Jeff’s Movie Reviews – Once Upon a Time in Hollywood

Jeff's Movie Reviews

Revenge as Entertainment

by Jeff Bowles

Quentin Tarantino isn’t necessarily known for subtlety. While his films are often genius—featuring nonlinear storytelling, irascible and energetic dialogue, and a certain unabashed love for B-movies and trashy 1970s grindhouse filmmaking—they are also incredibly violent and tend to feature characters who are more nasty than nice. That’s not really a minus in today’s entertainment landscape, nor was it especially considered as such in the 1990s, when Tarantino burst onto the scene with unexpected violent delights like Reservoir Dogs and Pulp Fiction. Yet something new has entered the 53-year-old filmmaker’s bag of tricks: history revision, the kind that allows him to brutalize some of the most notorious bad guys of all time.

In Inglorious Basterds (2009), Tarantino shot, burned, and blew up Adolph Hitler in a French movie house long before WWII ended in real life. In Django Unchained (2012), he took the fight to American slavery, unleashing a bloody revenge romp on a vile and inhumane southern plantation. There’s a certain catharsis to be experienced by, in some passing fashion at least, hurting old ghosts that hurt us still. Especially here in the United States, where as a collective, we’re still very much bound by the sins of the past. Tarantino, for all his faults as a filmmaker, has always been extraordinarily fearless in allowing audiences to exorcise our collective demons. Love him or hate him, he’s got a style and aesthetic all his own, and he doesn’t apologize for all his excesses and bloody genius madness.

Which is why Once Upon a Time in Hollywood, his 9th film and fourth in a row to feature a historical setting, hits so close to home. This time around Tarantino takes us on a trip to late-1960s Los Angeles, home of an American film industry churning out movies and TV shows in a hilariously fast and loose fashion. The streets are full of hippies, the soundscape is constant rock and pop hits and saccharine advertisements, and the personalities involved crave fame and public exposure like some people crave cigarettes dipped in LSD. Without spoiling too terribly much, the historical bad guys this time around are the Manson Family, and though Charles Manson himself only appears onscreen for a few minutes, his demonic presence is certainly felt.

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Rick Dalton (Leonardo DiCaprio) is an aging cowboy actor who hasn’t had a decent starring role in years. He spends most of his time drinking, lapsing into coughing fits, and playing mustache-twirling heavy of the week on any network TV show that will hire him. His best friend and stuntman Cliff Booth (a delightfully chill yet dangerous Brad Pitt) takes care of him as best he can, but he hasn’t performed any stunt work for the former rising star since Rick lost the lead gig to Steve McQueen in a little movie called The Great Escape. Rick has a house in the Hollywood Hills right next door to director Roman Polanski and his new wife Sharon Tate. Here’s where the alternate history kicks in, folks. Younger audiences who know nothing about the Manson Family murders will undoubtedly experience Once Upon a Time in Hollywood in a much different fashion than the rest of us. Needless to say, the film cruises along Sunset Strip with a heavy mind and an eerie sense of impending doom, even when the action is relatively light and comical.

After Cliff engages in an ill-advised backlot sparring match with non other than martial arts legend Bruce Lee, he’s got all the free time in the world. Cliff picks up a vivacious hippy chick he’s been eyeing around town and drives her home to an old Western movie shooting set a large group of young, creepy, dangerous beatniks have converted into their own personal crash pad/drug den. Dakota Fanning plays a particularly dead-eyed Squeaky Fromme, and her interactions with Pitt are devilish. It’s the little historical flourishes that really make this film sing.

To go much further into the plot would spoil the ending, but look, when Tarantino gets his hands on real-life monsters, he goes all the way. Which isn’t to say Once Upon a Time lacks heart. Tarantino is a seasoned, mature filmmaker, and his characters spend much of the movie dealing with the limitations of their own flawed humanity. You really have to feel for DiCaprio’s Dalton, who has long ago confused success for self worth. And Margot Robbie shines as Sharon Tate, an absolute vision of 1960s femininity and grace.

The only real question we’re left with after the credits roll is if it’s earnestly healthy for our collective culture to, say, blow up Hitler or bathe an old plantation house in blood. In brutalizing the villains of history, has Tarantino allowed us mass catharsis, or has he just developed his own brand of big-budget revenge? It’s a forgone conclusion, but realistically, we are in fact dealing with the Manson Family. The actions of three of their members one late August night still ring out as some of the most atrocious and disgusting of the 20th century. Like it or not, Tarantino seems to tell us, we live in a world full of hate and murder, and in the year 2019, when mass shootings happen almost every week, what’s a simple movie got to do with human decency and justice?

Once Upon a Time in Hollywood is a masterful expose of the human psyche circa 1969. It’s funny, stylish, chock full of delicious old rock and pop tunes, and yes, it’s got a beating heart that ultimately outweighs the brief but vivid extreme violence that defines its climax. Tarantino has another winner on his hands, though the conversation about his impact on a culture reeling from gun violence will most likely continue.

Writing to Be Read gives the film a solid nine out of ten, but this movie reviewer has to wonder, will there ever come a time healing and revenge are not synonymous?


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

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Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


You can keep up on what Jeff’s been watching and catch all of his great movie reviews the third Friday of each month. Subscribe to email or follow on WordPress today


We’ve Come a Long Way, Baby!

WtbR Team

Looking back, I can remember when I first started this blog, back in 2010. I really had no idea what I was doing, or even what blogging was all about, but I knew I wanted to write and Writing to be Read offered a platform where someone might actually read what I wrote. Back then, I really struggled with what to write. I couldn’t imagine why anyone would care to read what I had to say. 

Since then, I’ve learned a lot. Acquiring an M.F.A. in Creative Writing, along with my experience as The Southern Colorado Literature Examiner, gave me the knowledge, skills and confidence to imagine that I could create content that people would want to read. I write about what I know. My passion has always been writing, thus that is what I write about.

In 2016, I decided that there was no way that I could produce enough quality content to keep fresh content and keep readers visiting the blog, so I began recruiting other talent. My knowledge was limited to my own writing experience and I wanted to expand the scope of the content. With the help of others who knew more about areas which I wasn’t versed in, I was able to do this.

My first team member was Robin Conley, and her “Writing Memos” are still bringing viewers to the blog, although she is no longer an active team member. Next, Jeff Bowles was added to the team, with two segments. Although he no longer does his “God Complex” segment, you can find “Jeff’s Pep Talk” on the first Wednesday of every month, and “Jeff’s Movie Reviews” posts on the third Friday. Jeff is great at writing motivational posts and he writes killer movie reviews, so if you haven’t checked out his segments, I recommend that you do.

This year, Art Rosch joined the team with his “The Many Faces of Poetry” segments the last Wednesday of each month, and he recently began posting for “Art’s Visual Media Reviews” on the last Friday. Both segments cover subject matter Art was versed in and his reviews are both interesting and entertaining. Also, joining the team in 2019 are Jordan Elizabeth, with her “Writing for a Y.A. Audience” segment on the third Wednesday of each month, which explores Jordan’s inspirations and writing experiences, and Robbie Cheadle with her “Growing Bookworms”, which emphasize the importance of reading for children and explores children’s literature.

In 2018, I ran two twelve week segments of “Ask the Authors”, which was quite popular, where I interviewed an author panel on the various aspects of writing. Although it was fairly successful, it was also a lot of work, and it required a lot of time from each of the authors on the panel in order to respond to my questions with depth and knowledge. The compilation of those segments is currently in process for the Ask the Authors anthology, to be published by WordCrafter Press.

In 2019, we’ve seen a little more structure as I added monthly genre themes to focus on specific genres, and added my “Chatting with the Pros” segment in coincidence with those. We also saw the first “WordCrafter Paranormal Story Contest”, which will result in the publication of the Whispers of the Past paranormal anthology, also by WordCrafter Press. (Jeff Bowles was the winner of the contest for his short story, “A Peaceful Life I’ve Never Known”. He received a $25 Amazon gift card and his story will be featured in the anthology.)

Writing to be Read is growing, and recently had its 500th post. View numbers are up, as well as followers, and I attribute it to the quality content posted by both myself and my team members. Of those 500 posts, 100 of them were made by Writing to be Read team members and I want to take time now to acknowledge and thank them for the quality contributions that they each make to the blog. Writing to be Read is a labor of love and team members don’t receive compensation for the time and dedication they put into their segments, so they really do deserve kudos for the content they provide. To show my appreciation and bring them and the blog segments each one contributes, I’ve created a “Meet the Writing to be Read Team Members” page, and I hope all of you will check it out and learn more about those who provide such great content.

This new page comes along with other new changes as I prepare to launch WordCrafter Quality Writing & Author Services. I’m happy to say that although some parts are still under construction, the website is now live. Write it Right Quality Editing Services, which used to be found here on this site, is now housed on the WordCrafter site, so if you are looking for it, you can now find it there. Other changes you may notice in the near future include the migration of my “Copywriting and P.A. Services” to the WordCrafter site, where it will become WordCrafter Social Media Copywriting and Book Promotions.

These are the most immediate changes which have taken place or are expected to before the end of the year on Writing to be Read. Closer to that time, I’ll be posting another update that will tell you what you can expect in 2020. Can you believe it? It’s just around the corner. So until then…

Happy Writing!

Kaye Lynne Booth, M.F.A.


Jeff’s Movie Reviews – Shazam!

Jeff's Movie Reviews

Just say the word.

by Jeff Bowles

(Be sure to check out my video review of Shazam! on YouTube’s Jeff Bowles Central.)

Shazam! is the kind of movie just about anyone can get behind. Film audiences segment into a multitude of groups, but when it comes to comic flicks, you’re either on board for the ridiculousness or you aren’t. Younger audiences tend to take a movie like this more seriously, whereas more mature viewers are often left scratching their heads. When science fiction and fantasy work best, they indulge in a certain real-world approach to emotionality, family, romance, regret, passion, and they do so at high enough levels that any and all nerdy accoutrements go down a little bit smoother, in that for many people out there, they’re extraordinarily hard to swallow.

Shazam! is a big, fun, friendly superhero movie with more heart and humor than just about any other DC Comics offering made in the last twenty years. During a time in which Superman is angst-ridden and Batman is a violent rage-freak, Shazam! understands home is where the heart is. Ask any comic movie fan the difference between the two behemoth companies, Marvel and DC, and you’re likely to hear Marvel is fun and DC is morose. Such is the genius of David F. Sandberg’s new movie. It feels Marvel-fun but engages the kind of deep archetypes and mythic dynamics DC Comics has been famous for since the 1930s.

Billy Batson is an orphan looking for a place to finally call home. He thinks finding his birth mother is the answer, but the truth is, if she’d wanted to be found, he wouldn’t have to break into cop cars and hack suspect ID computers for her deets. Enter the Vazquez family, genuinely supportive parental figures Victor and Rosa, and a full house of five other kids, all of them orphans. The dynamics at play in the Vazquez household expound in wonderful ways when Billy expects disaffection and dysfunction and finds hardcore familial love. And the other kids are all great to watch onscreen, always eager with another funny quip or charming character quirk.

To wit, Billy’s roommate, Freddy (Jack Dylan Grazer), perhaps the best personification of a sympathetic sidekick you’re likely to see all year. He’s disabled, hilarious, and he’s got a keen geek obsession. Superheroes, after all, exist in this world in spades. In fact, one of Batman’s famous baterangs is a star narrative prop, and Freddy’s knowledge of said-comic-isms comes in pretty handy when Billy gets his powers and then has to figure out what the hell to do with them.

Off world or in another realm, or wherever/whenever else you prefer, the ancient god of right-makes-might, Shazam (Djimon Hounsou), searches for a suitable replacement after millennia of tireless service. Unfortunately, the forces of evil are on the hunt for a successor, too. The clock’s seriously ticking, so in a spray of CG pyrotechnics and unexpected altruism on Billy’s part, Shazam summons our would-be hero to his mysterious throne room and endows the kid with strength, speed, flight, and of course, killer lightning powers. All Billy has to do is say his name, and he’ll transform into a musclebound adult version of himself in a red suit and sparkly white cape. Zachary Levi plays the god-like, full-grown superhero with all the adolescent joy, immaturity, and zany recklessness we’d expect from a teenager stuck in a man’s body. This is the where the movie kicks into full Tom Hanks’ Big mode, and Levi is the perfect choice. You get the sense this kind of thing is a walk in the park for him. It’s almost criminal how much fun he appears to be having.

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Just as Billy begins to feel confident in his new dual identity, the evil Dr. Sivana (Mark Strong)—similarly endowed with incredible power, but by monstrous avatars of the seven deadly sins—arrives to threaten his heroic dominance, his life, and all the wonderful new people he’s come to love. The real joy of Shazam! is that it takes for granted how crucial it is to have people who care about and support you. So when Mom and Dad and all the other kids are in danger, we really feel the urgency. The filmmakers value them and what they mean to Billy, and we can’t help but do the same.

Billy Batson may not be a groundbreaking addition to the world of comic movies, but he does offer us a glimpse at a different kind of pop superhero psychology. There’s not much tragedy, horrific scarring, or trauma in his makeup, no more or less than in you or me. It’s almost a relief that the film only sparingly engages in world-ending theatrics. An interesting paradigm emerged in March and April, 2019 when Marvel Studios released Captain Marvel, and Warner Bros./DC released Shazam! As any fan will tell you, Shazam was also originally called Captain Marvel, and years ago, the two companies settled the branding dispute out of court. Apparently, Marvel was dead set on maintaining a character that carried their moniker and DC, well, maybe they realized Shazam is a better name for a boy-in-man combo that literally cannot do anything cool unless he, as the advertising declares, says the word.

But whereas Captain Marvel was a movie about finally realizing the power that always dwelt inside, Shazam! is about a sudden overwhelming change of fortune. Sometimes the thing you need most is right there in front of you. It is also admittedly the ultimate adolescent boyhood fantasy to wake up one day and find out you’ve got super powers. Shazam! won’t win any awards for exploring gender, sexuality, or race, but its heart is in the right place, and lest we forget, we could still be watching scowling Superman beating the crap out of growling Batman for no discernible reason other than MUSLCES! ANGER! KA-POW!

Billy Batson is enormously relatable, the perennial loner and outsider who has so much more to offer people than he knows. Who hasn’t felt unloved? Who’s never been lonely? Yet isn’t there always just a bit of hope in all the neglectful crap we have to put up with? Someday an amazing person will recognize me, and I’ll finally come home. It’s the emotional psychology of a movie like this that makes it so effective. Yes, the world is a terrible place sometimes, but when we take off our costumes and put away our utility belts, all we really want to do is laugh and dream.

On the surface, Shazam! is just another silly superhero movie in a sea of nearly identical offerings. But it’s also a fine example of comic book storytelling done right, supremely enjoyable, heartwarming, surprising, in fact more than enough to redeem the brooding misanthropy of other recent DC films. It rivals the very best of Marvel, and what’s more, it recognizes when a cape is just a cape. You don’t need to wipe out half of humanity or destroy the globe to bring out the hero in people. When the chips are down, all you have to do is say the word.

Shazam!

Am I … am I still here? Still just a slightly overweight yet lovable, handsome, and humble author/movie reviewer? I’ll work on that. We’ll get there, folks.

The new Shazam! movie gets 9 sparkling red tights out of 10


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The first Wednesday of every month, you can find him dispensing writerly wisdom in Jeff’s Pep Talk, right here on Writing to be Read. The best of Jeff’s outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – Short Stories – So Much More!


You can keep up on what Jeff’s been watching and catch all of his great movie reviews the third Friday of each month. Subscribe to email or follow on WordPress today!


Jeff’s Movie Reviews – Captain Marvel

Jeff's Movie Reviews

The Marvelous Mrs. Marvel

by Jeff Bowles

(For more on Captain Marvel, be sure to check out my full video review)

As far as Marvel movies go, Captain Marvel feels refreshing, if a bit familiar. It carries with it little of the eccentric energy found in other recent Marvel flicks like Thor: Ragnarok and Guardians of the Galaxy Vol. 2, but it also requires less of audiences who have yet to drink the Marvel Kool-Aid. Much like 2018’s box office behemoth Black Panther, the hero in question is not a white male, and as the star of a major Hollywood production released in the #MeToo era, that makes all the difference.

Which isn’t to suggest Marvel Studios’ latest doesn’t give plenty of nods to what has come before, and perhaps in a more lucrative vein, to what’s still headed our way. We finally learn how Nick Fury lost his eye, for instance, but filmmakers Anna Boden and Ryan Fleck are also thrilled to butter us up for that big late-April showdown called Avengers: Endgame (check your calendars, kids. Don’t forget to pre-order all the toys, and oh yeah, maybe a movie ticket or five).

If superhero tropes and comic-isms are as indecipherable to you as Kree battle language, odds are good the scope and scale of the Marvel Cinematic Universe rings hollow. Some of us have been on board since we were kids, leafing through our favorite monthly Marvel comics like little back-issue hording zealots. But if your speed is less Captain America and more … well, any other movie ever made, really—it’s safe to take heart. Captain Marvel is a pretty good jumping on point.

Carol Danvers (Brie Larson) is an Air Force fighter pilot with super-powered amnesia. A strange event in her past wiped her memories clean and granted her incredible abilities, the sum total of which she’s dutifully employed freedom-fighting for a race of intergalactic warriors known as the Kree (best personified by her squad leader, Yon-Rogg—played by master geek-movie thespian, Jude Law). When the Kree’s deadliest enemies, a race of green shapeshifters known as the Skrulls, capture Carol and bring her back to Earth, the nascent Captain Marvel must team up with S.H.I.E.L.D. agent Nick Fury (an impressively de-aged Samuel L. Jackson) to discover the secret behind the pivotal accident. Plus, you know, she’ll get to rock out to an unquestionably righteous and eclectic 90s soundtrack.

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The fact that this movie takes place in 1995 only adds to its charm. There are era-specific nods and in-jokes aplenty, including a fun Stan Lee cameo that’ll tug at your sense of nostalgia. The film’s setting also means that most of the super-heroic hi-jinks found in the other 20 MCU movies have yet to occur. It’s a prequel more than anything else. Rounding out the cast are an unexpectedly funny Ben Mendelsohn as Skrull commander Keller, Lashana Lynch as Carol’s best friend, Maria Rambeau, and a de-aged Clark Gregg, happy to take a break from playing Agent Coulson on ABC’s Agents of S.H.I.E.L.D. to play … a younger-looking version of the exact same character.

Additional highlights include a cute but vicious orange cat named Goose, though I won’t spoil the big reveal here, and the marvelously named Air Force marvel, Mar-Vell (a somewhat spaced out and liminal Annette Bening). For the most part, Captain Marvel gets by on its charm. It’s best described as an above average superhero origin story, but unfortunately, there remains a certain amount of roughness in its narrative. Big chunks of exposition get belted out from behind scads of green creature makeup, and the grand finale carries enough logic gaps you may find yourself wondering, “She was just fighting that guy. So now who are these people?”

A lot of early buzz surrounding this movie included controversial comments made by Larson herself, but really, if a storytelling medium largely created by boys for boys can’t come to grips with a few girls getting in on the action whenever they damn well please, there’s less hope for this world than any of us could have ever imagined. Captain Marvel as a character has been blasting across the universe since the late sixties, but it was only in recent years that a woman donned the suit. And Larson does a fantastic job portraying Danvers on film. She is cocky, self-assured, funny, compassionate, caring, and once her full powers get unleashed, wonderfully formidable. A certain kinship evolves between her and Samuel Jackson’s Agent Fury, and moments spent in the Louisiana home of her best friend Maria prove that an intergalactic badass can be all about family, too.

Audiences are likely to get more out of the experience if they possess a running mental lexicon of all things Marvel, but unlike last year’s Avengers: Infinity War and the forthcoming Avengers: Endgame, Captain Marvel is likely to be a fun time no matter what prior knowledge you have going in. If you’re burned out on films featuring god-like people beating the holy Skrull out of each other, you may be better entertained elsewhere. But as Thor Odinson once famously declared to the world-eating demon Surtur, “That’s what heroes do.”

It’s a very geeky multiverse we live in, people.

Jeff’s Movie Reviews gives Captain Marvel an 8 out of 10.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The first Wednesday of every month, you can find him dispensing writerly wisdom in Jeff’s Pep Talk, right here on Writing to be Read. The best of Jeff’s outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars.

Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – Short Stories – So Much More!


You can keep up on what Jeff’s been watching and catch all of his great movie reviews the third Friday of each month. Subscribe to email or follow on WordPress today!