Posted: March 1, 2019 Filed under: Book Review, Books, Fiction, Science Fiction, Stories | Tags: Book Review, Kevin J. Anderson, Science Fiction, Selected Stories: Science Fiction Volume 2, Short Fiction, Short Stories, Short Story Collection, Writing to be Read
Selected Stories: Science Fiction Volume 2, by Kevin J. Anderson a collection short science fiction stories from a master story teller. This collection is comprised of short fiction created throughout his long and profitable career as an author, and the nice thing about this collection is that Anderson has included a brief introduction to each one, giving a brief glimpse into each story’s inspiration.
Experiments gone awry, time travelers, inescapable planetary prisons, hot, but frightening alien sex tales, giant robots, the ultimate population control; they are all here, in this collection. The stories in this collection are skillfully crafted Anderson twists on the science fiction themes we know and love. Also included is an excerpt from one of Anderson’s early novels, Hopscotch. “Club Masquerade” explores the concept of body switching and takes it in some extreme directions.
Kevin J. Anderson is a master storyteller, and every story in this collection is imaginative and entertaining. I give Selected Stories: Science Fiction Volume 2 five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: February 27, 2019 Filed under: Poetry, The Many Faces of Poetry, Women's Fiction and Poetry | Tags: Art Rosch, Elizabeth Barrett Browning, Emily Dickinson, Jane Hirschfield, Mary Oliver, Poetry, The Many Faces of Poetry, women in poetry
There seem to be fewer female poets than male poets but that’s probably a sexist phenomenon. There are fewer PUBLISHED, FAMOUS lady poets, that’s all. Doing a search there are names that come to the top of the list: Mary Oliver, Jane Hirschfield, Emily Dickinson, Elizabeth Barrett Browning. I like to contrast the moderns with the Victorians because they make a little study in how much the world has changed. In 1850, assuming you had spectacular talent, “making it” as a poet was a matter of family connections, money and social place. The Victorians valued depth in education. Dickinson and Browning were well read in Greek Classics (in the original Greek), Milton, Shakespeare, et al. Today, attaining prominence as a poet is a matter of marketing and luck. Podcasts, platforms and persistence. Talent trails behind.
Mary Oliver And Friend
Mary Oliver is regarded as the English speaking world’s most beloved poet. I always think of flying geese when Oliver is mentioned. There’s a reason for that. This was the first poem I heard by Mary Oliver: Wild Geese. It’s a good example of her accessibility. Oliver celebrated nature, including human nature. She had a great eye/ear for the natural world’s subtle beauties.
Wild Geese, by Mary Oliver
You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about your despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place in the family of things.
Now let’s turn our attention to Emily Dickinson. She was such an interesting person that I feel saddened by the brevity with which I must treat her in this essay. She was the daughter of a prominent lawyer, politician and man of civic affairs. This was Edward Dickinson. He provided a liberal and wealthy environment in which Emily could do pretty much as she pleased. She obtained a first class education at Amherst Academy and Mt. Holyoke, and cultivated friendships with the likes of Walt Whitman and Ralph Waldo Emerson. Emily is famous for her reclusive ways. When she was finished with her education she retired into a world that consisted of her bedroom and the extensive family garden. She maintained vast correspondence with the best minds of the era. She also wrote nearly 1800 poems. A year after her death the first collection of her poems was published and became a huge hit. I find her poems cryptic and timeless. Many of them are just a few lines, and, to tell you the truth, I don’t really understand some of them. I plan to read them again, and perhaps yet again. It seems that she was writing for her own pleasure. There was no thought of an audience. In this way her poems attain a great purity.
I Like to see it lap the Miles, by Emily Dickenson
I like to see it lap the Miles,
And lick the valleys up,
And stop to feed itself at tanks;
And then, prodigious, step
Around a pile of mountains,
And, supercilious, peer
In shanties by the sides of roads;
And then a quarry pare
To fit its sides, and crawl between,
Complaining all the while
In horrid, hooting stanza;
Then chase itself down hill
And neigh like Boanerges;
Then, punctual as a star,
Stop—docile and omnipotent—
At its own stable door.
It’s important to know that Jane Hirschfield is a student of Zen Buddhism. She was ordained in 2011 at The San Francisco Zen Center. Hirschfield gets irritated, however, when people try to identify her poetry as “Zen” or anything else. It’s just poetry. Winner of so many awards it gets ridiculous, Jane Hirschfield is a kind of poetry goddess of our times. She’s 65 as of today. She may be around for yet a while. Her poetry has a kind of practicality. It deals with familiar things in unfamiliar ways. Her poems are full of dogs and horses, images of man’s interaction with nature. There are musings on the dilemma of living within one’s own mind. I find such questions easy to understand. I, too, am some kind of Buddhist.
Rebus, by Jane Hirschfield
You work with what you are given,
the red clay of grief,
the black clay of stubbornness going on after.
Clay that tastes of care or carelessness,
clay that smells of the bottoms of rivers or dust.
Each thought is a life you have lived or failed to live,
each word is a dish you have eaten or left on the table.
There are honeys so bitter
no one would willingly choose to take them.
The clay takes them: honey of weariness, honey of vanity,
honey of cruelty, fear.
This rebus – slip and stubbornness,
bottom of river, my own consumed life –
when will I learn to read it
plainly, slowly, uncolored by hope or desire?
Not to understand it, only to see.
As water given sugar sweetens, given salt grows salty,
we become our choices.
Each yes, each no continues,
this one a ladder, that one an anvil or cup.
The ladder leans into its darkness.
The anvil leans into its silence.
The cup sits empty.
How can I enter this question the clay has asked?
Elizabeth Barrett Browning
Elizabeth Barrett Browning was born into an aristocratic English family and received a classical education. Getting such schooling was not a given for women of that age. Usually it depended on the father’s disposition. In Elizabeth’s case, dad was a poet and the family luxuriated in artistic pursuits. Elizabeth was educated alongside her younger brother. No feminist outrages here. The Barretts were extremely wealthy and lived within the intellectual mainstream of the Victorian era.
It all seemed so wonderful until I came to the tragic stories of the Barrett family.
Elizabeth’s brother drowned. Elizabeth came down with tuberculosis and had an accident that permanently damaged her spine. In its way this is typical of upper class Victorian suffering. They suffered extravagantly: people died young, children were scythed down by fevers, chronic brain afflictions abounded. Elizabeth spent the rest of her life on morphine, opium and other such medications. Still, she had the stubborn persistence of all artists and produced a huge body of work. This first poem, below, “How Do I Love Thee” is one of the most famous poems in the world. It is also called “Sonnet 13”. I follow it with “Sonnet 14”.
How do I love thee? or Sonnet 13, by Elizabeth Barrett Browning
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day’s
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints, — I love thee with the breath,
Smiles, tears, of all my life! — and, if God choose,
I shall but love thee better after death.
Sonnet 14, by Elizabeth Barrett Browning
If thou must love me, let it be for nought
Except for love’s sake only. Do not say
‘I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day’—
For these things in themselves, Beloved, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.
Thus we have a painfully brief glimpse into the worlds of some famous lady poets. It’s a rich universe and I feel ridiculous popping these classics out on the page so casually. These women were/are great poets! Profoundly human, they deal with universal themes, the glorious quiz of life on earth. Is there a difference between the male and female poets? Are men better than women? Hell no. Somewhere there’s a planet with six genders, each with distinctive characteristics and functions. They quarrel endlessly about whether a frem is superior to a bloot and why forgles make the best musicians. It’s always the same stuff. Art. That useless but essential stuff: Art. P.S. I think the it’s the werkish who make the best Jerk n’ Jell paddle players.
A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good. His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv.
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Posted: February 25, 2019 Filed under: Biographies, Biography, Books, Commentary, Creative Nonfiction, His Name Was Michael, Memoir, Nature writing, Nonfiction, Self-Help, Travel, Writing, Writing to be Read | Tags: Biography, Creative Nonfiction, Diaries, How-to books, Journalism, Memoir, Nature Guides, Nonfiction, Self-Help, Travel Books, Travel Memoir, Writing to be Read
Our monthly theme for February on Writing to be Read was, you guessed it – nonfiction. So, what tipped you off? Was it the great interview I did with nature author Susan J. Tweit? Or maybe the nonfiction revues of How to become a Published Author and Letters of May? Or perhaps it was the “Chatting with the Pros” interview of nonfiction author Mark Shaw? Whatever it was that gave it away, I’m here to tell you that these few posts on nonfiction don’t even scratch the surface of what the genre of nonfiction encompasses.
There are many subgenres of nonfiction, just as there are many subgenres under each of the genres of fiction. When someone asks what type of book your fiction novel is, we are quick to catetgorize it as a paranormal mystery, a historical romance, or a science fiction thriller. For some reason, we don’t seem to think about nonfiction the same way we do fiction and when someone asks what type of book your memoir is, or your travel diary, or your self-help book, we tend to lump it in with all the rest in nonfiction. Why this is, I don’t know, but I find that it is the case, time and time again.
The fact is, not all nonfiction books are alike and there are many categories or subgenres that fall within the nonfiction realm. Mark Shaw writes biographies and creative nonfiction tales that are very different from the memoirs, illustrated travel books and nature guides of Susan J. Tweit. Other types of nonfiction that are hard to define are books like Mark Todd and Kym O’Connell Todd’s Wild West Ghosts, which chronicles their ghost hunting experiences and offers advice on how you can be a ghost hunter too. Or Hollywood Game Plan by Carole Kirshner, which is a how-to guide for anyone wanting to break into the screenwriting world. These books are all nonfiction, but they are all very different types of books.
According to wikipedia the genres of nonfiction are biographies, autobiographies, memoirs, commentaries, creative nonfiction, critiques, essays, owners manuals, journalism, personal narratives, reference books, self-help books, speeches, and text books. I would add to that spiritual texts, encyclopedias, documentaries, how-to books, cookbooks, diaries and anthologies such as the one found in Letters of May, which is a collection of writings and artwork illustrating the world of those afflicted with mental illness. I’m sure there are others, but as you can see the list is quite extensive.
Nonfiction books may or may not be aimed to entertain, but the primary purpose, no matter the type of nonfiction book, is to inform. This may account for the fact that my reviews of nonfiction books receive more views in general, than most of my fiction reviews. A fact that I found to be surprising when I uncovered it while looking over the data for this blog. My theory is that readers turn more quickly to books they may find useful than they do to those with entertainment as their sole purpose.
My reasons for interest in nonfiction and all it’s many forms stems from preparation for my journey to write my own memoir, telling the story of my son’s death and my life without him, His Name Was Michael. My bi-monthly blog series which will chronicle that writing process, “The Making of a Memoir“, came out with the first segment in February, too. It was a good month for it to come out, as it also fits in with the nonfiction theme. I hope you’ll join us again next month, when the theme will be science fiction and fantasy.
Be sure to join me next month when we will explore science fiction and fantasy, with guest author Kevin J. Anderson on “Chatting with the Pros” on March 18th, as well as a review of his Selected Stories: Science Fiction Volume 2, and Jordan Elizabeth’s Rogue Crystal.
Update: In Friday’s post I talked about the changes coming for Writing to be Read. One more change that I just recieved confirmation of, and I’m pleased to announce: Art Rosch will also be posting one movie review a month, on the forth Friday of the month, in “Art’s Visual Media Review”.
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Posted: February 22, 2019 Filed under: Blog Content, Book Review, Chatting with the Pros, Fiction, Film Review, Interview, Nonfiction, Paranormal, WordCrafter Press, Writing, Writing Contest | Tags: Book Reviews, Chatting with the Pros, Film Review, Jeff Bowles, WordCrafter, WordCrafter Press, Writing to be Read
The entries are rolling in for the paranormal fiction contest and each one must be read. Stories good enough to recieve invitations to the anthology will also need to be edited. In order to accomodate a time budget for all this contest judging and anthology compilation activities in addition to my other life responsibilities, you can expect to see a few changes in the Friday Reviews.
One good change is we’ll be seeing more of Jeff Bowles. Last week he stepped in with a movie review of Glass that was brutally honest, but captivating. That review was so well recieved that he’s agreed to share a movie review with us on the third Monday of every month. His review of Glass was knowledgeable of the genre and written well enough to be mistakeing for one of the top critiques. If book reviews are hugs for authors, then Writing to be Read wants to hug the film industry, too. If you want to keep up on many of the latest movies, be sure to catch Jeff’s Movie Review (working title) each month.
I also plan to make two reviews each month instead of four, for books in the genre to go along with the monthly theme set by the genre the “Chatting with the Pros” guest author for the month. In February my guest author was nonfiction author Mark Shaw, so the February theme was nonfiction. My supporting author interview was with nature writer Susan J. Tweit and my supporting post was about my own nonfiction endeavor with the first post in my new bi-monthly series, “The Making of a Memoir“. My reviews were both of nonfiction books of different sub-genres: Mark Shaw’s How to Become a Published Author and a compilation of poetry artwork and writings about mental illness, the Letters of May anthology.
March’s theme will be science fiction and fantasy, and the “Chatting with the Pros” guest author will be national and international best selling author Kevin J. Anderson. He’s written more best sellers than there is room to list here and I’m thrilled to have him on Writing to be Read. My supporting post will be about my science fantasy series, Playground for the Gods. I’m still searching for a author for my supporting interview, but my reviews will be for Kevin J. Anderson’s Selected Stories and Jordan Elizabeth’s Rogue Crystal. If you want to be sure not to miss any of these great science fiction and fantasy segments, be sure to sign up to email or follow on WordPress to get notification of new content.
Before I wrap this up, let me just remind you all that there is still time to submit your short story to the WordCrafter paranormal fiction contest. The deadline is April 1, so don’t drag your feet on this one. The entry fee is $5 and the winner will recive a $25 Amazon gift card and a guaranteed place in the WordCrafter Press paranormal short fiction. Email your submissions to kayebooth (at) yahoo (dot) com and I’ll send you confirmation instructions for submitting your entry fee.
Your submission can be any genre, but your story does have to include a paranormal element, so get those stories in. Other entries may be included in the anthology by special invitation, and all anthology authors will recieve a small royalty share if the book makes any money. You can get the full submission guidelines here: https://kayelynnebooth.wordpress.com/2019/01/28/short-fiction-contest-paranormal-stories-sought/
I do hope you’ll all join me in the exciting changes ahead. I’m always interested in reader feedback, so leave a comment and let me know what you’d like to see on Writing to be Read.
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Posted: February 20, 2019 Filed under: Books, Collaboration, Dark Fantasy, Illustrations, Interview, Steampunk, Writing, Writing for a YA Audience, Young Adult | Tags: Aaron Siddall, Dark Fantasy, Fanya in the Underworld, Jordan Elizabeth, Steampunk, Writing for a YA Audience, YA, Young Adult, Young Adult Fiction
Every book is a collaboration. I work with editors, cover artists, and the publishers in so many ways behind the scenes. A few years ago, I got to collaborate in a different way. This time it was with a local illustrator, Aaron Siddall. He had an idea for a YA steampunk story. He would illustrate it and I would write it. We created a world of magic and mysterious creatures, and the book was released on November 14, 2018 from CHBB Publishing. *Hold for applause, wink wink.*
I would like to introduce Aaron Siddall to all of you. We met years ago when I joined the Utica Writers Club.
JE: When did you join the Utica Writers Club? What do you like most about it?
AS: The Utica Writers Club and I came together in 2010. I do write and occasionally read from things that I am working on, but I mostly attend for the creative energy. That and I find that writers make for excellent friends.
JE: How long have you been an illustrator?
AS: I’ve had a passion for art all of my life, but I had my first professional experience as an illustrator in 2001 working for Kenzer & Company and White Wolf Studios, both as a freelancer.
JE: What are some of the projects you’ve illustrated?
AS: Its hard to narrow down to favorites. But several stand out, such as; High Towers and Strong Places: A Political History of Middle Earth by Tim Furnish and published by Oloris Publishing. How Robin Hood Became an Outlaw by Learning A-Z. Ravenloft Denizens of Darkness by White Wolf Studios.
JE: How did you come up with the idea for FANYA?
AS: In a discussion concerning Steampunk and Fairy tales that I was involved with, I compared elements from both in relation to our world in the late 1800s (the Victorian era). In doing so, Russia and Alaska at the time were in the midst of tumultuous times, as there are many marvelous Russian Fairy Tales and the legends of the First Nations have many similar legends, these elements came together naturally in my mind.
JE: How did you come up with the title?
AS: Fanya is a name that shows up in both Russian and Inuit and Aleut peoples.
JE: What do you hope people take away from FANYA IN THE UNDERWORLD?
AS: Overall, I hope that people enjoy the action and magic of the setting. There is a great deal to think on and enjoy.
JE: What is your favorite illustration from the book?
AS: The one of Mr. Beisy on the doorstep in chapter two.
We hope you enjoy reading FANYA IN THE UNDERWORLD. Reviews and emails are always appreciated. If you love the artwork as much as I do, merchandise is available here.
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