd sexy book too. The temptation of her collection was to great for me and I resorted to reading her books behind the couch in the lounge. By the end of my tenth year I had read, possibly without full understanding but with enough for me to enjoy the stories, The Shining, The Stand and Salem’s Lot by Stephen King, Princess Daisy by Judith Krantz, Lace by Shirley Conran and the Lord of the Rings by J.R.R. Tolkien. By the time I was thirteen, I had added all of my mom’s Charles Dicken’s books and her collection of books by Winston Churchill to my list. I read these ones with a dictionary and looked up words I didn’t know, some of which I have never forgotten.

When I had my own children, I didn’t want them to have to lie about the books they read. My motto was “If they can read it, I will let them read it,” I do not believe in sheltering children from life, death and everything in between, within reason. I do not have the same view about visual products like television or video games. The reason I see these differently is that I believe a child can only visualise the things he/she reads to the extent of their personal experience. A visual depiction puts the picture into the child’s mind and that content will be outside of their experience and could be very frightening.

Greg quickly evolved into a big reader and I had trouble feeding his book appetite. He read all the books I read as a child, including the sad and unusual ones like I am David by Anne Holm, Struwwelpeter by HeinrichHoffmann and Fattipuffs and Thinifers  by Andre Maurois. Some books I offered to him, but he didn’t fancy their themes such as The Diary of Anne Frank and Helter Skelter: The True Story of the Manson Murders. I had read both of these when I was twelve, but Greg has never read them and probably never will.

Other moms from his school were shocked that I didn’t restrict his reading, but my son had the freedom to choose while their children did not. Some of their sons read books behind their mothers back so they could not discuss their content with their children and demystify it. Greg has grown into a balanced and intelligent young man with strong views on personal freedom. He always support the human rights of the “underdog” and I think he will turn out okay.

These are my thoughts, but what do other people think about this. I did some research on the internet and this is what I found:

  • Children need to know that all circumstances in life can’t have a happy ending. Sometimes people and animals we love die and our sense of loss is profound;
  • Many sad and scary stories for children come from folklore. Folk stories are good for children as they gain cultural awareness and learn about life among different peoples of the world;
  • Know your audience, if your child is highly sensitive or prone to nightmares, or simply doesn’t want to read the book [like my son, Greg], don’t force them. Respect their views;
  • We live in a scary world and our children need to be prepared and also learn how to deal with emotions like fear, anger, frustration and jealousy. Scary and sad books help them learn how other people deal with these emotions;
  • Scary stories can get children interested in, and exhilarated by, reading; and
  • There are life lessons to be learned in scary and sad books such as don’t take sweets from strangers.

As October is Halloween month and I love scary books of all kinds, I read a review a few to include in this post.

The Haunting of Hiram by Eva Ibbotson – Goodreads review

The Great Ghost Rescue by Eva Ibbotson – Goodreads review

The Witchlet by Victoria Zigler – Goodreads review

Dragon Kingdom & the Wishing Stone by StacieEirich – Goodreads review

About Robbie Cheadle

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Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.

I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.

I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. I also have three short stories in Death Among Us, a collection of short murder mystery stories by 10 different authors and edited by Stephen Bentley. These short stories are all published under Robbie Cheadle.

I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.

Find Robbie Cheadle

Blog: https://bakeandwrite.co.za/

Blog: robbiesinspiration.wordpress.com

Goodreads: Robbie Cheadle – Goodreads

Twitter: BakeandWrite

Instagram: Robbie Cheadle – Instagram

Facebook: Sir Chocolate Books

***Just a note here, since Robbie is so modest. She has five stories of dark fiction coming out in anthologies this month. “The Siren Witch”, “A Death Without Honour”, and “The Path to Atonement” will appear in Dan Alatorre’s Nightmareland  horror anthology, and “Missed Signs” and “The Last of the Lavender” will be featured in the WordCrafter paranormal anthology, Whispers in the Dark.



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