Writing for a YA Audience: Writing about a Dollhouse

Writing for a Y.A. Audience

Dollhouses have always intrigued me.  That and steampunk, but we’ll get to that later.

As a child, I had three dollhouses.  One was wooden, made by my maternal grandfather.  One was metal.  I used it for my Little People.  The third was plastic and I used it for my Victorian Playmobile set (I still feel bad that I never got the official dollhouse that went with the sets!).  I loved setting up the rooms and just looking at them.  My dolls didn’t always move around in them.  It was more for show.  I used my imagination to act out scenes.

There’s another dollhouse that sticks out in my mind, only I didn’t own it.  As a child, my mother and I went through an estate sale in the neighborhood.  In the basement, there was a dollhouse built to replicate the actual house.  I fell in love with it.  Unfortunately, it was expensive.  It was old and showed the effects of being in a basement.  Plus, it didn’t fit through the door!  I can still picture that dollhouse to this day.  I became obsessed with having an intricate dollhouse just like that one.

My grandmother bought me a wooden dollhouse kit.  It came with working windows, shingles, and a drainpipe.  It also came with a bit of trouble – none of us were carpentry inclined.  The dollhouse sat in its box in my basement for years.  Eventually, my then-boyfriend (now husband) attempted to put it together, but didn’t get farther than popping out the pieces.  A few years ago, a friend’s husband put it together.  It looks just as amazing as I’d always hoped it would.

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My mother and I bought wallpaper, wainscoting, furniture, dolls… We’re in love with it, but we haven’t done too much decoration-wise.  Some of the furniture came in sets and we already know we’re horrible at putting sets together.  This dollhouse, sitting on the hall table, with its beautiful dolls keeps pulling at my imagination.  I wanted to create a story about a dollhouse, one with secrets.  Since I love the steampunk genre, I wanted to add in a taste of that.   Thus, along came CLOCKWORK DOLLHOUSE, a short story about dolls and secrets.

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Have you ever seen a dollhouse that beckoned you into its walls?

Jordan Elizabeth is a young adult fantasy author.  If you have any spooky dollhouse furniture you want to part with, she would be happy to take it off your hands! You can connect with Jordan  via her website, JordanElizabethBooks.com.

 

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Someone is winding up the “Clockwork Doll House”

Clockwork Dollhouse

Clockwork Dollhouse, by Jordan Elizabeth is a short steampunk tale which may give readers the chills. Robert has many secrets, but Jane’s clockwork dollhouse sees and reveals things Robert would rather stay hidden. But what is really going on? Who’s winding the dollhouse after all these years and setting the stage? Is it Ainsley, his niece, the ghost of his dead sister, Jane, or is the dollhouse haunted? And can it be stopped before the truth comes out?

A brief story which captivates. Clockwork Dollhouse is a tale of murder unraveled in short fiction format. Perfect for YA audiences. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Lost Girl”: A paranormal thriller mystery just in time for Halloween

Lost Girl

 

Lost Girl, by Anne Francis Scott keeps the suspense ratched up to high, with more twists and turns that a serpentine spiral. This paranormal suspense mystery is crafted with skill that keeps readers guessing, but in a good way. Her search for her past draws Alison to Dawson Mills, where some very strange things occur. She is haunted by a past that she can’t quite remember, one just as disturbing as the ghost children she sees in the woods around the large Victorian she intends to make her home. But, does the danger lie in the ghost children, or is there a greater menace lurking in the shadows?

Ghosts, suspense and questions galore, Lost Girl has all the elements of a good scary story. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


“Doomed to Repeat”: A Mystery in History

Doomed cover

Doomed to Repeat is author Tim Baker’s latest crazy crime novel, complete with his usual cast of lovable characters; Ike, Brewski, Ralph Donabedian and the Golden Lion Staff.

Ike and Brewski get a blast from the past when Nazis with amnesia show up in Flagler Beach. As they work to unravel the mystery of how they came to be in this time, while trying to stay one step ahead of the white supremicist who is trying to muscle Ralph Donabedian and the other Flagler Beach business owners into selling all of their properties, they learn their new found friends may hold the evidence to prove two great historical myths to be truths. But, with the bad guys, the C.I.A. and the Russians all closing in, can they save their new found friends and the secrets they carry with them without getting themselves killed or letting their secrets fall into the wrong hands?

When you pick up a novel set in Flagler Beach, and find Ike and Brewski sitting in the middle of it, you know the story will be entertaining, and Doomed to Repeat does not disappoint. I give it five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Ask the Authors: Genre Differences

genres

 My first semester in the M.F.A. program at Western, we were assigned to write an excerpt in a genre outside of that in which we normally write. I was assigned the western genre, and while I’d never really written much in the western genre, I learned from that exercise that I was pretty good at writing westerns, and that excerpt became part of my first published novel, Delilah. Now I’m working on the sequel, and even though the western genre is not as popular as it once was, I enjoy writing westerns, and for me, that may be more important than how many I sell. (But, how many I sell is important, don’t get me wrong. I want ton be a best seller as much as the next author.) I could never be a literary writer. Hell, I can’t even read all the way through some literary novels. While I have a knack for the western genre, I also have available Last Call, which is a sci-fi short and my paranormal mystery, Hidden Secrets. I guess that makes me a multi-genre author.

Today Ask the Authors is going to talk about some of the genres and what makes them different. We’ll also look at what kind of things we do differently when writing in more than one genre, regarding the writing process, research and marketing. Without further ado, let’s see what our panel members have to say.

Which genres do you write?

DeAnna Knippling: Most of them.
Jordan Elizabeth:  My books are all young adult with a touch of fantasy.  Some of the books involve fantasy creatures.  Others feature ghosts.
Carol Riggs: I write mostly fantasy and science fiction. However, I approach those genres with a light touch; I think they’re more accessible to a wider range of readers that way, rather than saturated (high) fantasy or hard sci-fi.

Tim Baker: I really don’t know what my genre is – or if I actually can be placed into only one. Generally speaking I write fast-paced, tongue in cheek, semi- humorous crime novels. I have also taken that description and coupled it with supernatural themes. My latest novel is pretty much a suspense-thriller, but it is still fast-paced with very small doses of humor.

For the purposes of this segment – let’s just say I write crime novels.

Cynthia Vespia: I write speculative fiction for adults and teens. For those who don’t know what speculative fiction is, it is  a broad literary genre encompassing any fiction with supernatural, fantastical, or futuristic elements. Often described as the ‘What if?’ genre, speculative fiction is distinguished by being based on unusual ideas and elevated imagination.

I write a combination of urban fantasy, dark fantasy, magical realism, supernatural, paranormal, superhero, and dystopian. Which is why I started to go under the umbrella of speculative fiction because it encompasses all of that. I’ve dabbled in horror, and I’m trying my hand at space-opera, but those aren’t my main genres.

Janet Garber: I’ve written and published in multiple genres: journalism, non-fiction book, book and movie reviews, essays, short stories, novels, poetry, sci-fi/spec, humor. About the only thing I haven’t tried yet is screenwriting.  I’ve also got a number of children’s stories and I would love to put them together in a book someday.

Chris Barili: I write in every genre. I think the story and the characters dictate the genre, so rather than starting out to write a fantasy novel or a western short story, I set out with a character and a problem and let things go from there. With the acceptance of a story of mine to a new crime fiction magazine, I have now sold fiction in all the major genres: Fantasy, SF, Horror, western, romance, and crime. I write most of my stuff in the speculative fiction genres of fantasy and horror. In the end, a story’s a story, no matter the label we stick on it.

Follow-Up for YA authors: You write YA, but you write different genres under that umbrella: steampunk, fantasy, maybe even sci-fi. To my way of thinking your genres should be labled YA steampunk, YA fantasy, YA sci-fi, YA romance, etc… You may not have the answer for how this practice of clumping all the genres under one YA umbrella came about, but what are your thoughts on it?
Carol Riggs:  Here’s my off-the-cuff answer to that:

I think clumping everything under just “YA” is pretty limiting and doesn’t tell the reader much info. Technically, as many editors and agents point out, YA is simply an age category, for readers 12-18 (and up) and involves main characters who are usually between the ages of 14 to 18. The actual GENRE is a dividing into things like steampunk, fantasy, sci-fi, historical, graphic novel, etc. But it’s very handy to have labels like “YA steampunk” because then you get the age category listed as well as the genre.

Dark Western Fantasy

Dark Western Fantasy

Each genre has certain elements which readers pick up a book expecting to find within the story. Romance tropes are probably some of the most familiar: there are two characters, they often start out disliking one another, to spite all odds they fall in love, but there are obstacles to overcome for them to be together, and of course, there must be a Happy Ever After. These are the elements of romance, and without them we don’t have much of a story. This is what romance readers expect to get when they pick up a romance novel. Its what they want, and if you don’t deliver, your reader following is liable go find another author who does.

I’m sure you’ll all recognize the tropes for the western genre as well: you have a lone character who stands up for what’s right against high odds, and must battle against the environment to complete their journey. There is a certain time period in history in which the western must occur, after (1700s?). I optioned to go against a trope of the genre when I made my protagonist female, but by giving her a romantic interest, I crossed over into the romance genre, therefore widening my audience scope. Let’s see how our panelist handle the tropes of their genres.

What are the more well-known tropes of your genre(s)?
Tim Baker: Tropes? Wow – I had to look up what a trope was!! So you basically mean clichés? This is difficult for me to answer because, as I said, I don’t neatly fit into a set genre, but as far as crime novels go I guess the biggest tropes would be the hero with the deep dark secret in his past, or the villain who is hell-bent on avenging an egregious wrong perpetrated upon him by “the man”. There is also the ever-popular femme-fatale as well as the buddy concept, where two characters are thrust together against their will and have to work together…then end up being best friends.
Cynthia Vespia: In every genre the readership of that specific genre is expecting certain elements to be included, which is what drew them to the genre in the first place. It is the job of the author to deliver those expectations. Whether its pacing, character, or story there are certain approaches to each genre. I’m just aware of including those elements while I’m writing a book.
Janet Garber: My female protagonists tend to be slightly neurotic, soulful, fighting for their lives in one way or another. My villains are like dementors, sucking all the air and light and creativity out of everyone they come in contact with. It’s easy to love the hero or heroine and detest the villain. I will say that usually I’m too soft on my characters, don’t let loose on them as much as I should, and insist on happy endings. I guess I write the kind of stories I want to read.
Chris Barili: Since I write in all of them, this would take most of the rest of the day for me to answer, but tropes are kind of outdated now in many genres thanks to the crossover between them. Urban fantasy, for example, has different tropes than fantasy or urban adventure kinds of stories.
Horror.Women.Parnormal Romance

Horror, Women’s Fiction and Paranormal Romance

How much do you think about the tropes of your genre while you are writing?
DeAnna Knippling: Hmmm…I study the tropes, but I don’t think about them much, other than when they annoy me.   I try to focus more on what the reader actually wants to feel, although I might get excited about some set piece that I want to include, especially for my ghostwriting projects.  “I get to go to Paris!  I don’t want to take people to the Eiffel tower…but we are TOTALLY going into the back of this cafe and making crepes.”  Stuff like that.
Jordan Elizabeth: I don’t while I’m writing.  I don’t really think about them at all until someone makes a comment in a review.  I’ll read it and think “huh, I guess so?”
Carol Riggs: I basically know the tropes and I know some people are eager to see those tropes; it’s part of the genres. However, I like to be original and if I do include a trope, I try to put a fresh spin on it. I do this mostly when outlining my novels before I begin, but also when I’m considering a plot twist.
Tim Baker: I think about them constantly because I try to avoid them. I try to make my stories and characters as “real” as possible.
Chris Barili: Consciously – not at all. Subconsciously, my experience reading across genres helps a lot. They tend to insert themselves once the story gets rolling.
Crime Novels

Crime Novels

Even when writing fiction, there’s a certain amount of research required, and the type of research may depend on the type of story you are writing. For the western genre, I did quite a bit of research into Colorado history and the old west in general. For Delilah, I also researched specific details, such as the different types of rifles available during the timeline of the story and the attributes and features of each, and how long it takes to travel certain distances on horseback or by wagon. For other genres, these details would be of no interest, but other things would be more relevant, so the type of research will vary between genres. Our panel members write a wide variety of genres. Let’s Ask the Authors what kinds of things they research.
What kind of research do you do for your genre(s)?
DeAnna Knippling: I’m trying to tackle the top 100 books in a genre before I try to write in it.  Sometimes with the ghostwriting I get overcome by events.
Jordan Elizabeth: I try not to research fantasy creatures, because I want mine to be original.  The only research I’ll do involves historical content.  Many of my stories flash back to a time in history.  Escape From Witchwood Hollow follows three girls.  One is in the 1600’s, one in the 1800’s, and one in the 2000’s. 
Carol Riggs: It really depends on the book. The sci-fi genre demands more real, science-related research. For instance, for my latest sci-fi I researched things like assault drones, concealed carry laws, hoverboards, pepper spray, and how to get over or through a barbed wire fence. For fantasy, I find myself often researching medieval kinds of things—what hut roofs are made of, how fast horses travel, etc.
Tim Baker: I’m not big on research. I try to write stories that don’t require it, or require very little. Most of my research consists of observing life.
Cynthia Vespia: It depends what type of story I’m writing. Most of my research is for location, weapons, or mythology like monsters etc.
Janet Garber: I would say I’m light on research. Mostly I draw upon people I’ve encountered casually, places I’ve passed through, choices I could have made. The road not taken.  It always intrigues me that decisions we make at certain times in our lives have such long-lasting results. No wonder we obsess about doing the right thing.
Chris Barili: Genre research is just plain reading. I try to read across a broad spectrum of genres. I’m currently reading a crime novel, Dead Stop, by my friend Barbara Nickless. Before that, I was reading a zombie anthology edited by Jonathan Maberry. And on my TBR pile I see SF, fantasy, romance, and a weird western.
Margareth Stewart: I do lots of research – on time, place, suitable names for characters, historical data, language and how people relate to one another. As I read various genres, every piece of information is important. Besides, when I am writing a new genre, I read the top writers of that field to figure out their style. For writers, I should say research is the beginning and the final proof  we are in the right direction. It makes our writing real – to a point that sometimes readers even inquire me: “Have you not met Pierre (main character of Open)? Don’t you tell me he is not real?”. It is unbelievable – our ability to make up stories and a fiction world.
Steampunk.Knippling and Elizabeth

Steampunk

What came to be The Great Primordial Battle, Book 1 in the PfG series, was my thesis project, so it had detailed planning. I had so much detail that it couldn’t all be contained in one book. I had outlined the story, and charted out so much backstory and extremely complicated lineage for my characters, and since my characters can appear in different personas at different times, I charted all of those too. In fact, I had so  much detail, I couldn’t possibly fit it all into one book, and I had to restructure the whole thing into a four book series. I had never done such detailed research and planning before. Although I did do a lot of research for Delilah, the plotting wasn’t nearly as detailed and or complex. Whether that is due to differences in genres, or to multiple POVs vs single POV, I cannot say. Perhaps both make their contributions.
With all the different types of research that comes with writing in each genre, we have to wonder about other differences. Do we go through the same writing process when crafting a science fiction story that we do to create a romance? Don’t forget too, that we can have a story that falls into one genre with elements of other genres intermixed, such Jordan Elizabeth’s Treasure series, which is steampunk with a western style setting, or a story that crosses genres like Chris Barili’s B.T. Clearwater paranormal romance, Smothered, or my Playground for the Gods series, which is science fantasy. Let’s see what our panel members think.
If you write more than one genre, in what ways does your writing process differ for different genres?
DeAnna Knippling: Butt in chair, fingers on keyboard, headphones on ears?
Carol Riggs: With both fantasy and sci-fi, I get to use my imagination a lot, which is why I love those genres. I adore making stuff up. In general, I make up less stuff for sci-fi, because the tech and world details are more rooted in science and reality.
Janet Garber: Much of my work is humorous. I love to do a story with  echoes of Twilight Zone and scary stories (no gore though. I abhor gore). My serious fiction tends to concern itself with identity, coming of age, women who are trapped in one way or another and fighting to break free.
Chris Barili: The process itself remains the same, but how much time is spent on things like world building, character sketches, outlines, and so on varies a bit based on genre.
YA Fantasy and Science Fiction

YA Fantasy and Science Fiction

Different genres appeal to different audiences, so it really helps to know who you’re writing for and which markets you should aim your advertising and promotional efforts at. I believe it also can affect which categories your book appears in on the Amazon rankings, but that’s an area that I am still in the process of learning about, so I’m not in the position to partake in that discussion yet. But, perhaps we can learn a thing or two from the experiences of our panel members.
How do you think the marketing and promotion for your genre(s) differs?  
Jordan Elizabeth: I know erotica is easier to promote.  People eat it up like candy.  Young adult fiction is harder.  Most of the ads and newsletter swaps go to adults, not teens.  Usually that’s okay, because adults enjoy young adult fiction, but its hard to market directly to teens.
Carol Riggs: You’re marketing to different audiences, people with different tastes. The kinds of promo images for fantasy and sci-fi will be greatly different than for a contemporary novel or a romance novel, for instance. The websites and places you might promo on would be different. There are different conventions a writer could tap into and attend (or speak at), such as Comic Con or a sci-fi convention.
Obviously, each book’s Amazon categories are different, to give best visibility to a title. I haven’t done so, but I could select different conventions or even different book stores to do signings at. I think posters and images are strong things to use, and can draw people across a room to you and your book. This means your images (especially book covers) need to capture the genre well.
Tim Baker:  I don’t think it does. I am not marketing my genre – I am marketing my books to anybody who can read – as I’m sure other authors do as well. I understand that all genres have a core audience, but those people will be there regardless of your marketing techniques. It’s the rest of the people we should all be trying to reach.
Cynthia Vespia: Marketing and promotion is very specific for each genre and that’s due to the readership. I feel as though romance and erotica have a really large readership, where some other genres may not be as large. For example westerns aren’t that popular any more so if that’s the genre you’re writing in then it might feel a little tougher. Because I write in the fantasy realm alot I found I can cross-promote with alot of commercial vehicles such as different conventions, movie/TV tie-ins, etc.
Janet Garber: Journalism is easy in comparison to other genres. You get an assignment to do an interview or column or essay, submit it on the deadline and usually see it published very soon afterward. At that point you let your fans know the article has come out. All other genres: it’s a question of experimenting with getting the word out on your website, blog, facebook, etc., running ads perhaps, doing book signings and readings in bookstores and libraries. It’s trial and error until you figure out what works.
Margareth Stewart: Oh, places may vary, but strategies remain the same – creating connection to all possible readers. Different readers are found at different places – we have to search for them. A good example is what I did for “Open/Pierre´s journey after war”. I sent book release and marketing material to WWII discussion groups in the internet. I also placed articles about it in War Blogs and I still keep constantly trying to find people who are interested in WWII. We – writers – have to develop the ability to create connections with people who are related to our topics and genres (all the time).
Dark Fantasy.Western Steampunk

Dark Fantasy and Western Steampunk

If you write in more than one genre, what do you do with your marketing to tap into the different audiences?
Janet Garber: Since I used to be a serious person, a business and career writer, and still am occasionally, I attend annual conferences in my field, contribute to LinkedIn, try to network a bit with other professionals. I will have a new novel coming out which is not humorous, not about HR or the corporate world and I’m wondering just how I will promote it. It definitely falls into the Women’s Fiction rubrique and thematically ties into some of the stories I have written and published. I hope I get some brainstorms about how to promote it when it’s ready for publication!
One of the biggest pieces of advice I hear as far as genres go is to read everything you can get your hands on in the genre you’re planning to write. This, not only helps you to know the tropes for your genre, but also makes you familiar with what is already out there. It doesn’t seem like genre makes a lot of difference when it comes to the writing process, but it does affect the types and amounts of research we must do, and the markets we aim advertising efforts toward. Be sure and drop in next Monday when our panel members will discuss the business end of writing. It should be a great segment, so don’t miss it.
 

If you have a question you’ve always wanted answered, but it’s not covered in the post on that topic, or if our panel’s answers have stirred new questions within you, pose your query in the comments. Make note if it is directed toward a specific author. Questions will be directed to the general panel unless otherwise specified. Then, in the final post for the series, I will present your questions and the responses I recieved from panel members.

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Time Flies

Red Quill Wow! It’s 2014 and I just realized how long it’s been since I published here, I’ve been busy earning my degree, along with the many other demands that life places on all of us. But hard work and dedication pays off. In fact, since I began the MFA program at Western State Colorado University, I’ve produced rough drafts for two novels, which I’m now working on revising. The first is a western, Delilah, and the second is a middle grade mystery, The Adventures of Ann and Kinzi. I’m currently working on a mythological fiction/fantasy/science fiction novel, with the working title, A Playground for the Gods, which I’m considering using as my thesis.

Delilah is a tough young woman who grew up on the Colorado frontier. On her way home to the San Luis Valley, she’s brutally raped and left for dead, sending her on a quest for vengeance. Her hunt for her tormentors leads her to the Colorado mining town of Leadville, where the colorful inhabitants work their way into Delilah’s heart and give her hope for a future she’d thought lost along with her innocence. Now she must stay alive and protect her new-found friends as she faces the many dangers of the western wilderness and the outlaw elements of the growing new Colorado territory.

The Adventures of Ann and Kinzi is the story of two young girls growing up during the depression. Their shared love of animals and the fact that they’ve both lost their mothers are the common ground on which cements their friendship. When strange things start happening at the McViddie farm, where they care for the horses, and one of their classmates disappears, Ann and Kinzi set out to solve the mystery and save their friend, but they must do it without being caught by the kidnapper themselves.

In A Playground for the Gods, Inanna is the goddess of love and war on a quest to save humanity. The foolish judgement of men and their misuse of the technology the gods have provided have brought them to the brink of self-destruction and convinced the gods that humanity is not ready to receive the secrets of long life and powers that would make them godlike. They’re preparing to find a new planet on which they hope to find a new species to bestow their gifts upon. Inanna must prove that humans are worthy of their godly gifts, and convince them not to leave humanity in such a mess.

That’s it. That’s my excuse for neglecting this Writing to be Read blog. Now all I can do is ask forgiveness from my readers and offer the promise that if they stick with me, I promise to blog on a regular basis in the coming year. I don’t foresee that I will abandon novel-writing, but I do plan to try to organize my time better, so I’ll be able to commit to at least two or three posts a month. I hope you will all join me for the journey.

I’d also welcome any feedback on which of the above stories capture your interest and why. Comments are always appreciated.


Bone Wires is full of chills and thrills

In Bone Wires, Michael Shean creates a techno-world of the future, where cars are equipped with autodrive, dance floors are suspended from the ceiling, and soft drinks have self-chilling mechanism. Shean grabs your attention immediately, and pulls readers into the high-tech world of 2076, where police departments belong to the private sector, making concerns of profits and losses, and public relations often take priority over justice.

Detective Dan Gray wants it all: the promotion, the money, the prestige, the girl and he knows how to play the game to get it. Suddenly, it appears that he has just gotten all of it, at what price?

His new girlfriend, Angie, is connected to a case involving some grissly murders, that is supposed to be closed, but just doesn’t want to stay that way; the same case that propelled him into his new promotion.

He has a hunch things aren’t what they seem, but he doesn’t know who to trust. Everyone seems to have their own agenda: a vice cop that wants to use his girlfriend as a snitch, a coroner and an officer from the evidence room that want to fry the vice cop, a fellow homicide cop that is suddenly looking out for his best interests, a police agency that’s more concerned about profit margins than it is about people and seems content to sweep his case under the rug, and a girlfriend who may have something to hide. Finding the truth may threaten his job and his girl.

Shean has good, clear character development and a main plot, with enough sub-plotting to create tension and keep readers interest. The pacing keeps readers moving right along. Although there are a few typos, the story carries its weight well enough that the distraction caused is minor, if at all. The descriptive language is at times exquisite, as in the following example, found on page 201, (Kindle version):

“By the time he piled himself into the car, he was barely able

to focus. And so  he didn’t try. Instead he sat there, sprawled

in the driver’s seat, staring out at the empty street for what felt

like hours as his thoughts warred with one another. Finally out

of the mental carnage came the victor, a sharp thought, a thought

that glowed and smoked as if it were a blade pulled out of a torturer’s

coals.”

Shean has shown himself to be a talented writer, with Bone Wires. A must read for those who enjoy science fiction, mystery, and dark fiction. There is even a bit of the romance element thrown in. Bone Wires is available at Amazon (Kindle), Amazon (print), Barnes & Noble, and Books A Million.