“Doomed to Repeat”: A Mystery in History

Doomed cover

Doomed to Repeat is author Tim Baker’s latest crazy crime novel, complete with his usual cast of lovable characters; Ike, Brewski, Ralph Donabedian and the Golden Lion Staff.

Ike and Brewski get a blast from the past when Nazis with amnesia show up in Flagler Beach. As they work to unravel the mystery of how they came to be in this time, while trying to stay one step ahead of the white supremicist who is trying to muscle Ralph Donabedian and the other Flagler Beach business owners into selling all of their properties, they learn their new found friends may hold the evidence to prove two great historical myths to be truths. But, with the bad guys, the C.I.A. and the Russians all closing in, can they save their new found friends and the secrets they carry with them without getting themselves killed or letting their secrets fall into the wrong hands?

When you pick up a novel set in Flagler Beach, and find Ike and Brewski sitting in the middle of it, you know the story will be entertaining, and Doomed to Repeat does not disappoint. I give it five quills.

five-quills3

 

Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Ask the Authors: Final Answers

Books and Coffee

We’ve reached the final segment of Ask the Authors, which will bring our series to a close. This has been a fun series and we’ve covered a lot in regards to writing. In this segment, our panel members will answer follow-up questions for each segment and wrap things up, so let’s get started. We’ll skip over the introductory segment, as there are really no follow-up questions as to the panel members identity, but if you missed that one, you really should pop in and check it out.  Our panel had a great line up, with DeAnna Knippling, Chris Dibella, Carol Riggs, Cynthia Vespia, Tim Baker, Janet Garber, Art Rosch, Margareth Stewart, Chris Barili and Jordan Elizabeth.

I want to thank each and every one of our panel members for their participation. This blog is a labor of love for me, which means I can’t pay for guest posts, etc… The time and energy each author took to respond to all of my, sometimes lengthy and open ended questions is greatly appreciated. When asked if they would be up for another round in the fall, many said yes, so it looks like we have another round of Ask the Authors still to look forward to.

Our first segment takes A Look at the Writing Process, where each of our panel members found different things most challenging, from sharing and allowing yourself to be vulnerable, to self confidence, to marketing and finding readers, to the actual act of writing. The process is never the same for any two authors. Some prefer to write without distractions, while others like to write with music or other things going on in the background. Many authors like to write in public places, such as coffee shops, while others like Tim Baker find this too cliche or just need their privacy for writing, like Carol Riggs. We approach our writing in different ways, as well. While Janet Garber writes in vigenettes, Cynthia Vespia writes her first drafts by hand, and authors like DeAnna Knippling just let the characters go and see what happens, and most of our panel members are morning writers, like Chris Barili. Most of our panel members claim to lean toward character driven stories, but I’m with Cynthia Vespia in thinking that all stories must be a little of both. Most, like Art Rosch and Chris DiBella say the titles of their books just come to them, usually before actual writing begins, while the book is still in the design stage. Be sure to check it out and see what each of our panel members’ best pieces of advise for upcoming authors.

The follow up question for this segment is: What are your top five writing rules for success?

Cynthia Vespia: 

1. Write what you want, don’t follow the trends

2. Characterization is key

3. Have fun with world building

4. Think outside the box

5. And of course show don’t tell

Chris Barili

1. Learn your craft. Whether through college studies, mentorship, reading a lot, whatever. Learn what makes good stories.
2. Learn the business of your craft. All the writing in the world does you no good if you don’t know how to get it sold.
3. Find your writing tribe. A support crew of fellow writers is crucial for keeping you going.
4. Submit. Everywhere. You don’t get published if you’re not submitting.
5. Get your ass in the seat and do the work. Don’t wait for the stupid inspiration fairy or muse to sit on your shoulder and whisper bullshit in your ears. Write. Then write some more.

Janet Garber: 

1. Jot down phrases and ideas when inspiration hits no matter where you are.

2. Work on making the language sing.

3. Submit like crazy

4. Don’t take rejections personally. Just move on.

5. Don’t ever give up!

 

Art Rosch: 

One, be yourself.  Write to please yourself.  There is no other way to achieve authenticity other than to make your writing a means of exploring yourself, your humanity and the nature of your life experience.

If you’re writing fiction you need a great villain.  Nothing propels a story like a character that you hate, someone whom you want to see brought to justice.  I pay special attention to writing my villains.

Write with feeling or your readers will not feel anything.  Emotion is the fuel of story.  Be a storyteller, engage readers with plots that invoke high stakes.  The ultimate investment in a story can be the life or death of the characters, or the survival of a society, or the triumph of a civilization.  All the elements of story break down into conflicts of virtue versus destruction.  What makes a story interesting, however, is when it’s difficult to tell who is good and who is evil.  Things aren’t always simple.

A good book has three attributes.  It should be entertaining, informative and inspiring.  I can loosely define inspiration as the evocation of insight.  Insight feels good and you know when a writer provokes an understanding of the human condition.

That’s not exactly five rules, but it’s an overview of things I put in my writing.

Tim Baker: I really only have one rule…keep writing. If you want to be succesful as a writer you have to keep writing. Not only is it the best way to hone your skills, but the more you write, the more chance you have of being succesful.

Chris DiBella: I don’t have any rules for writing “success” because the term success will vary from person to person. What works for me may not work for other writers, and vice versa. There are a million blogs posting the same 5 to 10 rules for how to be a writer, but none of them seem to be putting out any books themselves, so why take advice from someone who isn’t successful doing what they are trying to tell you to do? There’s no secret magic formula, but you can’t be successful if you don’t write…..so just go write.

Carol Riggs: 

1. There ARE no rules.

2. Everyone writes lousy first drafts; get the words down on the page and learn to revise.

3. Always have other people check your work for inconsistencies, grammar, punctuation, etc.

4. If you truly love to write, never give up!

5. Not everyone will love your book; it’s subjective and there’s no way your writing will speak to every single person.

Margareth Stewart: 

1. Write. Don´t stop.

2. Don´t copy anyone else. Find your own voice.

3. Craft your stories.

4. Be humble. Be proud.

5. Keep it up.

P.S. Just write if you have something to tell, and then forget about it all. I don´t believe so much that we can predict success though we need to do our best for it. I see authors who might be famous, and they might not be the best ones, or even the most influential ones, or the ones that are still going to be recalled a century from now. I would rather quote Jorge Amado and say that writing is like living: 

“The world is like that – incomprehensible and full of surprises.” Jorge Amado – Brazilian Author. 

Jordan Elizabeth:

  1. Never give up on your dreams.
  2. Write what you know.  Write a book that you would want to read.
  3. Don’t write a shocking scene just for the shock value.
  4. Don’t write in a genre just because its selling; write in that genre because you’re passionate about it.

DeAnna Knippling:

1. Read.
2. Study what you read.
3. Practice what you study.
4. Get what you practice published.
5. Honor the people who read what you published.

The second segment was on Character Development. Many of our author panel develop characters from real people and composites of people they know, or at least give them realistic qualities and flaws to make them feel more human, easier to identify with, and most admit to having a little of themselves in their characters. Chris DiBella, Jordan Elizabeth, Janet Garber and Art Rosch even offer up real life examples. None of them openly admited to creating characters from archetypes, but I maintain that all characters fit into archetypes, whether the author does it consciously or not. Chris Barili offers his method of character development using a character triangle to determine what the character’s motivation is, what the character’s fear or flaw is, and what it is the character truly needs. It is clear that for all of our panel members and myself, our characters often come alive and take over what happens on the page, surprising even their creators at times. While Art Rosch and DeAnna Knippling like to take a more psychological approach to character development, authors like Tim Baker use life observation to ‘keep it real’. And I don’t think any of the panel members would disagree with Carol Riggs when she stated, “The more rich development you can give to a character, the more the reader can identify with them.” After all, that is what we’re striving for – characters that readers can relate and identify with.

Emotions

The follow-up question for this segment: How do you evoke emotion in your readers?

Cynthia Vespia: This is one of the most important parts of storytelling, and one of my favorite parts as well. Developing characters that readers resonate with is what stirs emotion. If they can see part of themselves in the character they will gravitate towards them more and that makes them care what happens to them in the end.

Chris Barili: You do that by creating a character they empathize with, then killing him or her, usually. No, wait. That’s the George Martin approach. Seriously–build a character about whom readers care, then put them in situations where they are threatened.

Janet Garber: This is admittedly not always easy. I concentrate on creating relatable and sympathetic characters.

Art Rosch: If you write with feeling your audience will respond with feeling.   Fiction is mostly about overcoming obstacles.  You cause your heroes to act bravely and unselfishly and your villains to act with malice and manipulation.  If you create a lovable hero, (that is, someone with flaws who intends to do a positive thing) your readers will respond. I don’t know if emotion can be taught.  Writing is a very psychological pursuit, and our emotions are unpredictable and all but uncontrollable.  So…be a psychologist.

Tim Baker: By giving my characters real emotion and letting the reader see it. Whatever emotion the characters are feeling in a particuklar scene I try to have them think and react the way any of us would (as much as allowable for the story anyway).

Chris DiBella: I just try to make my characters as real as possible and hopefully my readers like them enough to care about what happens to them.

Carol Riggs: I write in first person for (what I think is) the most close, personal experience. I also try to include a lot of sensory images—smell, taste, sounds, and sights to make things more real. With crying and sobbing and sad emotions, often less is more; otherwise it starts feeling melodramatic. And if the character is going through general experiences the reader can relate to (betrayal, loss, anger at a friend or parent) that helps make an emotional connection.

Jordan Elizabeth:  I rely on my own experiences when writing.  Many of the emotions I write about are ones that I have experienced, so I’m able to write from the heart.  If its a funny scene, then I’m laughing out loud.  If its a sad scene, I have tears drenching my cheeks.

DeAnna Knippling: One of my pet peeves is when an author is obviously playing for my emotions rather than letting the combination of plot, character, etc., do the work in a more logically consistent fashion.  You’ve seen it every time a beloved character gets wiped out and it really doesn’t affect the narrative, other than to “inspire” the rest of the characters to carry on or set the grounds for “anything could happen!!!!!!!”

If I want a reader to cry, I better have already wept bitter tears over the manuscript as I was writing it.

Our third segment was on Action and Dialog. While all authors want dialog that flows smooth and sounds realistic, different authors take different approaches to the task. While most of our panel members agree that listening to people and being able to hear the dialog spoken in your head are great ways to approach this, Carol Riggs offers the really great advice to read your work aloud, and Art Rosch offers the advice that dialog should always serve a purpose, rather than being just a space filler. In true life, we tend to talk just to hear ourselves sometimes. In writing, that sort of thing just takes up space on the page and the only purpose it may serve is to bore the reader, and of course, we don’t want that. Achieving a balance between action and dialog seems to come natural for many of our panel members claim the only trick or secret is to keep the story moving and not let it get too bogged down with details. Tell readers what they need to know, but keep things moving. If you missed this segment, be sure to drop in and check it out, because it features excerpts of dialog scenes from authors Chris Barili, Janet Garber, DeAnna Knippling, Cynthia Vespia, Tim Baker, Art Rosch and Margareth Stewart.

The following is a reader comment left regarding Dialog. While a couple of our panel members replied directly in the comments, DeAnna Knippling’s reply seemed spot on to me and I wanted to include it here.

Reader Ken Hughs said:

Lots of excellent advice there.

I’m always on the lookout for ways to analyze dialogue a bit deeper than that. For instance:

Who talks more? Does she say a lot on her favorite subject (an expert, or just concerned about it) and less on other things, or is she nervous or social enough to chime in a little after everything– or so full of herself she does both?

How organized are his sentences? A longer sentence can mean he has a more complex complete thought, unless it’s a run-on; several short sentences could each mean new thoughts still coming in behind the last ones. Or the most eloquent person might be the one with the simple line that says it all.

Adjectives and adverbs? Someone passionate, or more in tune with their senses, is more likely to pile on the modifiers, while others are plainer-spoken. Similes and metaphors take this even further– if you can keep someone from becoming cliche about using their job or background to compare things too.

DeAnna Knipling: It sounds like the commenter, Ken Hughes, is doing some good things with pacing.  Huzzah!  Once you get past the point of being able to make dialogue that sounds natural and gets the point across in a scene, the next step is to start working on the pacing of the dialogue–and all the issues Mr. Hughes mentioned are relevant there.

To back up a bit for writers who aren’t quite down in the weeds of studying pacing yet:

  • Pacing is the art of connecting content (what you’re writing about) to form (the layout of the little black marks on the page, for writers).  When the word lengths and patterns, sentence lengths and patterns, scene lengths and patterns all line up with the meaning of the story somehow, the story is “paced well.”  Pacing is about building your story like a woodworker, choosing your material and construction techniques to fit the final purpose of the project.  Any element of a story can have pacing.
  • Each character’s dialogue will also have its own pacing, just as Mr. Hughes says, and it should depend on the nature of the character.
  • The examples that Mr. Hughes gives are excellent examples of what to consider with pacing dialogue.
  • I’d like to add that anything that you add between pieces of dialogue also reflects the pacing of the dialogue, so if you have chunks of description between bits of dialogue, the reader will take them as pauses in the conversation, or as the POV character’s mind wandering during the conversation.
If you can handle the things Mr. Hughes brings up, you’ll be doing well indeed 🙂

Mr. Hughes and DeAnna bring up another issue here, which we haven’t really touched on.

Action

Naturally my follow-up question is:What methods do you find effective in controlling your pacing?

Cynthia Vespia: I don’t. I just write what comes to me.

Chris Barili: I don’t know. I just go with what the characters are feeling, I guess. Their tension tells me how to pace a scene.

Janet Garber: Ah. You must make every scene count. Have it lead readers somewhere, to the destination you intend.

Art Rosch: I’ve watched a thousand Samurai movies.  They’re great for offering templates for action sequences.  Samurai didn’t waste effort in useless display and they were completely focused on surviving the next duel or battle. Unless you’re writing about super-heroes your characters need to operate within reasonable physical parameters.  I act out movements and gestures at my chair in front of my computer.  Does this look reasonable?  Can my characters do this-and-that?

In my novel Confessions Of An Honest Man, I have a 70 page battle sequence that takes place in Afghanistan.  It’s a much admired passage with editors and readers. It has an arc, or several arcs.  There’s the build-up to an initial confrontation.  A mini-climax occurs early in the scene.  But it doesn’t end there.  A greater threat appears unexpectedly and my hero must cope with expanded dangers.  Each time a resolution seems to occur another and greater threat appears.  The point of this sequence is that my hero learns things about himself, learns that he has more courage than he thought. There’s outer action but there’s also my hero’s thoughts and emotions as the scene(s) unfold.  This pendulum between action and a character’s inner dialogue offers a means of pacing.

Tim Baker: When writing action I try to write only the action. By this I mean if I’m writing an action packed scene I don’t stray away from the action with anything that will slow the reader down. I want the reader to be able to be in the action.

Chris DiBella: I’ve never thought about trying to control my pacing. When I get to action scenes, I just try to write them in a way where I’m describing enough that it paints a picture for my readers. I don’t have a formula for how many pages an action scene should be. I just write them until I feel it’s time to move on with the story.

Carol Riggs: I try to keep some sort of tension, question, or compelling forward movement on every page, whether internal for the characters or external to them. I use cliffhanger-type chapter endings to keep the reader turning pages. It’s also important not to rush the “big moments”—sometimes the pace needs to be drawn out on powerful scenes to heighten the impact or emotions. In an action scene, short punchy sentences help move the pacing along.

Margareth Stewart: Word count and daily targets; otherwise, it does not flow. Sometimes, I feel like I am a General to myself: “for instance, no chocolate if I don´t finish 2.500 word count today”, and there it goes. Other times, I need to be a little more flexible because things do happen in between word counting, not with the plot or story itself, but in terms of living – ordinary living – bills to pay, a tire to fix, and so on. Another good and productive management is during November Writing. Besides that, I use the same method for editing – this week I have to review 50 pages and by the way I am late, so I will have to do extra work at the weekend. Therefore, I have told my kids, we can only go to the cinema if I can complete the goal before Sunday. By the way, that´s another point about being a writer, we feel quite weird and funny.

Jordan Elizabeth: I tend to just write, write, write.  I don’t plan my stories ahead; I just go off a basic plot idea in my mind.  Pacing falls naturally into place.

In our third segment, our author panel members discussed Setting,  where author Carol Riggs suggests basing fictional worlds on real life places as a good method of world building, and travel for authors is recommended in order to expand on their true life experiences that shine through in their writing, although most of our panel members have written about places they have never been or don’t really exist, like Jordan Elizabeth, who writes YA fantasy. DeAnna Knippling loves to write about Victorian England, and all agree that sensory details should be added to make the setting feel more real. This segment also features setting excerpts from Cynthia Vespia, Art Rosch, Chris Barili, DeAnna Knippling and Janet Garber. (Strangely enough, I just realized I gave no follow-up question for this segment, although we could do a whole series on world building and setting. Wow!)

Our fourth segment covered the topic of Publishing, which many authors opt to do themselves these days. Our panel members were a nice blend of traditional, small press and self-published authors, with three strictly self-published authors: Art RoschChris DiBella, and DeAnna Knippling; one author who is strictly small press: Jordan Elizabeth; and five who have done a hybrid combination of small press and self-publishing in one form or another: Cynthia VespiaMargareth Stewart, Tim Baker, and three authors who have done a combination of traditional and self-publishing: Janet GarberChris Barili, and Carol Riggs. Together, they bring their own experiences to the table to talk about the pros and cons of each publishing venue.

I have two follow-up questions for this segment: 

Are your books available in print or digital format, or both? Why?

Cynthia Vespia: Both. Because I like to have my work available in as many formats as possible to appeal to different readers. Next I’ll do audio books.

Chris Barili: Both. And why wouldn’t you do it that way? You’re robbing yourself of readers if you ignore one medium.

Janet Garber: My books are in print and in digital form and the first traditionally purchased book is on audiotape as well.

Art Rosch: I need to emphasize a huge fact with regard to the whole publishing venture.  It takes money to market books.  I don’t have money, I’m living on a fixed income.  I started my enterprise by going to Smashwords.com and e-publishing three of my books.  I did the same at Amazon.  An author can publish digitally for free.  I designed my own book covers, using my stock of personal photography and my skills in Photoshop. Such as they are.

I am now about to turn my novel, Confessions Of An Honest Man into a paperback on Amazon.  I have no illusions about getting sales.  I just want to have a physical object, MY BOOK, in my hands and have it be available to people in my environment.

Tim Baker: My books are available in print, digital and audio (not all of them are currently available in audio, but the ones that aren’t are in production.) The reason why is simple…give more options to people and increase your chances of being read.

Chris DiBella: Both. There are still people out there (somewhere) who like to read physical copies of books.

Carol Riggs: All my books are available in both print and digital formats. This is important, because some readers prefer print and some prefer digital.

Jordan Elizabeth:  Both (except for Kistishi Island.  I have to sell 500 ebooks before it will be in print).  I like having a combination of formats.  Some people prefer print and some prefer ebook.  I’ve heard from a lot of readers that they have to use ebooks because of eyesight problems.  Print books are great for book signings.

DeAnna Knippling: Yes and yes.  See writing rule #5.  I really ought to be working on audio as well.  Readers should be able to read conveniently.

Which publishing platforms do you use? Which do you recommend? Why?

Cynthia Vespia: I’m focused on Amazon at the moment because that’s where the majority of buyers/readers go. I’ve also used Smashwords and Barnes and Noble for digital.

Chris Barili: Amazon and Smashwords for my self-published stuff. I prefer Smashwords because they distribute to a bunch of other retailers, saving me time.

Janet Garber: I used Lulu.com and was satisfied with their speed and the look of the final product.

Art Rosch: I think Smashwords is great.  There’s all the support and information you need.  Amazon is, of course, the giant, but as with everything in digital publishing, it’s all automated.

Tim Baker: I use CreateSpace, Kindle Direct Publishing and ACX (for audio). Since those are the ones I use – those would be the ones I recommend.

Chris DiBella: I use Amazon and CreateSpace. It’s easy to set up and get my books out to potential readers from those sites.

Carol Riggs: Three of my books are traditionally published, and the publishers distribute in various ways (Entangled Teen uses Macmillan, for instance). For self-publishing, I use CreateSpace and Amazon KDP; it’s relatively easy to release a book on these platforms.

Jordan Eizabeth: My publishers use Ingram and CreateSpace.  I can’t speak to the ease of use.

DeAnna Knippling: It’s not so much which ones, as how you decide which ones to use.  I’m starting to look at these things as, “How does this company treat its readers?  Are the readers happy with the experience?”  Another good set of questions is, “How does this company treat its writers?  Does it pay them promptly? Does it have good reporting?  Do they have good avenues for books that aren’t bestsellers to reach readers? Is the damn site hard to use?”

I’ve dropped a number of publishing platforms that don’t adhere to these things, or at least stopped using them directly, but approach them through other distributors.  [Cough] Barnes & Noble [Cough]

Our fifth segment of Ask the Authors covered the topic of Genre Differences. Again, we had a nice mix for this topic. Among our author panel members we had: Jordan Elizabeth, who writes YA Fantasy and Steampunk; Carol Riggs, who writes both Fantasy and Science Fiction; Tim Baker, who writes crime action adventure novels; Cynthia Vespia, who writes speculative fiction for adults and teens; and those who dabble a little in all of them: Janet Garber, Chris Barili and DeAnna Knippling. They discuss the use of tropes when writing in the different genres, and also the differences in the creative process, the different types of research required, and the differences in audience and marketing. No follow-up questinos for this segment.

In the sixth segment, our author panel discusses The Business of Writing. According to Jordan Elizabeth and Carol Riggs, marketing can make or break you in the world of writing, and in today’s digital world, much or all of those duties fall upon the author, requiring us to treat writing not only as a job or a passion, but as a business. Today’s author may be responsible for everything about their book, from writing the book, to editing and cover art, to publishing, to marketing and promotion, and everything in between. While many of these tasks can be hired out, not all authors can afford to do so. I didn’t have any follow-up for this segment, mainly because the next two segments were follow-up to this.

For the seventh segment of Ask the Authors, our author panel discusses the many ways there are to Building an Reader Platform.  Most of our panel members prefer face-to-face events, over online activities, but it seems they continue to use the Internet and social media to promote their books, feeling that both are needed. Some panel members come up with some very creative ideas, like Tim Baker, who had a tire cover made for the spare on his Jeep with his logo on it, or Chris DiBella, who had customized tee-shirts made telling the world that he is their next favorite author. Who knows? It might work.

Book Reviews

The follow-up question for this segment is: What methods have you found successful for obtaining reviews?

Cynthia Vespia: Asking. I ask other writers, or I seek out bloggers who do reviews.

Janet Garber: Approaching authors who write in a similar humorous fashion; writing reviews myself as a pay-it-forward tactic; bugging people who enjoyed the book.

Art Rosch: I completely suck at this and it’s my own fault.  I must have social media halitosis.  There are billions of people who don’t know about me.  I’ve been hammering at this for many years and haven’t cracked the code yet.  I do recommend one author-marketing guru (among the many who haunt my email inbox).  That’s Mark Dawson.  He refunded my money long after the expiration date for one of his courses and he didn’t have to.  He teaches at a good pace and he has much to offer to authors who want to market independently.

Tim Baker: I haven’t found a successful way to get reviews. People generally don’t like to write them. I’ve done everything from blog posts, social media requests and even offered to include people in a book if they wrote enough reviews. It’s the thing I find most discouraging about writing.

Chris DiBella: I don’t like to hound people for reviews. There are some authors who post constantly about it, and I find it annoying. We all want reviews, but it seems some authors will only ask for reviews from people they know will give them a favorable review. I simply do not like that approach. The way I look at it is the reviews will come in time – or maybe not. They’re nice to get, but I don’t stress about it. I also have my own little rule of thumb of not to trust any book with less than 15 reviews of all 5-stars (unless there’s some bad reviews in there too). Anyone can get 15 friends or family members to write a good review. It’s that first bad review I usually trust the most. Same goes for my books. My first bad review was actually pretty spot-on with the critique. She liked the story, but drilled me on editing. No friends or family members would have left a review like that. I pulled the book and re-edited it. Of course it sucks to get bad reviews, but they can be turned into a positive. And for the love of everything you consider holy, please stop arguing with readers who give you a bad review. Let your fans battle it out for you.

Carol Riggs: My publishers used NetGalley for obtaining reviewers from bloggers. A newsletter also works decently for requesting reviews. I try not to ask for reviews too much, however, because it’s off-putting. Either a reader will leave you a review or he/she won’t. No one should be obligated; an author doesn’t get honest reviews that way anyway.

Jordan Elizabeth: Author friends have told me they have good luck when posting free books on Facebook in exchange for reviews.  I haven’t had luck that way.  I usually reach out to bloggers.  Most of the time, they are willing to review.

Just a note: I also see the other side of this issue, as I do honest reviews in exchange for ARCs right here on Writing to be Read. The problem I’ve run into is that since I’m supplied with a free copy, at times Amazon will not aknowledge my reviews because they can’t verify the sale. I imagine those exchanging reviews on Facebook might run into the same type of issues. So, even if you can give away some e-copies in exchange for a review, there is no gaurantee that Amazon will acknowledge it.

DeAnna Knippling: Asking nicely.  I was using Instafreebie for a while, but I think that exhausted its readers fairly quickly, because it was mostly a platform for trading newsletter subscribers, not a sustainable model.  What new readers was Instafreebie bringing to the table?  Not as many as the authors themselves had brought.  I did well by it, but I think that was a matter of getting in at the right moment and not “what a great site for reviews!”

I think your best bet is to treat reviews like a pyramid.  At the base, write good books and make it easy for readers to read more.  Next level, make it easy for your newsletter subscribers to get review copies.  I have an ARC list.  Up from that, whatever social media sites you’re on, keep an eye out for ways to attract reviews OR newsletter subscribers.  At the top of the pile is a review that will be seen widely, a review on a radio show or in a newspaper, things like that.  Go for it when you see it.  But be more loyal to your base of writing good books and making them easy for readers to read them.

Don’t put all your eggs in a basket that’s essentially just moving piles of email addresses around, or reviews that you have to pay for (and that Amazon will delete as soon as they get a chance), begging for reviews from your writer-friends (which screws up your also boughts something fierce), or whatever short-term solution everyone is chasing at the moment.  Play the long game, take advantage of what you can when you can, then drop back into your long game.
Believe me, I know how freaking slow this all goes.

 

In the last segment, our author panel members discussed many of the issues involved in Book Marketing and Promotion. This is a big topic for many authors, including me, because unlike writing, it does not come natural to us. It is such a big issue that a couple of our panel members, DeAnna Knippling and Janet Garber, bowed out of this segment, rather than express the frustration of not having the answers. But those panel members who did participate had some insightful things to share. They talk about their favorite social media sites for promotion, marketing and giveaway sites, marketing platforms, the effectiveness of author websites and blogs, newletters, press releases and interviews. Be sure and catch this segment, or you’ll never know why Chris DiBella’s mother is his greatest marketing tool.

Book Sale

The follow-up question for this segment is: Many of you said in last week’s segment that you preferred face to face events over Internet and social media marketing and that you found face to face marketing to be more effective. What type of face to face events have you found to be effective?

Cynthia Vespia: The reason conferences don’t work is because there are waaaayyyy too many writers all vying for attention at these things. Also, the majority of the writer conferences only alot 1-2 days for signings and sales that are usually only a few hours long. That is not enough time to make a dent in sales or really do any type of networking with your readers, especially when there are so many other authors there doing the same thing. Some of the more popular ones get all the attention. So imagine you’re a little fish in a sea of whales…how do you get noticed? I’ve run into some very bad etiquette at some of these things before, as well. The guy next to me would skate every sale I tried to make by talking over me and offering a free book. How do you compete with free? You don’t.

So the face-to-face events I prefer are my own individual signings, smaller book fairs, or (and I hate to mention this because it was a well guarded secret before) but I do the comic conventions and they work the best. Plus, they’re alot more fun.

Chris Barili: I’ve found genre cons to be MUCH more effective at selling books and gaining followers than writing conferences, and if you think about it, it makes sense. A genre con is full of fans of whatever genre you like. They’re LOOKING for genre stories. At a writers conference, writers are there looking to SELL stories.

Janet Garber: I find book fairs and readings most enjoyable as I get a chance to speak with the potential readers. Being a guest at a book club meeting is great too because you hear your characters discussed as if they were real people and you learn what readers liked and didn’t like.

Carol Riggs: I personally like/prefer book fairs or festivals over bookstore signings, because they’re more informal. I feel less “on the spot,” and I don’t have to make a microphone presentation. Instead, I can conversationally chat with people who come up to my book table. It feels more like a relationship that way, instead of a “buy my book” spiel. For instance, last summer (as well as this coming summer) I will be participating in the Lane County Fair in Eugene, Oregon, with a book table. Last fall I was also part of the Literacy for Libraries author event in Eugene, and I enjoyed schmoozing with fellow authors and with the crowd who wandered through the building. Sometimes authors can band together and create their own events at libraries and bookstores; it’s less intimidating than going it solo. The purpose of these events aren’t to sell as many books as you can, but rather get to know your readers and get your name out there—that’s an important marketing tip that a seasoned author shared with me.

Jordan Elizabeth: I prefer craft shows and library events.  The crowds are manageable, and as I write young adult, many teenagers and children come with their parents.  Parents and grandparents are also eager to buy gifts.  Because these events are smaller than most conferences, you’re able to have a one-on-one conversation.  You get to really understand what types of books these people read and you can gear them toward the book like might like the best.

DeAnna Knippling: Some people are great salespeople.  I am not.  That’s not some kind of subtle insult or anything.  I’m learning.  But I’ve always found networking more valuable to me than selling per se.  If a sale comes out of it, great.  And I’m not like, “Here’s my business card, call me!”  To me, a face to face event means that people are far more likely to put their hair down and tell me things.  Interesting things.  Gossip.  Rumors.  Scandalous lies!  And I love connecting other people and providing a safe place to talk.  I have a SF/F/H writer group, the Colorado Tesla Writers, that is basically just a Facebook page and a monthly meal for people to hang out and feel like Real Writers(tm) and let our hair down.  That’s it.  I’m not sure what it’s effective at, but people tell me that it is, so I keep doing it.

To wrap up this last segment, I want to thank our panel members for the great writing rules. If you create characters who are not only realistic, but who the readers can identify and empathize with, and if you write with emotion which comes from your soul, you can evoke in your readers and make them care about your characters and your story. And while pacing is important and can be controlled with tension, conflict, action and dialog, most of our author panel don’t consciously write with pacing in mind, but rather it seems to come naturally. Also, we may need to pace ourselves to get the story out, as well as controlling the pacing of the story itself.

It does make sense to offer your books in as many formats as possible, because readers aren’t all the same. Amazon and Smashwords appear to be the favorite for digital publishing and CreateSpace was preferred for print publishing, although I believe they have made some changes and now Amazon is also providing print books as an option, so that may change.

Reviews are an author’s calling card these days, and it seems the best way to get them is to ask, whether in a newsletter, in person, or in the book itself, but it’s best not to be pushy. Genre conventions, book fairs and festivals, book signings, and library events are the preferred face to face events to make connections with readers. 

Well, it’s time to bring our time with our Ask the Authors panel members to a close. I do hope we’ve provided some helpful information and advice for all you authors out there, and maybe even made you smile once or twice. Thank you all for joining us. Be sure to watch for round two, this fall, where we will have several of these panel members back, as well as inviting other authors to join our panel. The best way to be sure not to miss out on this and all the other great content here on Writing to be Read is to sign up for email notification of follow me on WordPress. I hope you all will drop in frequently.

Next Monday, on Writing to be Read, I’ll be interviewing author Mark Shaw, who has optioned his book, The Reporter Who Knew Too Much, for film. Something all authors dream of and some actually get the opportunity to do. How exciting. We’ll also be talking about his new book, Courage in the Face of Evil, which is to be release in June. Don’t miss it!

I want to extend a big thank you to our panel members, Carol Riggs, Tim Baker, Jordan Elizabeth, DeAnna Knippling, Chris DiBella, Art Rosch, Janet Garber, Margareth Stewart, Chris Barili, and Cynthia Vespia. You guys and gals were a great panel and together we created a great Ask the Authors series. I feel it was very successful and I had a lot of fun with it. I hope all of you did, too. Until next time.

 

 


“Blood in the Water”: A Crazy Crime Novel

Blood cover

Author Tim Baker has done it again and Flagler Beach is the setting for another crazy crime caper, Blood in the Water. Ike helps a friend with a seach for sunken treasure that leads to a thirty year old cold case, which strangely enough is tied to a murder investigation his girlfriend, Val, has undertaken. Can they bring done the killer and solve the cold case before he learns they are on his trail and puts a stop to their plans? No spoilers here. You’ll have to read the book to find out.

As usual, Tim Baker has turned out a fun and extremely entertaining read. Readers will root for the good guys and boo whenever the villian appears. Hidden identities, missing persons, sunken treasure and lots of danger. This book has it all.

I give Blood in the Water five quills.

Five Quills3


“Ask the Authors” is Coming to “Writing to be Read”

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I’m excited to tell you about a new series of posts coming to Writing to be Read. Starting next Monday, “Ask the Authors” will pose the questions you want to ask to our panel of authors, and I’ll bring you their answers. The series will cover all aspects of writing, with topics including the writing process and elements of craft, and issues surrounding publishing, and building a platform, marketing and promotion, with members from our panel weighing in on each subject. If you have follow-up questions for the panel or for the individual authors, you can leave them in the comments. I will get them answered and post them in the concluding post, so be sure to catch the whole series.

Our panel consists of eleven members, which I’d like to introduce to you today. All of them, I have worked with here on Writing to be Read, either reviewing their books or interviewing them, or both. Many have participated in either my 2016 Publishing series: “Pros and Cons of Traditionional vs. Independent  vs. Self-Publishing” or my 2017 Book Marketing series: “Book Marketing: What Works?”. They are all outstanding authors and together, they cover a wide variety of genres and publishing routes. Feel free to pose any questions for them of for the panel in general in the comments of any of the posts and I will try to get them answered for you. I hope all my readers will give each of them a warm welcome.

Tim flagler filmTim Baker is a Florida author of ten novels, most of which I’ve read more than once. His work is well crafted and entertaining, with memorable characters you can’t help but care about. (See my reviews of Tim’s books: Living the Dream, No Good Deed, Water Works, Backseat to JusticeUnfinished Business, Pump It Up, Eyewitness BluesFull Circle, 24 Minutes) He started out his writing career with a publisher, but has now moved into the independent publishing arena.

Tim has played almost every sport imaginable throughout his life and currently enjoys S.C.U.B.A. diving, riding his motorcycle, reading and watching movies, (not necessarily in that order). In fact when writing a novel, he approaches it like he’s creating and watching a movie in his head. When asked who he’d like to play the lead character if one of his books were turned into a movie:

“That’s an easy one…in almost all of my books the hero is a guy named Ike. He is a 6’6” ex-Navy SEAL with a tendency to bend (and sometimes break) the rules. He was modelled after the character of Wade Garret, played by Sam Elliot, in Road House – but Sam is getting a bit old to play Ike so the next best thing is an actor named Anson Mount (from the series Hell on Wheels).”

Something his readers might not gues about him: “After reading my books I think most people would be surprised to learn that I am very non-violent. I don’t believe that violence ever solves anything. I also don’t own a gun (but I don’t care if you do), nor do I know much about them. Most of the technical jargon I use about guns in my books I learn from people who know. And I would go out of my way to avoid hostility.”

When asked to describe himself in three words: “Impossible to describe (that’s 3 words!!)”.

Living the Dream was one of the first reviews I did on Writing to be Read back in 2010. I’ve interviewed him for both my 2016 Publishing series and my 2017 Book Marketing series, as well as an author profile back in 2012, and I am pleased to welcome Tim to our Ask the Authors” panel.

You can learn more about Tim and his books at his website: www.blindoggbooks.com.

Author Jordan Elizabeth Hollack

Jordan Elizabeth is a New York small press author of Young Adult fiction. (See my reviews of Jordan’s books: Escape From Witchwood Hollow, Cogling, Victorian, The Goat Children, Path to Old Talbot, Kistishi Island, Treasure Darkly, Wicked Treasure, Runners & Riders)

One of her secrets for juggling her writing career and family is to set aside one hour a night just for writing. If she’s fortunate enough to set aside two hours, she uses the second hour for marketing. When asked: “What is one thing readers would never guess about you?” She replied: “I am terrified of costumed characters.  Think head-to-toe Mickey Mouse.  If I see one, I freak out.” 

I have reviewed Jordan’s work, both novels and short fiction since 2016, and I had the pleasure of interviewing her for both my 2016 Publishing series and for my 2017 Book Marketing series, and we started off the new year with another interview to talk about her latest book, Secrets of Bennett Hall. In fact, when asked to relate about the most fun interview she’d ever done, she replied, “Anything by you.  You always ask unusual questions that really get me thinking.” So thank you for that, Jordan. It pleases me to no end to have you join our “Ask the Authors” panel.

You can learn more about Jordan and her books at JordanElizabethBooks.com.

Margareth StewartMargareth Stewart is the pen name for Mônica Mastrantonio, debut author of Open/ Pierre’s Journey After War published by web-e-books.com. She has also compiled and published three international Anthologies featuring global authors: Whitmanthology, Womenthology, The Pain that Unites us All.

She holds a PhD in Social Psychology, and she has been teaching and tutoring students over 22 years. This zen-mother of 3, loves life and her tattoos. She spends her time between Sao Paolo, Miami and writing residencies.

When asked about her favorite form of exercise: “Jogging – that´s kind of an obligation for me. As writers, we tend to sit for long hours, so every single day, I do try to keep that up and go out for a short run of 4 to 5 kilometers. If I have more time, I go round a park nearby and that makes 6 kilometers. I do recommend it – it keeps our mind sharp and our ideas bright.

I only recently met Margareth through my interview with her, but I am happy to have Margareth as a panel member.

You can learn more about Margareth and her book on her Facebook page.

Chris DiBellaChris DiBella is currently an independent California author. (See my reviews of Chris’ books: The 5820 Diaries, Whispering Death, Blood Dawn) I say this because Chris has been all over. Originally from New England, he began writing his first novel while living in Hawaii. I reviewed his debut novel, Lost Voyage, back when he was a Colorado author and I was the Southern Colorado Literature Examiner, as well.

I met Chris through another author on this panel, Tim Baker, and it is apparently Tim who gave Chris the best piece of advice he’s ever received:

“I wrote a blog piece about how it’s okay to sometimes alienate your readers…to a point. One of the comments on it was from my friend Tim, who said this:

“If Stephen King or JK Rowling want to piss people off, they can afford it. You and me? We should be a little more careful. Just sayin’.”

And that was the roundabout way of giving me the best piece of advice I could’ve ever received. I immediately got on my laptop, opened up a blank Word document, and typed in big bold letters “BE BIGGER THAN STEPHEN KING & J.K. ROWLING”.

Chris’ words to you readers: “I am however, an open book…..every pun intended….so if there’s anything you would like to know about me or about what makes me tick, please feel free to reach out and ask away. I love interacting with fans and I welcome any questions you may have.”

Soon you can learn more about Chris and his books at his website, which is under construction ans linked to his blog site: www.chrisdibella.com. For now, it might be easier to contact him through his Facebook page.

Janet GarberJanet Garber is the author of both fiction and non-fiction who lives in the U.K. and bases her writing on her experiences as an H.R. manager in New York.

Janet says that if Dream Job, Wacky Adventures of an HR Manager were made into a film, anyone playing her protagonist, Melie Kohl, would have to be believable as a New Yorker, funny and self deprecating, wildly imaginative, more than a little neurotic.  She suggest Mary Elizabeth Winstead, star of that great political satire, BrainDead.

When asked what she would do in a life without writing, she says: “I would do what I always do when I’m avoiding my work: knitting, hiking, going to movies, cooking, getting together with friends, travelling, teaching. But . . .I prefer a future  with maximum creativity and that means writing.”

I reviewed Janet’s debut novel,  Dream Job, Wacky Adventures of an HR Manager,  and thought it was one of the quirkiest books I’ve ever read, but it was very entertaining. I hope you will all give her a warm welcome.

If you’d like to learn more about Janet or her books, visit her at:

Her website: http://www.janetgarber.com

On Lulu: http://www.lulu.com/spotlight/Melie5

Amazon Author Page: amazon.com/author/melie5

Art RoschArt Rosch is an independent novelist and memoirist from sunny California. (See my reviews of The Road Has Eyes and Confessions of an Honest Man. Also see my interview with Art for my 2016 Publishing series here.)

Art says the best piece of advice he was ever given was to ask for help when you need it.  If you find yourself bottoming out, don’t hesitate to ask for help.  You can’t get out of trouble by yourself. When asked to describe himself in three words: Becoming more alive.

I’ve known Art since 2008, when I administered my own writing site, Writer’s World, and Art was a member. Later, he had his life partner, Fox, who is a pet pyschic, do a reading for me after my son died and we inherited his dog. I am so pleased to welcome him to the “Ask the Authors” panel.

You can learn more about Art and his books at Arthur Rosch Books or on his blog Write Out Of My Head.

Carol Riggs author_smallerCarol Riggs is a Young Adult fantasy and science fiction author, and dragon collector from Oregon.  You will usually find her in her writing cave, surrounded by her dragon collection and the characters in her head.

The most fun part of writing for Carol is “the freedom of drafting a first draft, and being imaginative with my storyline.” The least fun part: “The least fun is marketing, all that necessary left-brained business side of things.”

Carol’s favorite genres to read (and write!) are speculative, which includes fantasy, science fiction, steampunk, magical realism, contemporary fantasy, or anything else with a twist of weird or the imaginative.

When asked what she would do in a future where the was no writing: I would cry. Seriously (after I finished crying), I would return to my artwork, because I have a degree in Studio Arts and that is something I love to do, but haven’t had as much time to do it because I’m so busy writing. In general, I enjoy drawing people more than landscapes. I also like to create miniature fabric art.

I have reviewed Carol’s books on two occasions, and I welcome her as a valuable addition to our “Ask the Authors” panel. (See my reviews of Carol’s books: Bottled and The Lying Planet.)

You can learn more about Carol or her books at her website: http://www.carolriggs.com/

deannakDeAnna Knippling is another independent Colorado author and one of the a great example of what being a writer is all about. She writes full time as a writer for hire in addition to writing fiction in both short and long forms under her own name. (See my reviews of DeAnna’s books: Clockwork Alice; Something Borrowed, Something Blue; How Smoke Got Out of the Chimneys; ) Her stories are always fun and entertaining.

The most unusual or unique thing she’s done in her writing career to date: “I’ve written murder mystery party games for Freeform Games in the UK.  SO VERY COOL.  So very intense getting them edited…”

When asked about what she would do in a future without writing, she replied: “Be in a coma.” and in one where writing made her rich and famous: “I would buy a house in the mountains and support my husband in the sloth and luxury that he deserves.  I have other plans, too, but that’s at the top of the list.”

When asked to describe herself in three words: “I’m right heeeeeeere!”

I had the pleasure of interviewing her twice in 2017. The first time, a profiling interview and then for my 2017 Book Marketing series, and I am thrilled to welcome her to our “Ask the Authors” panel.

You can learn more about Deanna and her books by visiting the following sites:

Goodreads
www.WonderlandPress.com
www.facebook.com/deanna.knippling

colorheadshot - CopyCynthia Vespia an award nominated speculative fiction author, cover designer and promotional content developer. She also teaches internet advertising classes and marshal arts workshops. Her speculative fiction encompasses fantasy, the paranormal, and magic realism.

When asked if one of her books was made into a film, who she would you like to play the lead: One of my books is currently in the beginning stages of becoming a film. It is based on my novel The Crescent and it is a female gladiator tale called Gladiatrix. If I could have anyone in the lead role I would choose Gal Gadot. She is not only hot in features, but she is a hot name right now coming off of Wonder Woman and Justice League. The way she presents herself in the beginning of Wonder Woman on the island of Themyscera is perfect for my gladiator tale, and she can fight too!

Cynthia was another of Writing to be Read‘s first reveiws and, always willing to jump in where needed, she participated in a profiling interview, my 2017 Book Marketing series. (See my reviews of Cynthia’s books: the Demon Hunter Saga, including The Hero’s CallLife, Death and Back; Lucky Sevens)

You can learn more about Cynthia and her books at her website: www.cynthiavespia.com/ 

Chris Barili-1521Chris Barili is a speculative fiction and romance author who was also my cohort in the M.F.A. in Creative Writing program at Western. (See my reviews of Chris’ books: the Hell’s Butcher series and his romance, Smothered (as B.T. Clearwater).)

Besides writing, Chris lifts weights, mountain bikes, practices martial arts and battles Parkinson’s disease. Writing just may be his salvation. When asked about a future where writing left him rich and famous, Chris said he would write more. Regarding a future without writing: “Shrivel up and die. Writing is part of me. Without it, a part of me dies. A crucial part of me. I cannot  live without it. I can live without an arm or a leg. I can get by with this Parkinson’s thing. But without writing, I am sunk.”

The best piece of advice he was ever given: “Try genres outside of fantasy.” In addition to my reviews of Chris’s books and short fiction, he was also interviewed for my 2017 Book Marketing series, and I’m happy to have him as a member of our “Ask the Authors” panel.

You can learn more about Chris and his books at his Amazon Author Page: http://www.amazon.com/Chris-Barili/e/B00NA04S8W/ref=ntt_dp_epwbk_4

As you can see, we’ve got a terrific panel of multi-talented authors, both experienced and rising, representing a diversity of genres, covering a wide range of knowledge. The way this series works is I will present a series of posts that will offer answers the panel gives  in reponse to my questions.

If you have a question you’ve always wanted answered, but it’s not covered in the post on that topic, pose your query in the comments. Make note if it is directed toward a specific author. Questions will be directed to the general panel unless otherwise specified. Then, in the final post for the series, I will present your questions and the responses I recieved from panel members. I hope you’ll all participate and leave your questions in the comments. I think if we can get enough particiaption it might be really fun.

Like this post? Subscribe to Writing to be Read for e-mail notifications whenever new content is posted or follow WtbR on WordPress.

 


“24 Minutes” may seem like forever

24 Minutes front

All too often these days we turn on the news to hear there’s been another incidence of gun violence with massive death tolls. Employers are now providing training for what to do in the event they are faced with an act of work place violence as standard procedure, using scenarios that would never have occurred to us in times past, and the media is filled with experts offering possible explanations for such tragedy while the rest of us scratch our heads trying to figure it all out.

Now, author Tim Baker takes us there, offering a glimpse of what it might be like to be faced with an act of violence when a gunman lays siege on a corporate office, in his latest novel, 24 Minutes, to be released in January. As the reader is introduced and follows Tim’s characters as they battle their own fear and are faced with life or death decisions, it is impossible not to wonder how you would react, if faced with a similar situation. The whole scenario unravels quickly, lasting a mere 24 minutes, but for the characters of this tale, it may be their last. Going through the event with them, 24 Minutes may seem like forever, and you won’t want to wait to see what happens next and learn who the real heroes are.

Tim Baker addresses social issues which are prominant in our society today, offering an inside view illustrating the many sides of human nature which reveal themselves under pressure. A fast paced slowed to a readable tempo for maximum enjoyment. I give 24 Minutes four quills.

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Kaye Lynne Booth does honest book reviews on Writing to be Read in exchange for ARCs at no charge. Have a book you’d like reviewed? Contact Kaye at kayebooth(at)yahoo(dot)com.


Book Marketing – What Works? (Part 4): Interview with author Tim Baker

Blindogg Books

So far, in this Book Marketing – What Works? series, we’ve heard from speculative fiction author Cynthia Vespia in Part 1, who does all of her own marketing; taken a look at Mark Todd and Kym O’Connell Todd’s online marketing strategies in Part 2; and glimpsed the value of paid advertising with YA author Jordan Elizabeth in Part 3, whose street team was pivotal in getting reviews for her books. This week, we’ll take a look at branding with an author who has developed a brand of his own for his books, Tim Baker.

Tim and I have been acquainted for several years now. He’s a talented writer, whose books are fun and entertaining. I’ve reviewed most of his books at one time or another: Water Hazard, No Good Deed, Backseat to Justice, Full Circle, Pump It Up, Living the Dream, Eyewitness Blues, and Unfinished BusinessTim also weighed in on my Pros and Cons of Traditional vs. Independent vs. Self-Publishing series, where he heralded the advantages of self-publishing. Today he’ll talk a little about branding and about the effectiveness of free promotions.

Kaye: How long have you been writing and publishing your own books?

Tim: My first seven books were published by small press publishers. I decided to publish under my own brand (Blindogg Books) with the release of Full Circle in 2015. Since then I have released one other novel (Blood in the Water) and a collection of short stories (Path of a Bullet).

Kaye: You talk about creating your own brand. Of course, I knew about BlindoggBooks, but we hear about brands all the time. Can you elaborate and explain what it takes to create a brand, and what the advantages are with having your own brand?

Tim: I doubt that the way I created my brand is textbook, but here it is…

At some point between my first and second novel I thought it would be a good idea to have a website. My first attempt was rudimentary at best, but it served the purpose.

While creating it I decided I didn’t want to use my name as the headline. Several years earlier I had doodled an image of a dog wearing dark glasses (a blind dog – more on that story can be found here – https://blindoggbooks.wordpress.com/2012/08/14/is-your-dog-really-blind/ ). So from that point forward Blindogg Books became my brand name…the next step was getting it out there.

I put the doodle on everything…my website, my facebook page all of my social media accounts, book marks, and all sorts of paraphernalia which I would give away at signings and anywhere else I could.

Before long my blind dog was very popular and people recognized it – which I think is the desired result – right?!

As far as advantages, I guess I subconsciously followed the lead of many big name companies who have a recognizable logo. People may not always remember my name, but they always remember the blind dog!

As I’ve said before, my marketing tactics are strictly “learn as I go” – and so far it’s working for me, so I’ll just keep plugging along. I tweek things here and there, but I don’t see myself getting rid of my brand name.

Kaye: What made you decide to go with self-publishing?

Tim: There were two main reasons: Cost and Control.

Using a small press publisher is not free…and it’s usually not cheap. The cost of buying a batch of ISBNs and paying somebody to format the book for kindle and paperback saves me hundreds of dollars with each release.

Self publishing (I actually prefer the term independent publishing) also allows me to have much more control over when my book is released, etc.

Kaye: How many books have you published to date?

Tim: Nobody told me there would be math in this interview!!

So far I have published nine novels, one collection of short stories and two novellas. My tenth novel (24 Minutes) is scheduled to be released in the fall of 2017.

Kaye: What is the biggest challenge of being a writer today?

Tim: This is a tricky question, because it will vary from writer to writer…JK Rowlings’ biggest challenge is probably how to spend her money, while mine is trying to find enough time to write, publish and market my books while working a full time job and trying to have a social life.

Kaye: You’ve come up with some great titles. How do you decide the titles for your books? Where does the title come in the process for you?

Tim: I try to pick a title that does a few things at once…I want it to intrigue the potential reader (very important), I want it to fit the story without giving too much away, and I want it to be catchy. It isn’t always easy, and I usually go through more than one idea. The final title will usually come to me when I’m nearly done with the first draft – although there have been a couple of books where I had the title before I started writing (Full Circle and Backseat to Justice).

Kaye: Do you do any kind of free promotions, where you offer your books for free? If so, how does that work for you?

Tim: Yes. I often offer titles for free download (usually around the release of a new title in order to stimulate a little buzz for the new one) and they always work extremely well. I do giveaways on Goodreads, which also helps to get my name out there. I also give away paperbacks quite frequently. For the amount of money a paperback costs me (usually around $4) I find it’s highly effective to give one to a new reader…it almost always leads them to purchase other titles. We all know the value of word-of-mouth advertising, and giving somebody a free book (which, hopefully, they will enjoy) is a great way to get some. Of course it is much easier for me to give books away now that I have 13 titles under my belt. Back in the day, when I only had two or three, I didn’t feel as though it was as beneficial since I had to give away one book in order to get people to (possibly) buy the other two.

Kaye: Do you participate in KDP Select on Amazon? Do you feel this program is conducive to selling books?

Tim: Yes, I do. As to whether it is conducive to selling books, I really don’t know. KDP allows you to do giveaways, so in that respect the answer would be yes. However, once you sign on to KDP you agree not to sell your books on any other venues (other than live book signings and such) which is somewhat counterproductive as far as selling a larger quantity of books. In all honesty, even though I’ve been selling books for nearly ten years, I still don’t know what works best. If I did I’d have a yacht by now!

Kaye: What works best to sell books for you, as far as marketing goes?

Tim: I don’t think there is one method or specific act that works best…I believe the best marketing tactic is to be consistent, relentless and tenacious. Marketing (to me) isn’t a part time job – it’s a non-stop effort. I often tell people that for every hour I spend writing, I usually put in three or four marketing. This could involve anything from social media posts to handing out bookmarks. I’ve tried a thousand different things and it isn’t one or two of them that made a difference, it was the continual act of doing it.

Kaye: How much work do you contract out? Book Covers? Editing? Marketing? Etc…?

Tim: I contract editing, formatting and cover art. Marketing I do myself, because I have yet to find a so-called marketing expert who will either charge me based on the level of success of their campaign (e.g. work on commission) or give me some sort of a guarantee before I pay them. If you send me an email stating you are the latest and greatest book marketer – I think you ought to back it up, rather than back-pedal with inane statements like “Well, there are no guarantees in marketing.”

Kaye: What do you do for cover art? DIY, or hired out, or cookie cutter prefab?

Tim: I always contract it out, and for the most part I use one particular artist (I call her my cover girl!) I will gladly give her contact info to anybody interested.

Kaye: If writing suddenly made you rich and famous, what would you do?

Tim: I would;

  1. Quit my day job
  2. Buy a yacht
  3. Write more books
  4. Donate large sums of money to organizations that support human rights and animal rights
  5. Hire the surviving members of Led Zeppelin to play at my next birthday party.

(in that order!)

Kaye: What is the one thing in your writing career that is the most unusual or unique thing you’ve done so far?

Tim: Interesting question…After careful consideration I’d have to say that the most unusual thing I’ve done as a writer happened when I was writing my sixth novel, Unfinished Business. Research is part of an author’s life, to varying degrees, and my research for Unfinished Business was a bit unusual. The book is about a woman named Meg, a mortician who somehow inherits the task of carrying out the last thoughts of the bodies she embalms. In order to make the book as true to life as possible I interviewed a mortician friend of mine (whose name also happens to be Meg – coincidence? You decide!). So for over three hours I asked questions and learned more than I ever thought I would want to know about the preparation of corpses for funerals, and the life of a mortician.

I’d call that unusual and unique!

I want to thank Tim for joining us today to share his experiences and marketing advice. If  you’d like to know more about Tim Baker or his books, check out his blindoggbooks blog, or visit his website, or his Goodreads author page. You can also find him on his Facebook Fan Page or Twitter: @blindoggbooks. Watch for my review of Tim’s latest book, 24 Minutes, which will be out the end of October or early November.

I hope you’ll join us next week, when we talk with romance author Amy Cecil, who launches her marketing strategies on social media and uses a P.A. and a street team in Part 5 of Book Marketing – What Works?.

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Pros and Cons of Traditional vs. Independent vs. Self-Publishing (Part 2): Interview with Self-Published author, Tim Baker

tim-baker-books

Today I want to talk a little about definitions, because people often independent publishing as an umbrella term to cover authors who are self-published, as well as those authors who are published through an independent publishing house. I’m guilty of this, too, as the title for this article series does not differentiate, although the series will be looking at all three options. From here on out, I will differentiate between self-published and independently published authors, and refer to smaller presses as independent presses vs, the larger publishing houses, which shall be referred to as traditional publishers.

 

In Part 1 of this series, I interviewed self-published author Jeff Bowles to get his thoughts on the publishing industry as an emerging author today. Today’s interview is with Tim Baker, the author of nine novels, two novellas, and a collection of short stories, all self-published under his own brand, Blindogg Books. I’ve had the privilege of reviewing many of those books and can tell you he writes a well crafted story. His publishing credits include Living the Dream, Water Hazard, Backseat to Justice, No Good Deed, Unfinished Business, Eyewitness BluesPump It Up, Full Circle, Dying Days, with Armand Rosamillia, and Path of a Bullet. You can contact Tim Baker or find out more about his work by visiting his website at blindoggbooks.com.

 

Kaye: Would you share your own publishing story with us?

Tim: My love for reading came early in life when I discovered Treasure Island and The Adventures of Huckleberry Finn at the age of ten.

A high school journalism class and a creative writing course in college turned my love of reading into a love of writing. In 1988, I began writing a book called Full Circle, which combined my love of writing with my interest in Karma. A chain of events caused the unfinished, handwritten manuscript to be tucked into a box. During the ‘90s, my time was divided between raising my son, owning a home and building a career in engineering, leaving no time for writing. It remained untouched until February of 2015 when I dusted it off and completed it for release in November 2015.

By the time I moved to Florida in 2006, my dream of penning a novel was all but forgotten…until one night when a dream rekindled my passion for writing.

Then, in April 2007, I had a dream about two old friends and a submerged box of gold bars. The next day I found himself trying to figure out the story behind the dream. By the end of that day, the impetus of a story had formed and I had scribbled out two chapters in a spiral notebook.

One year later, my first novel, Living the Dream, was complete and the dam had burst — I soon followed up with my second novel Water Hazard.

Kaye: When did you know you wanted to be an author?

Tim: The funny thing is that I never really wanted to be an author – at least not consciously.

Even though I’ve always enjoyed reading and writing…it wasn’t until after my first book was published that I realized I was an author. All of a sudden I was an author – which was fine, because by then I had come to the realization that I loved writing.

Kaye: What made you decide to self-publish?

Tim: It wasn’t until after I completed the manuscript for my first novel (Living the Dream) that I started thinking about having it published. After a year of research I had learned a great deal about the differences between traditional publishing and indie publishing, and I decided that indie suited me better – primarily because I had read dozens of accounts about the overwhelming odds of landing a traditional publishing contract. I was not thrilled with the prospect of putting the fate of my novel in the hands of somebody who could shoot it down for any reason at all. This just didn’t seem fair.

Kaye: How did Blindogg Books come about?

Tim: Blindogg Books came about because my research taught me that indie authors need a brand for marketing purposes. I also learned that there are at least 3 other published authors named Tim Baker…so I decided to go with something other than my name.

During the 90s I raised and socialized puppies to be guide dogs for the blind…eventually I picked up the nickname “blind dog” which was changed to blindogg for internet identity reasons. When I needed a name for my brand I thought Blindogg Books had a nice ring to it. (for more info on this go to my blog)

Kaye: What do you see as the pros and cons of independent publishing?

Tim: I’ve had this conversation with many people and I like to sum it up this way;

Independent publishing is a “good news/bad news” situation. The good news is that anybody can publish a book – the bad news…anybody can publish a book. The vast majority of indie authors produce quality work, however the fate of their work depends on the book buying public, so when potential readers read one of the few indie works that just wasn’t ready for publication (for whatever reason) they tend to paint all indie authors with the broad brush of low quality. So even though it’s very easy to have your work published, it’s very difficult to convince readers who have had a bad experience that your work is worthy of their money.

Kaye: What do you see as the pros and cons of traditional publishing?

Tim: Not having any experience in the traditional world I can only speculate. I have to think that having the power of a large publishing house behind you for promotion and advertising is a nice relief from self-promotion. I also think it would be nice to get a big advance for a book. On the down side, I wouldn’t want to work under a contract which dictates when I have to finish a book. I’ve also heard that those big advances are only good if you sell enough books to cover the amount advanced. Obviously we all think our work will sell – but if it doesn’t (for whatever reason) I’d hate to have to give money back!

Kaye: What do you see as the pros and cons of independent publishing?

Tim: I’ve had this conversation with many people and I like to sum it up this way;

Independent publishing is a “good news/bad news” situation.

The good news is that anybody can publish a book – the bad news…anybody can publish a book.

The vast majority of indie authors produce quality work, however the fate of their work depends on the book buying public, so when potential readers read one of the few indie works that just wasn’t ready for publication (for whatever reason) they tend to paint all indie authors with the broad brush of low quality. So even though it’s very easy to have your work published, it’s very difficult to convince readers who have had a bad experience that your work is worthy of their money.

Kaye: How much work do you contract out? Book Covers? Editing? Etc…?

Tim: Everything!! I write it – then let others do the things I’m not qualified to do. This includes editing, formatting (for kindle and paperback) and cover design/layout. Many indie authors try to do these things themselves, but I would rather pay somebody to do it because I know they’ll do a much better job than I will and I won’t be wasting my time doing something that somebody else could do in half the time, leaving me more time for writing and marketing.

The most important one of the lot (in my opinion) is editing. Any money spent on a qualified editor is money well spent. Hiring your high school English teacher or a friend/relative who is “really good at English and reads a lot” will not give you a professional quality job.

Nobody knows more than me how difficult it is to fork out hundreds of dollars foran editor, but I want my books to be the best they can be.

Kaye: So, you’re saying self-published books that aren’t of good quality stigmatize the reputation of independently published books in general?

Tim: Yes. Readers, like all consumers, don’t want to waste money on sub-par products, so if they buy an indie book that is poorly written, edited or formatted they are likely to assume that this is the level of quality for all indie books.

Kaye: Do you think one of the major contributing factors to this stigma is authors who don’t want to spend money to have their books professionally edited? Or do you see other causes?

Tim: Absolutely. This is one of my biggest pet peeves. As I said above, many indie authors think editors are like dentists – a necessary evil. I think a qualified editor is more like a good tailor. You can buy a suit off the rack and it might look decent, but a suit that is professionally tailored will make you look outstanding – and people will notice the difference!

This is not to say there aren’t other causes.

People who write a book without trying to learn even the most basic “rules” lower the bar for all of us. I hate using the word rules, let’s say guidelines…whatever you want to call them – they are critical to producing a book that will make people want to read your next one. These days there is no excuse for not learning how to write a good book. There are a gazillion websites and blogs out there devoted to teaching people how to write – use them. Most of them are free.

But – the best way to learn how to write is to read. Learn from the good books as well as the bad…

Kaye: How much non-writing work, (marketing & promotion, illustrations & book covers, etc…), do you do yourself for your books?

Tim: I don’t have an exact number, but my conservative estimate is that for every hour I spend writing – I spend three hours marketing. I tell people all the time – writing the book is the easy part…selling it is where the work starts.

Kaye: Would you recommend your chosen path to publication, to emerging writers? Why or why not?

Tim: I’m not sure how to answer that – mostly because my path wasn’t chosen as much as it was found. I had no idea what I was doing – so I did lots of research – the most valuable of which was learning from other writers. So for any emerging writers who may be reading this I can only say this…there is a ton of information at your fingertips. The internet and especially social media can help you find the path best suited for you. Get out there and tap into it. Ask questions, do your research and learn from those who went before you.

I want to thank Tim for sharing his thoughts on the publishing industry and his advice with us.  Be sure to check out next weeks interview with self-published author, Arthur Rosch, on Writing to be Read.

 

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