“Zero: Earth”: A Thrilling Science Fiction Amalgamation

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– Jeff Bowles in for Kaye Lynne Booth

There’s a lot of joy to be found in combining different genres and themes and creating something of a new entity. Zero: Earth by Clifford Barker is part galactic science fiction tale, part super-spy thriller, and there’s plenty of leftover ideas to add even more spice. The lore that backs up the story is deep, featuring extraterrestrials that both watch over and take an active hand in the advancement of mankind, choosing to seed technology slowly to a species they find endearing, if non-emotional super beings can find anyone endearing. A terrifying enemy is coming, and the ever-watchful Circle of Numbers have engineered a super-soldier and spy to protect Earth. Think Captain America blended with James Bond and you’ve got the basic idea of the character. Zero: Earth is an action-packed adventure that leaves no stone unturned. Dense and complex themes of history, resurrection, and the sins of the past merge to create a truly unique reading experience.

I give Zero:Earth four quills.

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Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint StoriesFear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

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Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Jeff’s Movie Reviews – Star Wars: The Rise of Skywalker

Jeff's Movie Reviews

So Who’s Skywalker, and Why Are They Rising?

by Jeff Bowles

If you’re a Star Wars fan, watching The Rise of Skywalker for the first time is a bit like having your cake and … throwing it against the wall. It provokes an almost drunken feeling, madly lilting from truly satisfying and charming to holy cow, why was that necessary? Unfortunately, director J.J. Abrams has assigned himself too big a task, choosing to tie up not just his trilogy, but also to revive one more time themes and characters that go all the way back to 1999’s The Phantom Menace (remember, kids, dyslexic Star Wars numbering applies: that’s four five six, one two three, seven eight nine).

Admittedly, it would seem, this is Abrams game to lose. He set a high bar for the franchise going forward with The Force Awakens, and Rian Johnson made something of a bold statement in The Last Jedi, which proved incredibly divisive for fans. The Rise of Skywalker will not settle the debate over whether these new Disney-era movies are more jaded cash grab than fitting continuation. You may love or not love this concluding chapter of The Skywalker Saga. Like me, you might do both at the same time.

It’s no big spoiler to say the plot revolves around the return of Emperor Palpatine. The film tells us what he’s up to right there in the classic opening crawl, and lo and behold, he appears within the first few minutes. Palpatine has plans to convert the somewhat nebulously conceived First Order into a super supreme new Empire. All the chess pieces are in play, and trust him, he’s been planning this one a long time.

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The fun new cast we met in The Force Awakens return with typical enthusiasm and once again prove good actors and genuinely funny moments make these movies more enjoyable to watch than the prequels. Rey (Daisy Ridley) has continued to train as a Jedi, now under the tutelage of General Leia Organa. Carrie Fisher, of course, passed away shortly before the release of The Last Jedi, but the filmmakers have worked a minor computer-generated miracle and cut in a mix of outtakes and CG reconstructions to make it appear as if she finished the trilogy. The effect is never quite perfect, but her presence is nice, and the movie would suffer without her.

On the other hand, The Rise of Skywalker is chalk full of fan service moments that don’t work. Some aren’t sought for or needed, and others simply aren’t earned. Why, for instance, does Ray have to travel all the way back to Luke’s lost island just so he can pop up blue-ghost style? What, no frequent flyer miles, Master Skywalker? We can Force project ourselves clear across the galaxy, but it’s a no on the house calls? Oscar Issac’s Poe and John Boyega’s Finn get more to do in this movie, which is beneficial, but more than a few characters get much less screen time in leu of new personnel, most of whom are women, which is bound to piss off mega-macho male fans still irate Rian Johnson dared suggest women can be more heroic than Jedi dudes and scoundrel bros.

Also returning are legendary former cast members Billy Dee Williams as Lando Calrissian and the afore mentioned Ian McDiarmid as the Emperor. It’s nice to see Lando back in the fray, and even the Emperor is creepy enough to give his own past performances a run for their money. But really, I didn’t sign up for Palpatine still kicking around. That opening crawl is an odd one, because before the movie even gets rolling, you have to shift gears and tell yourself, Oh, I guess we’re doing that thing with the evil old Emperor again. Good to know.

The plot moves quickly, sometimes too quickly, proof positive the screenplay has opted to cover too much ground. There are plot twists aplenty, some of which, again, are not earned. Another annoying thing for fans—or should I say, fans of The Last Jedi—is the fact J.J. Abrams goes a long way to wipe out some of the more intelligent counter-programming of the previous film. Psst, remember how we found out Rey’s parents were nobodies? Well…

Check out my video review above, rebel scum!

Ultimately, I appreciate this movie and the things it gets right. But I haven’t felt this cynical about Star Wars since Episode I. There will be many people who don’t see The Rise of Skywalker that way, but I think even they will have to admit it doesn’t live up to the hype and the massive task laid before it. This movie didn’t have to do anything more than tie up the threads of the previous two films. In no way, as far as I can see, did it need to attempt a summation of nine films separated by more than forty years. George Lucas, partially through insatiable revisionism, did a pretty effective job convincing us there would only ever be six Star Wars movies. As a lifelong fan, it pains me to admit these new flicks might not have been necessary. I know, more shocking words were never spoken.

For all its shortcomings, the film still proves enormously charming when it wants to be, and the action scenes are still top notch. Also a highlight, the relationship between Ben Solo and Rey. The penultimate chapter of their story really pulls out all the stops, and ends in a way that’s simultaneously poignant, powerful, and in a way, lovely. By no means do the concluding few moments feel more final than anything that’s come before, but hell, we don’t actually want Star Wars to end, do we? I mean, what would be the point of that? If you’re a fan, anyway.

That’s what it boils down to. Take someone who’s never seen a Star Wars movie to The Rise of Skywalker, and I doubt they’ll be impressed. But for folks who have stuck with the series their whole lives, gosh, there’s just enough to love to keep the film from being a wash. Now the real struggle begins, trying to find out what George Lucas intended for these films and then arguing on the internet over Disney’s opt-in to Force choke the life out of his original concept.

Jeff’s Movie Reviews gives Star Wars: The Rise of Skywalker a seven out of ten. I would’ve given it a six, but you know, lightsabers and junk. Now man your ships, and may the Force be with you.


Jeff Bowles is a science fiction and horror writer from the mountains of Colorado. The best of his outrageous and imaginative short stories are collected in Godling and Other Paint Stories, Fear and Loathing in Las Cruces, and Brave New Multiverse. He has published work in magazines and anthologies like PodCastle, Tales from the Canyons of the Damned, the Threepenny Review, Nashville Review, and Dark Moon Digest. Jeff earned his Master of Fine Arts degree in creative writing at Western State Colorado University. He currently lives in the high-altitude Pikes Peak region, where he dreams strange dreams and spends far too much time under the stars. Jeff’s new novel, God’s Body: Book One – The Fall, is available on Amazon now!

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Check out Jeff Bowles Central on YouTube – Movies – Video Games – Music – So Much More!


You can keep up on what Jeff’s been watching and catch all of his great movie reviews the third Friday of each month on Writing to be Read. Subscribe to email or follow on WordPress today.


Chatting with the Pros: Interview with Y.A. author Carol Riggs

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My “Chatting with the Pros” author guest today writes young adult fiction in the fantasy and science fiction genres. Her debut science fiction novel, The Body Institute, is currently being developed into a television series by NBC, which I think, is pretty cool. I met her when I reviewed Bottled three years ago. Since then, I’ve reviewed her science fiction novel, The Lying Planet, and she was a member of the author panel for the first round of the “Ask the Author” blog series in 2018, right here on Writing to be Read. Let’s find out what she has to share. Please help me welcome author Carol Riggs.

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Kaye: Please begin by telling us briefly about your author’s journey?

Carol: I began writing in the 1990s, took a 10-year break, and started up again in 2009. I met my agent at an SCBWI retreat and signed with her in 2011 for my 2015 debut, THE BODY INSTITUTE. Since then, I’ve published 7 more books.

Kaye: Why do you choose to write for young adults? Why science fiction and fantasy?

Carol: I enjoy writing about teens as they experience the road to individual growth and becoming an adult—navigating independence, romance, tests of courage, etc.  Sci-fi and fantasy appeal to me because I love making things up. Speculative genres give me the most room to be creative and use my imagination.

Kaye: What is your biggest challenge in writing for a young audience?

Carol: Keeping in touch with how a young person thinks and talks, sounding like a teen. My editor at Entangled Teen nails me on that, and makes me rewrite things that don’t sound authentic.

Kaye: Is there anything unique or unusual about your writing process?

Carol: Nothing too unusual. I don’t listen to music or other distractions. I draft novels moderately quickly (3-5 months), and I write 1 or 2 books a year. I also keep my novels “clean,” with no profanity, gory violence, or sexual scenes. I prefer to make up my own slang and swear words, which don’t become outdated like modern teen lingo/slang/cussin’.

The Body InstituteKaye: NBC is developing your science fiction novel, The Body Institute, into a television series. That must be exciting. Tell us a little about the story.

Carol: THE BODY INSTITUTE is a dystopian sci-fi novel where the main character gets a job losing weight for other people—by having her mind downloaded into their bodies. It’s set in the near future where society is ultra health conscious. The TV series is using the book as a jump-off point rather than being a direct replica of the novel, which is okay with me. It’ll be fun to see where their creative minds take it.

Kaye: How much say do you have in the development process of the television series? Are you involved at all?

Carol: I don’t have any say at all, but that honestly doesn’t bother me. I’d rather spend my time developing new novels! Readers have the book if they want to explore what I’ve developed; the TV show will be a different experience entirely.

Kaye: Do you have a date yet for the series premier for The Body Institute to air?

Carol: As of yet, I don’t; the filming of the pilot show hasn’t begun yet. I’ll announce on my newsletter, Facebook, and Twitter (@CRiggsAuthor) as soon as I find out any developing news.

Junction 2020

Kaye: Most of the books in your Junction 2020 series have scary sounding titles: The PortalNightmare RealizationVanishing FearsSilent Scream, and Future Terrors. Is this fantasy series scary?

Carol: Some people consider these books “horror,” but it sort of depends on your tolerances. If you can’t stand spiders, for instance, don’t read THE PORTAL. Nothing is hyper-bloody in the series, though…no slasher-type nightmares or anything overly gory. I chose each characters’ fears to manifest in a way that would lead them to personal growth, a challenge to overcome rather than sheer horrible nightmares.

Kaye: How do you approach scary subject matter when writing for young adults?

Carol: I try to keep it emotional but real to each character, and I don’t make things gory. Depending on the teen, that could be totally un-scary, or it could be very unsettling. I try to hit somewhere in the middle, for the average reader.

Kaye: Are there certain subject matters that you wouldn’t tackle for a young adult audience? Why?

Carol: I don’t write sex scenes, gory violence, or profanity. I think there’s plenty of that going around nowadays in society (books, movies, etc.), and not having those things in my novels jives with my personal morals and my feelings about what I would want to (or not) read in a novel. I wouldn’t write about demons or the occult, either—too creepy and real.

BottledKaye: My favorite book of yours is Bottled, which I reviewed a few years ago. It is a fun and entertaining fantasy story. What was your inspiration?

Carol: Long ago, I used to watch “I Dream of Jeannie.” While BOTTLED isn’t that similar in plot to the show, I was inspired by the fun, magical atmosphere of the TV series. It’s my tribute to the show.

 

The Lying PlanetKaye: I also reviewed The Lying Planet. Tell us a little about this science fiction story.

Carol: I was lying in bed one night years ago, and heard a noise in the living room (it was probably the refrigerator). That became the germ seed for TLP, a teen boy on the planet Liberty who one night hears a noise in the living room and gets up to investigate…and then wishes he hadn’t. He uncovers an evil that rocks his world in the worst way possible. I’ve found that teen guys really seem to like this novel. It has lots of danger, adventure, and a degree of creepiness.

Kaye: The other thing I loved about Bottled was the fantastic cover. And the vibrant colors used for Lying Planet cover and those used in the covers your Junction 2020 series are eye catching, as well. The colors are wonderful and the designs fit what the stories are about. Do you design your own cover art or hire it out?

Carol: I’ve been incredibly lucky to get awesome covers for my traditionally published books. The JUNCTION 2020 series covers I developed myself in Photoshop, with the tips and suggestions of a writer friend who is also a graphic artist. I have a BA in Studio Arts, so I think that helps me have a bit of an eye for what looks good.

Kaye: What do you enjoy doing when not writing?

Carol: Walking, reading, working jigsaw puzzles, watching sci-fi and fantasy movies, going to the beach, and listening to all kinds of music.

Kaye: Writing organizations can be of great value to writers of all genres. You’ve been a member of Society of Children’s Book Writers and Illustrators for many years. Would you talk a little about the organization and how you have benefited through membership?

Carol: Back in the 1990s when I first joined the Society of Children’s Book Writers and Illustrators (SCBWI), it was super helpful. Submissions were sent to editors at publishing houses by postal mail rather than email (talk about slow!). There wasn’t the wealth of information on the internet that there is now, so the SCBWI was invaluable for honing one’s work to make it ready for editor eyeballs. I learned a lot.

When I returned to writing in 2009, an agent was almost mandatory to submit your work, and the SCBWI retreat I went to offered manuscript critiques for a fee. I actually met my agent-to-be during one of those brief, one-on-one meetings. SCBWI conferences are also great places to network with other writers, learn about the craft of writing, meet industry professionals, and talk about books all day. Some regions offer scholarships to attend if finances are tight.

Kaye: What is your best piece of advice for aspiring authors of young adult fiction?

Carol: If you love it, never give up. THE BODY INSTITUTE was the 13th book I wrote, after 350+ rejections and 11 years of writing and trying to become published. Surround yourselves with supportive writer friends to share the ups and downs. Keep learning your craft, persevere, and enjoy the journey!

Kaye: What can your readers look forward to in the future? What’s next for Carol Riggs?

Carol: A deal has just been signed for THE BODY INSTITUTE for an audiobook version, which is cool. I’m also working on a sequel to the novel, called SPARES. Ideas are springing into my head for a fresh YA novel, and I’m excited to begin imagining a whole new world for readers to explore.

I want to thank Carol for sharing here and answering all of my many questions. And thanks to all of you readers for joining us. You can find out more about Carol Riggs and her young adult science fiction and fantasy books on her website, her Amazon Author page, or her Goodreads Author page.

Next month, there will not be a “Chatting with the Pros” segment. In December we’re wrapping up 2019 and giving you a rundown of what’s in store for 2020. I plan to run this blog series again next year, so check back after the New Year for the first 2020 segment in January. I hope to see you all then.


You can catch the monthly segment “Chatting with the Pros” on the third Monday of every month in 2020, or you can be sure not to any of the great content on Writing to be Read by signing up by email or following on WordPress. Please share content you find interesting or useful.


A Farewell Tribute to Tom Johnson

Tom's Back Cover Picture

Last week, we lost a dear friend of mine and a member of the Writing to be Read author family, Tom Johnson. Tom was a multi-genre writer for most of his life, mostly pulp fiction in the traditions of the classics, but in recent years, he dedicated himself to children’s fiction, with the intentions of creating stories for today’s children which reflect old fashioned values and morals in the traditions of the stories his mother read to him as a child. Tom took part in Round 2 of my “Ask the Authors” blog series, (which will become a published book by WordCrafter Press soon), and I interviewed Tom about his children’s stories back in 2018. He had some great things to say about writing for children that may be relevant here, since the Writing to be Read theme for November is young adult and children’s fiction. With that in mind, I’m reprinting that interview in part here, (you can read the full interview here), as we remember our friend and fellow author. Tom may be gone, but his wisdom lives on. This is what writing for children meant to him.


Kaye: Although in the past, you’ve written and published many different genres, you are currently writing only children’s stories. So, let’s talk about that. Tell me a little about your stories.

Tom: My children stories are about 1k and meant as bedtime tales, and to be read in classroom or library settings. They are short stories with little morals to teach children something about life.

Kaye: Are they a series or stand alone?

Tom: They are a series, and published in anthologies about once a year. There have been four anthologies so far. I was invited to participate beginning in volume #3. The anthology is called Wire Dog Storybook. Here is the background. True story. A young girl, Ellen Walters, asked her father, David Walters, if she could have a dog, and he said, “No.” So she found an old wire hanger and shaped it to resemble a dog, and called it wire dog. David Walters was fascinated by her ingenuity and created the Wire Dog storybooks. So the stories usually feature Ellen and Wire Dog, but always Wire Dog. Five of my stories have been published so far, and I’ve written three more for the 2018 yearbook when it comes out at the end of the year.

Kaye: What age group are they aimed at?

Tom: I feel that we should begin reading to our children by age one. With that in mind, my stories are aimed at the age group of 1 to 5. However, older children will enjoy the stories, as do adults.

Kaye: What differences do you see between writing for children and writing adult fiction?

Tom: Adult fiction usually means, “no holds barred”, while writing children stories you want to stay away from violence, horror, and adult themes. Keep in mind, young children absorb what they hear quickly, and some themes could have an adverse effect on young minds. When writing for children we must keep this in mind.

Kaye: What appeals to you about writing for children?

Tom: Do you remember the old radio show for kids, Let’s Pretend ? It produced shows for children that acted out fairy tales and light adventures – nothing as harsh as today’s cartoons that are aimed at our youth. Well, I have the chance to import my love for adventure in tales easily understood by young people; children who some day may also experience that same love to pass on to their children. Stories that give our children a moral to live by, not “It’s clobbering time!” Or Pow! Bang! Boom! It’s something my mother did for me when I was little, and now I have the same opportunity, and I’m not going to pass it up.

Kaye: You have wanted to write for children since you were little and your mother used to read to you.

Tom: Oh, yes. I hope that mothers are still reading to their children. They learn at such a young age, and we’re missing an opportunity if we fail them when they’re young. They will never forget what they learn as children, it’s when their minds are growing and grasping at everything. I think one of the first words they learn is, “Why?”

Kaye: What were your favorite children’s stories?

Tom: Really, I would have to look them up in the book of fairy tales on my shelf. There were so many she read to me. Knights saving young damsels come to mind. I remember one particular fairy tale where the princess was on a glass mountain, and the young knight had to save her. She watched each day as a knight riding brown horse attempts to scale the glass mountain, then a knight on a white horse, and so on, until the final day when a knight riding a great steed scales the mountain, and we find out that he was the knight on the brown horse, the white horse, etc. It wasn’t the color of the horse, but the persistence of the knight that finally achieved the goal.

Kaye: In what ways do the stories you write emulate those favorites from your childhood?

Tom: Like the fairy tale I mentioned above, my stories will also have a similar moral – it’s not the color of the horse, or the knight’s armor, but his persistence that wins the hand of the princess. Do the right thing, for the right reason. Persevere. If you don’t succeed today, try and try again.


The stories that we hear and read in childhood often stick with us into our later years. Even though Tom wrote other fiction through the years, as he grew older, it was the stories that his mother read to him as a child that inspired him. That’s what writing children’s fiction is all about.

Tom Johnson Books

Tom’s other works included pulp, crime and science fiction stories right up there with the best, and many may be familiar with his promotions for them on Facebook. His covers seem to reach out and grab your attention.  He published over eighty books during the span of his career. In that previous interview, Tom claimed that Alien Skies was born from his most unusual inspiration and the Guns of the Black Ghost was written as a homage to Walter Gibson’s The Shadow radio drama. You can read my review of Pangaea: Eden’s Planet here.

Tom Johnson and wife Ginger

Writing was a big part of Tom’s life. It was important to him. But, Tom was more than just a talented and dedicated writer. He was also a loved life partner to his lovely wife Ginger. She was supportive of his writing, and I believe she edited some, or perhaps all of his work. With Ginger at his side, Tom lived a life doing what he loved – bringing his characters to life.

Tom, farewell. You will live on through the plethora of books and stories you’ve left us with, but you will still be greatly missed.


Are you a Tom Johnson fan? If so, feel free to leave a few words in the comments telling us what Tom meant to you, or share a memory, or just tell me which of his books is your favorite.  Thank you all for joining me in saying good-bye.

 


“The Christmas Cruise”: A science fiction time travel romance

The Christmas Tour

The Christmas Cruise, by Tammy Tate is a really cute romance story which could have been so much more. This story combines romance with science fiction when the two main characters, who are attracted to one another but won’t admit it to themselves, both happen to be swept from their Christmas cruise in the Burmuda Triangle onto a deserted island from the past.

It’s a good plot and it could work if the characters were more developed and didn’t just accept what was happening without a second thought. The story moves from point A to point B in a fairly straight line, at a fairly quick pace, lacking any real twists or surprises. Just the fact that they are the only two to be swept away gave me trouble buying in, and when they return without any logical explaination as to how it happened, it lost me totally.

If the author had taken the time and effort to expand the plot, and portray believable reactions to absurd circumstances, The Christmas Cruise could have been a really entertaining story. As it is, it lacks depth of character and is difficult to swollow. I can only give it three quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


March celebrates Science Fiction and Fantasy

Science Fiction-Fantasy

In March, Writing to be Read celebrates science fiction and fantasy, and everything in between. Science fiction springs from imaginings of what ifs, regarding technological advancements and futuristc worlds and universes, while fantasy fiction involves impossible or improbable events usually involving magic, or magical creatures or objects grounded in myths, legends and folklore of old. Both of these genres takes us to fantasical places and awe readers with amazing feats of courage, and good usually overpowers evil. Both entertain us, and are often addicting. In the current book market, there are many books which fall into a genre that is somewhere in between.

There are more subgenres for both of these genres than a person is able to count, including stories which feature elements of both. When I wrote my thesis proposal for what will one day be my science fantasy series, Playground for the Gods, I was told there was no genre for a story with both science fiction and fantasy elements. But in fact, there is such a genre as science fantasy, and there are many books out there today that fall into it. I recently reviewed one featuring alien life forms and a powerful magic object, Rogue Crystal, by Jordan Elizabeth in last Friday’s post.

As mentioned above, Playground for the Gods was originally proposed as my thesis story. It is a tale of aliens, Atlans, who come to pre-historic Earth when their planet is destroyed, and act as gods and godesses, forming human beliefs about devine matters, and creating the fondation for myths and legends of ancient history. The character names were all chosen from ancient summerian names, and many of the subplots parrellel those same myths and legends, adding new twists. In order to maintain the appearance of gods, they use their advanced technologies to appear magical and all powerful, each one wielding the ability to fall into different personas throughout time, providing basis for all world myths and religions around the globe.

It’s a lot of story, and many said it was too big and couldn’t be done, so I broke it down into four novels, which follow the Atlan through earth’s history to present day, and perhaps even beyond Book 1: The Great Primordial Battle tells the tale of the Atlans arrival on Earth. and tells how the heroine, Innana tries to stop the same Atlans who caused the destruction of their home planet from detroying their new home, as well. All whhile working to find a cure for her sister, Ereshkigal’s wasting desiese which is eating her up from the inside out. This story is curently with my beta reader, although I was hoping she’d have it back to me by now, so I could share my excitement, because it is very close to being publication ready.

Among the great science fiction authors we find familiar names: Isaac Asimov, Ray Bradbury, and Edgar Rice Burroughs.  More recently, we have Robin Wayne Bailey, Richard Bachman, who we all now know is Stephen King, Dean Koontz, John Scalzi and Kevin J. Anderson. (Don’t forget to  catch my interview with Kevin J. Anderson next Monday on “Chatting with the Pros”. You won’t want to miss it.) Fantasy authrs who may come to mind are J.R.R. Tolkien, George R. Martin, J.K. Rowling, R.A. Salvator, Ray Bradbury, Stephen King, and Kevin J. Anderson. As you can see, there is some crossover of authors from one genre to the other; there are authors who write in both.

This month, in additon to my interview with K.J.A. and my review of Rogue Crystal, I also have my review of Kevin J. Anderson’s Selected Stories: Science Fiction Volume 2, and an interview with fantasy author Laurel McHargue.  I do hope you’ll drop by.

 

P.S. Be sure to check out my science fiction time travel short, Last Call, and my dystopian short, “If You’re Happy and You Know It” in the Collapsar Directive science fiction anthology (Zombie Prirates Publishing).

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Kevin J. Anderson’s “Selected Stories: Science Fiction Volume 2”: A must read for science fiction fans

Selected Stories

Selected Stories: Science Fiction Volume 2, by Kevin J. Anderson a collection short science fiction stories from a master story teller. This collection is comprised of short fiction created throughout his long and profitable career as an author, and the nice thing about this collection is that Anderson has included a brief introduction to each one, giving a brief glimpse into each story’s inspiration.

Experiments gone awry, time travelers, inescapable planetary prisons, hot, but frightening alien sex tales, giant robots, the ultimate population control; they are all here, in this collection. The stories in this collection are skillfully crafted Anderson twists on the science fiction themes we know and love. Also included is an excerpt from one of Anderson’s early novels, Hopscotch. “Club Masquerade” explores the concept of body switching and takes it in some extreme directions.

Kevin J. Anderson is a master storyteller, and every story in this collection is imaginative and entertaining. I give Selected Stories: Science Fiction Volume 2 five quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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