Chatting with the Pros: Interview with Y.A. author Carol Riggs

chatting with the pros

My “Chatting with the Pros” author guest today writes young adult fiction in the fantasy and science fiction genres. Her debut science fiction novel, The Body Institute, is currently being developed into a television series by NBC, which I think, is pretty cool. I met her when I reviewed Bottled three years ago. Since then, I’ve reviewed her science fiction novel, The Lying Planet, and she was a member of the author panel for the first round of the “Ask the Author” blog series in 2018, right here on Writing to be Read. Let’s find out what she has to share. Please help me welcome author Carol Riggs.

Carol Riggs author_smaller

Kaye: Please begin by telling us briefly about your author’s journey?

Carol: I began writing in the 1990s, took a 10-year break, and started up again in 2009. I met my agent at an SCBWI retreat and signed with her in 2011 for my 2015 debut, THE BODY INSTITUTE. Since then, I’ve published 7 more books.

Kaye: Why do you choose to write for young adults? Why science fiction and fantasy?

Carol: I enjoy writing about teens as they experience the road to individual growth and becoming an adult—navigating independence, romance, tests of courage, etc.  Sci-fi and fantasy appeal to me because I love making things up. Speculative genres give me the most room to be creative and use my imagination.

Kaye: What is your biggest challenge in writing for a young audience?

Carol: Keeping in touch with how a young person thinks and talks, sounding like a teen. My editor at Entangled Teen nails me on that, and makes me rewrite things that don’t sound authentic.

Kaye: Is there anything unique or unusual about your writing process?

Carol: Nothing too unusual. I don’t listen to music or other distractions. I draft novels moderately quickly (3-5 months), and I write 1 or 2 books a year. I also keep my novels “clean,” with no profanity, gory violence, or sexual scenes. I prefer to make up my own slang and swear words, which don’t become outdated like modern teen lingo/slang/cussin’.

The Body InstituteKaye: NBC is developing your science fiction novel, The Body Institute, into a television series. That must be exciting. Tell us a little about the story.

Carol: THE BODY INSTITUTE is a dystopian sci-fi novel where the main character gets a job losing weight for other people—by having her mind downloaded into their bodies. It’s set in the near future where society is ultra health conscious. The TV series is using the book as a jump-off point rather than being a direct replica of the novel, which is okay with me. It’ll be fun to see where their creative minds take it.

Kaye: How much say do you have in the development process of the television series? Are you involved at all?

Carol: I don’t have any say at all, but that honestly doesn’t bother me. I’d rather spend my time developing new novels! Readers have the book if they want to explore what I’ve developed; the TV show will be a different experience entirely.

Kaye: Do you have a date yet for the series premier for The Body Institute to air?

Carol: As of yet, I don’t; the filming of the pilot show hasn’t begun yet. I’ll announce on my newsletter, Facebook, and Twitter (@CRiggsAuthor) as soon as I find out any developing news.

Junction 2020

Kaye: Most of the books in your Junction 2020 series have scary sounding titles: The PortalNightmare RealizationVanishing FearsSilent Scream, and Future Terrors. Is this fantasy series scary?

Carol: Some people consider these books “horror,” but it sort of depends on your tolerances. If you can’t stand spiders, for instance, don’t read THE PORTAL. Nothing is hyper-bloody in the series, though…no slasher-type nightmares or anything overly gory. I chose each characters’ fears to manifest in a way that would lead them to personal growth, a challenge to overcome rather than sheer horrible nightmares.

Kaye: How do you approach scary subject matter when writing for young adults?

Carol: I try to keep it emotional but real to each character, and I don’t make things gory. Depending on the teen, that could be totally un-scary, or it could be very unsettling. I try to hit somewhere in the middle, for the average reader.

Kaye: Are there certain subject matters that you wouldn’t tackle for a young adult audience? Why?

Carol: I don’t write sex scenes, gory violence, or profanity. I think there’s plenty of that going around nowadays in society (books, movies, etc.), and not having those things in my novels jives with my personal morals and my feelings about what I would want to (or not) read in a novel. I wouldn’t write about demons or the occult, either—too creepy and real.

BottledKaye: My favorite book of yours is Bottled, which I reviewed a few years ago. It is a fun and entertaining fantasy story. What was your inspiration?

Carol: Long ago, I used to watch “I Dream of Jeannie.” While BOTTLED isn’t that similar in plot to the show, I was inspired by the fun, magical atmosphere of the TV series. It’s my tribute to the show.

 

The Lying PlanetKaye: I also reviewed The Lying Planet. Tell us a little about this science fiction story.

Carol: I was lying in bed one night years ago, and heard a noise in the living room (it was probably the refrigerator). That became the germ seed for TLP, a teen boy on the planet Liberty who one night hears a noise in the living room and gets up to investigate…and then wishes he hadn’t. He uncovers an evil that rocks his world in the worst way possible. I’ve found that teen guys really seem to like this novel. It has lots of danger, adventure, and a degree of creepiness.

Kaye: The other thing I loved about Bottled was the fantastic cover. And the vibrant colors used for Lying Planet cover and those used in the covers your Junction 2020 series are eye catching, as well. The colors are wonderful and the designs fit what the stories are about. Do you design your own cover art or hire it out?

Carol: I’ve been incredibly lucky to get awesome covers for my traditionally published books. The JUNCTION 2020 series covers I developed myself in Photoshop, with the tips and suggestions of a writer friend who is also a graphic artist. I have a BA in Studio Arts, so I think that helps me have a bit of an eye for what looks good.

Kaye: What do you enjoy doing when not writing?

Carol: Walking, reading, working jigsaw puzzles, watching sci-fi and fantasy movies, going to the beach, and listening to all kinds of music.

Kaye: Writing organizations can be of great value to writers of all genres. You’ve been a member of Society of Children’s Book Writers and Illustrators for many years. Would you talk a little about the organization and how you have benefited through membership?

Carol: Back in the 1990s when I first joined the Society of Children’s Book Writers and Illustrators (SCBWI), it was super helpful. Submissions were sent to editors at publishing houses by postal mail rather than email (talk about slow!). There wasn’t the wealth of information on the internet that there is now, so the SCBWI was invaluable for honing one’s work to make it ready for editor eyeballs. I learned a lot.

When I returned to writing in 2009, an agent was almost mandatory to submit your work, and the SCBWI retreat I went to offered manuscript critiques for a fee. I actually met my agent-to-be during one of those brief, one-on-one meetings. SCBWI conferences are also great places to network with other writers, learn about the craft of writing, meet industry professionals, and talk about books all day. Some regions offer scholarships to attend if finances are tight.

Kaye: What is your best piece of advice for aspiring authors of young adult fiction?

Carol: If you love it, never give up. THE BODY INSTITUTE was the 13th book I wrote, after 350+ rejections and 11 years of writing and trying to become published. Surround yourselves with supportive writer friends to share the ups and downs. Keep learning your craft, persevere, and enjoy the journey!

Kaye: What can your readers look forward to in the future? What’s next for Carol Riggs?

Carol: A deal has just been signed for THE BODY INSTITUTE for an audiobook version, which is cool. I’m also working on a sequel to the novel, called SPARES. Ideas are springing into my head for a fresh YA novel, and I’m excited to begin imagining a whole new world for readers to explore.

I want to thank Carol for sharing here and answering all of my many questions. And thanks to all of you readers for joining us. You can find out more about Carol Riggs and her young adult science fiction and fantasy books on her website, her Amazon Author page, or her Goodreads Author page.

Next month, there will not be a “Chatting with the Pros” segment. In December we’re wrapping up 2019 and giving you a rundown of what’s in store for 2020. I plan to run this blog series again next year, so check back after the New Year for the first 2020 segment in January. I hope to see you all then.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


A Farewell Tribute to Tom Johnson

Tom's Back Cover Picture

Last week, we lost a dear friend of mine and a member of the Writing to be Read author family, Tom Johnson. Tom was a multi-genre writer for most of his life, mostly pulp fiction in the traditions of the classics, but in recent years, he dedicated himself to children’s fiction, with the intentions of creating stories for today’s children which reflect old fashioned values and morals in the traditions of the stories his mother read to him as a child. Tom took part in Round 2 of my “Ask the Authors” blog series, (which will become a published book by WordCrafter Press soon), and I interviewed Tom about his children’s stories back in 2018. He had some great things to say about writing for children that may be relevant here, since the Writing to be Read theme for November is young adult and children’s fiction. With that in mind, I’m reprinting that interview in part here, (you can read the full interview here), as we remember our friend and fellow author. Tom may be gone, but his wisdom lives on. This is what writing for children meant to him.


Kaye: Although in the past, you’ve written and published many different genres, you are currently writing only children’s stories. So, let’s talk about that. Tell me a little about your stories.

Tom: My children stories are about 1k and meant as bedtime tales, and to be read in classroom or library settings. They are short stories with little morals to teach children something about life.

Kaye: Are they a series or stand alone?

Tom: They are a series, and published in anthologies about once a year. There have been four anthologies so far. I was invited to participate beginning in volume #3. The anthology is called Wire Dog Storybook. Here is the background. True story. A young girl, Ellen Walters, asked her father, David Walters, if she could have a dog, and he said, “No.” So she found an old wire hanger and shaped it to resemble a dog, and called it wire dog. David Walters was fascinated by her ingenuity and created the Wire Dog storybooks. So the stories usually feature Ellen and Wire Dog, but always Wire Dog. Five of my stories have been published so far, and I’ve written three more for the 2018 yearbook when it comes out at the end of the year.

Kaye: What age group are they aimed at?

Tom: I feel that we should begin reading to our children by age one. With that in mind, my stories are aimed at the age group of 1 to 5. However, older children will enjoy the stories, as do adults.

Kaye: What differences do you see between writing for children and writing adult fiction?

Tom: Adult fiction usually means, “no holds barred”, while writing children stories you want to stay away from violence, horror, and adult themes. Keep in mind, young children absorb what they hear quickly, and some themes could have an adverse effect on young minds. When writing for children we must keep this in mind.

Kaye: What appeals to you about writing for children?

Tom: Do you remember the old radio show for kids, Let’s Pretend ? It produced shows for children that acted out fairy tales and light adventures – nothing as harsh as today’s cartoons that are aimed at our youth. Well, I have the chance to import my love for adventure in tales easily understood by young people; children who some day may also experience that same love to pass on to their children. Stories that give our children a moral to live by, not “It’s clobbering time!” Or Pow! Bang! Boom! It’s something my mother did for me when I was little, and now I have the same opportunity, and I’m not going to pass it up.

Kaye: You have wanted to write for children since you were little and your mother used to read to you.

Tom: Oh, yes. I hope that mothers are still reading to their children. They learn at such a young age, and we’re missing an opportunity if we fail them when they’re young. They will never forget what they learn as children, it’s when their minds are growing and grasping at everything. I think one of the first words they learn is, “Why?”

Kaye: What were your favorite children’s stories?

Tom: Really, I would have to look them up in the book of fairy tales on my shelf. There were so many she read to me. Knights saving young damsels come to mind. I remember one particular fairy tale where the princess was on a glass mountain, and the young knight had to save her. She watched each day as a knight riding brown horse attempts to scale the glass mountain, then a knight on a white horse, and so on, until the final day when a knight riding a great steed scales the mountain, and we find out that he was the knight on the brown horse, the white horse, etc. It wasn’t the color of the horse, but the persistence of the knight that finally achieved the goal.

Kaye: In what ways do the stories you write emulate those favorites from your childhood?

Tom: Like the fairy tale I mentioned above, my stories will also have a similar moral – it’s not the color of the horse, or the knight’s armor, but his persistence that wins the hand of the princess. Do the right thing, for the right reason. Persevere. If you don’t succeed today, try and try again.


The stories that we hear and read in childhood often stick with us into our later years. Even though Tom wrote other fiction through the years, as he grew older, it was the stories that his mother read to him as a child that inspired him. That’s what writing children’s fiction is all about.

Tom Johnson Books

Tom’s other works included pulp, crime and science fiction stories right up there with the best, and many may be familiar with his promotions for them on Facebook. His covers seem to reach out and grab your attention.  He published over eighty books during the span of his career. In that previous interview, Tom claimed that Alien Skies was born from his most unusual inspiration and the Guns of the Black Ghost was written as a homage to Walter Gibson’s The Shadow radio drama. You can read my review of Pangaea: Eden’s Planet here.

Tom Johnson and wife Ginger

Writing was a big part of Tom’s life. It was important to him. But, Tom was more than just a talented and dedicated writer. He was also a loved life partner to his lovely wife Ginger. She was supportive of his writing, and I believe she edited some, or perhaps all of his work. With Ginger at his side, Tom lived a life doing what he loved – bringing his characters to life.

Tom, farewell. You will live on through the plethora of books and stories you’ve left us with, but you will still be greatly missed.


Are you a Tom Johnson fan? If so, feel free to leave a few words in the comments telling us what Tom meant to you, or share a memory, or just tell me which of his books is your favorite.  Thank you all for joining me in saying good-bye.

 


“The Christmas Cruise”: A science fiction time travel romance

The Christmas Tour

The Christmas Cruise, by Tammy Tate is a really cute romance story which could have been so much more. This story combines romance with science fiction when the two main characters, who are attracted to one another but won’t admit it to themselves, both happen to be swept from their Christmas cruise in the Burmuda Triangle onto a deserted island from the past.

It’s a good plot and it could work if the characters were more developed and didn’t just accept what was happening without a second thought. The story moves from point A to point B in a fairly straight line, at a fairly quick pace, lacking any real twists or surprises. Just the fact that they are the only two to be swept away gave me trouble buying in, and when they return without any logical explaination as to how it happened, it lost me totally.

If the author had taken the time and effort to expand the plot, and portray believable reactions to absurd circumstances, The Christmas Cruise could have been a really entertaining story. As it is, it lacks depth of character and is difficult to swollow. I can only give it three quills.

three-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


March celebrates Science Fiction and Fantasy

Science Fiction-Fantasy

In March, Writing to be Read celebrates science fiction and fantasy, and everything in between. Science fiction springs from imaginings of what ifs, regarding technological advancements and futuristc worlds and universes, while fantasy fiction involves impossible or improbable events usually involving magic, or magical creatures or objects grounded in myths, legends and folklore of old. Both of these genres takes us to fantasical places and awe readers with amazing feats of courage, and good usually overpowers evil. Both entertain us, and are often addicting. In the current book market, there are many books which fall into a genre that is somewhere in between.

There are more subgenres for both of these genres than a person is able to count, including stories which feature elements of both. When I wrote my thesis proposal for what will one day be my science fantasy series, Playground for the Gods, I was told there was no genre for a story with both science fiction and fantasy elements. But in fact, there is such a genre as science fantasy, and there are many books out there today that fall into it. I recently reviewed one featuring alien life forms and a powerful magic object, Rogue Crystal, by Jordan Elizabeth in last Friday’s post.

As mentioned above, Playground for the Gods was originally proposed as my thesis story. It is a tale of aliens, Atlans, who come to pre-historic Earth when their planet is destroyed, and act as gods and godesses, forming human beliefs about devine matters, and creating the fondation for myths and legends of ancient history. The character names were all chosen from ancient summerian names, and many of the subplots parrellel those same myths and legends, adding new twists. In order to maintain the appearance of gods, they use their advanced technologies to appear magical and all powerful, each one wielding the ability to fall into different personas throughout time, providing basis for all world myths and religions around the globe.

It’s a lot of story, and many said it was too big and couldn’t be done, so I broke it down into four novels, which follow the Atlan through earth’s history to present day, and perhaps even beyond Book 1: The Great Primordial Battle tells the tale of the Atlans arrival on Earth. and tells how the heroine, Innana tries to stop the same Atlans who caused the destruction of their home planet from detroying their new home, as well. All whhile working to find a cure for her sister, Ereshkigal’s wasting desiese which is eating her up from the inside out. This story is curently with my beta reader, although I was hoping she’d have it back to me by now, so I could share my excitement, because it is very close to being publication ready.

Among the great science fiction authors we find familiar names: Isaac Asimov, Ray Bradbury, and Edgar Rice Burroughs.  More recently, we have Robin Wayne Bailey, Richard Bachman, who we all now know is Stephen King, Dean Koontz, John Scalzi and Kevin J. Anderson. (Don’t forget to  catch my interview with Kevin J. Anderson next Monday on “Chatting with the Pros”. You won’t want to miss it.) Fantasy authrs who may come to mind are J.R.R. Tolkien, George R. Martin, J.K. Rowling, R.A. Salvator, Ray Bradbury, Stephen King, and Kevin J. Anderson. As you can see, there is some crossover of authors from one genre to the other; there are authors who write in both.

This month, in additon to my interview with K.J.A. and my review of Rogue Crystal, I also have my review of Kevin J. Anderson’s Selected Stories: Science Fiction Volume 2, and an interview with fantasy author Laurel McHargue.  I do hope you’ll drop by.

 

P.S. Be sure to check out my science fiction time travel short, Last Call, and my dystopian short, “If You’re Happy and You Know It” in the Collapsar Directive science fiction anthology (Zombie Prirates Publishing).

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Kevin J. Anderson’s “Selected Stories: Science Fiction Volume 2”: A must read for science fiction fans

Selected Stories

Selected Stories: Science Fiction Volume 2, by Kevin J. Anderson a collection short science fiction stories from a master story teller. This collection is comprised of short fiction created throughout his long and profitable career as an author, and the nice thing about this collection is that Anderson has included a brief introduction to each one, giving a brief glimpse into each story’s inspiration.

Experiments gone awry, time travelers, inescapable planetary prisons, hot, but frightening alien sex tales, giant robots, the ultimate population control; they are all here, in this collection. The stories in this collection are skillfully crafted Anderson twists on the science fiction themes we know and love. Also included is an excerpt from one of Anderson’s early novels, Hopscotch. “Club Masquerade” explores the concept of body switching and takes it in some extreme directions.

Kevin J. Anderson is a master storyteller, and every story in this collection is imaginative and entertaining. I give Selected Stories: Science Fiction Volume 2 five quills.

five-quills3

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Chatting with the Pros: Interview with Women’s Fiction Author Barbara Chepaitis

chatting with the pros

In January, Writing to be Read is celebrating women’s fiction and female authors. You may have caught my Interview with Loretta Miles Tollefson two weeks ago, or my post about the history of female authorship last week. In continuation of this monthly theme,  I’m pleased to welcome a woman who authors science fiction and women’s fiction as my first guest for this new monthly series, Chatting with the Pros. Barabara Chepaitis is a traditionally published author of both science fiction and women’s fiction, and she’s very familiar with the issues that surround being a woman author in today’s publishing industry. Let’s see what she has to say.

barbara chepaitis

Kaye: What defines women’s fiction? Is it the subject matter, female protagonists, or the manner in which women are portrayed?

Barbara: In my experience, women’s fiction is defined by the publisher, who wants to have a specific place to put a book in a bookstore. For me, the difference between my science fiction and my ‘women’s fiction’ was what name they used.  When I write science fiction, they want me to use my initials to hide that I’m a girl.  When I write women’s fiction, they want to use my name, to prove I’m a girl.

Since I’ve never written a novel that doesn’t have a female protagonist, it’s clear to me that this isn’t the defining aspect. Other than that, I think the definition is kind of the way Dr. Who describes time – wibbly wobbly.

Kaye: What draws you to women’s fiction?

Barbara: I don’t know that I am drawn to women’s fiction.  I’m a feminist, for sure, but I never set out to write any particular genre.  I just get an idea for a character and story, then tell it.  If they happen to be female, that’s because I’ve known some fascinating women, with very complex lives.

Kaye: Do you think it is tougher  female authors today, or has digital and self-publishing evened the playing field for women in the publishing industry?

Barbara: It’s always been more difficult for women, in every field of endeavor we have in our culture.  There’s so many many ways to block women. First, you can just not hire (or publish, or pay) them.  Second, you can let them do the work, but not acknowledge the work they’ve done, attributing it to others. Only time will tell if digital and independent publishing will change that kind of move.  Being cynical, I guess that women will have to continue to fight for their place.  But that’s just me, being cynical.

Kaye: Romance usually has female protags. Why is it not considered as women’s fiction?

the amberBarbara: The quick answer – because the narrative arc primarily follows a trajectory of romance. I know that when I’ve written material that has a strong romance (as in The Amber) but has something else as it’s narrative arc (coming of age, self-discovery, overcoming demons, etc.) then it isn’t seen as romance. For instance, there’s some pretty strong romantic properties to the whole Jaguar series, but she’s primarily dealing with criminals and crime.

 

Kaye: What makes a good story?

Barbara: The answer to that varies pretty wildly, depending on who you ask. For my husband, a good story is often one of a hero who makes the ultimate sacrifice for a cause. He loves Spartacus, Saving Private Ryan, and so on.  For me, a story of a hero who overcomes incredible obstacles to reach a goal that serves others, or creates a new understanding of life, is always entrancing.  I’m guessing that for romance readers, the tale of finding true love is what winds their clocks. So the question to ask, really, is what makes a good story for you?

Kaye: Your Fear series has a futuristic setting, an action adventure storyline and a strong female protagonist, Jaguar Addams. It’s really women’s genre fiction. What genre or genres do you put it in?

a strangled cry of fearBarbara: I wrote the Fear series as a detective/mystery series. It just happened to be set in the future. When I was seeking a publisher, there was no such thing as ‘cross-genre’, and the mystery/detective market wanted nothing to do with it. Thus it landed in science fiction, which was more open, and they called it cyberpunk suspense – which made me wonder if I had to do something different with my hair,  you know?

You can say Jaguar is ‘women’s fiction’ in that it has a powerful female protagonist and is written by a woman, but there’s plenty of men hanging around as well, and they all have their own obstacles to overcome, sacrifices to make, stuff to learn. Most of my work crosses literary lines in some way.  I’m bitextual, and trangenre, I guess. And proud of it.

Kaye: Would you like to tell us a little about the series?

Barbara: Jaguar Addams and Alex Dzarny work on Prison Planetoid 3, which was established after a time of massive domestic violence known as The Killing Times. Now the worst criminals are sent to the Planetoid Prisons, where they’re run through programs that make them face the fears which drove their horrid crimes, based on the theory that all crime grows out of fear.  Jaguar and Alex are both practitioners of the Empathic arts, and have some maxxed out psi capacities, which they use in their work.

Jaguar and Alex are alike in their dedication to the job, but they approach it differently.  Jaguar runs with scissors, and colors way outside the lines. If Alex runs with scissors, he points them down. Both characters have close and complicated friendships with others who work on the Planetoids, and Jaguar has a ‘family’  in a Native American community in the Southwest. She’s an offshoot of a Mayan nation by heritage.

Each book is its own case, as in a detective series, but there is a larger arc along the way, which deals with Jaguar’s need to develop trust in intimacy, and Alex’s need to get a little more wild.

Kaye: Would you talk a little about the books that are published under Barbara Chepaitis, the ones that annnounce that you’re a girl and would probably most be classified as ‘women’s fiction’?

Barbara: I’ve got 3 under the ‘Barbara’ name:

Feeding Christine: “It was the season of Miracles in Teresa’s kitchen, and while none of the women particularly believed in miracles, neither did they think they’d be needing one. They were wrong.”

feeding christineTERESA DI ROSA, owner of the thriving catering business Bread and Roses, makes the feeding of bodies and souls her life work.  Now, with her niece CHRISTINE and her friends DELIA and AMBERLIN, she’s gearing up for the big event of the year – the annual Christmas open house.  But as the party gets organized, her life is spinning out of control.
Her divorce is barely final, her son is spending Christmas with his father, and Christine seems to be losing her grip on sanity as she grieves the death of her mother, Teresa’s sister.  The radical steps Teresa takes to rescue Christine shock everyone, but with her friends, Teresa feeds Christine a healthy dose of courage, wisdom and love.

these dreams

These Dreams: Cricket Thompson’s routine life of husband, home, and family becomes a land of nightmare when an act of random violence leaves her daughter critically wounded.  The crisis destroys her family, exposes her illusions and defies her belief in dreams.  She seeks solace at the bird sanctuary where she volunteers, and learns that healing is a miracle of choice rather than chance.

 

 

 

Something Unpredictable: Just FYI – SOMETHING UNPREDICTABLE is based on a house that me and my husband actually tried to buy.  There really is a circus house.

something unpredictableDelilah is 31, has no career to speak of, and is living at home with her hippie parents, and hanging on to a boyfriend who likes to photograph her naked in tubs of blue jello. Clearly, Delilah needs a plan.
Her sister is living the perfect life with the perfect husband, her father continues to make money off the stock market, and her mother continues to spend it on the latest social cause.  Delilah would love to save the world as well if only it weren’t such an overwhelming task.    She longs for inspiration.  But she’s about to encounter some things she never predicted – a long-lost grandmother, Carla, who used to tame tigers with the circus; a 260 year old house with septic problems; an ex-fiancee; and a man named Jack – all of which will change her life forever.

Kaye: Food plays a central role in much of your women’s fiction. In fact, you might consider it a core theme for your books. Can you explain why this is, and why it’s important?

Barbara: Mmm.  Foood.  I’m a real foodie, and love to cook and play with my food. Perhaps because my mother’s family is Italian, I also understood from an early age that food is a language all its own, something we consume to learn about the land and its people and our relationship to all that. To me, cooking is similar to writing, and eating and reading are the way we enrich ourselves, body and soul.

Kaye: Why does symbolism play such a big role in your work?

Barbara: Symbolism?  Actually, none of it is symbolism. It’s all experience and reflection on experience. If I write about a family violin that’s been lost and must be found, it’s because I know that music connects us across time with our ancestry. If I write about food, it’s because food speaks to us all the time.

Kaye: Children of the Land (Songs of the Mothers Book 1): This title screams women’s fantasy. I imagine a fantasy world laden with legends of yore. Would you like to tell me a little about this book?

children of the landBarbara: Children of the Land is actually the last novel in a series that I wrote which attempted to move across genres through each novel.   It started with Children of the Gods, historical fiction with a contemporary twist, retelling the ancient history of the Haudonosaunee.  Next was a near future novel titled Children of the World, which featured the descendants of the first novel as they approached the historical moment when biological immortality became possible.  After that was  Children of the Land, where the next round of descendants dealt with the political and world ramifications of that possibility in a fantasy novel.

When I talked to publishers about the series, they looked at me with something akin to terror.  I swear their hair stood on end.  It’s really the ultimate in transgenre, and couldn’t be handled by this market.  Ultimately, I decided to go ahead with Children of the Land, which is indeed a fantasy novel, and worry about the others later.   I have to say it was one of my favorite writing experiences ever.  It really appealed to my love of language, and my love of the Heroine’s journey.  It also allowed me to play with a lot of gods and goddesses from a variety of cultures, because part of the idea is that it’s time for them to return, and establish a closer relationship with humans, who are indeed the children of the land.

Here’s the synopsis:

Lord Aroc rules all, giving the gift of immortality only to his citizens.   The balance between City and village has been preserved for a long age, but a change is at hand, signaled by the dancing of the Northern Lights.  Now, a young woman’s choice to plant a small seed will determine world dominion, and the return of the gods.

That woman is Vareka, a Citizen working for Lord Aroc as Watcher for the villagers of Eryahsa.  Such villagers live apart from the City, and are ultimately absorbed to feed the City’s energy.  As heavy solar flares disrupt the City’s technology, the northern lights cause villagers to recall ancient stories of the Dreamers – spirit beings who would someday return. Then, an old man in Eryahsa tells Vareka she is inheritor of a task only she, daughter of a Dreamer and a Human, can complete.

She bears a locket handed down from mother to daughter for ages uncounted, and the seed it holds must be planted if the Dream is to continue.

She must choose her path, with no guarantee of success.  Either she will take her friends on a perilous journey to find the place and time of planting, or she will accept Aroc’s rule, allowing him to remake the world, in his own image.

Kaye: Your fiction features strong female characters, and their strengths give them power. Where do you draw your characters from?

Barbara: For me, characters make themselves known in a very visceral way, speaking up inside me to tell me it’s time to tell their stories.  Jaguar popped up when I was on the highway, and I had to pull over and make notes.  I can still see her, sitting on the arm of her couch, in her apartment with its skulls and hanging herbs.  She was smoking a cigarette, swinging her leg back and forth, and she said, “What you’ll do next is write me.”

Characters and their world, how they arise, where they come from, is a bit of a mystery to me, but I have noted that the best thing I can do is maintain an attitude of openness to their arrival. In fact, an attitude of openness in general.  A kind of “Okay.  I’m ready.  Whaddya got?”

I’m sure that this attitude is assisted by the fact that I grew up with a horde of powerful and complicated women, but I can’t say that any one of them has become a particular character.  Perhaps it’s just the flavor of their lives that gets put in the mix.

Kaye: So, would you say your stories are character driven?

Barbara: Yes, my stories are character driven. Characters, with all their complexities and eccentricities, create plot.  They have something to say, and are blocked from saying it.  Or they have something to hide and it’s revealed. Or they have something to BE, and are meeting obstacles in being that.  Characters – human and animal – are at the heart of all plots, the heart of all interest, the heart of our hearts.

Kaye: They say the pen is mightier than the sword. What causes have you used your status as a writer to champion?

Barbara: I once helped a Navy SEAL and Army Ranger rescue a war-wounded eagle from Afghanistan, and that came about only because I’m a writer.  I’ve also used my writing in any way I can to promote environmental causes.  In fact, I’d love to do more of that.

You can get the full story on the war-wounded eagle in her book, Saving Eagle Mitch: One Good Deed in a Wicked World. Thank you for sharing with us today Barbara. You can learn more about Barbara Chepaitis and her works at the following links:

Goodreads Author Page (Barbara Chepaitis): https://www.goodreads.com/author/show/202062.Barbara_Chepaitis

Goodreads Author Page (B.A. Chepaitis): https://www.goodreads.com/author/show/841157.B_A_Chepaitis?from_search=true

Feeding Christine  https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Feeding+Christine+chepaitis

THESE DREAMS  https://www.amazon.com/These-Dreams-Barbara-Chepaitis-ebook/dp/B000FC0VI4/ref=sr_1_1?ie=UTF8&qid=1547053073&sr=8-1&keywords=These+Dreams+chepaitis

SOMETHING UNPREDICTABLE  https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Something+Unpredictable+chepaitis

 

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“The Hands We’re Given”: A Tasteful LBGT Science Fiction Romance Novel

the hands we're given

I’m not generally a reader of LBGT literature and I must admit that recognizing that this story had a romantic story thread had me a little apprehensive, but I have to say that The Hands We’re Given by O.E. Tearmann handles this very delicate and sensitive subject matter quite tastefully. In a futuristic world where the corporations have taken control and divided the U.S. into sectors, Aiden and Kevin’s romance is a refreshing change from the day to day stresses of fighting for the resistance forces, but they each have secrets that could stand in the way of their happiness and their very existance.

The Wildcards are resistance team made up of members who refuse to conform to the norm and all of them come with their own emotional baggage, but they are the best there is, or at least they were. Lately their successful operaations have faltered and their disciplinary issues have been on the rise. When Aiden is assigned to take the Wildcards for his first command, but will he be able to pull the group together and get them back up to their potential?

I haven’t read a lot of LBGT stories, so this was a new world for me. Be warned that there are explicit sexual content in this book. But once I got past that, I discovered a dystopian story with well-developed characters who I could invest in and all the elements of a good romance, with the LBGT elements handled with sensitive and good taste. I give The Hands We’re Given four quills.

four-quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.