This past week my thesis for my screenwriting emphasis arrived in the mail. I opened the box and there, carefully wrapped inside was my thesis project bound in a hardback cover. I opened it up, and inside I found my analysis of screenwriting and my walk through the process, as well as my screenplay for Bonnie in script form. I can’t tell you what a sense of accomplishment that made me feel.
If you’re interested in my analysis or the screenwriting process, you can see the blog adapted version of those portions of my thesis in my four part series, The Making of a Screenplay: The Creative Process: Part 1 covers story origins and the tools used to shape an idea into a movie plot, Part 2 discusses the tools used to sell a screenplay, Part 3 covers the research that goes into writing a screenplay, and Part 4 talks about rewriting.
I turned in my thesis back in August, and there was a sense of accomplishment in doing that, but to see my script in print just about made me burst with pride. Glancing through it reminded me of what a really good script Bonnie is. Now I just have to figure out a way to get it in front of someone who will read it and fall in love with it as much as I am, and want to make it into a movie.
That’s the hard part. There’s some tough competition out there and it’s hard to get a foot in the door. Bonnie has commercial value and I need to get someone in the business to recognize it,There are those who claim it can’t be done unless you move to L.A. (“Hollywood Game Plan” Prepares Upcoming Screenwriters to Hit the Ground Running) Although I really want to sell Bonnie, and many other screenplays, I don’t see such a drastic move happening in the near future.
Most of the screenplay competitions are a bit more expensive to enter than my pocketbook can afford, so I have to be careful to pick the contest that are the best for my screenplay. In the literary community, you face the same challenge. You must determine which publisher is best to submit to, matching your work to a publisher, agent or writing contest.
The only way I know to solve the puzzle and match story or script to contest, or find a publisher or a producer who might be interested in your work, is good old fashioned research. These days it’s easier. Because of the Internet, we have the information at our fingertips now, where we didn’t thirty years ago. To find the right contest, or publisher, or producer today, we can sit down at the computer or pick up our phones and find out what kinds of work they are interested in to see if ours is a good fit, or check out their track record to gauge how successful they are. All it takes is a little time.
I’ve entered a short screenplay in a screenplay contest, and submitted a couple of my scripts to production companies, and I’ve collected a few rejection slips from them. I was almost ready to give up on the screenwriting and concentrate exclusively on my fiction. Even though I know rejection is expected in this business, and a lot of it, it doesn’t make the sting any less when it happens. On Jeff’s God Complex Wednesday, he offers some really good ideas that make sticking with it in the face of adversity much easier. I took it and felt refreshed when I sat back down in front of my laptop again.
Receiving that bound copy and seeing my thesis script reminded me of why I went for the second emphasis in my degree. I am just as passionate about my screenwriting as I am about my fiction. I know my work is good and it’s only a matter of time before I sell a script or a book. I’m currently negotiating a contract for my western novel, Delilah, so I’m not just being optimistic here. It’s is easier to move forward in my career when I have a real sense of accomplishment, and my bound thesis reminded me of that.
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