I have always read to my two sons. My reading to them started during my pregnancies. I read somewhere that reading to your unborn baby helps sooth the fetus and get him/her used to his/her parents voice. Any excuse to read was acceptable to me and I read the entire Jean Auel Earth Children series to Gregory during my second and third trimester.
Gregory was a difficult baby. He was born with a defect that resulted in him having eighteen operations between the ages of 1 and 6 years old. When he was crying and restless I used to read to him. It always helped him settle eventually and it calmed me too.
During my pregnancy with Michael I had a two year old toddler to read to. The unborn Michael was entertained by a series of books for small children like Rupert the Bear, Paddington and the Mr Men series.
Both my boys have grown up to be readers. It wasn’t as easy with Michael as he has an audio processing barrier which required some intervention but we have overcome that and he is now a prolific reader. Gregory was one of four boys selected to represent South Africa in the Kids Literature Quiz held in New Zealand in 2016.
My own experience in reading to my sons and to my nieces, nephews and any other children who are interested in being read to has illustrated to me the following benefits of reading to young children:
Reading to your children helps you bond as mother or father and child. I have always had to work and it was wonderful to cuddle up to my boys after dinner every evening and read to them for an hour. It was a lovely time that we all looked forward to each and every day.
Develops concentration skills
Reading to your young child helps them to learn to concentrate for longer periods. I started off reading to Gregory for periods of about 15 minutes when he was fifteen months old and this gradually built up to an hour or more. I used to take Gregory with me to the doctor for my checkups during my second pregnancy and sometimes we had to wait for up to two hours to see the doctor. He would sit next to me quietly while I read to him and never gave me a moments trouble.
Reading to your child encourages discipline as they learn to sit quietly and focus and listen. The receptionist at the doctor’s room used to comment on what a good boy Gregory was while we were waiting and how well disciplined he was. I believe that my training him to sit and listen to a story contributed greatly to his developing this important skill which plays an even greater role in his life now that he is in high school.
Encourages imagination and creativity
When you read to your child, they must use their own imagination to picture the characters and happenings in the story. It is not provided to them as with other forms of entertainment like television. You can help develop your child’s imagination and creativity by discussing the characters and setting with them and providing your thoughts on what they look like. You can also use mediums like lego to build the settings in the book you are reading and make the story more alive.
Develops language skills
The more your child hears different words and spoken language the more vocabulary and understanding of language they will gain. Reading a variety of different fiction and non-fiction books to your child will give them an extensive knowledge of words and concepts. Reading to your child also helps develop language fluency.
Reading fiction to your child will assist them in learning how to react to different situations and expose them to different and more adverse circumstances than their own. It helps children learn empathy and understanding for those less fortunate than themselves.
In addition to the above benefits, reading is an essential skill to achieve success in most areas of study. If you can’t read and comprehend effectively, for example, you will struggle to answer a complex word problem in mathematics. Reading to your child and developing a love of reading goes a long way to achieving academic success.
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with five published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. These short stories are published under Robbie Cheadle.
I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
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Most kids dream of hitching a ride in Santa’s sleigh at one time or another. In The Day My Fart Followed Santa Up The Chimney by Ben Jackson and Sam Lawrence, Timmy doesn’t get a ride, but his little fart does. Timmy’s Fart is a cute little green guy, kind of a cross between a Smurf and a chubby baby dragon.
The Day My Fart Followed Santa Up The Chimney is a delightful children’s picture book, which explores the magic of Christmas and takes Little Fart on a great adventure. It wasn’t what I expected, (I expected a lot of fart humor from the title), but I was pleasantly surprised. I give it four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Trouble Returns, by Nancy Oswald, is the third book in her Ruby and Maude Adventure children’s series. The series are historically based stories about Ruby, an independent and headstrong young girl, and her ice cream loving donkey, Maude, and their adventures in Cripple Creek in the late 1890s. I had the pleasure of reviewing the first book, Rescue in Poverty Gulch, in which Maude is donkey-napped and Ruby risks her own life to save her beloved friend and companion.
Ruby must face her greatest fears in Trouble Returns, when she must face the villain, Jake Hawker, who’s she’s tangled with twice before, in a court of law, when she testifies against him. But she finds her fears very real when he breaks out of jail and comes after Ruby and her friends and family. Can Ruby triumph over Jake Hawker for a third time?
Trouble Returns is crafted to be a stand alone book as well, making me aware enough of events in the second book, Trouble on the Tracks, that I was able to easily follow the full story line, although I hadn’t read the second book, without giving me a bunch of block exposition. As you might guess from the titles, books two and three feature an additional character, who steals readers’ hearts: Trouble, Ruby’s lovable little cat.
I found this story to be a delightfully entertaining story which was skillfully written. Oswald has crafted another story that readers of all ages won’t want to put down. She’s done her research and the historic details are wonderful. Another plus for me was the fact that it is available in paperback, because I’m an old fashioned type of gal. I give Trouble Returns five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
There are some of you who have been following my writing endeavors for some years. If you’re among that crowd, you’ll remember when I announced I had a publisher for one of the books in the My Backyard Friends series of children’s stories. I was very excited and proud to broadcast on the book’s progress at the time, but I haven’t mentioned Heather Hummingbird for quite a while now. It dawned on me the other day that there are many of you who were waiting for the release of the book. I even had a list of pre-orders in anticipation of it. You deserve an explanation as to what happened to Heather, so let me tell you what happened.
All through my limited writing career, I have done things on my own. A negative experience as an undergrad turned me away from a major in English that would have sent me down the path to becoming a writer the right way, and I got a major in Psychology, which I’ve never really found a use for instead. And when I first set out to be a writer, I failed miserably, because I couldn’t afford the submission process via snail mail, which is all there was back then. Yeah, I’m an old lady.
But the development of the Internet changed all that, opening up opportunities for writers that didn’t exist previously, and I began writing a series of children’s stories with animal and bird characters based on the creatures that visited the backyard of my Colorado mountain home on a daily basis. I met an illustrator online. She’d become a member of a social writing site, called Writer’s World, which I was administrator of. She offered me a very affordable deal to illustrate that first book, Heather Hummingbird Makes a New Friend, with beautiful handcrafted illustrations. I immediately fell in love with the cover illustration she produced, and down the road, she arranged for the publisher she worked for to offer me a contract.
Now you see why I was excited? I thought that was the best stroke of luck to ever hit me. I had a publisher fresh out of the gate. I was ecstatic. I spread the good news across all of my social networks, announcing to the world that Heather Hummingbird was coming. Little did I know, I had embarked on a nightmarish fiasco into the world of publishing.
When the publishing date the following year came and went, and nothing happened, they said it had been pushed back. And it was pushed back again and again for the next two years, each time I broadcast to my friends and readers the updated release date. But I wasn’t hearing anything from the publisher or the illustrator. She’d sent me three illustrations and the cover, but that was it. Nothing more was forthcoming, and no explanations.
If I wanted to know what was going on with my book, I had to contact them via e-mail and ask. They didn’t even tell me when the release dates were pushed back unless I wrote to inquire. In 2013, the release date passed, although all edits had been completed, my illustrator answered an inquiry, saying the date had been pushed back again and she was no longer able to illustrate by hand. She sent me a digitally illustrated cover and ask if this would be acceptable. I didn’t like this cover as much as the original, but I thought it would do, so I agreed to have her do the digital illustrations.
The next release date came and went, and when I inquired, the publisher sent back an email informing me I would be getting a different illustrator. I inquired as to the reason for this change, thinking perhaps my illustrator was no longer with the publishing house, but this was not the case. For some unknown reason they had decided to have someone else produce my illustrations, which I had already paid the original illustrator for.
At this point, I was more than slightly annoyed. I expressed my displeasure in the arrangement and the publisher got snotty and said she would release me from the contract. So, that is how it was resolved, and I’m still trying to collect my money from the original illustrator. It feels foolish to say that seven years since Heather started out on her venture, I’m stuck with two covers and three illustrated pages, none of which I can use, no illustrator and no publisher. But that’s it in a nut shell. I still don’t have a published book.
So, where is Heather now, and what lies in her future? Well, I shopped her around to a few publishers, to no avail. At Western State I was taught that you have to get back up on the horse, so after one rejection, I pulled up the manuscript and re-read it with fresh eyes, in order to revise before sending it out again. On that pass, something profound struck me. Heather Hummingbird Makes a New Friend, was not Heather’s story at all. It wasn’t Heather who learned a life lesson in this story, but rather, she was the teacher. So, I did the revisions, rewrote the synopsis, and changed the title to Ethan Eagle Makes a New Friend. After all, Ethan is the character that learns about friendship from Heather. Once that was done, I launched it into the submission process once more, so we’ll see.
There you have it. I don’t know how many are out there who even remember there was a Heather Hummingbird book, but at one time I had a whole list of pre-orders from people wanting the book. I am sorry that I wasn’t able to fill those orders, and I thank all of you for your support. If anything ever does come of Ethan and Heather, you, my readers, will be the first to know. Thanks for hanging in with me.
Everything I’ve ever done in life, I’ve done my own way, usually depending on myself and no one else. One thing anyone who knows me can tell you is I’m persistent. When I set out to achieve something, I don’t stop until I do. It has been no different with writing. But I’m discovering that I need a little help with this endeavor.
I had an unpleasant experience with a student teacher in the English department as an undergrad, so just when I was beginning to learn that I liked writing and maybe English should be my major, I was soured on the whole idea by the feeling that the field was too subjective for me, and I chose to major in psychology instead.
But after I’d been out of college for a few years, I discovered not only that I had a love for the written word, but also that I had some talent for it. I started out writing poetry, which I’ve since learned, is not my strong suit, but even there, I don’t do too bad. I sold my first poem to Dusk & Dawn Magazine in 1996 for $5. Problem was, that didn’t even cover all the postage I had spent submitting, and I couldn’t afford to play the starving artist. I had a family to help support. There were others to consider. So, writing went onto a back burner, just simmering for about twelve years.
Then, I discovered the Internet and rediscovered my abilities for writing as new opportunities presented themselves. The rise of the Web actually changed the entire publishing industry over time, opening up all kinds of new opportunities for writers, including, but not limited to, self-publishing, marketing via social media, vanity presses, and content mills. As blogs and websites grew in number, more content was needed than ever before. Problem was, I’m technologically challenged. Slowly, over time, I have learned to use social media to my advantage a little, and I’ve learned to use many of the writing sites and content mills to make minimal amounts of money.
One of the coolest things happened in my writing endeavors didn’t involve any money at all. I had one of my poems featured in a painting by artist Mitch Barrett and displayed and sold at the Kaleidoscope Gallery in Battlesea Park, London. (There’s a lengthy story behind how this came about, which I may relate in a future blog post. Anyone who knows me is surely tired of hearing it.
As a freelancer, I became the Southern Colorado Literature Examiner for Examiner.com, which didn’t really pay, but offered opportunity to meet other writers, get free books for review and obtain credits for my portfolio. I also cranked out articles for other content mills which did pay, at least a little, which added to my skill set, diversifying my writing talents, and I was published in Freeman, which was a bit more profitable.
I thought I was quite fortunate when I was able to obtain a publisher for one of my children’s stories. After seven wasted years, it turned out I was not so fortunate, since my book still wasn’t published. But we learn from experience.
Still struggling to launch my writing career, I discovered the low residency MFA program for Creative Writing offered by Western State and I applied. Maybe I couldn’t do it on my own, but I would learn what I needed to know, one way or another. And I have learned a lot. I’ve learned about my own writing process. When I started at Western, I’d never even thought about it. I’m not even sure I was aware I had a process, but I did and still do. Now I’m just more aware of it. I learned how to craft my words to be pleasing to the ear. I learned how to read aloud in front of an audience, and I’ve learned that I do it well.
Last summer, I completed my emphasis in genre fiction and read from my thesis novel, Playground for the Gods: Book 1: The Great Primordial Battle. I’ve learned how to treat my writing as a business, at least in theory, although I’m still trying to get it off the ground. And I’ve learned how advances and royalties work, and that you have to sell a lot of books before you will ever receive royalties.
And I learned that screenwriting is where the big money is. When I took genre screenwriting for my out of concentration class, I also learned that it was fun, it came pretty easy to me and I was fairly good at it. So, instead of graduating, I stayed in school for another year to get a second emphasis in screenwriting. What I’m learning this year, is that there’s a lot of competition on screenwriting and it’s tough to get a break. You practically have to live in L.A. to get anywhere. Yet, I am determined to make all the money I now owe for my schooling pay off. I haven’t given up yet, and I don’t intend to now.
I’m currently shopping my thesis novel and two of my children’s stories, five short stories, and various poems. I’m also very close to finishing my western novel, Delilah. At Western, thanks to my instructor, Russell Davis drawing us out of our comfort zones, (and maintaining as much discomfort for us as possible), I discovered that I enjoy writing in the western genre, and although it is not one of the bestselling markets, I do it well. And I’m working hard, through this blog and social media, to build a writer’s platform and gain a following to make myself look more appealing to agents and publishers.
Here’s where you, my readers come in, because you can help. Without my readers, my writing just sits there on the page, not doing much of anything. You are my writer’s platform. You are my following.
Many people don’t realize that liking a link on Facebook, while cool, doesn’t really help the author grow their platform unless they actually read the post and subscribe by email. What does help, is if you’ll take the time to read the post here, on my Writing to be Read site, and subscribe to the blog. That’s what shows how large my reader following is, and it does my heart good to watch as it grows.
You can also like the post below it, with all the “share” buttons, but you must have a WordPress account. If you don’t have one, you can sign up for one, but then, of course, you will have a blog to maintain, so be sure you know what you’re getting into. I’m guessing that many people just like the link on Facebook to show their support, but they don’t actually click on the link and read the post. But, if you leave a comment, I’ll be able to tell that you read it, and if you subscribe, it will show you liked what you read. You’ll make my day.
If you’d like to show even more support, you can buy my short science fiction story, Last Call. If you like it, write a review on Amazon. And, you can follow me on Facebook, Twitter, LinkedIn, or Pintrest. Help an old writer get a break.
Your support is always appreciated. Thank you for being a reader of my work. After all, for me, it’s not really about money. It’s about Writing to be Read.
I signed the contract for Heather Hummingbird Makes a New Friend last month. This was a big step for me. I held on to the contract for almost a month before signing it, researching publishing contracts to be sure I was getting a fair deal and making sure that the author’s responsibilities were not unreasonable. I had never contracted a book to be published before, and so I was probably being overly cautious. This is the moment all writer’s hope for, being able to say that you have a publisher, right? So, why has it taken so long for me to share it with my readers?
I have to admit that my stomach did flip-flops when the contract arrived. I read over the whole thing and then set it aside for a few days, while I let the reality sink in. I actually had a publisher offering me a contract on a book that I wrote. Wow! It had been three years since I first signed the contract with my agent/illustrator that would start the illustration process. Although, at least a year of that time was a delay brought on by the death of my son, I was beginning to wonder if this day would ever come. Now here it was.
I was thrilled and excited once I convinced myself that it was the real deal, and I began to research what should be included in a publishing contract. All the legal terminology was pretty much mumbo jumbo to me. I wrote my illustrator/agent to verify that the parts outlining the illustrator’s share of the profits, (always assuming that there will be profits), were not in conflict with the contract I had signed with her three years ago. She assured me that it was not. After doing some online research, I was satisfied that what I had in front of me was a fairly standard publishing contract, which required me to do nothing unreasonable. As the author, I am expected to make promotional efforts, as is more and more common in these days of digital media, but the publisher was committing to do their share as well. It seemed fair. Finally, I gathered my courage and visited a notary, so that my signature could be witnessed and all would be official.
So why wasn’t I crowing from the rooftops, announcing this joyous occasion? Although I was pleased with the way things were going for the book, I was still hesitant to make the official announcement. I think perhaps it was because the projected date of release is October of 2012. That seems so far away right now. I have friends and readers that have been with me since I started this quest three years ago, that are patiently waiting for this book to come out, so they can get their copy. How do I tell these folks that have stuck by me that it’s going to be almost two more years before they will have that opportunity? Those that wanted a copy for their child or grandchild may find that the child in question has advanced past the age when Heather Hummingbird will bring screams of delight. I have to admit, it is a little disheartening.
But, it made me realize just how long this whole process of getting published takes. Sure, I had read the tales of other authors, which give lengthy wait times between start and the actual release date, but I don’t think it really sank in for me. I still envisioned my book being swept up by a publisher, like a princess being swept away by a prince in a fairy tale. “….And it was read joyously by children everywhere and made huge royalties ever after”. Okay, so maybe I was off into the clouds a little, but the reality of having a contract has brought me right back down to earth. Don’t get me wrong. I am pleased that I do have a contract and will wait for the release, perhaps a little impatiently. So for all of you that have been waiting with me, we have a ways to go still. Hopefully, that group will grow over the next two years, so if you haven’t been waiting with us, but would like to now, I welcome you. When you read those authors that are telling you that it takes time to be published, believe them. It does. All we can do now, is wait.