Don’t Wake Me Up, by M. E. Rhines, is an intriguing YA paranormal romance dealing with out of body experiences. However this story addresses the issue of teen date violence, and handles it in a very believable way.
When Colleen’s boyfriend, Jimmy, assaults her, her thoughts and emotions become confused. Her mother has him arrested and forbids her to see Jimmy when he’s released, and one BFF warns her away from him while the other acts as if she could excuse his behavior. Jimmy acts as if he owns her and suddenly she is afraid of him, afraid like she never was before. But, he has her undying love, doesn’t he? And she’d do anything to be with him, wouldn’t she? Suddenly Colleen is not so sure how she feels.
She has had the ability to travel in the astral plane ever since her father was killed in a fire five years ago, but she never expected to find romantic love there. The whole idea is ridiculous. After all, the only people she meets there are the spirits she helps to cross over and her spiritual guiding angel, Gina.
Colleen is an active character who is very likable, as are her two BFFs, Lilly and Eva. Jimmy not so much, but then, he is the story’s antagonist, so we really aren’t expected to like him. The secondary characters all could have been more developed, but then again, for the purposes of this story, perhaps they didn’t need to be.
I found Don’t Wake Me Up to have an original plot line, with three basic story arcs, which cross over each other in spots, but are all skillfully drawn together at the end. I give it four quills.
Once – Ask Me Anything, Not Love by Mian Mohsin Zia, is a inspirational tale of the struggle for love by one man, Morkel, whose brand is “M–, No Time for Love”. But love strikes when it is least expected and who you would least expect to fall under it’s spell. Although it is a love story, it’s no romance and there are no HEAs in this tale.
I can’t deny that this is a cute story, but I had a hard time suspending disbelief, due partially to the fact that the characters weren’t deep enough for me to be able to care, and also because the dialog did not feel real to me. People just don’t talk that way in my experience. The characters are idealistic and I felt they acted in ways that were very unrealistic, as well. Morkel, the protagonist, comes off as being full of himself and he claims that as a novelist, he can read people, yet when love walks up and stares him in the eye, he doesn’t see it.
That being said, it is a well structured story with a clear character arc. Morkel changes as he realizes his own need for and ability to love. I found it very entertaining, but the ending was disappointing for me. I guess I’ve come to expect a HEA when I think of a love story, and I felt the promise of the premise was not fulfilled.
I will admit that Mian Mohsin Zia puts out a quality eBook, with very few typos. Obviously, he spends the money to have it edited and promote it right, as well. I suspect this may account for his amazing popularity as an author. In self-publishing, it seems, you really do get what you pay for.
Once – Ask Me Anything, Not Love is a love story from the male perspective, a unique and entertaining tale, but not a romance. I give it three quills.
This will be the last reflective post of the year. Next Monday’s post will find us in 2017. For my writing career it has been a slow take off, but I’ve seen progress. In July, I completed my Master of Fine Arts degree in creative writing. With emphasis in both genre fiction and screenwriting, and two completed novels, Delilah and Playground for the Gods Book 1: In the Beginning, two full feature film scripts and one comedy series pilot script in hand, I eagerly jumped right in to get my feet wet in either the publishing and/or screenwriting industry. I began submitting my work to agents, publishers, and competitions like crazy. I received mostly rejections, as expected, and although I still haven’t found a home for either novels or scripts, I did manage to find a home for two poems and two short stories. Not too bad. While the poems, Aspen Tree and Yucca! Yucca! Yucca!, appeared in print, (in Colorado Life (Sept.-Oct. 2016) and Manifest West Anthology #5 – Serenity and Severity, respectively), my short story, I Had to Do It was published on Zetetic: A Record of Unusual Inquiry, and my not so short, short story, Hidden Secrets was published on Across the Margin.
2016 has been a pretty good year for Writing to be Read. The revamping of the blog site was completed in March, I’ve managed post things on a fairly regular basis, we were honored with guest posts by my friend Robin Conley, and my visits and page views have risen, with almost 2000 visitors and over 2,500 page views. Looking at this, makes me feel pretty good about the blog, as a whole. Another good change is the addition of screenwriting content, which I believe has drawn a larger audience by widening the scope of the content.
The top post of 2016 was my book review of Simplified Writing 101, by Erin Brown Conroy, which is an excellent tutorial on academic writing, including writing advice that every writing student should know. After that, the reflective post Writing Horror is Scary Business would be second in line. Other popular posts include my four part Making of a Screenplay series,( Part 1, Part 2, Part 3, and Part 4), my Tribute to My Son, and What Amazon’s New Review Policies Mean for Writing to be Read. More recently, my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing gave me the opportunity to interview some awesome names in the publishing industry: self-published authors, Jeff Bowels, Tim Baker and Art Rosch; traditionally published authors Stacia Deutsch and Mark Shaw; independently published author Jordan Elizabeth; and children’s author Nancy Oswald, who has published under all three models; as well as Caleb Seeling, owner of Conundrum Press and Curiosity Quills Press – with the final installment summarizing the conclusions made from those interviews.
Many of my posts were reflections of my own writing experience. These included: Why Writing is a Labor of Love; Fear is a Writer’s Best Friend; I’ve Come A Long Way, Baby; Writing the Way That Works For You; Creating Story Equals Problem Solving; What’s A Nice Girl Like Me Doing Writing in a Genre Like This?; Acceptance or Rejection – Which Do You Prefer?; A Writer’s Life is No Bowel of Cherries; Write What You Know; Discouragement or Motivation?; What Ever Happened to Heather Hummingbird?; How You Can Help Build a Writer’s Platform; and Why Fiction is Better Than Fact.
Sadly, I only attended two events that were reported on, on Writing to be Read in 2016 – the 2016 Ice Festival in Cripple Creek, and the 2016 Writing the Rockies Conference in Gunnison, Colorado. What can I say? I’m a starving writer. This is something I hope to improve on in 2017 by attending more events to report on. One possible addition to the 2017 list that I’m very excited to think about is the Crested Butte Film Festival. The details are not ironed out yet, but I’m keeping my fingers crossed.
Screenwriting content included this past year seemed to be popular. In addition to my Making of a Screenplay series and Writing Horror is Scary Business, Writing to be Read also featured Writing Comedy for Screen is a Risky Proposition, and a book review for Hollywood Game Plan, by Carole Kirshner, which I can’t recommend highly enough for anyone desiring to break into the screenwriting trade. Robin’s Weekly Writing Memo also included several writing tips that could be applied equally to literature or screenwriting.
Another project I’m particularly proud of is my ten part series on publishing, Pros and Cons of Traditional vs. Independent vs. Self-Publishing, which I just finished up last week. In this series I interviewed nine professionals from within the industry to get the low down on the three different publishing models. My interviews included self-published authors Jeff Bowels, Tim Baker and Art Rosch, traditionally published authors Stacia Deutsch (children’s books) and Mark Shaw (nonfiction), and independently published YA author Jordan Elizabeth. To balance things out a bit, I also interviewed children’s author Nancy Oswald, who has published with all three models, Clare Dugmore of Curiosity Quills Press and Caleb Seeling, owner and publisher at Conundrum Press.
One of the great things about doing book reviews is that you get to read a lot of great books, in with the okay and not so great ones. In addition Simplified Writing 101, my five quill reviews in 2016 included Jordan Elizabeth’s Runners & Riders, Mark Shaw’s The Reporter Who Knew Too Much, Nancy Oswald’s Trouble Returns, Carol Riggs’ Bottled, Jeff Bowles’ Godling and Other Paint Stories, Janet Garber’s Dream Job, Art Rosch’s Confessions of an Honest Man, and Mark Todd and Kim Todd O’Connell’s Wild West Ghosts. I don’t give out five quills lightly and every one of these books are totally worthwhile reads.
Of course, not all books get a five quill rating. Other books I reviewed that I recommended with three quills or more include three short story anthologies: Chronology, Under a Brass Moon, and Cast No Shadows; two poetry collections: Suicide Hotline Hold Music by Jessy Randall and Walks Along the Ditch by Bill Trembley; Escape From Witchwood Hollow, Cogling, Treasure Darkly, The Goat Children, and Victorian by Jordan Elizabeth; Dark Places by Linda Ladd; Chosen to Die by Lisa Jackson; Wrinkles by Mian Mohsin Zia; Full Circle by Tim Baker; The 5820 Diaries by Chris Tucker; The Road Has Eyes: An RV, a Relationship, and a Wild Ride by Art Rosch; Hollywood Game Plan by Carol Kirschner; Keepers of the Forest by James McNally; 100 Ghost Soup by , and A Shot in the Dark by K.A. Stewart. I also did two movie reviews: Dead Pool and Point Break.
I feel very fortunate to have had Robin Conley join us with her Weekly Writing Memo and her guest movie reviews. The useful writing tips in her Weekly Writing Memos covered a wide range of topics including critiquing, using feedback, ways to increase tension, Relatability or Likeability?, 3 Types of Plot, story research, what to write, making your audience care, world building, handling feedback, writing relationships, establishing tone, editing, word choice, How to Start Writing, endings, queries, Parts of a Scene, making emotional connections, the influence of setting, Building a Story, Inciting Your Story, movement and dialog, Writing Truth, time, Overcoming the Blank Page, Networking, character names, theme, set up, cliches, parentheticals in screenwriting, horror inspiration, and Learning to Write. Robin’s guest post movie reviews included Pride and Prejudice and Zombies, Batman vs. Superman, Miss Perigrin’s Home for Peculiar Children, and The Neon Demon.
I am thankful for Robin’s valuable content and am glad that she will still be contributing Memos on a monthly, rather than a weekly basis. Although I was sad to lose her weekly content, I am happy for her as she moves forward in her own writing career and I wish her well in her writing endeavors. For those of you who looked forward to her weekly posts, you can catch more of her content on her own blog, Author the World.
2016 was a great year for Writing to be Read, even if it was kind of rough for the author behind the blog. You readers helped to make it a good year and I thank you. Now it’s time to look ahead and see what’s in store for 2017 Writing to be Read. I mentioned some of the things I hope to achieve above: more posts pertaining to the screenwriting industry, and coverage of more events throughout the year are two of the goals I have set for my blog. I also plan to add some author, and hopefully, screenwriter profiles into the mix. I had good luck with author profiles during my Examiner days, and I think they will be well received here, as well.
I also hope to bring in some guests posts by various authors or bloggers, or maybe screenwriters, just to give you all a break from listening to me all the time. I believe Robin plans to continue with Monthly Writing Memos, which will be great, too.
I look forward to all the great books that I know are coming my way in 2017, too. The first reviews you have to look forward to are a short memoir, Banker Without Portfolio by Phillip Gbormittah, a YA paranormal romance, Don’t Wake Me Up by M.E.Rhines, a Rock Star romance, Bullet by Jade C. Jamison and a short story, How Smoke Got out of the Chimneys by DeAnna Knippling.
I hope all of you will join me here in the coming year. Follow me on WordPress, or subscribe to e-mail for notifications of new posts delivered to your inbox. Have a great 2017 and HAPPY WRITING!
The first word that came to mind after seeing Miss Peregrine’s Home for Peculiar Children was peculiar. The movie is peculiar. I went into the film knowing next to nothing about it. I haven’t read the book, I think I may have seen a trailer at some point but don’t really remember it, and I hadn’t looked into the story at all. All I knew about the film was that it was directed by Tim Burton, it was based on a book, and it was about some kind of school for gifted kids.
I am a huge fan of fantasy films, and I love Tim Burton’s work, so I was super excited to see what this movie had in store for me. That being said, by the end of the film I couldn’t quite put my finger on how I felt about it, other than that one word I mentioned above—peculiar. The film is just peculiar. It’s beautifully shot, and the actors, especially Eva Green, do a wonderful job, but the film didn’t leave me feeling satisfied. It left me with a lot of questions, and a few complaints.
Visuals and World
I like starting by talking about something I liked, and this film was visually beautiful. It had some great shots, and everything from the camera angles to the clothing was spot on for me. The style and artistic elements of Tim Burton’s films are always one of my favorite parts, and this film was no exception. The one thing that truly kept me hooked throughout was the visual element, and just the fact that I was enjoying looking at the film.
The other element I really liked was just the concept of the world. I loved the idea of Jake traveling through the time loops at the end, working his way back to the peculiars. I’m not sure I have a clear idea of how it would work, but I do think I got enough of a sense that it was believable. The details they gave at the end as well were just enough to create this sort of romanticized image of his journey back to the group without extending the final act unnecessarily, which was perfect.
I think the biggest downfall for me in the film was the fact that the real goal and conflict of the story took more than an hour to get to. I know because I looked at my watch when they finally started discussing Samuel L Jackson’s character and why they had to stop him. I don’t mind a long movie, and I don’t mind giving the plot time to build and unfold, but this film felt like it just took too long. Yes, the visual elements of the movie were stunning and wonderful, and it was a fascinating world to get lost in, but I wish we could have got lost in it while the plot was moving forward.
From the moment Jake first sees Samuel L Jackson’s character outside his grandfather’s house to the moment we finally learn he’s the antagonist almost an hour had passed. I usually have a good memory for details in a story, but by this point in the film I had almost forgotten that Jackson was in it and I was mostly just trying to figure out where the story was going. I feel like part of the problem that made the story seem like it was standing still was that Jake’s goal in the story initially was not to find out what happened to his grandfather, it was to see if his grandfather told the truth. The moment Jake arrives at Miss Peregrine’s we know that he was and then Jake has no real goal, no conflict. Yes, there’s still some information he can find, but he doesn’t actively seek it.
If there had been slight more focus on the thing that killed his grandfather, and more determination behind Jake’s search for answers, I think the time it took to get to the plot wouldn’t have been as bad, but it still went on too long. Getting lost in the world was great, but it felt like the plot paused for a short period of time while we got immersed in the world. Instead, entering the new world should have boosted the plot into action.
The one thing that really surprised me about this film was that there were three big plot elements that I felt were too big to have been missed. The first is a simple one—Jake’s parents. I love Chris O’Dowd, but the parents disappear from the story when they’re there at all. I guess I could buy the whole impulsive trip across the world for the story, but once they get there the dad becomes almost a burden to the plot. Instead of being a smooth element in the story, a problem Jake has to work around to get where he wants to go, it feels like the dad is forced into the story in a clunky way that makes it completely obvious that he’s supposed to be in the way of Jake’s goal. It’s never more obvious that the dad doesn’t fit in the story then at the end—he doesn’t even get a proper wrap up of his plotline! While I think Chris O’Dowd played the role beautifully, and he always makes me laugh, his character never comes back into the story at all, making it feel like the whole plotline shouldn’t have been in the movie.
The second thing that surprised me is the reveal of the twin’s powers at the end. Throughout the film I wondered about the two of them as they were the only ones to not have their powers clearly shown or mentioned (unless I missed the first mention). At the end when their masks are lifted and the woman turns to stone, it immediately made me think two things. 1. Oh, that’s cool. 2. Wait, why didn’t they just do that to Samuel L Jackson in the house when he first came into the time loop? Their powers defeat the whole movie.
If we had learned about their powers earlier and there was some kind of explanation about why they couldn’t use them all the time—such as on Jackson’s character—it would have ruined the reveal, but it would have kept the sequence of events justifiable. By not having this, we got the cool reveal of their powers at the end, but it makes all the other characters look stupid. The twins could have dropped into the pit with all the evil people and turned them all to stone. They could have done it the first time they saw Jackson. They could have followed Jake downstairs when he goes to rescue the birds and done it then. Not justifying the lack of use of their powers creates a huge plot hole.
Overall, I did enjoy Miss Peregrine’s Home for Peculiar Children despite the flaws. As I said above, visually it’s just a fun movie to watch, and seeing Eva Green embody Miss Peregrine was fabulous. She really is wonderful in the role. The plot holes and issues mentioned above are just things that made the movie go from great to just okay for me. I’ll have to watch it again at some point to see if there’s something I missed regarding the twins or the father, but overall I think the first word that came to mind when watching the movie is the right one. It really is peculiar. It’s fascinating, and alluring, and I wanted to love it, but I just couldn’t get lost in it the way I wanted to no matter how hard I tried.
Originally, Part 2 of my Pros and Cons of Traditional vs. Independent vs. Self-Publishing series was scheduled for today. The series will continue next week, but today I need to talk about the new changes in Amazon’s review policies, because it may directly affect the authors of the books I review.
Two of my reviews have recently been pulled by Amazon. The reason given was that I hadn’t spent at least fifty dollars on Amazon this month. Under their old review policy, if you had ever made one purchase on Amazon, you were eligible to post a review. I also noticed it posted that their review policy now states right on the review site that they do not accept reviews that are done with a free copy as compensation.
There are two issues here. One, I’m offering a free honest review, but it doesn’t make good sense for me to spend fifty dollars a month just so I can post them on Amazon. I don’t my reviews think I have ever spent fifty dollars on Amazon in one month. I am a starving writer, after all.
The other issue is the fact that I do offer reviews in exchange for a free copy of the book. It’s what I do. And I had been previously advised to state in my review that, “I received an ARC copy of this book in exchange for an honest interview.” This was supposed to make it so Amazon would accept the review, because it was right there out front where everyone could see, like a big disclaimer. Now, including this information will get my review kicked back.
Besides that, I don’t believe in paid revues. As a reviewer, I would feel obligated to give only favorable reviews if they were bought and paid for. I don’t give bad reviews often, but if I do give an honest opinion of the book, even if it doesn’t shine a positive light on the work. This new policy of Amazon’s will disqualify almost every review I give.
So, from here out authors please be aware when submitting a book for review, that while I have in the past submitted basic reviews to Goodreads and Amazon, I can no longer guarantee the Amazon posting. I don’t plan to start making purchases on Amazon for the privilege of posting. I can’t afford to do that, and I don’t think I should have to. But, I do plan to keep doing honest book reviews and posting them on my blog. Since Amazon has recently acquired Goodreads, there may be problems in the future if they adopt the same review policies there, but until that time, I plan to continue posting basic reviews on Goodreads. I can also post on Barnes & Noble and Smashwords if requested.
I know that Amazon rating is like gold to authors today, where the majority of the market trends are determined by reviews there, and I’m all about helping out my fellow authors, so it pains me to be unable to provide this service any longer. I can only hope that it won’t discourage authors from submitting books for review. I will also continue to heavily promote my reviews on Facebook, Twitter, LinkedIn, Google+, Pintrest and Tumblr, just as I always have.
So that’s where my reviews sit at this time, and I may still have an upset author here and there, who didn’t see this post. But, hopefully, this post will make what authors can expect from my reviews clear, so there will be no misunderstandings in the future. I want to thank all the authors who have sent books for review in the past, especially for their patience when my review que got backed up due to technical difficulties, of which, I have many. Ask that authors submitting books for future review, do so with the understanding that the review appearing on Amazon is not guaranteed
Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.
While representing his company at the expo, Xavier meets the woman in the next booth, Anna, and before you know it, he believes he’s fallen in love with her. Xavier doesn’t know why Anna is keeping him at a distance, never allowing him to get too close, but he is relentless in his pursuit of her and enlists his mother’s advice and the help of his friends to win her heart.
I had trouble buying into some of the occurrences in Wrinkles: A True Love Story, by Mian Mohsin Zia, but I realize a lot of this can be attributed to the fact that the culture in the story is very different from mine. Because I’ve never been to Africa, where the story is set, many of the events and customs portrayed in this book were foreign to me, making it seem strange. I may not have understood it all, but the story was compelling and touching, and I just may have learned a few things about other cultures and religions which I wasn’t previously aware of. I loved that it carried the underlying theme of integration, racial and religious tolerance.
Xavier’s relationship for his mother goes way beyond parental respect, but there are glimpses of an insecure little boy residing in the big man. This is his fatal flaw. Xavier’s biggest fear is that of losing his mother, whom he refers to as his “Lifeline”. His respect for his mother makes him a more endearing, as the doting son.
Descriptions are vivid, but they relate too many unnecessary details. We don’t need to know all the colors of clothing, color of pacifier, what materials their clothes are made from, etc… The story is repetitive and states the obvious quite a bit. Everything is spelled out for us, not giving the reader credit for being able to follow along.
There were other problems with Wrinkles, concerning formatting, punctuation, and grammar. The dialog is very stiff and formal, with dialog tags which are either missing or misplaced, there are subtle switches in point of view, a slight case of adverbitis, and a passive voice. I have put down books in cases where problems such as these, but the characters are likable enough for me to overlook them and keep reading.
What really sticks out the most for me though, was the fact that the last piece of dialog from Faith, Xavier’s mother, doesn’t ring true to her character. Throughout the whole story, she has always taught honesty, through verbal lessons and through example, and here she promises the young boy that they all be with him forever, when he asks questions about aging. Of course, we all know it would be impossible for the adults in the family to remain with him forever. The point is it isn’t true and it comes from a major character, who has been pillar of honesty thus far.
Overall, I saw some problems with this book, but the uplifting theme, heart touching story, likable characters, and compelling romance plot still make it an enjoyable read. I give Wrinkles: A True Love Story three quills.
Kaye Lynne Booth does honest book reviews on Writing to be Read, and she never charges for them. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.