Posted: February 22, 2019 Filed under: Blog Content, Book Review, Chatting with the Pros, Fiction, Film Review, Interview, Nonfiction, Paranormal, WordCrafter Press, Writing, Writing Contest | Tags: Book Reviews, Chatting with the Pros, Film Review, Jeff Bowles, WordCrafter, WordCrafter Press, Writing to be Read
The entries are rolling in for the paranormal fiction contest and each one must be read. Stories good enough to recieve invitations to the anthology will also need to be edited. In order to accomodate a time budget for all this contest judging and anthology compilation activities in addition to my other life responsibilities, you can expect to see a few changes in the Friday Reviews.
One good change is we’ll be seeing more of Jeff Bowles. Last week he stepped in with a movie review of Glass that was brutally honest, but captivating. That review was so well recieved that he’s agreed to share a movie review with us on the third Monday of every month. His review of Glass was knowledgeable of the genre and written well enough to be mistakeing for one of the top critiques. If book reviews are hugs for authors, then Writing to be Read wants to hug the film industry, too. If you want to keep up on many of the latest movies, be sure to catch Jeff’s Movie Review (working title) each month.
I also plan to make two reviews each month instead of four, for books in the genre to go along with the monthly theme set by the genre the “Chatting with the Pros” guest author for the month. In February my guest author was nonfiction author Mark Shaw, so the February theme was nonfiction. My supporting author interview was with nature writer Susan J. Tweit and my supporting post was about my own nonfiction endeavor with the first post in my new bi-monthly series, “The Making of a Memoir“. My reviews were both of nonfiction books of different sub-genres: Mark Shaw’s How to Become a Published Author and a compilation of poetry artwork and writings about mental illness, the Letters of May anthology.
March’s theme will be science fiction and fantasy, and the “Chatting with the Pros” guest author will be national and international best selling author Kevin J. Anderson. He’s written more best sellers than there is room to list here and I’m thrilled to have him on Writing to be Read. My supporting post will be about my science fantasy series, Playground for the Gods. I’m still searching for a author for my supporting interview, but my reviews will be for Kevin J. Anderson’s Selected Stories and Jordan Elizabeth’s Rogue Crystal. If you want to be sure not to miss any of these great science fiction and fantasy segments, be sure to sign up to email or follow on WordPress to get notification of new content.
Before I wrap this up, let me just remind you all that there is still time to submit your short story to the WordCrafter paranormal fiction contest. The deadline is April 1, so don’t drag your feet on this one. The entry fee is $5 and the winner will recive a $25 Amazon gift card and a guaranteed place in the WordCrafter Press paranormal short fiction. Email your submissions to kayebooth (at) yahoo (dot) com and I’ll send you confirmation instructions for submitting your entry fee.
Your submission can be any genre, but your story does have to include a paranormal element, so get those stories in. Other entries may be included in the anthology by special invitation, and all anthology authors will recieve a small royalty share if the book makes any money. You can get the full submission guidelines here: https://kayelynnebooth.wordpress.com/2019/01/28/short-fiction-contest-paranormal-stories-sought/
I do hope you’ll all join me in the exciting changes ahead. I’m always interested in reader feedback, so leave a comment and let me know what you’d like to see on Writing to be Read.
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Posted: July 20, 2018 Filed under: Book Review, Books, Science Fiction, Screenwriting, Stories | Tags: Book Review, Brave New Multiverse, Jeff Bowles, Science Fiction, Short Fiction, Short Stories, Short Story Collection
Brave New Multiverse is a collection of unusual and unique short stories by Jeff Bowles, in which there is never a dull moment. You may be amazed, amused, confused, or even a little disgusted, but you will not be bored with any of the stories in this collection.
Bowles combines the craft of short story with screenwriting to create an experimental writing style that somehow works. His descriptive power is phenomenal, if a bit graphic. The worlds he has created may be strange and difficult to define, but they are also different from worlds encountered by any other author. In Itsies, ids are called itsies and you don’t got to love them, even if they wear a teddy bear suit. In The Many Deaths of Lazarus Lad, comic book heroes never ever die. In Detective Robot and the Murderous Spacetime Schism, robots and gorillas are detectives solving the case of the deceased dropping from the sky. In Donald Carmichael’s Brave New Multiverse: A trip to five very odd ‘verses’, where nothing is as it appears, or is it? And in Snip, Snip: where they take bigotry to new levels and have hang ups about testicles.
His characters are as diverse and unique as the worlds he’s created, and he pairs them into unanticipated couplings: Gorilla Todd and Detective Robot, an investigative team that can solve the crime, even in the face of the dead falling randomly from the sky; Donald Carmichael and Max, who don’t know love until it reaches out and bites them in the ass; Lazarus Lad and his egocentric dad, who know no other life; Nelson and Jay, who just wanted to help their injured pooch; Tug and Petunia, rude and obnoxious itsies, who may even be dangerous, belonging to Tom and Pamela, who don’t know the meaning of tough love.
Want to explore strange new worlds which you’ve never encountered before? Take a trip into any one of Jeff Bowles’ stories from this collection. I give Brave New Multiverse five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: July 16, 2018 Filed under: Blog Content, God Complex, Poetry, Writing, Writing to be Read | Tags: Art Rosch, Blog Content, Changes, Jeff Bowles, Poetry, Writing, Writing to be Read
I started Writing to be Read on a site called Today.com, as a pay-per-click blog. I was just beginning to create an online writing presence, and was unsure what to write about on a blog, but whatever my subject matter, I ended every post with a poems. One day, I tried to log into my account and found that Today.com no longer existed, and neither did my blog. I was forced to seek out a new home for my blog, and I found WordPress. That was back in 2010, and the author’s blog and website before you is what Writing to be Read has morphed into in the interim.
I no longer include a poem with each post, (that went the way of Today.com), and I don’t get paid per click, (or at all for that matter), but I feel that my content has expanded and improved over the years. I still believe poetry is an important aspect of writing. I feel in love with poetry when we studied Hiaku in the forth grade, and the first piece of writing I ever sold was a poem, (for five dollars). Poetry is sculpting with words, crafting a piece to fit our vision and communicate that vision to others.
There have been many changes along the way, which helped to make Writing to be Read what it is today, including my 2016 publishing series: The Pros and Cons of Traditional vs. Independent vs. Self-Publishing, my 2017 series on marketing and promotion: Book Marketing: What Works?, and the most recent this past year, my Ask the Authors series, where a panel of authors were interviewed on a variety of elements concerning writing. (Watch for a second series of AtA this fall.) Also, in 2017, we were fortunate to have Robin’s Writing Memo, with Robin Conley and The Pep Talk and Jeff’s God Complex, with author Jeff Bowles. I have attempted to include content that addresses all the elements of writing, but as I’m not very active in areas such as poetry, children’s writing, screenwriting or YA fiction, there have been only a few post in these areas, and I want to extend the scope of the blog to address all aspects of writing.
So, we’re about to change it up once more. I’m calling in the experts, or at least, those more expert than I in specific areas. I’ve asked a few guest bloggers to join the team in order to expand the scope of Writing to be Read. Our guest segments will be featured on Wednesdays. Here are some of the exciting changes you can expect to see in the near future.
I’m happy to announce that Jeff Bowles will be joining us once again with Jeff’s God Complex the first Wednesday of every month, starting in August. Jeff is an independent author with an awesome power of description and an amazing imagination. He has published three short story collections, which I have given top notch reviews, including his latest one, Brave New Multiverse, which will post this Friday, July 20. Fear and Loathing in Las Cruces, and Godling and Other Paint Stories. Jeff’s post topics cover just about anything and everything if it regards writing.
Starting Wednesday, July 25th, we will have our first segment of The Many Faces of Poetry, with Art Rosch. Art is an independent author, poet and photographer, who is into jazz. He draws many of his stories from his own experiences and creates his own book covers. He has published three books, all of which I’ve reviewed with high quills: Confessions of an Honest Man, The Road Has Eyes: A Relationship, An R.V., and a Wild Ride Through Indian Country, and The Gods of the Gift. Art is a talented writer and poet and I’m pleased to have him join the Writing to be Read team.
Also joining us with a Writing for a YA Audience segment is Amazon best selling YA author Jordan Elizabeth. Jordan has written many books aimed at a YA audience in a variety of genres: steampunk, time travel, fantasy, historical and ghost stories, to name a few. I recently reviewed her most recent book, a post- apocalyptic dystopian romance, Rotham Race, and I have reviewed many of her other works, including her very first novel, Escape From Witchwood Hollow, and several anthologies which include her stories. Jordan’s posts will be concerned with concepts and issues involved in writing for young adult readers. Writing to be Read will feature Jordan’s first post on Wednesday, July 18th.
This blog is a labor of love for me, and as such, these great writers are donating their time and efforts, so please help me to welcome the new members of the Writing to be Read team by liking their posts and leaving comments. Every writer wants to know they are being read.
I’m still searching for willing bloggers in the areas of screenwriting or children’s writing. I feel these elements of writing are important and deserve our special attention too. If you have expertise in these areas and think you might be interested in joining the Writing to be Read team, please email me at kayebooth(at)yahoo(dot)com.
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Posted: April 14, 2017 Filed under: Book Review, Books, Fiction, Horror, romance, Speculative Fiction, Stories, Western | Tags: Book Review, Fear and Loathing in Las Cruces, Jeff Bowles, Short Fiction, Short Story Collection
This week I’m pleased to review Fear and Loathing in Las Cruces – the latest collection of short fiction by my friend and colleague, Jeff Bowles. Since I know Jeff personally, I do admit to a certain amount of bias, but only because I truly admire the way this man crafts a story, so I went at this reading with a certain amount of anticipation. With Jeff, I never really know what to expect, but I always expect to be pleasantly surprised.
And, I was not disappointed. The stories found in this collection are original and unique, and the artwork is awesome.
The first story, Will of the West, has a good western flavor with a surprise ending. I truly enjoyed the vivid imagery of the lightning dance is Blue Dancing With Yellow, and Jeff’s story telling voice in Tumbleweeds and Little Girls nails the young girl’s POV. Four Heads, Two Hearts is a unique romance with its own unusual set of obstacles and a very interesting solution. The Fall and Rise of Max Ziggy is a reincarnation story of the feline kind.
Two of the stories deal with the topic of mid-life crisis, a topic that the author seems too young to know a lot about, but when you read these stories, us old foggies may find, or at least I did, that his interpretations are pretty spot on. Mid-Life Crisis: The Video Game defines the age of technology in a way the older generations can relate to, right down to the frustrations of dealing with voice activated responders which never seem to get our answers right. And, Jack Hammer’s Online Identity Crisis provides an online view of the mid-life crisis of a hit man that is sure to make you chuckle.
The collection also offers two ghost stories: Falcon Highway is a good, old fashioned ghost story running along the lines of an urban legend. And, Deadman’s Hand is a ghostly tale of being ‘spirited’ away.
All of the stories contained in Fear and Loathing in Las Cruces are well crafted and quite entertaining, and they all contain unexpected elements that Jeff Bowles makes to work in short story form. Each and every one carries the uniqueness that is Jeff Bowles style, making for an overall enjoyable read. I give it five quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
Posted: October 10, 2016 Filed under: Books, Promotion, Publishing | Tags: Godling, independent publishing, Jeff Bowles, Publishing, Traditional Publishing
In my post last week, Today’s Authors Wear Many Hats, I talked a little about the roles authors play in the publishing process vary between traditional and independent publishing. It got me thinking about how much the publishing process has changed since the days when I sold my first poem in 1997, before computers, the internet, and the digital revolution hit the scene.
I remember back in 2010, when I first started doing the Southern Colorado Literature Examiner gig, independent publishing, (or self-publishing, was frowned upon, the general feeling being that if you could write, you’d be able to get a traditional publisher. Digital media was still fairly new, but it opened up opportunities that made it so virtually anyone could get a book published. But, self-published authors were generally thought to be author want-to-bes, lacking in the talent and ability, so they had to publish their own book.
Over time, opinion toward self-published authors has changed, but I think it has been a long, hard struggle for self-published authors. Amazon came along and said, “Pssst! Hey! Yeah you. You got a manuscript you want to get published? You can sign on with us and publish your book for free.” Suddenly, anyone could publish a book, and just about anyone did. There were those who just want to get their book out quick and not spend the time or money required to put out a quality piece of literature, who have further tarnished the name of independently-published authors. But there truly are some fine authors out there who have chosen to self-publish in spite of the stigma attached to independent publishing, who have proven that the quality of an independently published book can be every bit as good as those put out by traditional publishers.
It was only within the last five or six years that feelings toward self-publishing have shifted. While earning my M.F.A. I watched the opinions of my professors, who are all successfully published authors change over time, from warning against self-publishing to viewing it in a more acceptable light and actually presenting it as a viable option for today’s emerging authors.
With all this in mind, I’ve asked both authors and publishers to share their thoughts on both self-publishing and traditional publishing, for this, Pros and Cons of Self-Publishing vs. Traditional Publishing article series. I hope you’ll join me as I delve into this discussion with some representative players in the publishing game.
My first interview is with self-published author, Jeff Bowles, who has had numerous short stories published by in reputable publications such as Stupefying Stories Showcase, PodCastle,Nashville Review, The Threepenny Review, Pseudopod, and Spark: a Creative Anthology. He recently self-published his collection of short stories, Godling and Other Paint Stories on Amazon. Jeff was also one of my cohorts in the Creative Writing program at Western State,so he now has his M.F.A. with emphasis in genre fiction. He is a talented writer, with a self-proclaimed god complex, who has written some amazing stories.
Kaye: You’ve had quite a bit of short fiction published. Are there any publishing credits I didn’t mention in my introduction?
Jeff: My first short story appeared in an academic student arts journal called Riverrun, I also recently made a sale to Black Static also.
Kaye: When did you know you wanted to be an author?
Jeff: I knew when I met my wife. I was a musician before, though I’d always wanted to be an author of some sort since I could remember. We wanted to have a family someday so I just decided working from home as a writer would always be better than touring as a singer/songwriter. I began my professional writing career about eight years ago now, I guess. Never looked back, but believe me there have been times I’ve wanted to. The very first story I wrote was in the third grade and it was a nice little piece of Star Wars fan fiction, in which Uncle Owen comes back to life as a dark Jedi assassin with wolf fur. Luke was gonna be in trouble, man!
Kaye: As a rising author, are you in favor of traditional publishing, self-publishing or a combination of both?
Jeff: I think a combination of both is definitely the way to go, though traditional publishing will always be the best as far as I’m concerned. If you’ve got the resources and you can snag reviews and distribute advanced copies of your work to the right people, self-pubbing is a damn fine way to get seen. But as an industry, we’re predicated on the big sales to the big publishers. I’d recommend young writers do their best to place their material with the largest publishers they can, and then if all else fails, get your stuff out there via Amazon or Barnes & Noble or some other online service.
Kaye: What do you see as the pros and cons of independent publishing?
Jeff: The major pro is that it’s easy to do these days. Every sale you make comes to you and if you’re good at self promotion, you can make a major dent in your readership just by being out front and being you. The major con is that the traditional publishing industry will always have more resources to throw around for their big name authors, which means if you can get to that place, you’ll never want for an audience and you may not have to do too much legwork yourself.
Kaye: What do you see as the pros and cons of traditional publishing?
Jeff: As far as pros go, it’s the industry that can get you a spot in the NYT Bestsellers list, though the odds of that happening are always going to be slim. Cons of traditional publishing include the realization that as a new author, you’re going to be sidelined a bit in favor of writers who’ve been around the block a few times. You will still have to do most, if not all of your own promotional work, though distribution and rights management will most likely be on autopilot. Get yourself a good literary agent to negotiate your contracts and make sure you keep working your butt off after that first book hits the market. When it comes to short story sales, traditional publishing is definitely still the name of the game. If you can get your work published under the umbrella of a large publisher, you definitely should.
Kaye: How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), did you have to do yourself to publish your book?
Jeff: There are a ton of resources these days for marketing and promoting a book. Amazon has it’s own internal advertising service which puts your work right in people’s faces over their Kindles, and Facebook and Google also allow for promotions which can be seen by thousands of eyes a day. I painted the cover of my book myself, and the interior design was mine as well. If you haven’t got any artistic ability you can hire craftspeople on the internet to help you put an amazing-looking book together. I was kind of lucky in that it hasn’t cost me much at all to produce Godling and Other Paint Stories, but if I had a bit more money, I know I could very easily be doing more. The sky’s the limit with this stuff. Your marketing potential will be matched by your time and resources.
Kaye: Would you recommend other authors publish independently? Why or why not?
Jeff: I would certainly recommend it. I think in a perfect world you’d want to be doing maybe 70% to 80% of your publishing via the traditional model, but I don’t know that I’d want to give up self-publishing entirely, just because it allows for so much flexibility. I’ve got material in my personal archive that’s never seen the light of day and I know for a fact much of it would be too risky for a traditional publisher. You can kind of stick your experiments and B-sides on Amazon at anytime. I love that about modern publishing. No matter what you do, you’ve got the ability to get your work seen, and that’s the ultimate high for a writer.
I want to thank Jeff Bowles for sharing his thoughts with us here on Writing to be Read, and I hope you will all drop by in the following weeks to hear from more authors, both independently and traditionally published, and publishers, too, to see how opinions vary on traditional vs. independent publishing models.
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