Interview with erotic romance author Nicky F. Grant

Nicky F. Grant

My author guest today is a woman who knows who she is and what she wants out of life, and she goes after it with gusto. She writes sizzling hot erotic romance about love, sex, power and control. In 2019, she received a Stiletto Award in the erotic/BDSM category, from the Contemporary Romance Writers of America for her first novel, Beyond the Masks. She loves life and she loves what she does. It is my pleasure to have her with us today. Please join me in giving a warm welcome to Nicky F. Grant.

Kaye: Can you tell us briefly about your own author’s journey?

Nicky: It happened by accident, actually. I was (and still am) a huge reader of romance. I’d devour an erotic romance book every two days and it got to a point where they became the same. Different character names, but the similar formula. My husband and I were kicking back with a few drinks and came up with a plot idea for Beyond the Masks. One where it focused on a strong CEO heroine and her professional and personal challenges with two alpha men. An angsty, love triangle. It was supposed to be something to tinker with, but I soon found myself swept up in the story. Now, I can’t get enough.

Kaye: Why do you write in the romance genre? What draws you to the power world of your Beyond Surrender Romance series?

Nicky: Erotic romance seems to have a bad rap in the “real world”, unfortunately. And some books with BDSM can come off a little over the top, in my opinion. Fun to read, but unrealistic.

My passion for this genre comes from a deep understanding of the emotional connections to love, sex, and BDSM. My goal is show each reader that there’s a profound connection between these things well beyond floggers and obedience that’s usually present in these books. BDSM exists in my world of Beyond Surrender, but as a “third character” between the heroes and heroines. It’s catalyst to spark their inner desires and understand why it’s okay to feel what they do.

Also, I want my readers to relate to my powerful female characters. I try to lift up women in all capacities and having fun in the bedroom while owning one’s sexual prowess is one of them.

Kaye: What is the biggest challenge to writing romance for you? What is your favorite part?

Nicky: A huge challenge is starting a new book. It takes me time to let go of past characters after I’ve written their Happily Ever After. Also, my confidence wavers with the thought of a new story. What if I don’t do it justice? What if readers don’t understand my twisted brain? It’s nerve-wracking!

On the flip side, my favorite part comes about halfway through writing a new book. It’s the moment where I truly understand the characters, their bond, emotional limits, chemistry, pasts, and futures. This does cause a whole re-write of the first half of the book, but it’s my process and I’m learning to embrace that!

Kaye: Your romance novels are about power “in the boardroom and the bedroom” and they contain erotic sex scenes. How do you know how high to turn up the heat?

Nicky: I’m chuckling at this question, because I’m a touch embarrassed. Man, I love a good “peel the paint of the wall” sexy scene! My scenes are explicit, which I still can’t believe my mother has read. Anyway, I let the characters tell me how high the heat should be. Usually, it’s scorching, but sometimes I may “fade to black”.

As the author, I’m very aware that each love scene must serve a purpose. It must bring the Hero and Heroine closer together or cause a ripple in the love story. Trust me, I’ve had to cut out scenes that lacked in moving the plot forward. It hurts to cut those darlings… but my duty as an erotic romance author, is to help the story along. I hate to admit it, but I get exhausted with my characters falling all over each other. 😉

Kaye: How do you develop a female character who is strong and confident, but still make her feel human?

Nicky: Great question. I take from my own experiences and that of other strong women in my life. I feel fortunate to be a woman with strong views in business, life, and sex. But the true beauty reveals itself when I embrace my own vulnerability.

My heroines are a reflection of that. For example, Shane Vaughn in Beyond the Masks is a female CEO in the music industry. Even though she’s challenged by the men in the field, she’s still vulnerable. She’s open and honest with her past flame, current lover, friends, and family. Somehow, she’s not jaded by keeping up a tough exterior. She’s human with real emotions. I strive to be her in ways, maybe that’s why her story found me. Swoon….

Kaye: In 2019, Beyond The Masks was a finalist for the Contemporary Romance Writers of America‘s Stiletto award in the erotic/BDSM category. Tell us a little about book 1 in the Beyond Surrender series and what receiving such a prestigious award means to you?

Nicky: I was with an author friend when I got the email. There was a shriek, a smile, and tears. Later, I did accept the Stiletto for best erotic romance in New York City. Dreamy, right?

I was incredibly moved to have experienced this among my incredibly talented peers. Especially when I pretty much drop-kicked my entry on the last day to enter! I never thought I stood a chance. That evening put my dreams into reality.

Kaye: What techniques do you use to draw your readers into the story and immerse them in it?

Nicky: Not sure if I have any specific techniques…but I’m attracted to angst, secrets, suspense, and alpha men. So, my stories have elements of these throughout. The one thing I keep on top of mind is, if I’m not enthralled in the story then my readers won’t be.

Kaye: What is the best piece of advice you ever received?

Nicky: Wow, there has been so much! The romance community is incredible when it comes to helping others.  If I were to pass along any wisdom to a new author, I would tell them to find their voice. Don’t compare yourself to every other author on the market and don’t get wrapped up in, “I should be doing what they’re doing!”

Writing is a personal journey. All the voices in our heads (yes, there are voices) are rare and unique. If you write without fear, the muse will find you. And your characters will tell you their story when we listen.

Kaye: What is your favorite part of the story, beginning, middle or end? Why?

Nicky: I love the middle! This is where all the “fun and games” happen! The sexy times are heating up, the characters are falling in lust, and a “romp in the sheets” make for a happy writer. But the middle is where things really start rolling. Secrets are revealed, the antagonist works their evil, and the characters doubt themselves. Also makes for a happy writer…I’m a bit of a sadist when it comes to causing them misery, just to fall in love. It’s a tough job. 😉

Kaye: What is your favorite time of day to write? Why?

Nicky: First thing in the morning. My brain is fresh. Also, anything I’d been working through (tough plot points, etc) have a way of working themselves out as I sleep. I can spring out of bed with a hot cup of joe and tap out some words for an hour or two. It’s a strange meditation for me.

Kaye: What is next for Nicky F. Grant? Are you working on anything now?

Nicky: I have two books lined up this year. Hers to Protect, a part of the Girl Power Romance Collection and Dirty Talker, a book for Vi Keeland and Penelope Ward’s Cocky Hero Club series!

Link to Hers to Protect: https://www.goodreads.com/book/show/50656136-hers-to-protect

Link for Dirty Talker: https://www.goodreads.com/book/show/51008222-dirty-talker

Also, Beyond the Masks is coming to audiobook late February/early March! More on that at www.nickyfgrant.com. Readers can also sign up for my VIP newsletter with all the upcoming news on my website.


I want to thank Nicky F. Grant for sharing with us here on Writing to be Read. I love how enthusiastic she is about what she writes. It’s been a fun interview, Nicky, and I really enjoyed having you as my guest. Readers can learn more about Nicky and her books on her Amazon Author page, or at her website, above.


Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.Like this post? Let me know in the comments. You can be sure not to miss any of Writing to be Read’s great content by subscribe to e-mail or following on WordPress. If you found this content helpful or entertaining, please share.


February: Turning Up the Heat with Erotic Romance

Romance

Why is Saint Valentine’s Day in February? Where I live, February is a cold month, not associated with love and warmth. So, Writing to be Read is turning up the heat this month by taking a look at erotic romance. Now, I’m not talking about erotica, which in my opinion is just sex for the sake of sex with no real story line and love has nothing to do with it, nor do plots. These stories can be rank and raunchy and downright smutty, but they are not erotic romance. (For more about the differences between romance, erotic romance and erotica see this article on The Productive Indie Fiction Writer.) I enjoy sex scenes like the best of them, but I’m also a sucker for the happily ever after.

Erotic romance features both romance and sex, and ranges in temperature from steamy to hot to sizzling. The romance story line usually carries the story, but the sexual elements keep the pages turning. This month we’re going to meet some erotic romance authors and take a look at some of their works. My “Chatting with the Pros” author guest will be romance author Amy Cecil, whose contemporary romance stories get pretty steamy, and guests for the supporting interviews are erotic romance authors Nicky F. Grant and Jade C. Jamison. I’ll also be reviewing Sainte, the last book in Amy Cecil’s Knights of Silence MC series, and Heat book 1, a prequel short to Heat: The Complete Series, by Jade C. Jamison.

Just as authors each have their different heat levels in which they like to write, as readers we all have our own temperature preferences, too. Let me know how hot you like it, to read or to write, in the comments. Then, join me as we turn up the heat and start warming things up with a look at erotic romance in February on Writing to be Read!


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DARE: The sex is the story line

DARE

Most erotic stories get categorized as romance, for obvious reasons, and many erotic stories read like a romance with erotic scenes tossed in here and there to spice things up. Or the opposite, so much erotica it’s hard to find the story line, it seems everyone in the tale is having random sex for the sake of having sex, and there doesn’t seem to be much point to the tale.

Neither can be said for DARE, by James Crow. A tale where I found that the sex scenes carried the story. At times the flashbacks out weighed the present scenes and multiple sexual encounters play out for us simultaneously, but they are all relevant to the main story line. But reader beware, DARE goes beyond the erotic and into the realm of very twisted kink, and is definitely aimed at very mature audiences. To be honest, I found the subject matter a little shocking, but the matter-of-fact British tone that discusses atrocities as if they were run of the mill, everyday occurances may have something to do with the shock factor.

I’m not sure how I feel about this story, but it is an interesting approach to story telling, with a surprise twist at the end, so I give DARE four quills.

four-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 


Ask the Authors: Genre Differences

genres

 My first semester in the M.F.A. program at Western, we were assigned to write an excerpt in a genre outside of that in which we normally write. I was assigned the western genre, and while I’d never really written much in the western genre, I learned from that exercise that I was pretty good at writing westerns, and that excerpt became part of my first published novel, Delilah. Now I’m working on the sequel, and even though the western genre is not as popular as it once was, I enjoy writing westerns, and for me, that may be more important than how many I sell. (But, how many I sell is important, don’t get me wrong. I want ton be a best seller as much as the next author.) I could never be a literary writer. Hell, I can’t even read all the way through some literary novels. While I have a knack for the western genre, I also have available Last Call, which is a sci-fi short and my paranormal mystery, Hidden Secrets. I guess that makes me a multi-genre author.

Today Ask the Authors is going to talk about some of the genres and what makes them different. We’ll also look at what kind of things we do differently when writing in more than one genre, regarding the writing process, research and marketing. Without further ado, let’s see what our panel members have to say.

Which genres do you write?

DeAnna Knippling: Most of them.
Jordan Elizabeth:  My books are all young adult with a touch of fantasy.  Some of the books involve fantasy creatures.  Others feature ghosts.
Carol Riggs: I write mostly fantasy and science fiction. However, I approach those genres with a light touch; I think they’re more accessible to a wider range of readers that way, rather than saturated (high) fantasy or hard sci-fi.

Tim Baker: I really don’t know what my genre is – or if I actually can be placed into only one. Generally speaking I write fast-paced, tongue in cheek, semi- humorous crime novels. I have also taken that description and coupled it with supernatural themes. My latest novel is pretty much a suspense-thriller, but it is still fast-paced with very small doses of humor.

For the purposes of this segment – let’s just say I write crime novels.

Cynthia Vespia: I write speculative fiction for adults and teens. For those who don’t know what speculative fiction is, it is  a broad literary genre encompassing any fiction with supernatural, fantastical, or futuristic elements. Often described as the ‘What if?’ genre, speculative fiction is distinguished by being based on unusual ideas and elevated imagination.

I write a combination of urban fantasy, dark fantasy, magical realism, supernatural, paranormal, superhero, and dystopian. Which is why I started to go under the umbrella of speculative fiction because it encompasses all of that. I’ve dabbled in horror, and I’m trying my hand at space-opera, but those aren’t my main genres.

Janet Garber: I’ve written and published in multiple genres: journalism, non-fiction book, book and movie reviews, essays, short stories, novels, poetry, sci-fi/spec, humor. About the only thing I haven’t tried yet is screenwriting.  I’ve also got a number of children’s stories and I would love to put them together in a book someday.

Chris Barili: I write in every genre. I think the story and the characters dictate the genre, so rather than starting out to write a fantasy novel or a western short story, I set out with a character and a problem and let things go from there. With the acceptance of a story of mine to a new crime fiction magazine, I have now sold fiction in all the major genres: Fantasy, SF, Horror, western, romance, and crime. I write most of my stuff in the speculative fiction genres of fantasy and horror. In the end, a story’s a story, no matter the label we stick on it.

Follow-Up for YA authors: You write YA, but you write different genres under that umbrella: steampunk, fantasy, maybe even sci-fi. To my way of thinking your genres should be labled YA steampunk, YA fantasy, YA sci-fi, YA romance, etc… You may not have the answer for how this practice of clumping all the genres under one YA umbrella came about, but what are your thoughts on it?
Carol Riggs:  Here’s my off-the-cuff answer to that:

I think clumping everything under just “YA” is pretty limiting and doesn’t tell the reader much info. Technically, as many editors and agents point out, YA is simply an age category, for readers 12-18 (and up) and involves main characters who are usually between the ages of 14 to 18. The actual GENRE is a dividing into things like steampunk, fantasy, sci-fi, historical, graphic novel, etc. But it’s very handy to have labels like “YA steampunk” because then you get the age category listed as well as the genre.

Dark Western Fantasy

Dark Western Fantasy

Each genre has certain elements which readers pick up a book expecting to find within the story. Romance tropes are probably some of the most familiar: there are two characters, they often start out disliking one another, to spite all odds they fall in love, but there are obstacles to overcome for them to be together, and of course, there must be a Happy Ever After. These are the elements of romance, and without them we don’t have much of a story. This is what romance readers expect to get when they pick up a romance novel. Its what they want, and if you don’t deliver, your reader following is liable go find another author who does.

I’m sure you’ll all recognize the tropes for the western genre as well: you have a lone character who stands up for what’s right against high odds, and must battle against the environment to complete their journey. There is a certain time period in history in which the western must occur, after (1700s?). I optioned to go against a trope of the genre when I made my protagonist female, but by giving her a romantic interest, I crossed over into the romance genre, therefore widening my audience scope. Let’s see how our panelist handle the tropes of their genres.

What are the more well-known tropes of your genre(s)?
Tim Baker: Tropes? Wow – I had to look up what a trope was!! So you basically mean clichés? This is difficult for me to answer because, as I said, I don’t neatly fit into a set genre, but as far as crime novels go I guess the biggest tropes would be the hero with the deep dark secret in his past, or the villain who is hell-bent on avenging an egregious wrong perpetrated upon him by “the man”. There is also the ever-popular femme-fatale as well as the buddy concept, where two characters are thrust together against their will and have to work together…then end up being best friends.
Cynthia Vespia: In every genre the readership of that specific genre is expecting certain elements to be included, which is what drew them to the genre in the first place. It is the job of the author to deliver those expectations. Whether its pacing, character, or story there are certain approaches to each genre. I’m just aware of including those elements while I’m writing a book.
Janet Garber: My female protagonists tend to be slightly neurotic, soulful, fighting for their lives in one way or another. My villains are like dementors, sucking all the air and light and creativity out of everyone they come in contact with. It’s easy to love the hero or heroine and detest the villain. I will say that usually I’m too soft on my characters, don’t let loose on them as much as I should, and insist on happy endings. I guess I write the kind of stories I want to read.
Chris Barili: Since I write in all of them, this would take most of the rest of the day for me to answer, but tropes are kind of outdated now in many genres thanks to the crossover between them. Urban fantasy, for example, has different tropes than fantasy or urban adventure kinds of stories.
Horror.Women.Parnormal Romance

Horror, Women’s Fiction and Paranormal Romance

How much do you think about the tropes of your genre while you are writing?
DeAnna Knippling: Hmmm…I study the tropes, but I don’t think about them much, other than when they annoy me.   I try to focus more on what the reader actually wants to feel, although I might get excited about some set piece that I want to include, especially for my ghostwriting projects.  “I get to go to Paris!  I don’t want to take people to the Eiffel tower…but we are TOTALLY going into the back of this cafe and making crepes.”  Stuff like that.
Jordan Elizabeth: I don’t while I’m writing.  I don’t really think about them at all until someone makes a comment in a review.  I’ll read it and think “huh, I guess so?”
Carol Riggs: I basically know the tropes and I know some people are eager to see those tropes; it’s part of the genres. However, I like to be original and if I do include a trope, I try to put a fresh spin on it. I do this mostly when outlining my novels before I begin, but also when I’m considering a plot twist.
Tim Baker: I think about them constantly because I try to avoid them. I try to make my stories and characters as “real” as possible.
Chris Barili: Consciously – not at all. Subconsciously, my experience reading across genres helps a lot. They tend to insert themselves once the story gets rolling.
Crime Novels

Crime Novels

Even when writing fiction, there’s a certain amount of research required, and the type of research may depend on the type of story you are writing. For the western genre, I did quite a bit of research into Colorado history and the old west in general. For Delilah, I also researched specific details, such as the different types of rifles available during the timeline of the story and the attributes and features of each, and how long it takes to travel certain distances on horseback or by wagon. For other genres, these details would be of no interest, but other things would be more relevant, so the type of research will vary between genres. Our panel members write a wide variety of genres. Let’s Ask the Authors what kinds of things they research.
What kind of research do you do for your genre(s)?
DeAnna Knippling: I’m trying to tackle the top 100 books in a genre before I try to write in it.  Sometimes with the ghostwriting I get overcome by events.
Jordan Elizabeth: I try not to research fantasy creatures, because I want mine to be original.  The only research I’ll do involves historical content.  Many of my stories flash back to a time in history.  Escape From Witchwood Hollow follows three girls.  One is in the 1600’s, one in the 1800’s, and one in the 2000’s. 
Carol Riggs: It really depends on the book. The sci-fi genre demands more real, science-related research. For instance, for my latest sci-fi I researched things like assault drones, concealed carry laws, hoverboards, pepper spray, and how to get over or through a barbed wire fence. For fantasy, I find myself often researching medieval kinds of things—what hut roofs are made of, how fast horses travel, etc.
Tim Baker: I’m not big on research. I try to write stories that don’t require it, or require very little. Most of my research consists of observing life.
Cynthia Vespia: It depends what type of story I’m writing. Most of my research is for location, weapons, or mythology like monsters etc.
Janet Garber: I would say I’m light on research. Mostly I draw upon people I’ve encountered casually, places I’ve passed through, choices I could have made. The road not taken.  It always intrigues me that decisions we make at certain times in our lives have such long-lasting results. No wonder we obsess about doing the right thing.
Chris Barili: Genre research is just plain reading. I try to read across a broad spectrum of genres. I’m currently reading a crime novel, Dead Stop, by my friend Barbara Nickless. Before that, I was reading a zombie anthology edited by Jonathan Maberry. And on my TBR pile I see SF, fantasy, romance, and a weird western.
Margareth Stewart: I do lots of research – on time, place, suitable names for characters, historical data, language and how people relate to one another. As I read various genres, every piece of information is important. Besides, when I am writing a new genre, I read the top writers of that field to figure out their style. For writers, I should say research is the beginning and the final proof  we are in the right direction. It makes our writing real – to a point that sometimes readers even inquire me: “Have you not met Pierre (main character of Open)? Don’t you tell me he is not real?”. It is unbelievable – our ability to make up stories and a fiction world.
Steampunk.Knippling and Elizabeth

Steampunk

What came to be The Great Primordial Battle, Book 1 in the PfG series, was my thesis project, so it had detailed planning. I had so much detail that it couldn’t all be contained in one book. I had outlined the story, and charted out so much backstory and extremely complicated lineage for my characters, and since my characters can appear in different personas at different times, I charted all of those too. In fact, I had so  much detail, I couldn’t possibly fit it all into one book, and I had to restructure the whole thing into a four book series. I had never done such detailed research and planning before. Although I did do a lot of research for Delilah, the plotting wasn’t nearly as detailed and or complex. Whether that is due to differences in genres, or to multiple POVs vs single POV, I cannot say. Perhaps both make their contributions.
With all the different types of research that comes with writing in each genre, we have to wonder about other differences. Do we go through the same writing process when crafting a science fiction story that we do to create a romance? Don’t forget too, that we can have a story that falls into one genre with elements of other genres intermixed, such Jordan Elizabeth’s Treasure series, which is steampunk with a western style setting, or a story that crosses genres like Chris Barili’s B.T. Clearwater paranormal romance, Smothered, or my Playground for the Gods series, which is science fantasy. Let’s see what our panel members think.
If you write more than one genre, in what ways does your writing process differ for different genres?
DeAnna Knippling: Butt in chair, fingers on keyboard, headphones on ears?
Carol Riggs: With both fantasy and sci-fi, I get to use my imagination a lot, which is why I love those genres. I adore making stuff up. In general, I make up less stuff for sci-fi, because the tech and world details are more rooted in science and reality.
Janet Garber: Much of my work is humorous. I love to do a story with  echoes of Twilight Zone and scary stories (no gore though. I abhor gore). My serious fiction tends to concern itself with identity, coming of age, women who are trapped in one way or another and fighting to break free.
Chris Barili: The process itself remains the same, but how much time is spent on things like world building, character sketches, outlines, and so on varies a bit based on genre.
YA Fantasy and Science Fiction

YA Fantasy and Science Fiction

Different genres appeal to different audiences, so it really helps to know who you’re writing for and which markets you should aim your advertising and promotional efforts at. I believe it also can affect which categories your book appears in on the Amazon rankings, but that’s an area that I am still in the process of learning about, so I’m not in the position to partake in that discussion yet. But, perhaps we can learn a thing or two from the experiences of our panel members.
How do you think the marketing and promotion for your genre(s) differs?  
Jordan Elizabeth: I know erotica is easier to promote.  People eat it up like candy.  Young adult fiction is harder.  Most of the ads and newsletter swaps go to adults, not teens.  Usually that’s okay, because adults enjoy young adult fiction, but its hard to market directly to teens.
Carol Riggs: You’re marketing to different audiences, people with different tastes. The kinds of promo images for fantasy and sci-fi will be greatly different than for a contemporary novel or a romance novel, for instance. The websites and places you might promo on would be different. There are different conventions a writer could tap into and attend (or speak at), such as Comic Con or a sci-fi convention.
Obviously, each book’s Amazon categories are different, to give best visibility to a title. I haven’t done so, but I could select different conventions or even different book stores to do signings at. I think posters and images are strong things to use, and can draw people across a room to you and your book. This means your images (especially book covers) need to capture the genre well.
Tim Baker:  I don’t think it does. I am not marketing my genre – I am marketing my books to anybody who can read – as I’m sure other authors do as well. I understand that all genres have a core audience, but those people will be there regardless of your marketing techniques. It’s the rest of the people we should all be trying to reach.
Cynthia Vespia: Marketing and promotion is very specific for each genre and that’s due to the readership. I feel as though romance and erotica have a really large readership, where some other genres may not be as large. For example westerns aren’t that popular any more so if that’s the genre you’re writing in then it might feel a little tougher. Because I write in the fantasy realm alot I found I can cross-promote with alot of commercial vehicles such as different conventions, movie/TV tie-ins, etc.
Janet Garber: Journalism is easy in comparison to other genres. You get an assignment to do an interview or column or essay, submit it on the deadline and usually see it published very soon afterward. At that point you let your fans know the article has come out. All other genres: it’s a question of experimenting with getting the word out on your website, blog, facebook, etc., running ads perhaps, doing book signings and readings in bookstores and libraries. It’s trial and error until you figure out what works.
Margareth Stewart: Oh, places may vary, but strategies remain the same – creating connection to all possible readers. Different readers are found at different places – we have to search for them. A good example is what I did for “Open/Pierre´s journey after war”. I sent book release and marketing material to WWII discussion groups in the internet. I also placed articles about it in War Blogs and I still keep constantly trying to find people who are interested in WWII. We – writers – have to develop the ability to create connections with people who are related to our topics and genres (all the time).
Dark Fantasy.Western Steampunk

Dark Fantasy and Western Steampunk

If you write in more than one genre, what do you do with your marketing to tap into the different audiences?
Janet Garber: Since I used to be a serious person, a business and career writer, and still am occasionally, I attend annual conferences in my field, contribute to LinkedIn, try to network a bit with other professionals. I will have a new novel coming out which is not humorous, not about HR or the corporate world and I’m wondering just how I will promote it. It definitely falls into the Women’s Fiction rubrique and thematically ties into some of the stories I have written and published. I hope I get some brainstorms about how to promote it when it’s ready for publication!
One of the biggest pieces of advice I hear as far as genres go is to read everything you can get your hands on in the genre you’re planning to write. This, not only helps you to know the tropes for your genre, but also makes you familiar with what is already out there. It doesn’t seem like genre makes a lot of difference when it comes to the writing process, but it does affect the types and amounts of research we must do, and the markets we aim advertising efforts toward. Be sure and drop in next Monday when our panel members will discuss the business end of writing. It should be a great segment, so don’t miss it.
 

If you have a question you’ve always wanted answered, but it’s not covered in the post on that topic, or if our panel’s answers have stirred new questions within you, pose your query in the comments. Make note if it is directed toward a specific author. Questions will be directed to the general panel unless otherwise specified. Then, in the final post for the series, I will present your questions and the responses I recieved from panel members.

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“Doctrine of Indecency”: A Good Variety of Stories

Doctrine of Desire

The trick to writing erotica is being able to write a fully developed story line and add just the right amount of erotic imagry to create a story which both entertains and arouses readers at same time. There is an almost poetic art to it, a delicate balance. A balance few of the stories found in Doctrine of Indecency: 18 Coveted Tales of Lust, edited by Virginia Lee Johnson and Kat Mizera, manage to achieve. Most of the stories, while not of the exceptional variety, were not bad stories and some were quite entertaining.

I must give kudos for the variety of the stories contained within this erotic anthology. There seems to be something for everyone. Some stories stretch genre boundaries, including tales of erotic horror, such as A Cabin… Somewhere, by Kyle Perkins; the paranormal erotica of Wings of Change, by Cee Cee Houston; the anti-hero erotica of Revenge, by Virginia Lee Johnson; the speculative erotica of The Succubus’s Sin, by Taylor Rose; and the science-fiction erotica of Suicide Mission, by Lila Vale; or Lunar Gets Some Loving: A Purian Empire Short, by Crystal Dawn.  There are also those that are geared more toward the traditional erotic story lines which explore various sexual preferences such as the three-way fun of Apple Bite, by A.R. Von; or Welcome to the Dark Side, by Erin Trejo; the military erotica of Deployment – Dalliance, by E.J. Christopher; the grocery store erotica of Fruit, Veg. & Starfish, by T.L. Wainwright; the swingers erotica of 3, by Eden Rose; the S & M erotica of House of the Rising Sun, by L.J. SeXton; the stranger erotica Delayed Ecstacy, by Tiffani Lynn; and there’s even a tale of social media erotica in Yearning for Desire, by Amanda O’lone.

My three favorites: Pleasure Bite, by Brianna West is well written vampire erotica and Dangerous Desire, by Samantha Harrington is hot and steamy, yet has a decent plot. I’ve been doing a lot of playing with POV, so I was especially drawn to the stories which used mutliple character POVs. While Inferno, by Kat Mizera uses multiple POVs with some skill, Pepper’s Play Pen, by Mia Sparks uses multiple POVs and is crafted with expertise.

The variety of stories included is commendable, but since none are exceptional, nor are any terrible, but of more average quality, I give Doctrine of Indecency three quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


HallowErotica Anthology to be Released October 31

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HallowErotica 2017 comes from the creative minds of Scerina Elizabeth, Lucille Moncrief, and D. Fischer.  With a release date of October 31, this collection of short Paranormal, Horror, and Erotica stories from various authors including R. Tran, Kaye Lynne Booth, and Amy Hamilton promises to give readers a Halloween they’ll never forget.

Yep. That’s my name in there. In addition to being on the FMB book blog tour, HallowErotica 2017 features my story, A Turn of the Tables. The release date is, well, Halloween of course! They’re having a big HallowErotica 2017 Release Party on Facebook starting at 6 p.m. EST, and I or my PA, DL Mullen will be entertaining you throughout the 7 p.m. EST slot, so be sure to drop by.

I’ve had the pleasure of interviewing one of the creators of HallowErotica 2017, paranormal romance author Scerina Elizabeth for one of her other tours, and I also featured an excerpt from her book, Eternally Yours: Bloodlines.

As a special treat today, I’m featuring an excerpt from my first attempt at vampire erotica. (But we’ll keep things on the blog rated ‘R’ or under). So without further ado, here’s an excerpt from A Turn of the Tables, by yours truly:

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The sign on the door read Melina Dupree, M.D. – Psychiatrist. Michael straightened his lapel on his pinstriped suit, focusing on creating a mental shield before entering the office. Without it, mortals often felt ill at ease around his kind. The Elder Council wanted him to keep a low profile and had warned Michael to control his temper when he was chosen for the assignment. The council needed this mortal alive for now. Her research on how blood pathogens affect certain brain disorders had yielded information that could be quite unsettling to the entire vampire society.

Dr. Dupree had not found what she was looking for, but unwittingly, one of the pathogens she’d created had the potential to wipe out all vampires. It was unknown whether she herself, realized what her research had uncovered. Under other circumstances the Elder Council would have the research destroyed and she would be eliminated. But this mortal was surrounded by the aura of a coven of powerful witches, sworn enemies of all vampires. Her connection to the Sarenrea wasn’t clear, but Michael’s instructions were to bring her before the council without alerting the coven.

He pushed open the glass door to the office. Two large salt water fish tanks almost covered an entire wall on either side of the waiting room. Six tacky leather chairs sat in line in front of a gray metal desk. A girl, perhaps in her early twenties, with straight blond hair and too much make-up, sat behind the desk filing her nails. She looked up as he entered.

“Please tell Dr. Dupree that Michael Wymond is here to see her,” he said, meeting her gaze with an intense stare.

The girl sat up straighter, scanning her appointment book. She pushed the button on the intercom on her desk. “Dr. Dupree, your seven o’clock appointment is here.”

Michael’s gaze did not waver from the girl behind the desk. It wouldn’t do for her to be here when he took Dupree out.

“Send him in.”

The girl looked up, meeting his gaze before glancing away to stare at the intercom with a blank expression. Without saying a word, she reached under the desk, grabbing her purse and sweater, and left the office. Michael smiled at the thought of her hitting the street, realizing she had no idea where she was headed.

In the inner office, the antique furnishings appeared authentic. They included a wooden filing cabinet next to a free-standing mirror to his left, a beveled glass bookshelf lining the right wall, a Victorian-style Chaise lounge that no doubt served as the “analysis couch” next to the wall, and the oak desk, which Dr. Dupree sat behind.

The Sarenrae aura hit Michael strong, as the doctor peered over her black-framed librarian’s glasses at him, smiling. He wondered if she chose that style to make her look more intellectual. It was a look that worked, combined with her sandy blond hair pulled back in a ponytail, and her blue tailored skirt and blazer. She was the perfect picture of what a psychiatrist should be, albeit a sexy one.

Her female scent was sensual. This one had pheromones dripping off her. It stirred the maleness left within him, hardening his member as if he were still mortal. He detected the odor of fresh sex emanating from between her thighs. She’d been fucked not long ago, and still the scent of her need clung to her.

He closed his eyes, blocking his mind to those sexual thoughts, which he knew could lead nowhere. At the same time, he opened himself to her mind to see what he might learn. It was strange that he sensed no malice from her. A Sarenrae should be able to detect his true nature even with his mind shielded, but she seemed to be unaware.

When he opened his eyes, she was checking him out. Her eyes roved up and down him as she accessed the muscular man standing before her in a dark blue hoodie and black jeans. “How may I help you, Mr. Wymond?” she asked, tipping her head just a fraction to the side, her deep violet-blue eyes penetrating the depths of his stare.

Such strange eyes, meeting his gaze and holding it, drawing his eyes to hers. He’d play it cool while he probed her mind more for the answers he sought.

“I’m not here as a patient,” he said.

Her aura was strong and unmistakable, but he sensed no conscious connection with the coven. Then, a shield snapped up around her mind, like a light bulb burning out, and her thoughts were closed to him. It caught him off guard. Most mortals didn’t have strong enough minds to keep him out, but this one didn’t even seem to be aware that she’d done it.

She gazed at him with raised brow. “Then why are you here?”

With her mind shielded, subtle was out. He chose a more direct approach. “I’m a vampire,” he said with a smile, taking a seat on the leather armchair across the desk from her.

“A vampire?” She peered over her glasses at him once more, the corners of her mouth turning up ever so slightly, her brows raised over those deep blue eyes. “Of course. Is that why you request an evening appointment?” she asked.

Michael ran his hand up over the top of his head, pushing unruly black curls back from his face. Her disbelief seemed genuine. He took a deep breath, reminding himself to have patience with this mortal. He needed her, for now. “You think I’m crazy,” he said, placing his hands on the desk across from her. “You should be quaking with fear, but you’re not.”

She looked up, again meeting his gaze. “Those in my profession prefer not to label people in such manner,” she said, scribbling something on the yellow legal pad in front of her.

Each time she tipped her head as she wrote he could see her jugular pulsing in her beautifully curved neck. That, combined with the smell of her blood created a strong urge in him to jump over the desk and drink her dry, but he knew he couldn’t risk it. Perhaps when the Elder Council had finished with her…

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For more information on HallowErotica 2017 you can visit our official site @ https://scerinaelizabeth.wixsite.com/hallowerotica2017 or contact me via email Admin@ScerinaElizabeth.NET

 

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An Excerpt from “Eternally Yours: Bloodlines” by Scerina Elizabeth

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This is not the first time this author has appeared on Writing to be Read as a part of a book tour. At the end of July I had the pleasure of interviewing Scerina Elizabeth as a part of her tour for Nocturnia and Spellbound. Today’s post is a part of the Full Moon Bites book blog tour for her most recent releases, Eternally Yours and Fangalicious Divas, with an excerpt from Ms. Elizabeth’s erotica vampire romance novel, Eternally Yours: Bloodlines. The content may be adult in nature, so this post is for those eighteen and over only.

Unlike my book reviews, where I tell you what I think and rate the work for you, an excerpt speaks for itself and lets the readers decide. So, without further ado…

We all looked at each other, waiting for either Chloe or William to explain it all. It was Chloe who started.

“We had been working for your grandmother for over ten years. I was her housekeeper while William was the groundskeeper. We were the ones who managed the estate when your grandmother fell ill and was unable to handle things on her own. She was a beautiful woman who was the sweetest thing and very generous. She allowed us to live on the estate just above the horse stables. When she was in the last stages of her illness, she told us all about you and your whereabouts. She also told us about your dark family secret which she instructed us to tell you about once you arrived.”

She continued, “Your dark family secret is something you would not believe so for you to truly believe and understand, we must show you.” As she said that, she got up and waited for us by the door that led down to the cellar.

We all followed her down to the cellar where she stood in front of a steel sliding door that was padlocked and chained where she asked me for the keys. Expertly she rifled through the keys to the right one, unlocked the padlock and pulled the chain from the doors. She tossed the chains to the side and stuck the padlock in her pocket. Both she and William pulled the heavy sliding door open. There in front of us was another set of stairs made of stone that looked much older than the house itself. She lit a torch on the wall. Once there was light and we could see better into the stairwell, it looked like something that you would find back in medieval times, like an old dungeon or something. The smell was stale and musty. You could tell no one had been down here in years. She led us down to the lower level of the cellar where at the bottom of the stairs was another heavy, steel, sliding door – chained and padlocked like the one upstairs. She opened the door as she had done before, she knew exactly what she was doing which washed away any doubt I may have had of her. She seemed to know her way around this house and knew much about my family.

The inner room lit up as soon as the doors opened. It looked like a mausoleum, very sterile and white with hints of gold and silver here and there. In the heart of the room, were three white marble slabs and on top of each slab was a coffin.

The one in the middle was an enormous gold coffin with a massive silver crucifix was inlaid with rubies and diamonds in the center of it. Along the sides were more precious gems and it had detailed artwork covering it. It was gorgeous.

The two smaller coffins were bronze with smaller gold crucifixes covered in emeralds and diamonds on them. Just like the center coffin, the two smaller ones had gorgeous detailed artwork.

At the very front of the room in the center, were two silver columns that looked like a doorway. I figured it was mere decorations since two silver columns were not only covered in detailed artwork but more precious gems and diamonds. Not paying much attention and figuring it was just a decoration, I continued to take in the room. It was a family mausoleum clearly and I could understand in a sense why the dark family secret would be kept down here but what I still didn’t understand was – what was it? I was just about to find out because William began to speak.

“What lies in these coffins is your family’s dark secret. From generation to generation your family has watched over and protected the contents of these three coffins. In the center lies your great-great-grandfather Jacob LaBau and in the two smaller coffins lies your great-grandaunts Latrelle & Charlamaine LaBau.

Now what am about to tell you, you will have trouble believing and you might want to have a seat for this next part.” He gestured towards a marble bench on the side of the room and we did as he said.

Scerina Elizabeth