The Many Faces of Poetry: The Importance of Poets

Ego within the Ego

Poets are more important than the poetry they write. Imagine a world in which there are no poets. How dismal! The poetry, though…that’s merely a by-product of what work is done by poets. The work of being a poet is the act of being different, unique, distinct. That’s what poets are for. They represent the odd, the inspired, the depressed, the struggling, the eccentric. They do this work with language, with words. The poetry may rhyme, have meter, or be abstract, modern, free and strange. No matter. Poets are like Christians or policemen. There are times when we need them, desperately. We count on Christians to keep promises. We count on policemen to help us when our neighbors get into a fight that’s keeping us awake all night. We count on poets to be slightly off-kilter, to be weird and unique. Their weirdness gives us permission to also be weird, because I’ve never met a human being who isn’t….weird.

If poets are weirdlings, madmen, people who view the world through a creative filter, then we must sustain them. Losing poets would be a calamity, an apocalypse. It would be like having all the glaciers melt. Where will our water come from? Where will these pieces of verse that are of little utility, yet so necessary, where will they come from?

Dewdrops on spider webs;

sit lightly with life.

That’s the shortest poem I’ve ever written. Or this one, also eleven syllables:

So coos the mourning dove:

come to me, my love.

I began reading and writing poetry because my girlfriend in high school loved poets. It came easily to me. I am, after all, one of those weirdlings, a true eccentric. The poetry has far outlasted the girlfriend. I’m still interested in poetry. I still love this ability to take a virtual word-photo and bring life into its papery texture. Okay, okay, I’m done. Now I’m reaching, I’m crossing that thin membrane between inspiration and bullshit. We don’t need to do that, not with poetry.

The poets will take care of poetry, hopefully for as long as humans exist.

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The greatest thing that ever happened to Arthur Rosch was his awful childhood. Growing up in a dysfunctional family he had no choice but to get angry, rebel and follow his path to becoming an artist. His first duty as an artist was to cultivate obsessions. He proceeded to do this with gusto and learned that there is no substitute for a good obsession, compulsion or addiction to gain insight into human nature. It was a girl who inspired him to write poetry and novels. Writing is  the refuge of his later life, after forty. It took him that long to wear out the obsessions.  Rosch believes that part of a writer’s apprenticeship is to spend at least twenty years being mentally deranged. He loves jazz, science fiction, literary fiction, Rumi’s poetry, travel, history, dogs and cats and his wife, who is half Apache.

His multi media blog can be found here: www.artrosch.com

Visit his photo blog at http://bit.ly/2uyxZbv