Mindfields: TV Addicts Anonymous

Mind FieldsThere was a time when watching television would make people feel guilty…as if they had nothing better to do. I have something better to do. I can watch better quality TV instead of the ubiquitous TV crapola. These days we have choices in TV-Land. Sometimes my wife and I watch TV all day and all night. I admit to some exaggeration here. I don’t watch TV all day; not any more. There was a time when I was pretty  unmotivated and I watched TV around the clock…and I felt guilty about it. Fortunately that time is passed. I watch TV judiciously, choosing carefully what I expose myself to. There are as many TV universes as there are significant demographics. There are ravening people who feast on Jerry Springer and gentle wine-drinking people who watch PBS-only docs and dramas. I fall somewhere towards the latter. My spouse is more broadminded; she helps me expand my range of experiences. She’s addicted to The Home Shopping Network. We are both addicted to shows about animals and veterinarians.

I’m a keen observer of TV-as-cultural phenomenon. It’s the most powerful thing in the world outside of the Hydrogen Bomb. Television has dominated our experiential landscape since the early fifties and never more so than today. We have emerged into a golden age for television. There’s immense variety, convenience, amazing quality and the television sets have become so smart that they require control like a rowdy drunk at a party. It took me days to figure out how our new device functions. I still haven’t conquered the remote control. I can talk to it and it often responds. I’d be screwed if I couldn’t talk to that thing. It wouldn’t surprise me, if, some day soon, the remote responds with something like “Hey, I’m busy, asshole. Try again later.” I would expect rudeness from a television device. After all, this is the thing that brought us “Here Comes Honey Boo Boo.” Sometimes I hear my wife talking in the bedroom. Is she on the phone? No. She’s talking to the remote. Begging, pleading, bargaining with the remote.

We love to binge. That sets the tone of our lives. What will we binge tonight? It’s not easy to find binge-worthy stuff. Thank god for National Geographic, Netflix and Amazon Prime. Between Mrs. Maisel, Dr.Pol and Fleabag we have a good time. Fleabag is the work of actress/director/writer Phoebe Waller-Bridge. When we saw the last episode of Fleabag I shouted “Magnificent!” I don’t always offer such spontaneous accolades. Phoebe plays the character known only as Fleabag. She’s a fairly gorgeous creature in her gawky comical way. She’s maybe too tall, her nose is a little skewed, but these aspects are essential to her character. She would be boring if she had all the beauty conventions. The stories revolve around the Search For Love. Who isn’t searching? This quest is especially powerful in the young. It surges in women who are reaching a certain age, an age when their mothers are asking “When are you going to get married?” Fleabag is precisely that age and her obsessions are pulling her puppet strings. If she weren’t wryly self-aware she’d be suicidal. She is recovering from an awful trauma. Her best friend committed suicide over a breakup. She walked out into traffic and gave up her life. This grief haunts Fleabag and steels her determination to continue living. She too has ended a long relationship. Now she’s thrust into the world of men, those strange groping creatures who don’t understand women. Sound familiar? That’s US! The thing is, Phoebe/Fleabag is funny! Her wit is corrosive yet compassionate. When the two seasons were over we were gasping for more. Alas, Phoebe is moving into new productions. Watch her!

We binged on the two seasons of “You”. It’s gripping, but it’s also repugnant. In the beginning of the series the protagonist, Joe Goldberg, seems to be a likeable fellow. He develops into a monster as the tale unfolds. I’m holding back the spoilers here. The story hangs on Joe’s transformation into something sinister. His obsession is, again, Love. Or, more specifically, Women. The show gives us Joe’s thought processes. The narration is Joe’s self-talk and he has a one track mind.

I must remind my readers that I have a “writer’s rule” that I scrupulously observe. “Is this story worth telling?” I have three criteria that stories should encompass. They should be entertaining, insightful, and, if possible, inspiring. If they can’t reach the level of inspiration they should at least not leave us depressed. We get enough of that shit all around us. After watching every episode of “You” and being entertained, I still have mixed feelings as to whether or not we should have gone through the experience. There are plenty of shows about dark characters. Darkness is important to drama. It’s like death itself. Without death there would be no passion in life. All of life’s tensions and excitement are generated by the clash between light and dark. Is this oversimplified? Perhaps. I’m left with a slightly sour feeling about “You”. If I had eaten Joe Goldberg for dinner, I would have gas and diarrhea in the morning. Watch the series, by all means. It’s very good, well acted, well written…but I’ve warned you. Take some Pepto Bismol to bed, put it on your night table.

A Midwesterner by birth, Arthur Rosch migrated to the West Coast just in time to be a hippie but discovered that he was more connected to the Beatnik generation. He harkened back to an Old School world of jazz, poetry, painting and photography. In the Eighties he received Playboy Magazine’s Best Short Story Award for a comic view of a planet where there are six genders. The timing was not good.  His life was falling apart as he struggled with addiction and depression. He experienced the reality of the streets for more than a decade. Putting himself back together was the defining experience of his life. It wasn’t easy. It did, however, nurture his literary soul. He has a passion for astronomy, photography, history, psychology and the weird puzzle of human experience. He is currently a certified Seniors Peer Counselor in Sonoma County, California. Come visit his blogs and photo sites. www.artrosch.com and http://bit.ly/2uyxZbv

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Marketing and Promotion: Let’s Sell Books!

Ask the Author (Round 2)

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For many authors, marketing and promotion is the hardest part of writing. In week two of this series, in the segment on the writing process, four out of eleven authors listed marketing as their biggest challenge, and I’ve had many other authors give the same response when the question was posed. I know it’s certainly true for me. In days past, traditional publishers handled much of these tedious tasks, so authors didn’t have to, but with the rise if independent publishing to the forefront, those days may be gone. Even traditional publishers are doing less promotion, relying on authors to get word out about their works.

Today our author panel will be talking about how they tackle the task and which advertising platforms have been effective for them. Our author panel this week include RA Winter, DeAnna Knippling, Tom Johnson, Lilly Rayman, Ashley Fontainne, Jordan Elizabeth, Amy Cecil, Cynthia Vespia, and Margareth Stewart. Let’s see what works and what doesn’t for them.

Which advertising platforms do you find to give the best results?

RA Winter
RA Winter Most of my marketing right now is just using Facebook groups. I only post once a week or once every two weeks and include something snazzy to catch my readers attention. I write romance with humorous undertones so I always include a funny quote. The piece that I’m concentrating on right now is only .99 cents, and it’s a stand-alone novella. Once I have a couple of books written in the series, I’ll start using Facebook ads and Amazon ads to promote the series. Reviews on websites usually gain me a lot of traffic too. I concentrate on getting my work in front of reviewers right off the bat.
DeAnna Knippling
deannak Whatever ones I bother to use consistently 🙂  I use Amazon Ads and BookGorilla mostly right now.
Tom Johnson

Tom's Back Cover Picture I’ve promoted other authors I like, and in turn they have helped promote my books.

Lilly Rayman

L Rayman I haven’t really found any that stand out above the rest. I have used The Kindle Book Review and BooksGoSocial. I have also used eBooksstage as well, but nothing has jumped out at me as being a cut above the rest at this point. You see lots of sites that offer lots of results, and yet nothing is ever guaranteed. I do like that BooksGoSocial offer a non-quibble money back guarantee on their paid marketing services.

Ashley Fontainne

Ashley Fontainne Bookbub and Goodreads.

Jordan Elizabeth

Jordan Buying ads on reputable sites, like Robin Reads, has been the most lucrative.

Amy Cecil

Amy Cecil I really haven’t tried to do any advertising yet. I have tried Amazon, but really haven’t had any results from it that were profitable.

Have you found any free advertising platforms to be effective for selling books?

Tom Johnson

Tom's Back Cover Picture I’ve not found any free advertising. Everything comes with a price, or something attached that I have found, and if I’m not careful I could find myself busier promoting other things than my books.

Lilly Rayman

L Rayman Only in that they work to promote free books and get free book downloads. Generally, the readers I have found on the free advertising platforms are looking for free reads, and this rarely moves through to them purchasing further books.

Ashley Fontainne

Ashley Fontainne Bookbub and Ereader News Today are the two I typically use for best results.

Jordan Elizabeth

Jordan Newsletters would have to be the best.  They put your book in their newsletter, you put theirs in yours.

Cynthia Vespia

colorheadshot - Copy Social media, but I’m uncertain on the exact ROI.

If you use paid advertising, do you think it is worth it? Which platforms do you find to give the best results?


DeAnna Knippling
deannak I’m still on a steep learning curve when it comes to paid ads. I’ve tried a lot of things.  Amazon Ads and BookGorilla are good for me; I don’t use FB right now because it fries my brain, so it’s automatically not effective when I do try it! I have an upcoming BookBub international ad; I’m not sure how that’ll go yet, but people speak well of them.
I wouldn’t just count the sales that you make on the day of an ad in order to judge effectiveness, but look at the general boost something gives you over time. I know it’s hard to assess how things are doing with Amazon right now; the holiday season is always nuts, either blowing up your sales or tanking them, and leaving little question marks floating around your head like birdies in a Warner Brothers cartoon. I would suggest not to judge your efforts too harshly until like March or so.

Tom Johnson

Tom's Back Cover Picture I haven’t found one worthwhile yet, and I’m suspicious of most.

Lilly Rayman

L Rayman I haven’t found any paid advertising to be worth it at this point, but I will keep experimenting and see what happens. I’m hopeful that once I have completed my Unexpected Trilogy in 2019, that a marketing campaign will garner more traction.

Jordan Elizabeth

Jordan No.  I’ve never made back the cost of the ad.  Is it worth it for the exposure?  YES!  Even if one new person reads it, then it was worth it to me.

Cynthia Vespia

colorheadshot - Copy I’ve used Amazon’s ad service but it did nothing for me.

Have you used press releases as a method of creating buzz for your books?
DeAnna Knippling
deannak Nope, although I wouldn’t rule it out.

Tom Johnson

Tom's Back Cover Picture Yes, but with zero effect.

Lilly Rayman

L Rayman No. I considered running a press release from a charity anthology I have organised that releases Dec 1, but someone I was talking to in my local library said newspapers are a dying media, social media has more impact. So, I have stuck to creating media kits for bloggers to use if they want to share my releases.

Ashley Fontainne

Ashley Fontainne I have, yet didn’t see positive results.

Jordan Elizabeth

Jordan I did for my first books, but it never seemed to yield good results.  Maybe I wasn’t doing it right?  I know some authors have great success with it.

Cynthia Vespia

colorheadshot - Copy Yes, but only when the book I wrote had something prominent to say. For instance, in my latest novel Karma (Book 1 in the Silker Butters Superhero Series) I used a woman of Indian heritage as my protagonist. So I released a press release on it because I felt it was important that we start to diversify our characters.

Could you explain what your street team does (if you have one) and how you go about building a street team?

Tom Johnson

Tom's Back Cover Picture I’ve never had a street team, though many of my friends have taken it on themselves to help me advertise my books.

Lilly Rayman

L Rayman I haven’t got a street team, but I do have a close groups of author friends that share any posts for sales or giveaways when I ask them to.

Jordan Elizabeth

Jordan I don’t have a street team anymore, but when I did, I comprised it of loyal readers who asked if they could help me somehow.  We became a close-knit group of friends.  They would often reach out to bloggers on my behalf or share things on social media.

Amy Cecil

Amy Cecil My street team is amazing.  They share my stuff all over social media.  I do a weekly swag giveaway and tell them what to share and they do it.  Each week we have a winner and I get the swag from the signings I attend.  There is usually a signed book in there as well.  My PA’s have built my team by sharing it in TO’s plus other members share it.

Which types of advertising do you use for your books?  (i.e. email campaigns/newsletters/web content/paid ads, etc…) Which ones do you find to be more effective?
DeAnna Knippling
deannak Newsletters, social media, interviews/guest articles, paid ads, blogging, connecting with other writers, appearing at events, getting stories published in anthologies/short story markets, teaching writing classes…  Advertising and promotion kind of folds into networking a lot.
Lilly Rayman

L Rayman I have a monthly newsletter, and a reader group on Facebook. I try and regularly post on my Facebook page to keep readers in the loop. I have a supportive group of Indie friends that help share my posts across Facebook, extending my reader base. I also find writing in anthologies is a great way of reaching new readers.

Ashley Fontainne

Ashley Fontainne Newsletters and social media posts.

Jordan Elizabeth

Jordan I buy ads and utilize newsletter swaps.  The paid advertising always works out the best.

Amy Cecil

Amy Cecil Again, other than social media, I have not used anything else except what is noted above.

Cynthia Vespia

colorheadshot - Copy I’ve dabbled in almost everything. I’ll tell you the least effective was hiring someone else to get the buzz out for my book. I paid two different people who claimed they did promotion for authors and I got little to no return on investment. Buyer beware when it comes to those types of individuals.

The most effective, as I said has been me, face-to-face with people having a casual conversation about books.

Advertising is a visual media and visual images sell better than text alone. How do you provide images to go with your copy?

RA Winter
RA Winter I love Photoshop!  I’ll take my book cover and if  I’m able, I’ll decompose the photo and add in some quotes.  If I can’t separate the photo, I’ll either blow up a section or place the book in a kindle reader and place it at the bottom of a scene that relates to the book.
DeAnna Knippling
deannak The sites I use generally handle that for me.  If not, I can throw something together fairly quickly with InDesign.

Tom Johnson

Tom's Back Cover Picture My covers are usually eye-catching, and that helps. But the Blurb must also attract the reader. It’s a double-edged sword.

Lilly Rayman

L Rayman I love creating teasers with powerful images and quotes from my book that stir the reader and pulls them in to want to one click.

Ashley Fontainne
Ashley Fontainne I create all my images in photoshop. I love the creative process so much I started creating covers for others.
Jordan Elizabeth
Jordan I can spend hours playing around on Canva.  I’d love to invest in Photoshop sometime soon.
Cynthia Vespia
colorheadshot - Copy As a graphic artist I can make digital images pretty quick and I use them on different platforms.
Margareth Stewart
Margareth Stewart I use the same image and color of the cover to call readers´ attention and as an easy step for them to identify the line. I find colors very useful as well as the name of the main characters, one or two main lines from the book and of course, reader´s review. For 2019, my plan is to develop a line of products like T-shirts, recycle bags and mugs with best quotes and front cover on ordering by demand. It is surely one more add to the scene as I usually say.

What works best to sell books for you, as far as marketing goes?
Tom Johnson
Tom's Back Cover Picture Word of mouth. Friends and true fans recommending or reviewing my books.
Lilly Rayman

L Rayman I haven’t found my magic formula yet. I see a spike in sales when I take part in takeovers and put my work in front of new readers. I’m still looking for the key to unlock the marketing platform for me at present.

Ashley Fontainne

Ashley Fontainne Old school word of mouth.

Jordan Elizabeth

Jordan I enjoy entering book fairs online.  You discount your book and buy into the fair.  The fair is seen by countless people online, and hopefully they want to pick your book from the selection.

Amy Cecil

Amy Cecil I only use Amazon.  I have tried using other platforms and have no luck.

Cynthia Vespia

colorheadshot - Copy You just have to try as many things as possible to get exposure. The marketplace is saturated, especially in regards to ebooks. That’s why I still prefer grassroots, face-to-face sales like conventions and books signings.

As authors, they say we need to have a brand – an image readers will associate with us and our works. An image that encompasses who we are and the type of writing that we do is a great idea, to be sure, but what if you write in more than one genre?
I currently have published a western novel, a science fiction time travel short, and a paranormal mystery novelette. What kind of image can encompass all that? I’m currently revising my brand, or logo, (with the assistance of D.L. Mullen and Sonoran Dawn Studios), but you may have seen the red quill and ink I’ve used as a logo up until now, which encompasses all things writing to me, and really, that’s what I’m about. My resulting works are simply the products my writing produces. Below you can see that my new brand encompasses that, as well as being able to apply to all of my writing enterprises. You’ll see this logo soon, along with a full revision of theme on this site and on the new site I’m designing for my other writing endeavors. 
WordCrafter Logo
Tell us about your brand? Why did you chose this image? Do you believe it increases the recognition of you or your work?
RA Winter
RA Winter I write magical realism, paranormal romance, and urban fantasy. My Author RA Winter Logobrand is a ghost cat.  Why?  Because I started writing as a way to deal with the loss of my cat, Dingle.  He became the driving force behind my writing.  He’s usually a character hidden somewhere in each novel too and is just as nefariously adorable in death as he was in life.  I’m still playing with my brand, so it might change, but for now, I can’t let Dingle go!
DeAnna Knippling
deannak Strange, wonderful, horrible, interesting. I try to give my readers a senseQonderland Press that the world they’re escaping to is weirder and more interesting than our own, and that it has both wonderful and horrific aspects. I also want readers to be able to come back to the real world with a sense that they know it better, because they’ve been away to one of my worlds. That part is harder to explain…for example, you might put a fairy tale such as Snow White down and go, “You know what that stupid apple reminds me of? False advertising.” Something like that.


Tom Johnson

Tom's Back Cover Picture Sorry. My only brand is that I am a pulp writer, and there are dozens of platforms for the genre, and my name is well known among them all.

Lilly Rayman

L Rayman I have created a brand, one that I feel reflects me. I try to use myLilly Rayman Logo branding on all graphics I create. I also have a branded set of takeover posts that I use on Facebook. I’m hoping for brand recognition to work well for readers to remember me by.




Jordan Elizabeth

Jordan  My brand was created by Aaron Siddall.  It is my name within a gear.Jordan Elizabeth Logo  I wanted something to reflect my steampunk books, while still being simple and recognizable.  It doesn’t just work for steampunk.  I like to think of it as gears working in my imagination.



Cynthia Vespia

colorheadshot - Copy My brand is “Original Cyn” It came as a play off my name and it has a softoclogobutton copy biblical reference about the telling of Adam and Eve…or Original Sin. This is why my logo is a snake with an apple. Its not that it signify evil in any way, its more the birth of something. And yes, I believe putting my logo out there does get me recognition I wouldn’t have otherwise. I’ve even started a new company Original Cyn Content where I incorporate my writing and fitness background to create useable content to help others live their best lives. I also do freelance content creation like writing, design, and video.

Is it more difficult to brand yourself when you write in multiple genres? In what ways?
DeAnna Knippling
deannak Yes and no? I feel like different genres require different emphases. A horror story will focus on the horrible; a fantasy might focus on the wonderful. A mystery might focus on the strange; a sci-fi story might focus on the interesting. But I kind of want all my stories to make the reader feel a little like they’re reading a fairy tale of some kind. A little disoriented, a little more perspective.

Tom Johnson

Tom's Back Cover Picture Yes, I am a SF writer, but I also write mysteries and westerns, and adventure. Unfortunately, most Groups where I advertise are  heavy in erotica and steamy romance, so I’m wasting my time. Erotica has cornered the mystery and western, and SF genres now. You can’t read any genre today without encountering erotic scenes.

Lilly Rayman

L Rayman I haven’t found it to be the case. I’ve simply tried to be clever in working the two genres I mainly write in together.

Jordan Elizabeth

Jordan I actually just broke out of my normal writing for a Christmas novella.  My author brand isn’t on that book, but I am still using my pen name (Jordan Elizabeth).  If I decide to write more in that vein, I might come up with a different brand for Christmas novellas…something similar, but different, so people can recognize what to expect.

Amy Cecil

Amy Cecil I think this is why I don’t have a brand yet.  LOL.  I write in many different genres and find it difficult to pinpoint something that covers them all.

Margareth Stewart

Margareth Stewart Yes, indeed! It needs addressing different audience, using various platforms, and multiple ways to talk to readers. I actually do this now, but I´d rather stick to one genre in the future. Agatha Christie for instance, she created her style with a peculiar vast audience. That is incredible; it is so rare nowadays, plus her unbeatable style! For me, it is what I head to as a writer.

Cynthia Vespia

colorheadshot - Copy So I’ve been struggling with that for a long while now because I simply get ideas that cross genres. It’s difficult to pin them down into one category. For the sake of simplicity I’ve said urban and adventure fantasy but they’re really so much more than that. I have some stand alone thrillers as well.

Look, we all write in different voices. I think its more important to get that across than creating a label that pigeon holes you into a corner. Your readers will get it.

You can see from all the varied answers we have here that different avenues to marketing work for different authors, and what works for one author may not work for the next. Influencing factors may include the genre or genres we write in, advertising budget, and author preferences. Trial and error seems to be the only way to discover what works for you.

I want to thank our author panel members for sharing with us, not only in this segement, but throughout the entire series. Authors are busy people and their taking time out to answer my many questions is greatly appreciated. 

Next Monday will be the final segment of Round 2 of Ask the Authors. Our panel members will be weighing in on follow-up questions in many of the areas we’ve touched on throughout the series. Although we’ve had many readers following this round, we haven’t had a lot of comments, so this will be your last opportunity to post your own questions for our author panel in the comment box for the post on the topic that your question falls under.  Here’s your chance. We want to hear from you. Any questions in the comments will be posed to our author panel for them to answer. So, post those questions and don’t miss the final segment of Ask the Authors (Round 2). 

For convenience, I’ll post the links to each of the previous segments below. 

Meet the Authors: https://wp.me/pVw40-3H7

The Writing Process: https://wp.me/pVw40-3Hs

Plot/Storyline: https://wp.me/pVw40-3Ic

Setting/ Tense/ POV/ Voice: https://wp.me/pVw40-3Ic

Character Development: https://wp.me/pVw40-3Io

Action Scenes: https://wp.me/pVw40-3Jh

Editing and Revision: https://wp.me/pVw40-3JZ

Publishing Platforms: https://wp.me/pVw40-3Ku

Author Platforms: https://wp.me/pVw40-3KT


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“How I Sold 80,000 Books”: Advice Every Author Should Know

How I Sold 80,000 Books

How I Sold 80,000 Books: Book Marketing for Authors (Self Publishing Through Amazon and Other Retailers), by Alinka Rutkowska offers authors valuable marketing tips coming from the business end of writing. Coming from a marketing background, Rutkowska shares tips on the art of successful book marketing, which might be applied to increase book sales and push the author’s name up on the bestseller’s listings.

Although the advice in How I Sold 80,000 Books is aimed mostly toward nonfiction works, Rutkowska claims it can easily be applied to works of fiction, too. The book takes readers through the author’s step-by-step marketing system, which she uses to sell her own books. She shares her secrets for producing a quality product that sells, talks about the best outlets through which to offer your books, discusses how to put the best price on your books, and effective ways to promote your books. Although every step may not be applicable by every author, they are all good, solid book marketing advice.

The valuable book marketing advice contained within may be why this book was a Readers’ Favorite Book Award winner, and why every author should add How I Sold 80,000 Books to their must read list. I will use much of the advice received from this book and I give it five quills.


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

Halloween: Scary, but Fun


People love to be scared, especially within a safe environment. That’s why the horror genre will always be popular. Sitting around trying to scare one another by telling ghost stories or urban legends is a passtime enjoyed and induldged by young and old alike. It’s one of the reasons Hallowen is a favorite holiday for many, with haunted houses and ghost stories and a monster around every corner.

But telling ghost stories to pass the time on a stormy night isn’t any type of new passtime. In fact, two hundred years ago, on a damp and dreary night, Mary Shelly’s Frankenstien was created on just such an occassion, when a challenge was issued to see who could invent the best scary story.  Today’s monsters may be digitally enhanced, but we still enjoy sharing their stories, searching for an inkling of fear or a rush of adrenaline to get our hearts pumping.

Dead Man's Party

That’s why I hope you’ll all drop in and join in the fun at the Sonoran Dawn’s Dead Man’s Party today on Facebook, where myself and other authors will be reading scary stories, playing games and holding giveaways. Many of the authors from the Dark Visions anthology, which I reviewed this past month, including Writng to be Read team member Jordan Elizabeth, and AtA panel member, Dan Alatorre, who compiled and produced the anthology which climbed up the ratings for best horror anthology rapidly following its release. I gave the anthology five quills and it is well worth the read. I’m excited to be reading a few of their stories for them, as well as my own The Haunting of Carrol’s Woods, and can’t wait to hear the audio recordings of the other’s stories, too.  I hope you will join us. It may be scary, but it will be fun.

Happy Halloween

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So, How Do You Build a Reader Platform?


I’ve heard it asked if a reader platform is even necessary. So, let me ask you, as writers and authors, without readers what are we? Of course, we need to have a reader platform. All it is is a fan base equivilent, but it can make the difference between the success and the failure of our books. Without my readers, there would be no one to buy my books, read my books, recommend my books or review my books. So, how does one build a reader platform?

It’s a good question. And I’ve heard of many different methods of doing just that, and none of them require construction tools. Not even a screwdriver. All it takes is what we writers and authors do best: words, communication, contact.

Hidden Secrets - smallI started out with this blog, Writing to be Read, and the number of subscribers is climbing as I work to improve the content. The thing is, there was no way for me to capture those subscriber emails or reach out to them. So, I created a monthly newsletter, and added a sign-up pop-up, offering a free e-book as a thank you for subscribing. If you sign up for the newsletter, you get a free e-copy of my paranormal mystery novelette, Hidden Secrets, which isn’t available anywhere else.

The trick is to get people to read your work in the first place. You can’t have a fan or a reader unless they have read something you’ve written and liked it. Nobody will follow you, or write a review, or join your reader group, if they haven’t first, read your book. One way to do that is to identify your target audience and promote to them, offering them all the reasons why they will like your work.

reading is Fun

Another, and probably the most important, is to be sure your writing is fun and entertaining, if you’re writing fiction. With non-fiction, you need to make the subject matter interesting and present it well. And humor never hurts, no matter what you write. Even dark works can have dark humor. In short, whatever you are writing, make sure that it is quality writing. This should go without saying, but they won’t become your loyal readers if they can’t make it through the book due to the poor quality writing.

After all, a reader platform is really just a fan base of those who are interested in your work, and by finding them and adding them to your mailing list, you are effectively building a reader platform. With this method, I had a big initial burst of subscribers following the launch of a marketing campaign, then it tapered off to a slower rate of growth. My list is growing slowly, but I’m gaining a few new subscribers every month.

Other authors I know start Facebook reader groups or ask fans to join their street teams. I don’t know how well they work, but it seems there’s always activity happening in these groups and they seem to have lots of members. I would think you would have to have a solid fan base to pull ‘groupies’ from, so perhaps this is just an additional step, rather than an alternative method. Most of the authors I know who have street teams or Facebook reader groups, swear they don’t know what they’d do without them, relying on them to spread the word on new releases, post reviews on release day, find reviewers for their books, and/or show up for support at book events. These authors are harnessing the power of their readers and directing it to where it is needed most. And I’m thinking they might be on to something.

Part of the problem may be that I’m a multi-genre author. To date, I’ve published a western novel, Delilah; a paranormal mystery novelette, Hidden Secrets; and a science fiction time travel short story, Last Call. I’ve also had a dystopian short story and a crime romance short story published in anthologies, as well as shorts and poetry online. Western readers, science fiction readers and paranormal readers are not all included in the same crowd. I’m also eclectic in my reading habits, but most folks want to read only their preferred genres. Now how do I find readers that are so hard core they want to read everything I’ve published?

My answer is, I don’t. I’m finding that I must seek out readers for each one seperately and build a seperate reader platform for each one. The western readers who liked Delilah will be interested in the sequel, The Homecoming, when it’s finished, but they may not be interested in the books for my science fantasy Playground for the Gods series, when the first book is released. And many of my readers are authors themselves and they may be interested in the content on Writing to be Read, rather than any of my fiction works. When I look at it in this way, the task at hand seems to be enormous, the goal so far away. I’m not sure where to start, but I’m determined to find out.

I think a good start would be to find out which of my works the readers I already have are interested in, so I’ve added a genre question to the pop-up for the newsletter sign-up, so that I can place readers on different lists and then new subscribers can receive notifications concerning those works that they are interested in.

All of this marketing stuff is new to me and I’m learning as I go, so if you do sign-up for my monthly newsletter, I’d love it if you’d drop me an email and let me know how the whole sign-up process went, and what worked for you and what didn’t. After all, I’m smart enough to know that without you, my readers, I wouldn’t sell any books. I appreciate the fact that you stand by me. Let me hear form you at: kayebooth(at)yahoo(dot)com.

Thank you

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Looking Back on 2017

Looking Back

Every year at this time I look back and so a review of what was published on Writing to be Read and my writing life. 2017 has been pretty eventful for both me and Writing to be Read, so this year I’m particularly excited about this look back. But, I’m also excited to get out my crystal ball and warm up my psychic abilities as we take a look forward that comes as we start the new year, because I think there may be some exciting things in store.

There were so many things that happened for me in 2017. In April, my western novel, Delilah was published by Dusty Saddle Publishing, which of course, is exciting. Delilah hasn’t done too bad on sales, but it didn’t make the best seller list. It has received some really excellent reviews, and is rated with four stars on Amazon. Although it may not be a huge success, for me it was a hard earned accomplishment, but the reward came the day I received my first royalty check. Yep, I’ve got royalties. Isn’t that the final proof that I’m a writer, at last?

Delilah and Horse Web Cover

I do have folks inquiring about a second novel, and for those who are wondering, Book 2 is in the working. My crystal ball tells me that it will be published sometime in the coming year, only this book, I may publish myself and skip the publisher as middle man. I’m having a time getting the sales data, and what I do have makes it appears as if what sales I do have, have been the results of my own marketing efforts, so I’m not seeing the benefit of sharing my royalties with a publisher, when I can do about everything they have done for me.  In addition, mid-year the rather generic cover the publisher provided for the book was replaced by a cover that fits the story better, done for me by Sonoran Dawn Studios, which I am much happier with.

The Collapsar DirectiveIn addition I had two short stories published in 2017 by Zombie Pirates Publishing. The first, “If You’re Happy and You Know It” came out on August 1, in their science fiction anthology The Collapsar Directive. The story is a futuristic dystopian tale with just a touch of humor, in a world where productivity is high, but you’re only allowed to be happy on the weekend. Relationship Add Vice

The second story, “The Devil Made Her Do It”, just came out the 15th of this month in their Crime Romance anthology, Relationship Add Vice. It’s a tale about the crazy things we do for love and a girl, Betty Lou Dutton, who leaves hereself open to be taken advantage of and ends up taking the rap. My fortune telling abilities see Zombie Pirates in my future for the coming year, as well. I submitted a little flash fiction story for consideration in their Full Metal Horror anthology. Wish me luck.

The really big thing that happened for me in 2017, or at least I think it’s big, is a landed an adjunct position teaching ENG102:Academic Writing at Western State Colorado University, my Alma Mater. Let me tell you, it has been a crazy ride. I got the position due to a last minute opening, when a scheduled lecturer was unable to teach for health reasons, which was unfortunate for the scheduled lecturer, but very fortunate for me. We got it all figured out and I was hired five days before classes started, so that’s how long I had to restructure both classes to be hybrid classes and figure out how to teach a method of writing I knew nothing about. It was a rocky start, and to be honest, I think I confused many of my students at first, because I was unsure myself, but as the semester moved forward, I gained more solid footing in the classroom, and the students began to figure it out, too. I have now successfully made it through a whole semester, teaching two hybrid courses and it feels great. I know I can do it and I have some experience teaching in a University setting, so I know there will be more teaching jobs in the coming year. My crystal ball is a little blurry in this area, but I know last minute stuff happens all the time, so who knows? Maybe I’ll end up back at Western.

teacher-owl clip-art

As for Writing to be Read, I’ve had an exciting year there, too. At the beginning of the year, I my friend Robin Conley helped me do a total overhaul of the site, and in August my friend DL Mullan of Sonoran Dawn Studios helped to redesign it. The results are what you see here now, but they were a long time in coming. I’ve added my website right here on the blog and you can reach the different sections by clicking on the tabs across the top to learn about my published poetry and fiction, my westerns, my Playground for the Gods series, or Write it Right Editing. Writing to be Read also gained some great talent in 2017, Robin Conley with her Weekly and Monthly Writing Memos, and Jeff Bowles with his Pep Talks and his God Complex posts, and I am thankful for benefit of their content for the short time they were with me. Unfortunately, life carries folks in different directions and both of these fine writers are no longer able to share their expertise and wisdom with us and I don’t foresee them rejoining us in 2017.


What my crystal ball does show me, is that Writing to be Read has grown in readership over the past year, and I feel it is due to the great and consistant content posted not only by myself, but by Robin and Jeff, as well. Most recently, the content has been almost non-existant, because I’ve had to focus on the classroom and I’ve discovered grading essays takes a lot of time. I don’t think the drop in content from losing my team members or from my not having the time to devote that I should have hurt my numbers yet, but I do foresee such a possibility if the lack of content continues.

In this realm, my crystal ball shows me something very interesting. I see new members of the Writing to be Read team and really great content in the coming year. In fact, a call for action is going out with this post, right now. If you are a writer who feels you might have something to contribute and you’d like to be on the Writing to be Read team, I want to hear from you. Shoot me an email at kayebooth(at)yahoo(dot)com telling me what type of contribution you would like to make and how often you’d like to make it. I’m pretty flexible, so let’s talk.

In years past, I have given a rundown of all the posts throughout the year and which were viewed the most or which got the highest numbers of comments or likes, however that makes for a very lengthy, boring post, so this year I’m only giving you the most interesting facts. For instance, over the past year Writing to be Read has had viewers from the across the globe. The highest number of views coming from U.S., the United Kingdom, Canada, Australia, Ireland, India and Mexico. It’s top referrer is Facebook, which doesn’t really make me happy, since I’m kind of peeved at Facebook at the moment, but I’ll take my viewers wherever I can get them.

The month to receive the most views was July, with my interview with writer, poet and cover designer Dawn Leslie Mullan being the hightest viewed post. Next up was a “Pep Talk” from Jeff Bowles, “I Think We Need a Break”, and third highest was my post, “An Adventure in Social Media Marketing“. The post that received the most viewed over the whole year was my post titled, “How Do You Measure Success?” which I wrote after signing the contract for Delilah. The second highest views overall were received by “Ah! Sweet Rejection“, which I wrote, oddly enough, after recieving a rejection for Delilah. The third highest was Robin Conley’s “Weekly Writing Memo: Word Choice is Everything“.

Looking ahead to 2018, my crystal ball says it’s going to be a good year. I hope it’s right. I guess only time will tell. So until then…

Happy New Year


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Book Marketing – What Works? (Part 4): Interview with author Tim Baker

Blindogg Books

So far, in this Book Marketing – What Works? series, we’ve heard from speculative fiction author Cynthia Vespia in Part 1, who does all of her own marketing; taken a look at Mark Todd and Kym O’Connell Todd’s online marketing strategies in Part 2; and glimpsed the value of paid advertising with YA author Jordan Elizabeth in Part 3, whose street team was pivotal in getting reviews for her books. This week, we’ll take a look at branding with an author who has developed a brand of his own for his books, Tim Baker.

Tim and I have been acquainted for several years now. He’s a talented writer, whose books are fun and entertaining. I’ve reviewed most of his books at one time or another: Water Hazard, No Good Deed, Backseat to Justice, Full Circle, Pump It Up, Living the Dream, Eyewitness Blues, and Unfinished BusinessTim also weighed in on my Pros and Cons of Traditional vs. Independent vs. Self-Publishing series, where he heralded the advantages of self-publishing. Today he’ll talk a little about branding and about the effectiveness of free promotions.

Kaye: How long have you been writing and publishing your own books?

Tim: My first seven books were published by small press publishers. I decided to publish under my own brand (Blindogg Books) with the release of Full Circle in 2015. Since then I have released one other novel (Blood in the Water) and a collection of short stories (Path of a Bullet).

Kaye: You talk about creating your own brand. Of course, I knew about BlindoggBooks, but we hear about brands all the time. Can you elaborate and explain what it takes to create a brand, and what the advantages are with having your own brand?

Tim: I doubt that the way I created my brand is textbook, but here it is…

At some point between my first and second novel I thought it would be a good idea to have a website. My first attempt was rudimentary at best, but it served the purpose.

While creating it I decided I didn’t want to use my name as the headline. Several years earlier I had doodled an image of a dog wearing dark glasses (a blind dog – more on that story can be found here – https://blindoggbooks.wordpress.com/2012/08/14/is-your-dog-really-blind/ ). So from that point forward Blindogg Books became my brand name…the next step was getting it out there.

I put the doodle on everything…my website, my facebook page all of my social media accounts, book marks, and all sorts of paraphernalia which I would give away at signings and anywhere else I could.

Before long my blind dog was very popular and people recognized it – which I think is the desired result – right?!

As far as advantages, I guess I subconsciously followed the lead of many big name companies who have a recognizable logo. People may not always remember my name, but they always remember the blind dog!

As I’ve said before, my marketing tactics are strictly “learn as I go” – and so far it’s working for me, so I’ll just keep plugging along. I tweek things here and there, but I don’t see myself getting rid of my brand name.

Kaye: What made you decide to go with self-publishing?

Tim: There were two main reasons: Cost and Control.

Using a small press publisher is not free…and it’s usually not cheap. The cost of buying a batch of ISBNs and paying somebody to format the book for kindle and paperback saves me hundreds of dollars with each release.

Self publishing (I actually prefer the term independent publishing) also allows me to have much more control over when my book is released, etc.

Kaye: How many books have you published to date?

Tim: Nobody told me there would be math in this interview!!

So far I have published nine novels, one collection of short stories and two novellas. My tenth novel (24 Minutes) is scheduled to be released in the fall of 2017.

Kaye: What is the biggest challenge of being a writer today?

Tim: This is a tricky question, because it will vary from writer to writer…JK Rowlings’ biggest challenge is probably how to spend her money, while mine is trying to find enough time to write, publish and market my books while working a full time job and trying to have a social life.

Kaye: You’ve come up with some great titles. How do you decide the titles for your books? Where does the title come in the process for you?

Tim: I try to pick a title that does a few things at once…I want it to intrigue the potential reader (very important), I want it to fit the story without giving too much away, and I want it to be catchy. It isn’t always easy, and I usually go through more than one idea. The final title will usually come to me when I’m nearly done with the first draft – although there have been a couple of books where I had the title before I started writing (Full Circle and Backseat to Justice).

Kaye: Do you do any kind of free promotions, where you offer your books for free? If so, how does that work for you?

Tim: Yes. I often offer titles for free download (usually around the release of a new title in order to stimulate a little buzz for the new one) and they always work extremely well. I do giveaways on Goodreads, which also helps to get my name out there. I also give away paperbacks quite frequently. For the amount of money a paperback costs me (usually around $4) I find it’s highly effective to give one to a new reader…it almost always leads them to purchase other titles. We all know the value of word-of-mouth advertising, and giving somebody a free book (which, hopefully, they will enjoy) is a great way to get some. Of course it is much easier for me to give books away now that I have 13 titles under my belt. Back in the day, when I only had two or three, I didn’t feel as though it was as beneficial since I had to give away one book in order to get people to (possibly) buy the other two.

Kaye: Do you participate in KDP Select on Amazon? Do you feel this program is conducive to selling books?

Tim: Yes, I do. As to whether it is conducive to selling books, I really don’t know. KDP allows you to do giveaways, so in that respect the answer would be yes. However, once you sign on to KDP you agree not to sell your books on any other venues (other than live book signings and such) which is somewhat counterproductive as far as selling a larger quantity of books. In all honesty, even though I’ve been selling books for nearly ten years, I still don’t know what works best. If I did I’d have a yacht by now!

Kaye: What works best to sell books for you, as far as marketing goes?

Tim: I don’t think there is one method or specific act that works best…I believe the best marketing tactic is to be consistent, relentless and tenacious. Marketing (to me) isn’t a part time job – it’s a non-stop effort. I often tell people that for every hour I spend writing, I usually put in three or four marketing. This could involve anything from social media posts to handing out bookmarks. I’ve tried a thousand different things and it isn’t one or two of them that made a difference, it was the continual act of doing it.

Kaye: How much work do you contract out? Book Covers? Editing? Marketing? Etc…?

Tim: I contract editing, formatting and cover art. Marketing I do myself, because I have yet to find a so-called marketing expert who will either charge me based on the level of success of their campaign (e.g. work on commission) or give me some sort of a guarantee before I pay them. If you send me an email stating you are the latest and greatest book marketer – I think you ought to back it up, rather than back-pedal with inane statements like “Well, there are no guarantees in marketing.”

Kaye: What do you do for cover art? DIY, or hired out, or cookie cutter prefab?

Tim: I always contract it out, and for the most part I use one particular artist (I call her my cover girl!) I will gladly give her contact info to anybody interested.

Kaye: If writing suddenly made you rich and famous, what would you do?

Tim: I would;

  1. Quit my day job
  2. Buy a yacht
  3. Write more books
  4. Donate large sums of money to organizations that support human rights and animal rights
  5. Hire the surviving members of Led Zeppelin to play at my next birthday party.

(in that order!)

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Tim: Interesting question…After careful consideration I’d have to say that the most unusual thing I’ve done as a writer happened when I was writing my sixth novel, Unfinished Business. Research is part of an author’s life, to varying degrees, and my research for Unfinished Business was a bit unusual. The book is about a woman named Meg, a mortician who somehow inherits the task of carrying out the last thoughts of the bodies she embalms. In order to make the book as true to life as possible I interviewed a mortician friend of mine (whose name also happens to be Meg – coincidence? You decide!). So for over three hours I asked questions and learned more than I ever thought I would want to know about the preparation of corpses for funerals, and the life of a mortician.

I’d call that unusual and unique!

I want to thank Tim for joining us today to share his experiences and marketing advice. If  you’d like to know more about Tim Baker or his books, check out his blindoggbooks blog, or visit his website, or his Goodreads author page. You can also find him on his Facebook Fan Page or Twitter: @blindoggbooks. Watch for my review of Tim’s latest book, 24 Minutes, which will be out the end of October or early November.

I hope you’ll join us next week, when we talk with romance author Amy Cecil, who launches her marketing strategies on social media and uses a P.A. and a street team in Part 5 of Book Marketing – What Works?.

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