Posted: January 20, 2020 Filed under: Chatting with the Pros, Interview, Memoir, Nonfiction, Self-Help, Writing, Writing Workshops | Tags: Chatting with the Pros, Diana Raab, Memoir, Nonfiction, Self-Help, Writing, Writing to be Read
My author guest today on “Chatting with the Pros” is someone who focuses on helping fellow authors to find and harness their positive inner energies and let them shine through, both in their writing and in their lives. She has written memoirs, poetry, written and/or compiled writing resource books, and she offers workshops focused on healing and transformation through memoir writing. Her works have won numerous awards, including Best Book Award, Feathered Quill Book Award, Mom’s Choice Award, Eric Hoffer Award, and Allbooks Review Editor’s Choice Award. Please help me welcome creative nonfiction author, Diana Raab, PhD.
Kaye: You have a PhD in Psychology with a research focus on the healing and transformative powers of memoir writing. Can you explain briefly what those powers are?
Diana: My research examined how pivotal experiences encouraged individuals to write memoirs as a way to transform, grow, and become empowered. I interviewed esteemed writers about the role writing their memoirs had in their lives. Poet Kim Stafford said that writing his memoir transformed him, in that it helped him come to a new understanding about his brother’s suicide. Another writer said that the writing experience relieved him from the pain of his past. And another writer who lost a son said that writing helped her look at life in a much larger context and also helped to keep her son “alive.” Writer Maxine Kingston said that she was transformed by penning her memoir because she was finally able to tell the stories from her past, which for a long time had been a secret. Thus, in most cases, the writers were liberated from the demons of their pasts.
Kaye: How can writing facilitate transformation and empowerment?
Diana: Transformation is a dramatic change in one’s physical or psychological well-being. It’s about becoming more aware of and facing our thoughts, feelings, and experiences. Writing down our feelings can lead to self-realization and a sense of empowerment, because we’re moving our feelings from inside of us and onto the page; and like therapy, it can help us work through our challenges. Writing can also be transformative because it helps us gain a better understanding of ourselves. With that understanding comes deeper reflection, and consequently a more profound sense of harmony.
Kaye: What is your biggest challenge of being a writer?
Diana: That’s a great question. In my earlier years, while raising children, my biggest challenge was carving out the time to write. These days, I would say that my biggest challenge as a writer is finding inspiration.
Kaye: What time of day do you prefer to do your writing? Why?
Diana: When I was younger, I used to love writing in the wee hours of the night, but now that I’m older, my preference is to write early in the morning. That’s when my mind and thought processes are most clear. I like writing just after my morning meditation, as sometimes thoughts emerge during this time that can move me into a highly creative and inspirational zone.
Kaye: Besides writing, what are your favorite things to do?
Diana: I love being with my adult children (ages 36, 34, and 30) and playing with my grandchildren; and I love hiking and going for beach walks. I meditate every day, and like most writers, I love to read. I also love cooking, especially soups and desserts. I love doing needlepoint, a craft I learned from my maternal grandmother, Regina, who committed suicide when I was ten. She was my caretaker, and this was a huge loss for me. Her story is the basis of my first memoir, Regina’s Closet: Finding My Grandmother’s Secret Journal.
Kaye: How does memoir writing differ from other writing forms? Don’t most forms of writing “unleash the true voice of the inner self”?
Diana: I don’t believe that most forms of writing “unleash the true voice of the inner self.” It might start out that way when writing fiction, but soon the imagination comes into play. Memoir writing is a first-person account chronicling a slice of life, not an entire life. It is a subjective recollection from one’s own perspective. Typically, there is a theme or thread running through a memoir. What sets a memoir apart from other forms of nonfiction is that it weaves the story as it happened, but also includes reflection. It’s much more than a journalistic telling. Compelling memoirs definitely unleash the true inner self.
Kaye: Tell me about your writing workshops. What can I expect to come away with if I take a workshop with you?
Diana: What you will come away with will depend on the nature of the particular workshop. Each one is different, depending on its focus. I usually revise my workshop format accordingly. For example, I’ve taught high-risk youth, bereaved adults, hospice workers, and those battling with drug addiction. My regular workshops are related to memoir writing, where participants of different writing levels come together to work on their personal stories.
I limit these groups to ten individuals so that I can offer individualized coaching. Participants learn by hearing my comments about their memoirs, and we also discuss published memoirs. They’re grateful to hear about all the tidbits of information I’ve gathered during my 40-year writing career. I stress the idea that writing is a process, and like any other process, patience is necessary. Those who take my workshops say that they leave them feeling very inspired to continue their memoir-writing journeys.
Kaye: What lessons do you want readers to walk away with from reading Writing for Bliss: A Seven-Step Plan for Telling Your Story and Transforming Your Life?
Diana: There are many lessons within those pages, as I weave my story into a how-to book on personal writing. I want readers to understand the transformative powers of memoir writing and be aware that writing is a journey. I stress the idea of truly enjoying that journey and not becoming focused on the destination. People have called Writing for Bliss “instructive, inspiring, healing, and a blueprint for writing for healing and transforming your life.”
Kaye: You put together a book project that was quite innovative with Writers and Their Notebooks. I thought it was a really cool idea, and apparently others did too, since it became a Best Books award finalist with USA Book News. In fact, I’d bet there is an abundance of valuable information for aspiring authors. What inspired you to compile an anthology of author essays about the value of an author’s notebook?
Diana: As I mention in the Preface, “As artists have sketchbooks, writers have notebooks.” My inspiration for creating this anthology originated from my own experience and the joy that journaling has brought into my own life. For more than five decades, journaling had helped ground and center me. My passion began with my mother giving me a Kahlil Gibran journal when I was ten to help me cope with my grandmother’s suicide.
This book is a celebration of well-published writers who use their notebooks to inspire, record, and document anything and everything that nurtures or sparks their creative energy. Many of the essays in the collection are confessional in nature. This year celebrates the book’s tenth anniversary. The project is even more meaningful for me now, as many of the writers in the anthology have passed away, such as Sue Grafton and Michael Steinberg.
Kaye: Another valuable anthology which you put together is Writers on the Edge, a collection of 22 authors being brutally honest about their own battles with addiction. Was it difficult to get so many authors to open up?
Diana: Great question. Addiction is defined as the obsession and compulsion to self-destruct. Author James Brown and I co-compiled this anthology because of our passion for the subject. We contacted writers who we thought would be interested in writing about their journaling practices. We were honored when Jerry Stahl agreed to write the foreword. A number of authors said that they didn’t know if they could write so intimately and honestly, but they did. Some had never written nonfiction before, so it was a huge challenge for them, but in the end, they felt a huge sense of satisfaction. As we said in the preface, “These battles are not fought alone, and perhaps these stories will also provide insight and hope to all those and their loved ones struggling with some form of addiction and its inevitable consequences.”
Kaye: You’ve written two memoirs yourself. Why did you choose to share with others your inner thoughts and feelings during a difficult time in your own life, with Healing with Words: A Writer’s Cancer Journey?
Diana: After my first cancer diagnosis in 2001, I decided, as a gift to myself, to enroll in graduate school for my MFA in writing. My two memoirs were a part of my creative thesis. In actuality, I had no intention of writing a memoir about my cancer journey. I was the type of person who believed that I got breast cancer, had a mastectomy and reconstruction, was healed, and that it was over and I’d be okay. I didn’t want my cancer diagnoses to define me.
During my recovery, I did a lot of journaling, but with no intention to publish a book on the subject. Five years later, to my surprise, I was diagnosed with multiple myeloma, an incurable form of bone marrow cancer. Supposedly, it’s not connected to breast cancer. I was devastated, but the silver lining was being told that I had smoldering myeloma and wouldn’t yet need treatment, just regular blood work.
My friends and colleagues encouraged me to write about my cancer journey because they thought it would help others. To make the book a little different and more universal, I decided to create a self-help memoir where I provided journaling opportunities for readers to share their own cancer journeys.
Kaye: You won the Mom’s choice award for your first memoir was Regina’s Closet: Finding My Grandmother’s Secret Journal. What kind of revelations does it contain?
Diana: During the writing process, I learned a lot about my grandmother. I began writing the book about the time of my first cancer diagnosis. I wanted to study my grandmother’s life to see if she’d committed suicide in 1964 because of cancer, but that wasn’t the case. I learned that at the time of her death, she was very depressed, and her doctor had given her a prescription for Valium, which she eventually overdosed on. By studying my grandmother’s life, I learned that she held on to the demons of her past, such as being orphaned during World War I and marrying an abusive man. All this inner turmoil eventually got to her, so she took her own life.
Kaye: Imagine a future where you no longer write. What would you do?
Diana: I don’t want to think about it. I love writing, whether it’s journaling; or writing poems, articles, letters, or blogs. It’s where I find my peace.
Kaye: What is next for Diana Raab? What can your readers and authors look forward to in the future?
Diana: Last year I turned 65 and felt that there was a huge shift in my vision. While I’ve always practiced mindfulness, I find that I’ve been living more in the moment. Also, in recent years, I’ve lost a number of loved ones, which is another reminder to enjoy the present. Thinking a little farther ahead, I hope to give more workshops and maybe create some short inspirational books. I’m currently working on my fifth book of poetry. I also have an unfinished novel that has been sitting in my drawer. Maybe one day I’ll be inspired to get back into it, or perhaps I’ll become inspired to write a children’s book for my grandchildren. Time will tell!
I want to extend my thanks to Diana Raab for joining us today and sharing with us. I have to agree with her philosophies, as I’ve experienced the healing powers of writing in my own life. I believe many of us have. If you’d like more information about Diana, her books, projects and events at her website: dianaraab.com.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.
Posted: December 16, 2019 Filed under: Blog Content, Writing, Writing to be Read, WtbR Team Members | Tags: Arthur Rosch, Arthur's Visual Media Reviews, Chatting with the Pros, Growing Bookworms, Jeff Bowles, Jeff's Movie Reviews, Jordan Elizabeth, Mind Fields, Robbie Cheadle, Words to Live By, Write Me Better, Writing for a YA Audience, Writing to be Read
Wow! It’s hard to believe that 2020 will be celebrating 10 years of Writing to be Read!
We have a promising line-up shaping up and I think it will be an exciting year ahead. I’ll share some of that line-up with you, but first, let’s take a brief look at how Writing to be Read has gotten to where it is today in celebration of those first nine years. (For long time followers who have been with me a while, I may have said some of this before because I reflect on the evolution of my endeavors often, but bear with me because there are some really great changes coming.)
When I started Writing to be Read, back in 2010, I didn’t know what I wanted to do with the blog, but I knew I wanted to write and I wanted somebody to read what I wrote. I was not yet a published author, and I didn’t really know what I was doing, but I was determined to do it. I’d written for three years as the “Southern Colorado Literature Examiner” for Examiner.com, and I knew how to get review books and find authors willing to be interviewed, so that’s what I did.
Yet, I was still kind of bungling my way through. Kind of like how Laurel and Hardy always seem to make a mess of things, but in the end they manage to set things right. Of course I learned a lot along the way, and made adjustments to my blogging strategy, striving to come up with content that would bring readers to the site, because I wanted people to read my blog. After all, isn’t that what all we authors want in the end? For our writing to be read?
After I graduated from the M.F.A. program at Western State Colorado University in 2016, things began to pick up. While I learned to write book length works at Western, it also showed me the value of community in writing, which is often a solitary endeavor. We are all embarked upon our own personal author’s journey. Our joys and sorrows may be of a nature that only another author would be able to comprehend. With the growing number of indie authors out there, is important that we support and help one another along the way. Not only was I sitting on the perfect platform to promote my own books and writing, but Writing to be Read is a tool that can be used to grow community among my fellow authors.
The first blog series I created, was “Ask the Authors”, which I ran in two rounds in 2017, with the help of several great authors, who were willing to donate their time for twelve weeks for each segment. It was a successful series in which I interviewed participating authors on many aspects of writing, with the idea that we learn from those who have gone before us. Most of those authors’ words will be appearing in a book of the same name as the series, which I had hoped to publish this year through WordCrafter Press, but has now been pushed back into the coming year. (Before the release of Ask the Authors, the content must be removed from the web, so be aware that the series content will soon be removed from the blog.)
Over the past year, Writing to be Read is approaching 10,000, and many visitors have become WtbR followers. I think there are several contributing factors that account for this, starting with the Motivational Strips Certificate of Honor, which I received in April and which is now displayed proudly in the sidebar below the WordCrafter logo, for contributions made in the global online writing communities through social media. It is still a labor of love, with the payoff coming with views and engagement, rather than monetary profit.
In 2019, I ran the monthly “Chatting with the Pros” series, featuring bestselling and award winning authors, in coincidence with monthly genre themes, which has been very popular. I had some wonderful authors, who graciously agreed to be interviewed for this series. The top two interviews, with award winning Christian fiction author Angela Hunt and with bestselling romance author Maya Rodale, brought over 100 views each, with the interview with the very prolific science fiction and fantasy author Kevin J. Anderson coming in a close third. Other great interviews that this series brought were with thriller novelist John Nichol, horror authors Paul Kane and Jeffrey J. Mariotte, women’s fiction author Barbara Chapaitis, young adult fiction author Carol Riggs, crime fiction author Jenifer Ruff, mystery author Gilly Macmillon, western author Scott Harris, and nonfiction author Mark Shaw.
Also aligned with the monthly genre themes were supporting interviews with less known, but talented authors. I am pleased to find the top viewed supporting interview to be with accomplished author and scholar Shiju Pallithazheth, who has dedicated himself to the support of achievement in quality writing and is the founder of the Motivational Strips social media group. The second and third top supporting interviews were with horror author Roberta Eaton Cheadle and with nature author Susan J. Tweit.
I also reviewed many top notch books over the year’s course. Book reviews don’t tend to bring in as many views as interviews do, but the views they do bring in add up when counted. The top review for 2019, was Simplified Writing 101, making this the top review every year since I posted it, back in 2016 with over 300 total views. That’s a lot of views for a book review.
The second most viewed book review was a review from 2018, Dan Alatorre’s Night Visions horror anthology, and the third was Jordan Elizabeth’s Cogling, from 2016. That’s the nice thing about book reviews – they’re all evergreen. The top reviews actually posted in 2019 were for God’s Body, by Jeff Bowles; Selected Stories: Science Fiction Volume 2, by Kevin J. Anderson, and Through the Nethergate, by Roberta Eaton Cheadle.
Also, the addition of team members and their blog series added variety to the blog and provided more consistent publication of content on a regular basis. Writing to be Read wouldn’t be where it is today without their content. Robin Conley is a team member who is no longer with WtbR, but her evergreen “Writing Memos” make her posts receive the most views each year because they offer good, solid writing tips on the basics of writing.
The active team member with the most views in 2019 is Robbie Cheadle with her “Growing Bookworms” blog series on children’s literature and the promotion of reading. Robbie joined us at the beginning of 2019 and she’s had over 1000 views of her posts over the course of the year. Her most popular post was “Developing imagination and creativity through reading”. (For the full 2019 active contributor line-up, see my Thanksgiving post.)
Arthur’s Visual Media Reviews
Jeff’s Movie Reviews
The Writing to be Read following has grown with each passing year, as has the daily average for views, and 2019 has been the best year yet. Now we are at a time when we must look ahead to the coming year and find ways to make WtbR even better. I’ve been working on the 2020 blog schedule and I’d like to share anticipated changes with you here.
For 2020, we are going to continue with the monthly genre themes and the “Chatting with the Pros” blog series. Obviously you can’t cover all the genres in twelve months, so next year we’ll cover some that we missed, as well as giving some we did some more in depth coverage. The tentative theme schedule includes creative nonfiction, romance, western, fantasy, comic books and superheroes, speculative fiction, science fiction, young adult fiction, mystery/suspense thriller, horror/dark fiction/paranormal, action adventure, and children’s fiction. Let me know in the comments what genres you think I am missing, or if you know of an author of one of the genres covered who would be interested in giving me an interview. Writing to be Read wants to create content that its readers want, so I want to hear from you.
There will be a few changes with the Writing to be Read team, including four great new blog series! I am sad to say that Jordan Elizabeth will no longer be with the team, and her “Writing for a Y.A. Audience” blog series will be discontinued. However, the other team members have jumped right in to fill all holes in the scheduling as we moved series around and made changes.
For 2020, Art Rosch’s “The Many Faces of Poetry” will be discontinued, but it will be replaced the last Wednesday of each month with Art’s new series, “Mind Fields”. Art is always full of surprises and the segments for this new series may be on just about any topic, but they are guaranteed to be interesting and entertaining. Art actually posted a preview segment back in November to give us a little sample, with a journey into the realms beyond death in “Hitler’s Afterlife“. You may love it or hate it, but you’re sure to get a chuckle. “Arthur’s Visual Media Reviews” will continue to be on the last Friday of each month.
Jeff Bowles will continue his “Jeff’s Movie Reviews” the third Friday of each month, but “Jeff’s Pep Talk” will not appear in 2020. Instead, Jeff will offer a new series, “Words to Live By” on the first Wednesday of every month. Jeff will also fill the series slot on the third Wednesday of each month that was left open by Jordan’s departure with a new series, “Write Me Better”, which will offer writing challenges to rewrite the classics. I’m really excited about this new series because it offers the potential for reader interaction. I can’t wait to see what each of you comes up with when stepping up to Jeff’s challenges to rewrite the classics with your own style and flair. It should be a lot of fun. I may even have to try my hand at this one.
Robbie Cheadle will continue her “Growing Bookworms” series on the second Wednesday of each month and she will also offer a new poetry series on the last Saturday of each month, “Treasuring Poetry”. I was particularly pleased with the idea for this series because it offers a way to keep poetry alive on Writing to be Read. Poetry is like painting with words to create something that is beautiful for its structure and form, beyond simple meaning, and I’ve always felt it was important to have poetry included here in some way. When I first started Writing to be Read, before it was on this site, I ended each post I made with a poem. Although I have had a few poems published, my knowledge of verse is minimal. Robbie, however is quite involved in poetry communities on social media and she has the poetic know how to carry this new blog series.
As you can see, we have some really exciting new blog series for the coming year, as well as some old favorites. My guest authors and reviews are beginning to shape up, too, with some great authors and great books. I’m still searching for more though, so if you’d like to be interviewed or have a book you’d like reviewed in the coming year, please email me at email@example.com. I’d love to hear from you and include you in my 2020 line-up.
On a final note, I’ve been considering switching to a paid site to eliminate some of the advertising and open up the options of what I can do with the blog. As you all know, Writing to be Read is a labor of love and the profit I get from it is in watching my following grow and engaging with my readers. So, my question to all of you now is, if I went to a paid site, would you be willing to make a donation to help cover the cost, or are you happy with the site the way it is? Please let me know what you think in the comments.
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Posted: November 18, 2019 Filed under: Books, Chatting with the Pros, Fantasy, Interview, Science Fiction, Writing, Young Adult | Tags: Carol Riggs, Chatting with the Pros, Fantasy, Science Fiction, Writing to be Read, YA, Young Adult, Young Adult Fiction
My “Chatting with the Pros” author guest today writes young adult fiction in the fantasy and science fiction genres. Her debut science fiction novel, The Body Institute, is currently being developed into a television series by NBC, which I think, is pretty cool. I met her when I reviewed Bottled three years ago. Since then, I’ve reviewed her science fiction novel, The Lying Planet, and she was a member of the author panel for the first round of the “Ask the Author” blog series in 2018, right here on Writing to be Read. Let’s find out what she has to share. Please help me welcome author Carol Riggs.
Kaye: Please begin by telling us briefly about your author’s journey?
Carol: I began writing in the 1990s, took a 10-year break, and started up again in 2009. I met my agent at an SCBWI retreat and signed with her in 2011 for my 2015 debut, THE BODY INSTITUTE. Since then, I’ve published 7 more books.
Kaye: Why do you choose to write for young adults? Why science fiction and fantasy?
Carol: I enjoy writing about teens as they experience the road to individual growth and becoming an adult—navigating independence, romance, tests of courage, etc. Sci-fi and fantasy appeal to me because I love making things up. Speculative genres give me the most room to be creative and use my imagination.
Kaye: What is your biggest challenge in writing for a young audience?
Carol: Keeping in touch with how a young person thinks and talks, sounding like a teen. My editor at Entangled Teen nails me on that, and makes me rewrite things that don’t sound authentic.
Kaye: Is there anything unique or unusual about your writing process?
Carol: Nothing too unusual. I don’t listen to music or other distractions. I draft novels moderately quickly (3-5 months), and I write 1 or 2 books a year. I also keep my novels “clean,” with no profanity, gory violence, or sexual scenes. I prefer to make up my own slang and swear words, which don’t become outdated like modern teen lingo/slang/cussin’.
Kaye: NBC is developing your science fiction novel, The Body Institute, into a television series. That must be exciting. Tell us a little about the story.
Carol: THE BODY INSTITUTE is a dystopian sci-fi novel where the main character gets a job losing weight for other people—by having her mind downloaded into their bodies. It’s set in the near future where society is ultra health conscious. The TV series is using the book as a jump-off point rather than being a direct replica of the novel, which is okay with me. It’ll be fun to see where their creative minds take it.
Kaye: How much say do you have in the development process of the television series? Are you involved at all?
Carol: I don’t have any say at all, but that honestly doesn’t bother me. I’d rather spend my time developing new novels! Readers have the book if they want to explore what I’ve developed; the TV show will be a different experience entirely.
Kaye: Do you have a date yet for the series premier for The Body Institute to air?
Carol: As of yet, I don’t; the filming of the pilot show hasn’t begun yet. I’ll announce on my newsletter, Facebook, and Twitter (@CRiggsAuthor) as soon as I find out any developing news.
Kaye: Most of the books in your Junction 2020 series have scary sounding titles: The Portal, Nightmare Realization, Vanishing Fears, Silent Scream, and Future Terrors. Is this fantasy series scary?
Carol: Some people consider these books “horror,” but it sort of depends on your tolerances. If you can’t stand spiders, for instance, don’t read THE PORTAL. Nothing is hyper-bloody in the series, though…no slasher-type nightmares or anything overly gory. I chose each characters’ fears to manifest in a way that would lead them to personal growth, a challenge to overcome rather than sheer horrible nightmares.
Kaye: How do you approach scary subject matter when writing for young adults?
Carol: I try to keep it emotional but real to each character, and I don’t make things gory. Depending on the teen, that could be totally un-scary, or it could be very unsettling. I try to hit somewhere in the middle, for the average reader.
Kaye: Are there certain subject matters that you wouldn’t tackle for a young adult audience? Why?
Carol: I don’t write sex scenes, gory violence, or profanity. I think there’s plenty of that going around nowadays in society (books, movies, etc.), and not having those things in my novels jives with my personal morals and my feelings about what I would want to (or not) read in a novel. I wouldn’t write about demons or the occult, either—too creepy and real.
Kaye: My favorite book of yours is Bottled, which I reviewed a few years ago. It is a fun and entertaining fantasy story. What was your inspiration?
Carol: Long ago, I used to watch “I Dream of Jeannie.” While BOTTLED isn’t that similar in plot to the show, I was inspired by the fun, magical atmosphere of the TV series. It’s my tribute to the show.
Kaye: I also reviewed The Lying Planet. Tell us a little about this science fiction story.
Carol: I was lying in bed one night years ago, and heard a noise in the living room (it was probably the refrigerator). That became the germ seed for TLP, a teen boy on the planet Liberty who one night hears a noise in the living room and gets up to investigate…and then wishes he hadn’t. He uncovers an evil that rocks his world in the worst way possible. I’ve found that teen guys really seem to like this novel. It has lots of danger, adventure, and a degree of creepiness.
Kaye: The other thing I loved about Bottled was the fantastic cover. And the vibrant colors used for Lying Planet cover and those used in the covers your Junction 2020 series are eye catching, as well. The colors are wonderful and the designs fit what the stories are about. Do you design your own cover art or hire it out?
Carol: I’ve been incredibly lucky to get awesome covers for my traditionally published books. The JUNCTION 2020 series covers I developed myself in Photoshop, with the tips and suggestions of a writer friend who is also a graphic artist. I have a BA in Studio Arts, so I think that helps me have a bit of an eye for what looks good.
Kaye: What do you enjoy doing when not writing?
Carol: Walking, reading, working jigsaw puzzles, watching sci-fi and fantasy movies, going to the beach, and listening to all kinds of music.
Kaye: Writing organizations can be of great value to writers of all genres. You’ve been a member of Society of Children’s Book Writers and Illustrators for many years. Would you talk a little about the organization and how you have benefited through membership?
Carol: Back in the 1990s when I first joined the Society of Children’s Book Writers and Illustrators (SCBWI), it was super helpful. Submissions were sent to editors at publishing houses by postal mail rather than email (talk about slow!). There wasn’t the wealth of information on the internet that there is now, so the SCBWI was invaluable for honing one’s work to make it ready for editor eyeballs. I learned a lot.
When I returned to writing in 2009, an agent was almost mandatory to submit your work, and the SCBWI retreat I went to offered manuscript critiques for a fee. I actually met my agent-to-be during one of those brief, one-on-one meetings. SCBWI conferences are also great places to network with other writers, learn about the craft of writing, meet industry professionals, and talk about books all day. Some regions offer scholarships to attend if finances are tight.
Kaye: What is your best piece of advice for aspiring authors of young adult fiction?
Carol: If you love it, never give up. THE BODY INSTITUTE was the 13th book I wrote, after 350+ rejections and 11 years of writing and trying to become published. Surround yourselves with supportive writer friends to share the ups and downs. Keep learning your craft, persevere, and enjoy the journey!
Kaye: What can your readers look forward to in the future? What’s next for Carol Riggs?
Carol: A deal has just been signed for THE BODY INSTITUTE for an audiobook version, which is cool. I’m also working on a sequel to the novel, called SPARES. Ideas are springing into my head for a fresh YA novel, and I’m excited to begin imagining a whole new world for readers to explore.
I want to thank Carol for sharing here and answering all of my many questions. And thanks to all of you readers for joining us. You can find out more about Carol Riggs and her young adult science fiction and fantasy books on her website, her Amazon Author page, or her Goodreads Author page.
Next month, there will not be a “Chatting with the Pros” segment. In December we’re wrapping up 2019 and giving you a rundown of what’s in store for 2020. I plan to run this blog series again next year, so check back after the New Year for the first 2020 segment in January. I hope to see you all then.
You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.