Through the Nethergate, by Roberta Eaton Cheadle, is a captivating journey in the here and now that reaches through the barriers of time to bring legend to life, and it’s a very scary legend. This is a tale of horror, but not all spirits are evil, and many of Cheadle’s ghosts make up the cast of characters. Cheadle brings the characters in this story life masterfully, even the ghostly ones, whose backstories are woven into the legend’s tapestry to become part of the whole while still standing on their own individually.
When Margaret comes to live with her grandfather in a haunted old inn that has been in their family for centuries, she discovers that she has the uncanny ability to bring spirits back and make them more real and substantial. But, she doesn’t possess the ability to release them from the tethers that bind them to this plane. As she meets each of the inn’s ethereal occupants and learns their stories, she finds they are all held by an entity of local legend, Hugh Bigod, who prefers to appear in the form of a huge black demon dog. Hugh Bigod was a truly evil man and his spirit is just as nasty. When he feels the spirits pulling away from him, as Margaret’s presence breathes new substance into them, he blames her and vows to stop them by putting an end to her.
Through the Nethergate is a brilliant production of the stories within the story, and an excellent example of god vs. evil dark fantasy. Filled with plenty of suspense and clever story twists. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
When I was a young girl, I loved to read and so I did. I read and I read, until there were no children’s books left in the children’s section of the library for me to read. South Africa during the 1980’s was a conservative place to live, so the librarians did not allow children to go into the adult section of the library, never mind take out books for it.
Fortunately for me, my mom was a big reader herself. Her taste ran to classic literature, horror / supernatural books and the odd sexy book too. The temptation of her collection was to great for me and I resorted to reading her books behind the couch in the lounge. By the end of my tenth year I had read, possibly without full understanding but with enough for me to enjoy the stories, The Shining, The Stand and Salem’s Lot by Stephen King, Princess Daisy by Judith Krantz, Lace by Shirley Conran and the Lord of the Rings by J.R.R. Tolkien. By the time I was thirteen, I had added all of my mom’s Charles Dicken’s books and her collection of books by Winston Churchill to my list. I read these ones with a dictionary and looked up words I didn’t know, some of which I have never forgotten.
When I had my own children, I didn’t want them to have to lie about the books they read. My motto was “If they can read it, I will let them read it,” I do not believe in sheltering children from life, death and everything in between, within reason. I do not have the same view about visual products like television or video games. The reason I see these differently is that I believe a child can only visualise the things he/she reads to the extent of their personal experience. A visual depiction puts the picture into the child’s mind and that content will be outside of their experience and could be very frightening.
Greg quickly evolved into a big reader and I had trouble feeding his book appetite. He read all the books I read as a child, including the sad and unusual ones like I am David by Anne Holm, Struwwelpeter by HeinrichHoffmann and Fattipuffs and Thinifers by Andre Maurois. Some books I offered to him, but he didn’t fancy their themes such as The Diary of Anne Frank and Helter Skelter: The True Story of the Manson Murders. I had read both of these when I was twelve, but Greg has never read them and probably never will.
Other moms from his school were shocked that I didn’t restrict his reading, but my son had the freedom to choose while their children did not. Some of their sons read books behind their mothers back so they could not discuss their content with their children and demystify it. Greg has grown into a balanced and intelligent young man with strong views on personal freedom. He always support the human rights of the “underdog” and I think he will turn out okay.
These are my thoughts, but what do other people think about this. I did some research on the internet and this is what I found:
- Children need to know that all circumstances in life can’t have a happy ending. Sometimes people and animals we love die and our sense of loss is profound;
- Many sad and scary stories for children come from folklore. Folk stories are good for children as they gain cultural awareness and learn about life among different peoples of the world;
- Know your audience, if your child is highly sensitive or prone to nightmares, or simply doesn’t want to read the book [like my son, Greg], don’t force them. Respect their views;
- We live in a scary world and our children need to be prepared and also learn how to deal with emotions like fear, anger, frustration and jealousy. Scary and sad books help them learn how other people deal with these emotions;
- Scary stories can get children interested in, and exhilarated by, reading; and
- There are life lessons to be learned in scary and sad books such as don’t take sweets from strangers.
As October is Halloween month and I love scary books of all kinds, I read a review a few to include in this post.
The Haunting of Hiram by Eva Ibbotson – Goodreads review
The Great Ghost Rescue by Eva Ibbotson – Goodreads review
The Witchlet by Victoria Zigler – Goodreads review
Dragon Kingdom & the Wishing Stone by StacieEirich – Goodreads review
About Robbie Cheadle
Hello, my name is Robbie, short for Roberta. I am an author with six published children’s picture books in the Sir Chocolate books series for children aged 2 to 9 years old (co-authored with my son, Michael Cheadle), one published middle grade book in the Silly Willy series and one published preteen/young adult fictionalised biography about my mother’s life as a young girl growing up in an English town in Suffolk during World War II called While the Bombs Fell (co-authored with my mother, Elsie Hancy Eaton). All of my children’s book are written under Robbie Cheadle and are published by TSL Publications.
I have recently branched into adult and young adult horror and supernatural writing and, in order to clearly differential my children’s books from my adult writing, I plan to publish these books under Roberta Eaton Cheadle. My first supernatural book published in that name, Through the Nethergate, is now available.
I have two short stories in the horror/supernatural genre included in Dark Visions, a collection of 34 short stories by 27 different authors and edited by award winning author, Dan Alatorre. I also have three short stories in Death Among Us, a collection of short murder mystery stories by 10 different authors and edited by Stephen Bentley. These short stories are all published under Robbie Cheadle.
I have recently published a book of poetry called Open a new door, with fellow South African poet, Kim Blades.
Find Robbie Cheadle
Goodreads: Robbie Cheadle – Goodreads
Instagram: Robbie Cheadle – Instagram
Facebook: Sir Chocolate Books
***Just a note here, since Robbie is so modest. She has five stories of dark fiction coming out in anthologies this month. “The Siren Witch”, “A Death Without Honour”, and “The Path to Atonement” will appear in Dan Alatorre’s Nightmareland horror anthology, and “Missed Signs” and “The Last of the Lavender” will be featured in the WordCrafter paranormal anthology, Whispers in the Dark.
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I recently had the pleasure of reviewing two horror novels written by this month’s author guests; Arcana, by Paul Kane and Cold Black Hearts, by Jeffrey J. Mariotte. I found it interesting that these two authors chose one or two lines that were so similar to begin these very different horror stories. Both beginnings are designed to grab the reader and reel them in, and in both stories, it worked. The hook was instantly set.
Kane begins Arcana with,
“They were all going to die.
But it was for the cause, and they were not only glad to do it – they felt compelled to do it.”
Mariotte starts Cold Black Hearts like this;
“They were dead, all of them dead, and so was she.”
Both authors bring us into the story in the middle of the action at the point of impending death. We don’t know what is happening yet, but we know the speaker in each case is about to die. How does anyone walk away from that without reading more?
Both Arcana and Cold Black Hearts are horrific stories of evil and death, but they each present horror stories of distinctive and different flavors. Although each presents the battle of good versus evil, the resulting stories are very different, yet each has the ability to captivate their audience and satisfy whatever it is inside of us that makes horror such an appealing genre to us.
Arcana, by Paul Kane takes place in an alternate universe with a future where magick is very real and has survived through the Arcana culture, despite repeated efforts to exterminate them from the planet. It’s a world where torture is still used to extract confessions from those suspected of using the the ancient arts, and Callum McGuire is an orphan who bears a hatred for the magick communities responsible for the terrorist attack that left him alone, to be raised in an orphanage with a brutal matron. As a young M-forcer, dedicated to stopping Arcana after a recent series of terrorist attacks carried out by the group. The viciousness and brutality against Arcana is broadly directed, and as Callum watches innocent children fall prey to it, his own morality tells him that something isn’t right. When he guesses that his friend and neighbor is secretly Arcana, he is swept into the Arcana culture as he tries to protect her from being apprehended by his fellow M-forcers. This tale is cleverly crafted to let the story unfold in a series of discoveries which lead Callum to think that things are not the way he’d been lead to believe, even as more terrorist attacks take place, and his friends in Aracana try to convince him that he is the savior of their prophecy. Savior or destroyer? The power is in Callum’s hands and only he can decide.
Arcana takes readers on a hero’s journey beyond death and back in a world where anything is possible. That, my friends, can be a very scary journey. I give it five quills.
In Cold Black Hearts, by Jeffrey J. Mariotte, evil stirs the ancient legends into reality. When Annie O’Brian is caught in a bust gone bad and the resulting explosion, she loses both her hearing and her job, but she gains an uncanny sense of empathy for the people around her. So, there’s nothing to stop her from taking a job investigating a four year old murder where the original investigation was botched, and working to free the convicted man, even though he gives her the creeps and is probably guilty of numerous crimes, if not this one. Her investigation uncovers not only the evidence needed to free Johnny Ortega from prison, but also evidence that there is something much more sinister going on in Hildalgo County than a simple cover-up, but when Annie manages to put all the pieces together and tries to stop the return of an ancient demon, it could cost her her life, or worse.
Filled with sacrifice and betrayal, Cold Black Hearts will chill you to the core of your soul. Lots of unexpected twists and turns to this story. I give it four quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
“Want your boat, Georgie?”
by Jeff Bowles
When the first big screen adaptation of Steven King’s It hit theaters two years ago, it took the world by storm. Audiences found it incredibly unnerving, disturbing, and twisted. In other words, it was everything fans of the most important horror writer of the 20th century (and maybe even the 21st century) could want. Part one of the It saga is a coming of age story, a love letter to the kinds of urban legends that have haunted the young and the young-at-heart for generations. I mean for cripes sake, a killer clown? Nightmare fuel, right? And one considered top-notch by critics and movie-goers alike. Too bad that 2017 modern classic was only half the story.
It Chapter Two wastes no time catching up with the heroes of the first movie, the Losers Club, the same rowdy bunch of kids who stopped that pesky, evil-as-all-hell clown (or whatever he is) before his spree of terror and death could claim one more fragile life in the fictional town of Derry, Maine. The Losers are all adults now, and though they’ve forgotten a surprising amount of their battle with the eponymous monster, most of them, after a fashion, choose to remember and honor the oath they took together to return to Derry if and when the nightmare began again.
That’s the problem with evil immortal-monster-alien-clown-shapeshifter thingies. They just don’t take no for an answer. The cast of Chapter Two is suitably star-studded. Jessica Chastain plays the adult Beverly, who possibly had the most to deal with in the first film, mostly due to an abusive father. She’s still suffering at the hands of an abysmally abusive man, her husband, which is sad, though annoyingly ham-fisted in the ludicrous fashion with which the guy goes from zero-to-full-on-rage without any believable provocation. Stephen King has never been known for subtlety, and It Chapter Two suffers from it. Not that the movie’s problems begin and end with the author.
Bill (James McAvoy), Richie (Bill Hader), Mike (Isaiah Mustafa), Ben (Jay Ryan), and Eddie (James Ransone) join Beverly back in Derry twenty-seven years after the events of movie one, each of them having lived surprisingly full lives. Well, all except for Mike, who’s spent the last three decades charting, following, and studying the supernatural killer. One of the Losers, Stan (Andy Bean), chooses to end his own life rather than set foot in that town again, which makes for a chilling prologue to the events that follow.
The first real set-piece of the movie takes place at the fan-favorite Chinese restaurant, a scene even the 1990 made-for-TV It nailed. It’s more adult and much creepier this time, and the dialog flows about as well as the original banter Steven King committed to the page. Then of course there’s the main event, the monster himself, played once again by Bill Skarsgard. Holly cannoli, this guy is freaky. Unfortunately, director Andy Muschietti makes the mistake of giving us less of him. In fact, less is the watchword for the entire exercise.
It Chapter Two is bloated and water-logged, just like that one guy It killed in … never mind. The only significant moments of cogency and relatability occur in flashbacks to the Losers as kids. These brief indulgences serve to remind us just how comparatively focused part one was, and we can’t help but feel a slight twinge of nostalgia for a movie that’s only two years old.
The cast does a great job exploring their characters’ unique personalities and allowing us to feel true terror when the big moments arise. But the film seems far too interested in pondering and extolling the concept rather than pushing it forward. Stephen King may be one of the most beloved pop-fiction writers of all time, but a second-parter built on what amounts to little more than a scavenger hunt? Yee-ikes. Don’t get me wrong, I love The Stand, Carrie, The Shining, and many others, as much as the next guy. Some of those books used long-windedness to their advantage. I hear they’re adapting The Stand next. Fingers crossed, all you kooky King nuts.
The climax of the film is impressive if confounding. By the time we get there, it’s become apparent the It saga has suffered from the same disjointed sequel-manufacturing other literary adaptations indulged in (Harry Potter, Hunger Games, and Twilight, I’m looking at you). Funnily enough, Marvel Studios’ big Avengers two-parter—released in 2018 and 2019, respectively—managed the trick in a much neater fashion, but then, those movies are actually two separate stories blended into one, whereas the It saga feels like, well, a nicely-structured opener and an obligatory half-waisted capstone.
Which isn’t to say It Chapter Two doesn’t have its moments. With high production values, an excellent cast, and a willingness to scare no matter what it takes, the movie can’t help but hit the mark more often than it misses. It’s just that the scenario doesn’t get as much breathing room this time. Scratch that. The problem is the scenario gets far too much breathing room.
Writing to Be Read gives It Chapter Two a six out of ten.
Not a truly poor nor truly serviceable adaptation, but who knows? Maybe when you binge both movies together, Chapter Two feels more satisfying. Is it possible a freakish clown lured us all down into his favorite storm sewer and made a nice, toothy snack of our expectations? I guess it could be worse. We could’ve buried a beloved dog in a pet cemetery, rented out a room at a haunted Colorado hotel, or engaged in interstate mayhem with a possessed car. Ooph. What a way to make a living.
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I love a good ghost story or paranormal tale, and that’s just what I’m looking for for the first Wordcrafter short fiction contest. If you write paranormal short fiction, submit your best story for a chance for it to be included in a paranormal anthology. Flash fiction is accepted as long as it is a complete story, with beginning, middle and end. In addition to publication, the winner will recieve a $25 Amazon gift card.
- Submit paranormal, speculative fiction, or horror. I want to read your story!
- Stories should be less than 10,000 words and have a paranormal element. They don’t have to be scary, but it helps.
- Submit stories in a word doc, double spaced with legible 12 pt font, in standard manuscript format.
- Submit stories to firstname.lastname@example.org with Submission: [Your Title] in the subject line. You will recieve instructions to submit your $5 entry fee with confirmation of reciept.
- If you recieve an invitation for the anthology, you will also be asked to submit a short author bio and photo.
- No simultaneous submissions. You should recieve a reply within 45 – 60 days.
- Multiple submissions are accepted with appropriate entry fee for each individual story.
I’m excited about this contest and the resulting anthology, and I hope you are, too. I can’t wait to read your stories. I’m hoping to release the anthology around Halloween through WordCrafter Press, so get your submissions in by April 30th. I’m searching for a title for this anthology, so if you have a paranormal title that’s killer, leave a comment below and give me your suggestions.
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